This theoretical work on architecture examines the meaning and relevance of a neutral stance in the face of contemporary urban chaos. It stems from a desire to move beyond a paradigmatic reading of urbanization and to establish a calmer relationship to this condition. The neutral stance in question is not one of passivity, but of heightened receptivity. It articulates a desire for a just relationship with the present that is attentive and unassuming, and that readily accepts the polyphonic character of the contemporary city. Its central argument concerns the creative and productive potential of neutrality and the way it engages with chaos as an inexhaustible source. This research draws on a broad body of multidisciplinary work (art, literature, photography, psychoanalysis etc.) to define a position within the architectural discipline.

The publication emerges from Ido Avissar’s in-depth research at the École nationale supérieure d’architecture de Versailles. It is closely connected to a monograph on the work of LIST, the architecture and urban planning office founded by Avissar in 2012, and complements it with a more in-depth theoretical perspective.

Commissioned around 1470 by the commander Bartolomeo Colleoni and designed by the architect and sculptor Giovanni Antonio Amadeo, the chapel, situated in Bergamo, represents one of the finest examples of Lombard Renaissance architecture. Its façade, richly decorated with polychrome marble inlays, reflects the revival of classical antiquity that characterized late fifteenth-century Lombard art. The funerary monument of Colleoni combines biblical scenes with antique motifs and is crowned by an equestrian statue inspired by the tombs of medieval lords in Lombardy and Veneto. The chapel also preserves important artworks, including the Renaissance tomb of Medea Colleoni, sculptures by Pietro Lombardo and his workshop, and paintings by Giambattista Tiepolo, Giuseppe Maria Crespi, and Angelika Kauffmann. The guide also illustrates the history and artistic heritage of the Luogo Pio Colleoni, the institution responsible for completing the chapel and for its future upkeep.

Formula 1 is no longer just the pinnacle of motorsport—it is the greatest show on Earth. Every Grand Prix weekend transforms cities into global stages where speed meets style, technology meets glamour, and the world’s biggest stars gather to witness history unfold. Formula 1 – The Greatest Racing Spectacle in the World takes readers beyond the grid and into the extraordinary universe surrounding the championship. From iconic street circuits and legendary venues to celebrity-filled paddocks, exclusive hospitality, spectacular concerts, luxury yachts, fashion, and unforgettable moments, this visually stunning volume captures the atmosphere that makes Formula 1 unlike any other sporting event. Richly illustrated with breathtaking photography, the book celebrates the people, places, and experiences that define the modern Formula 1 lifestyle. More than a story about racing, it is a portrait of a global phenomenon where world champions, Hollywood icons, musicians, royalty, and millions of passionate fans come together for the ultimate celebration of speed, spectacle, and luxury.

Founded probably in the 5th or 6th century, the Cathedral of Genoa was later rebuilt in Romanesque style and devoted to St. Lawrence the martyr. Money came from the successful enterprises of the Genoese fleets in the Crusades. After a fire in 1296, the building was partly restored, the inner colonnades rebuilt and matronei and frescoes added. In 1550 the Perugian architect Galeazzo Alessi was commissioned by the city magistrates to plan the reconstruction of the entire building, but the construction of the cathedral didn’t finish until the 17th century.

Among the artworks inside the church are ceiling frescoes, paintings and altarpieces by Luca Cambiaso, Federico Barocci, Lazzaro Tavarone and Gaetano Previati, while sculpture include works by Domenico Gagini, Andrea Sansovino, Giacomo and Guglielmo Della Porta. Impressive are also the works of art and silverware kept in the Museum of the Treasury which lies under the cathedral. One of the most important pieces is the Sacred bowl brought by Guglielmo Embriaco after the conquest of Cesarea and supposed to be the chalice used by Christ during the Last Supper.

