“It is fortunate that a scholar with Professor Abbi’s tenacity, as well as her scientific credentials, was available and willing to conduct this work… The volume is a superb introduction for the layperson to the wonderful world that Professor Abbi has opened up for us.” – Bernard Comrie, Santa Barbara, California.
“For two decades now, Abbi has marshalled the full intellectual and strategic weight of her training, disciplinary expertise and socio-cultural capital to document, preserve and share with the world the voices, songs, stories and laughter of the Great Andamanese.” – Mark Turin, University of British Columbia, Vancouver.
The Andaman Islands — Great Andaman, Little Andaman, and North Sentinel Islands have been home for milleniums to four tribes: the Great Andamanese, Onge, Jarawa, and Sentinelese. Their languages are known by the same name as that of the tribes. ‘Great Andamanese’ is a generic term representing ten languages among a family of languages that were once spoken by ten different tribes living in the north, south, and middle of the Great Andaman Islands. These languages were mutually intelligible like a link in a chain.
However, today, Great Andamanese is a moribund language of the only-surviving pre-Neolithic tribe, breathing its last breath. When a language is on the verge of extinction, its history, culture, ecological base, knowledge of the biodiversity, ethno-linguistic practices, and the identity of its community — everything is endangered. This is what prompted Prof. Anvita Abbi to conduct a research study to give life to the lost oral heritage of the vanishing world of the Great Andamanese.
Voices from the Lost Horizon is a collection of a number of folk tales and songs of the Great Andamanese. These stories and songs represent the first-ever collection rendered to the Prof. Abbi and her team by the Great Andamanese people in local settings. The compilation comes with audio and video recordings of the stories and songs to retain the originality and orality of the narratives.
This publication is the second edition of the London Architecture Guide and features new insights and new itineraries. The architectural and cultural expansion of the largest city in Western Europe is constantly evolving, confirming year after year its multi-ethnic and innovative soul. The city presents itself as a set of extraordinary buildings, created by internationally renowned architects, which coexist harmoniously, unmistakably characterizing its skyline. The itineraries featured include about 80 architectural works, both historical and contemporary, which are fully illustrated with images, drawings and descriptions, and are marked on the front of the map with a reference number corresponding to the section in the book and the icon on the back of the map. The guide also provides information about museums, libraries, institutions, movie theatres, restaurants and gathering places.
Among others, the project selection includes works by Allies and Morrison, Arup Associates, Ateliers Jean Nouvel, Avery Associates, Foster + Partners, Grimshaw Architects, Herzog & De Meuron, James Stirling, Jestico + Whiles, John Mc Aslan + Partners, Stanton Williams, OMA, Renzo Piano Building Workshop, Richard Rogers Partnership, Stanton Williams Architects, Studio Daniel Libeskind, Wilkinson Eyre Architects, Zaha Hadid Architects.
In the past ten years, Swedish floral designer Per Benjamin developed his own color theory. The World of Colour according to Per Benjamin is an educational-entertaining-inspirational book where his color theory is explained in text, but above all presented in a very creative, visual ‘hands on’ style in beautiful pictures and colour charts. The photos are a mixture of studio works, outdoor pieces and bigger event designs (such as the Nobel Prize award ceremonies) and show both small and extra large arrangements. All of the pictures included illustrate how it is possible to extract color tones from a material both in theory and in practice.
Although Vitis vinifera vines have been grown in the American southwest for nearly 400 years, its modern wine era only really began with the new pioneers of the 1960s and 1970s. All four states can boast growing wine industries, each with its own distinct identity. Although home to those first wine grapes, New Mexico may be the least experienced player, with a few major producers and many smaller, new arrivals. The Texas industry is bigger, more developed and more polished, with at least 350 wineries operating and plenty of room for growth. Arizona has perhaps made the most progress in the shortest time; some impressive growing conditions, educational initiatives, and a tight-knit band of producers have led to promising quality wines. Colorado, long known for its fruit orchards, is now home to vineyards too, with many producers also farming other fruit and creating wines from both.
Taking each state in turn, Jessica Dupuy guides us expertly through its history before presenting a thorough summary of its climate and geology, discussing the grapes grown, explaining the sub regions (AVAs), and appraising the challenges wine growers face. Influential and innovative producers are profiled, and each section concludes with ideas on where to visit, dine, and stay. Boxes throughout the text supply asides on historical, geographic, and cultural points of interest. For anybody interested in discovering a truly up-and-coming wine region this book makes for fascinating reading.