Contributors include: Gianluca Ameri, Beatrice Astrua, Michele Bacci, Piero Boccardo, Antonella Capitanio, Marco Ciatti, Marco Collareta, Anna De Floriani, Clario Di Fabio, Grazia Di Natale, Gabriele Donati, Lucia Faedo, Marco Folin, Maria Flora Giubilei, Henrike Haug, Karin Kranhold, Anna Rosa Calderoni Masetti, Roberto Paolo Novello, Linda Pisani, Stefano Riccioni, Giorgio Rossini, Philippe Sénéchal, Carlo Tosco, Gerhard Wolf, Photographs by Ghigo Roli.

Text in English and Italian.

Sir Edwin Lutyens is widely regarded as one of Britain’s greatest architects. In a career of over 50 years, spanning the Victorian, Edwardian and modern eras of architecture, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous World War I memorials across Europe and Britain, and his magnum opus designs for New Delhi built during the 1920s and 1930s. Despite such diversity of building types across his long career, Lutyens’s most celebrated works remain his country houses, which first established his reputation during the 1890s. As Lutyens’s practice flourished his work became widely promoted in publications such as Country Life magazine, and his houses, particularly those designed in the vernacular manner, would subsequently give rise to an entire genre of the English country house that became known, as it is to this day, as a ‘Lutyens-style’ house. Sir Edwin Lutyens: The Arts and Crafts Houses brings together in new, wide-format, full-colour photography a definitive collection of 45 of Lutyens’s great Arts and Crafts houses, in which he ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features 575 all-new current photographs of the houses, inside and outside, together with a selection of floor plans of the houses, and a fresh interpretation of Lutyens’s enduring architectural genius.

“Building the Brooklyn Bridge is a perfect feast, a would-be time-traveler’s delight, overflowing with rare and evocative and fascinating images.”
– Kurt Andersen
Recipient of the 2021 Book Award from The Victorian Society New York.


The captivating story of how a bridge of unprecedented size and technology was built during an age of remarkable innovation.
This book invites the reader to step back in time to discover why this iconic bridge-proclaimed the ‘eighth wonder of the world’ soon after its completion and a National Historic Landmark since 1964-continues to hold such a special place in the hearts of so many.
Spanning the East River, the Brooklyn Bridge connected for the first time the then independent cities of Brooklyn and New York. This awe-inspiring structure was not only a modern engineering feat of extraordinary imagination, fortitude, and skill, it also was a towering beacon of human triumph.
Author Jeffrey Richman, historian at Brooklyn’s famed Green-Wood Cemetery, has gathered more than 250 superb nineteenth-century images, many never before published on the printed page, including engineering drawings, photographs, stereographs, woodcuts, and colored lithographs. Flipping through the book, one can imagine the excitement people around the world felt as they followed the progress of the bridge’s construction, either through the illustrated papers of the day or using viewers to look at stereographs in three dimensions. Richman specially commissioned more than forty anaglyphs-3D images generated from the historic stereographs-to recreate the 3D experience on the page. Every copy of the book includes a pair of 3D glasses kept in a pocket inside the back cover, offering the reader the sensation of being at the construction site as the towers began to rise.
A born storyteller, Richman relates how a small group of dedicated engineers and thousands of workers toiled for more than a decade to construct what was then the largest suspension bridge ever built, section by section, from the massive anchorages and elegant towers to the cables and bridge railway (operational four months after the bridge’s official opening). He reminds us how profoundly modern and groundbreaking the bridge was, in its use of steel (a new material) and pioneering construction methods. The bridge still elicits awe and admiration today.
“This is one of humankind’s great creations”-author interview with Michelle Miller on CBS Saturday Morning.

“Unseen illustrations show the genius of Biba’s Barbara Hulanicki – in pictures… “ —  The Guardian

“This reissued book is a photographic love letter to its dark, decadent glamour.” — The Lady Magazine
“… “This book is a testament to creative freedom,” writes the now 87-year-old Hulanicki in the foreword, reflecting on her legacy. “You can do it all as long as you learn to wear a suit. Of course, your secret will be that the suit is lined in gold lamé.” — CNN

Big Biba was the final flowering of the near-mythical Biba retail brand. A shop like no other, all seven storeys stocked own-brand products packaged in the distinctive Biba style. Customers were immersed in a sensory smorgasbord – the complete shopping experience. A committed Bibaphile could buy a satin skirt, a leopard-print suitcase and a new bathroom, then spend the afternoon sipping cocktails among the flamingos in the roof garden, while the legendary Rainbow Room doubled as a live venue for some of the coolest acts in the world.

In the wake of this decadent dreamland’s 50th anniversary, and in honor of the 60th anniversary of the very first Biba shop, Welcome to Big Biba is being republished, complete with over 150 photographs of the store and its products and designs. Written by the author of The Biba Experience and designed by Steven Thomas – the designer of Big Biba itself – these pages offer readers a genuine slice of the greatest pleasure palace in retail history.

‘Welcome to Big Biba is an exceptional production… a perfectionistic coup’ – Phil Baker, The Art Book.

“Read And Destroy the book that is. After years of archiving photos, scanning slides and looking for funding, a hardcover publication about the seminal UK skate magazine from the late ‘80s to mid- ‘90s can be in your hands very soon.” — Free Skateboard Magazine

“… an important piece of British skateboarding history that demands a space on your bookshelf.” — Slam City Skates London

“It’s an invitation to grab your board, push the boundaries, and immerse yourself in a time when skateboarding was truly a way of life.” — NL Magazine

For British skateboarders in the mid-’80s, RAD (aka Read and Destroy) was more than just a magazine. Before the X Games, before the internet, a whole generation of this once underground subculture relied on RAD to provide a beacon, bringing them together in spirit and in person.

Under the guidance of editor and chief photographer, Tim Leighton-Boyce, RAD took on an experimental, irreverent approach with a vibrant, chaotic energy. The legacy of the magazine is an action-packed photo archive documenting a unique time, place and attitude, capturing the death and rebirth of skateboarding as it evolved into a mainstay of extreme sports and street culture the world over.

This book reveals that archive in all its glory, offering an inside view of skateboarding and youth culture from the 1970s, ’80s and ’90s, told primarily through the experiences of the British skate photographers at the core of the magazine’s original editorial team.

“A love letter to Italy expressed through fashion, craft, tradition, festivities, camaraderie, and sense of la dolce vita.” — Forbes

“… lovers of fashion will discover a world full of creative artistry and talented workmanship.” —The Hollywood Times

“This isn’t just any book. It’s an invitation, perhaps the only one, to experience the magic of Dolce&Gabbana up close.” — NL Magazine

Dolce&Gabbana’s Alta Moda shows are the epicenter of Italian fashion. The luxury lifestyle brand began its annual grand flourishes in 2012 and has since made a custom of staging the last word in Italian elegance with shows unlike any other, each lasting an entire weekend at an exclusive, invitation-only location.

Behind the scenes of these unique events, the preparations are meticulous, with designers, models, crew members, directors and makeup artists, all adding their finishing touches before the first silhouette is cast out on the runway. Matt Lever is one of only a handful of photographers ever invited to the shows. Covering almost every show since their inception, his images of the backstage commotion take us on a visual journey through Dolce&Gabbana’s intimate inner workings.

Lavishly illustrated, La Dolce Vita is a sublime coffee-table volume, perfect for fans and followers of high fashion and a compelling work of art for anyone with in an interest in the sculpting of the most lauded pageants in the fashion calendar.

Chetham’s Library is the oldest surviving public library in Britain. It was founded in 1653, under the will of Humphrey Chetham, a prosperous Manchester textile merchant, banker and landowner. His legacy also established a school for 40 poor boys (now a specialist music school) and provided for five chained libraries to be placed in local churches.

The Library, in Manchester, England, is housed in a beautiful sandstone building dating from 1421, which was constructed to accommodate the priests of Manchester’s Collegiate Church (now the Cathedral). It remains one of the most complete medieval building complexes to survive in the northwest of England. The building and the magnificent library interior create a unique atmosphere for both readers and visitors.