Despite some field research our knowledge of the sacred among the Mumuye is still embryonic. In all these acephalic groups of a binary and antinomic nature, the complex va constitutes an extremely varied semantic field in which certain aspects are accentuated depending on the circumstances. Religious power is linked to the strength contained in sacred objects, of which only the elders are the guardians. Moreover, this gerontocracy relies on a system of initiatory stages which one must pass to have access to the status of ‘religious leader’. Geographically isolated, the Mumuye were able to resist the attacks of the Muslim invaders, the British colonial authority and the activities of the different Christian missions for a long time. As a result the Mumuye practised woodcarving until the beginning of our century. In 1970 Philip Fry published his essay on the statuary of the Mumuye of which the analysis of the endogenous network has so far lost nothing of its value. Basing himself on in situ observations, Jan Strybol attempted to analyze the exogenous network of this woodcarving. Thus he was able to document about forty figures and some masks and additionally to identify more than twenty-five Mumuye artists as well as a specific type of sculpture as being confined to the Mumuye Kpugbong group. During and after the Biafran war, hundreds of Mumuye sculptures were collected. Based on information gathered between 1970 and 1993 the author has demonstrated that a certain number of these works are not Mumuye but must be attributed to relic groups scattered in Mumuye territory.
“The product of extensive archival research by members of the Institute of Classical Architecture & Art, these editions make newly accessible the work of the accomplished British designer.” — Architectural Record
The genius of Edwin Lutyens is now universally recognized. When the acclaimed English architect passed away in 1944, three large volumes of his drawings and photographs were commissioned from the thousands found in his office and were published by Country Life. In 2023, all three volumes will be republished by ACC Art Books.
This third and final volume showcases Lutyens’ detailed plans and elevations for the greatest examples of his townhouse renovations, memorials and public buildings, including the Cenotaph at Westminster, the Thiepval Memorial, and the colossal Midland Bank building in Manchester.
These reissues are once again bringing to the world’s attention not just the professionalism of a great architect, but also the loving care with which he set down the minutiae of his visions. They are among the few books in existence illustrated with his working drawings, as well as pristine photos of the finished masterpieces themselves. A beautiful tribute to a monumental figure in the history of modern architecture.
Dallas & the New Tradition explores Dallas’s unique architectural history and celebrates Larry E. Boerder’s vision of restoring the city’s great revival past in a manner fit for the twenty-first century.
Larry E. Boerder Architects specializes in designing and building homes in the prestigious suburbs of Highland Park, University Park, and Preston Hollow, nestled in Dallas. With a modern revivalist approach, their work honors the architectural traditions established in these communities in the early twentieth century.
Delve into the origins of some of America’s most beautiful and idyllic suburbs and how this setting inspired Boerder to create homes that are elegant, refined, and above all, harmonious to their surroundings. Come behind the scenes to tour some of his greatest properties located in Texas and farther afield, which stand as an enduring testament to the talent of Boerder and his team, as well as their dedication to preserving and taking forward the New Tradition.
“Neural networks do not understand what optical illusions are.” – Technologyreview.com
“Some pictures tell a thousand lies.” – hplyrikz.com
An optical illusion confuses the eye by pretending to be something it isn’t. It both misleads and deceives the brain, which is trying to make sense of the information the eye is sending. This book presents a selection of brain-bending optical illusions featuring graphic art and photography by 60 artists, and includes an overview of the history of optical illusions in art.
Follow The Coast guides you along the Atlantic coast, on the west side of the Iberian peninsula, from San-Sebastián, the capital of gastronomy, to Gibraltar, on the southern tip of Europe. This visual travel guide explores the Spanish and Portuguese coastlines, with countless charming beaches, rugged cliffs and hidden gems. The book is a photobook gathering high-end nature photography, but also a guide which can be your companion for a road trip or beach holiday. Last but not least, it tells the formidable story of our project where we run the entire European coastline with a collective of brave runners who run 100km a day.
“…a delectable tour of 46 clubs that span 300 years of architecture and design.” — Airmail
“… a lavishly illustrated and wittily written study of one of the capital’s most distinctive – and most secretive – institutions.” — House & Garden UK
“Jones treats them not really as clubs, but as examples of interior decoration, which he writes about interestingly and with an observant eye.” — Charles Saumarez Smith
“From the concealed bookcase door in the library of The Travellers Club in St James’s to the taxidermy fish and walls lined with rods in Mayfair’s Flyfishers’ Club, it serves as an unofficial guide to the city’s strangest and most elegant private dining and drinking venues.”— FT
“…wonderful book on the architecture and interiors of London’s private members’ spaces.”— The Rake
London has more members’ clubs than any other city. There are clubs for everyone: from actors, plutocrats, aristocrats and bishops to sailors, soldiers, fishermen and spies, as well as journalists, jockeys, architects and æsthetes.