The Inside series focuses on the mission and organization of an institution – the context in which it operates and the people who make it work. It tells the story of how an institution has evolved through its people, history, architecture, purpose and practice.

There’s more to Washington, D.C. than politics. Beyond the suits and monuments, the nation’s capital is a playground for kids of all ages. Where else can you find a hidden slide inside a public library or rent paddle boats surrounded by iconic memorials and monuments? Fairy gardens, dinosaur parks, swings, and themed playgrounds pop up everywhere, offering adventures at every turn. Kids can also taste the world without leaving town – empanadas from Latin America, Asian-inspired ice cream, and bustling food halls.

Museums aren’t just for grown-ups either: create at the Hirshhorn’s art carts or join a scavenger hunt at the National Portrait Gallery. Families can hike Civil War-era trails, cheer at Nationals Park, or step inside a mansion with 80 secret doors once visited by Rosa Parks. Washington, D.C., is a place where kids can discover history, science, art, and more – all while having a blast and making lasting memories. Explore these 111 kid-friendly spots and uncover a city that’s fun, surprising, and unforgettable.

Step beyond Old Town Alexandria’s historic brick facades and gas lamps to discover a world of timeless architectural beauty in Old Town Style. This comprehensive volume showcases over 40 extraordinary period homes, from a rustic Colonial Sea Captain’s house to an elegant Federal townhome and a transformed 18th-century bank turned private residence. Many featured homes are published here for the first time, offering an intimate look into Alexandria’s best-preserved historic treasures.

Blending personal renovation stories, decorating insights, and rich historical context, the book provides lasting design inspiration while emphasizing architectural preservation. Acclaimed photographer Erik Kvalsvik’s vibrant full-color images reveal diverse interior styles—from Jacobean and early American to mid-century modern—and highlight intricate exterior details. Intimate glimpses of secret walled gardens add enchantment.

Written by Robert F. Weinhagen, Jr., president of the Historic Alexandria Foundation, and his Book Committee, Old Town Style celebrates one of America’s most beautiful historic towns and the passionate stewards preserving its legacy.

There’s more to Washington, D.C. than politics. Beyond the suits and monuments, the nation’s capital is a playground for kids of all ages. Where else can you find a hidden slide inside a public library or rent paddle boats surrounded by iconic memorials and monuments? Fairy gardens, dinosaur parks, swings, and themed playgrounds pop up everywhere, offering adventures at every turn. Kids can also taste the world without leaving town – empanadas from Latin America, Asian-inspired ice cream, and bustling food halls.

Museums aren’t just for grown-ups either: create at the Hirshhorn’s art carts or join a scavenger hunt at the National Portrait Gallery. Families can hike Civil War-era trails, cheer at Nationals Park, or step inside a mansion with 80 secret doors once visited by Rosa Parks. Washington, D.C., is a place where kids can discover history, science, art, and more – all while having a blast and making lasting memories. Explore these 111 kid-friendly spots and uncover a city that’s fun, surprising, and unforgettable.

Palazzo Giovanelli in Santa Fosca is certainly one of the most prestigious private buildings in Venice. While its first nucleus dates back to the fourteenth century, in 1527 it was donated by the Doge Andrea Gritti to Francesco Maria I, Duke of Urbino. The palace remained property of the family until its transfer to the Donà family, which gathered an important collection of works of art inside. At the beginning of the eighteenth century, the palace reached the Giovanelli family, who expanded and modernized it. However, it was during the nineteenth century that the residence took on its definitive appearance. In an initial neoclassical phase, Count Andrea commissioned the arrangement of his private apartment to Giuseppe Borsato and Francesco Hayez. Shortly afterwards, in 1847, Giovambattista Meduna arranged one of the façades like that of a small Ducal Palace. In 1860, Meduna carried out further expansions, setting up a prestigious collection of paintings, including a masterpiece of Venetian art: Giorgione’s Tempest. The volume, in both Italian and English, reconstructs the history of seven centuries of the palace, the events it witnessed, and the artistic treasures inside it.

Text in English and Italian.

The apartment is the defining home of the modern city. Whether overlooking Parisian boulevards, occupying a historic Milanese palazzo or soaring above the skyline of New York, today’s finest apartments combine exceptional interior design and architectural character. They are places where city life finds its most vital and refined expression.

Apartment takes readers inside the world’s most beautiful and stylish apartments, told through interviews with the leading interior designers and architects who created them. Discover richly layered Madrid residences, cinematic New York penthouses and landmark apartments in London, and step inside the personal homes of iconic designers such as Willy Rizzo and Dimorestudio’s Emiliano Salci. From bijou Parisian residences to cavernous Manhattan lofts, each project reveals a singular vision of urban living.

With over 250 beautiful color images in a large-format cloth-bound edition, Apartment is the essential global survey of the world’s most beautiful and stylish apartments.

“It’s less of a traditional reference book and more of a meditation on place – through its people, purpose, and possibility. With a healthy yet necessary and perhaps overdue dose of historical context, political awareness, nuance, and care, they offer a portrait of California wine that finally acknowledges all the hands that shaped it.” — Decanter

“The most complete panorama yet of California wine today… An ambitious, thought-provoking book, The Wines of California is a new classic for you to read and add to your bookshelf.” — World of Fine Wine 

“… It’s as interested in power structures as in Parker points, and that’s what makes it essential.” — Forbes 

“… anybody interested in how California wine became a world force ought to read this book.” — NY Times
“This book is core, essential. For anyone just beginning their journey, this will put wine in context in straightforward language with little jargon…. Brown’s book is both current and timeless. Chukan Brown takes at in-depth look at the forces that made, moved and continue to shape Califorina wine. In investigating the history, they look hard at the instrumental part played by Indigenous Peoples and the reliance of the wine (and other agricultural sectors) on inexpensive farm labour. It will appeal to an audience far beyond the typical wine book reader.” — Grape Collective

A concise, complete, smartly delivered and cohesive book for serious readers and students of wine. Focusing on the world’s fourth largest producer of wine – California – the book takes readers on a journey through the golden state’s wines, paying due attention to famous regions such as Sonoma and Napa as well as introducing readers to exciting up-and-coming regions to explore.

The book is divided into three major sections. The first presents the key ideas that help make sense of California wine as a whole, including the history of California wine in brief, how the topography delivers California’s overarching climatic and soil conditions, and the basics of vineyard and winery factors relevant to the state such as the role of the AVA.

The second section takes each major region in turn and looks into its history, growing conditions and varieties, as well as discussing the most significant and interesting producers. A final section looks at current themes in Californian wine and discusses the future of the industry across the state.

• Explains all the state’s AVAs, examining the development, growing conditions and varietal trends for each.
• Profiles the main producers and individuals shaping the wine industry today.
• A useful reference on California that also provides alternative insights and insider knowledge.
• Author Elaine Chukan Brown is a prolific commentator on the wines of California and a speaker at events around the globe.
• Supported by color maps and photos.

The Royal Touch is a beautiful compilation of stunning recipes gathered from far and wide on an incredible culinary journey. It is one that has covered three continents over several decades and has taken in many a royal palace along the way. Carolyn Robb, former personal chef to TRH The Prince and Princess of Wales, Prince William and Prince Harry, presents the food that she loves to serve to her family and friends; food that is fit for a king, yet is accessible to us all. Inspired by everything from her mother’s home-cooking, memories of her happy childhood in South Africa and her extensive travels to the extraordinary experiences of 13 years as a chef in the royal household, Carolyn’s recipes are simple to prepare and perfect to share. Whether you are entertaining special guests, going on a picnic, planning a cosy fireside supper, cooking with children or you simply feel like trying your hand at some baking, this book has it all and the ingredients you require won’t break the bank.