Andrew Jones opens the door to 46 of the most beautiful, interesting and unusual of these clubs, presenting 300 years of architecture and design. The London Club features the oldest clubs in London as well as the most recent, with perfectly preserved interiors, original furniture and extraordinary
collections. From bohemian to bling, shabby to chic, classical and brutal, this is a celebration of variety and beauty, with newly commissioned photographs by Laura Hodgson.
“From the grandest to the simplest taking in the quirkiest en route, this book is an irresistible journey through London’s clubland.” – From the Foreword by Nina Campbell OBE
Cheers to cosiness! Why is everyone so “crazy” about the Munich Oktoberfest? One thing is certain: the Oktoberfest epitomizes everything that Germany and the whole world love about Bavarian culture: Fesche Madln, hefty food and hearty dance music.
In this Callwey book, deeply rooted traditions are brought to life, numerous exciting facts about the Wiesn are revealed and the most beautiful moments around the Oktoberfest are captured. Visiting the Oktoberfest brings the Wiesn into your own four walls: Wies’n landlords reveal the tastiest Bavarian recipes to recreate, their favorite places and insider tips throughout Munich, and tell never-before-heard Munich stories.
Tibetan Buddhist art is not only rich in figural icons but also extremely diverse in its symbols and ritual objects. This first systematic review is an abundantly illustrated reference book on Tibetan ritual art that aids our understanding of its different types and forms, its sacred meanings and ceremonial functions. Eighteen chapters, several hundred different implements are documented in detail, in many cases for the first time and often in their various styles and iconographic forms: altar utensils and amulets, masks and mirrors, magic daggers and mandalas, torma sculptures and prayer objects, vajras and votive tablets, sacrificial vessels and oracle crowns, stupas and spirit traps, ritual vases, textiles, furniture, and symbolic emblems. These are accompanied by many historical and modern text sources, as well as rare recorded oral material from high-ranking Tibetan masters. This long-awaited handbook is a must-have for all those with an interest in Buddhist art and religion.
Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewelry in the late 1970s. Since then she has extended her practice from “wearable objects” and textile works to dance collaborations and installations in historic buildings. Broadhead’s work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. This comprehensive overview also comprises larger scale and collaborative works that aim to elicit a particular experience or to start a train of thought.
Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February – 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January – 2 February 2019.
What came first – the Porsche or the Beetle? Which Porsche racing car set every world record in the very year it was first presented in racing at Monza? And who is “Sascha”?
Immerse yourself in the unique and visionary world of Porsche: in tales of secret prototypes, fascinating photos from the Porsche archives, magic words such as “Carrera” and inside stories that have never yet been told in this way.
Headrests are simple, utilitarian objects. Widely used across Africa, they are predominantly found in the eastern, central, and southern part of the continent. Also known as neckrests or pillows, headrests are valuable and very personal objects which are indispensable to everyday life. They are made to sleep on, to rest the neck, to sit on, and to protect the elaborate coiffure of their owners. At first sight, they appear to be devoid of any symbolic content. This functional utility has confined them through history to the realm of mere objects. Headrests are not that simple, though. They transcend their material purpose to become something more. In many instances, their design, inherent beauty, technical mastery, and uses give them a multi-purpose value and a multi-layered meaning.
They are objects with ritual and magical intent concealed inside their utilitarian function. Headrests can be flaunted as status symbols that differentiate chiefs from ordinary people, rich from poor, diviners from healers, farmers from shepherds, and sedentary from nomadic. The volume features full-color pictures of very rare and fine headrests that have never before been published. Short texts introduce selected pieces among the 230 works that have particularly interesting, well-documented backgrounds. This book is a journey through ethnicity, anthropology, aesthetics, creativity, tradition, and spirituality. A journey to a part of Africa that materializes through a simple artefact that sometimes dreams to become art: a dream that starts with resting the neck on a piece of wood.