Commissioned by the Water Colour Society of Ireland, this book is the first to chronicle in depth the history of this distinguished Society, established in Lismore, County Waterford in November, 1870 and recognised today as being one of the oldest and most outstanding art societies in these islands. Members have included such prominent participants as Sir William N.M. Orpen, R.A., R.I., H.R.H.A., Sarah H. Purser, R.H.A., Walter F. Osborne, R.H.A., Mildred A. Butler, R.W.S., H.B.A.S., Mainie Jellett, Paul Henry, R.H.A., Evie Hone, H.R.H.A., Tom Carr, H.R.H.A., R.U.A., R.W.S., O.B.E and many others who succeeded in achieving recognition for their work not only in Ireland but on the international stage. The author sets out to trace the historical development of watercolor painting in Ireland, the difficulties encountered by artists in relation to exhibiting watercolors in eighteenth and nineteenth century Ireland. Brief accounts of the establishment of the Royal Dublin Society’s Drawing Schools are included together with the influence of the nineteenth century English watercolor tradition in relation to Irish students, the foundation of the N.G.I, the role of the governess and drawing master, together with the influences which the Dublin Metropolitan School of Art exerted on countless future members of the Society.   The difficulties encountered by women in establishing themselves as either professional or amateur artists in nineteenth century Ireland, the opportunities for training not only in the field of art but in crafts such as wood-carving and lace and the availability to pursue an art academic training abroad all form part of this book. The vital role of Sketching Clubs and Drawing Societies which led to the birth of the Amateur Drawing Society (later to become known as  the Water Colour Society of Ireland) are included. Founded by six enterprising ‘Lady Artists’, their largely unknown biographical information is provided here for the first time.   Descriptions of early exhibitions, the aristocratic glamor attached to openings, conversaziones, the day to day running of the Society and the need by many artists, particularly women to transform themselves into professional painters form part of the early development of this remarkable Society. The birth of the nineteenth century exhibition watercolor and the requirement by members to market and sell their work throughout Ireland and the U.K. is described.   The author provides concise biographies of over one hundred W.C.S.I artists from the relatively unknown to the widely acclaimed together with illutrations of works from  both public and private collections, the latter, due to the generosity of their owners being illustrated here for the first time.

When Ziggy played The Marquee Club in Soho, London, in October 1973, most of those invited to the small venue did not realize that this would be the last performance David Bowie would ever give as Ziggy Stardust. Terry O’Neill, celebrated photographer, was given unprecedented access to document the event.

O’Neill captured Bowie and his crew backstage as they went through costume changes, and Bowie transformed into the character he’d soon put to rest. On stage, dodging television cameras and lights, O’Neill snapped the incredible stage presence for which Bowie and his crew had become renowned. O’Neill remembers of Bowie: “He became a character on stage. As much as a person takes a role in a play for the West End or on Broadway, learning the lines, putting on the costumes – this was, I think, the way Bowie treated his stage. This night at the Marquee, I witnessed a modern-day Hamlet – and it was Ziggy Stardust”.

Award-winning music writer Daniel Rachel interviews key contributors of the day, including O Neill, Ava Cherry, Amanda Lear and Geoff MacCormack along with new insights and memories from fans who were in the audience who played witness to this incredible moment.

The wee folk have returned! Uncover the mystery of who they are and why they are here in the first book of the Vinetrope Adventures. Following a young girl, Sara, who has recently lost her mom to cancer, Return of the Vinetropes tells the story of a remarkable fairy-like creature found in Sara’s back yard. Lucinda Vinetrope: born wise, full-grown, and all alone. She may only be 12 inches high, but her personality is huge! Her arrival signifies the return of the Vinetrope nation, but also the return of their evil counterparts, the Chargons and the Vinkali. Joined by a supporting cast of comedic characters, animal and human alike, Sara and Lucinda set off on their quest to find the other Vinetropes and protect their world from danger.