This book narrates the complete detailed history of the New Rome Convention centre in Rome and its construction through numerous and evocative images of the work site showing the complexity of the construction stages and the special techniques that were necessary. There are photos of the completed building, by internationally renowned photographers and an essay by Joseph Giovannini, and is completed with very rich iconographic material composed of technical drawings on various scales, and sketches by the Massimiliano Fuksas, author of the work together with Doriana Fuksas.
The NUVOLA (NEW CONVENTION CENTRE) is a work of outstanding artistic merit, featuring innovative logistics solutions, and a choice of technically advanced materials. The structure rises in the historic EUR quarter and covers a surface of 55,000 square metres. The project concept can be defined in three images: the Theca, the Nuvola, and the Lama of the hotel structure. The Theca [display case] is the enclosing structure in steel and double glass facades that encases the Nuvola [cloud], the true core of the project, enclosed inside the Display Case box underlining the contrast between the organization of free space without rules, and a geometrically defined form. The Nuvola contains an auditorium with seating for 1850, cafés and snack bars, and support services for the auditorium. This highly flexible complex is able to house congresses, exhibitions, and events with a seating capacity of almost 9,000 people. The book has been published on various types of paper and differently sized sheets which are inserted within the pages.
Studio Fuksas, directed by Massimiliano and Doriana, is one of the most famous international architectural firms in the world. Over the past 40 years, the firm has developed an innovative approach through a surprising variety of projects all over the world and and has been awarded numerous international prizes.
Founded probably in the 5th or 6th century, the Cathedral of Genoa was later rebuilt in Romanesque style and devoted to St. Lawrence the martyr. Money came from the successful enterprises of the Genoese fleets in the Crusades. After a fire in 1296, the building was partly restored, the inner colonnades rebuilt and matronei and frescoes added. In 1550 the Perugian architect Galeazzo Alessi was commissioned by the city magistrates to plan the reconstruction of the entire building, but the construction of the cathedral didn’t finish until the 17th century.
Among the artworks inside the church are ceiling frescoes, paintings and altarpieces by Luca Cambiaso, Federico Barocci, Lazzaro Tavarone and Gaetano Previati, while sculpture include works by Domenico Gagini, Andrea Sansovino, Giacomo and Guglielmo Della Porta. Impressive are also the works of art and silverware kept in the Museum of the Treasury which lies under the cathedral. One of the most important pieces is the Sacred bowl brought by Guglielmo Embriaco after the conquest of Cesarea and supposed to be the chalice used by Christ during the Last Supper.
Contributors include: Gianluca Ameri, Beatrice Astrua, Michele Bacci, Piero Boccardo, Antonella Capitanio, Marco Ciatti, Marco Collareta, Anna De Floriani, Clario Di Fabio, Grazia Di Natale, Gabriele Donati, Lucia Faedo, Marco Folin, Maria Flora Giubilei, Henrike Haug, Karin Kranhold, Anna Rosa Calderoni Masetti, Roberto Paolo Novello, Linda Pisani, Stefano Riccioni, Giorgio Rossini, Philippe Sénéchal, Carlo Tosco, Gerhard Wolf, Photographs by Ghigo Roli.
Text in English and Italian.
Adorned on the outside with a magnificent marble entrance, the Libreria Piccolomini possesses on the inside a jewel-like cycle of frescoes painted by Pinturicchio. For the first time this fresco cycle – of remarkable pictorial quality – is fully illustrated in all in inexhaustible narrative and chromatic richness. Mirabilia Italiæ is a unique series. It owes its existence to an innovative and ambitious project: an atlas of the great monuments of Italy that will display them in all their details, from the best known to the least. This series represents a completely new way of documenting art.
Mirabilia Italiæ provides a guided tour of each monument, fully and accurately explained. Each atlas contains hundreds of color photographs, arranged in a precise topographical sequence and accompanied by diagrams showing the exact location of each detail. The atlas is complemented by a volume of texts edited by the premier scholars in the field, consisting of critical essays and descriptive notes. Essays examine the monument from the art-historical point of view, and record the alterations it has undergone over time. Descriptive notes analyze the content and significance of the images. Extensive cross-references link the essays and notes to the images, facilitating consultation of the work. The General Editor of Mirabilia Italiæ is Salvatore Settis, Director of the Scuola Normale Superiore in Pisa.
Text in English and Italian.
For the nature and adventure enthusiast: Roaming America is a visually stunning, ultimately practical guide to visiting the US National Parks.
Combining breathtaking imagery, useful planning information for each national park, suggested itineraries, best-of recommendations, and more Roaming America will give you all the inspiration you could need to plan your next national park road trip! Featured inside: