The Classicist is an annual peer-reviewed journal dedicated to advancing the mission of the Institute of Classical Architecture & Art by providing a venue for scholarship related to the classical tradition in architecture and the allied arts, a forum for current classical practice, and a source of information and inspiration for students, practitioners, teachers, patrons, and lovers of classical art and architecture. Volume 11 will feature scholarly essays dealing with historical practice, international portfolios of current work by professionals and students, and book reviews. The content ranges from urban design to individual buildings, to decorative arts and gardens. The journal is extensively illustrated, with many images in color, and will appeal to specialists and non-specialists alike. Contents:The Classicist at Large (editorial); Essays; Professional Portfolio; Academic Portfolio; Book Reviews
“It is fortunate that a scholar with Professor Abbi’s tenacity, as well as her scientific credentials, was available and willing to conduct this work… The volume is a superb introduction for the layperson to the wonderful world that Professor Abbi has opened up for us.” – Bernard Comrie, Santa Barbara, California.
“For two decades now, Abbi has marshalled the full intellectual and strategic weight of her training, disciplinary expertise and socio-cultural capital to document, preserve and share with the world the voices, songs, stories and laughter of the Great Andamanese.” – Mark Turin, University of British Columbia, Vancouver.
The Andaman Islands — Great Andaman, Little Andaman, and North Sentinel Islands have been home for milleniums to four tribes: the Great Andamanese, Onge, Jarawa, and Sentinelese. Their languages are known by the same name as that of the tribes. ‘Great Andamanese’ is a generic term representing ten languages among a family of languages that were once spoken by ten different tribes living in the north, south, and middle of the Great Andaman Islands. These languages were mutually intelligible like a link in a chain.
However, today, Great Andamanese is a moribund language of the only-surviving pre-Neolithic tribe, breathing its last breath. When a language is on the verge of extinction, its history, culture, ecological base, knowledge of the biodiversity, ethno-linguistic practices, and the identity of its community — everything is endangered. This is what prompted Prof. Anvita Abbi to conduct a research study to give life to the lost oral heritage of the vanishing world of the Great Andamanese.
Voices from the Lost Horizon is a collection of a number of folk tales and songs of the Great Andamanese. These stories and songs represent the first-ever collection rendered to the Prof. Abbi and her team by the Great Andamanese people in local settings. The compilation comes with audio and video recordings of the stories and songs to retain the originality and orality of the narratives.
In the past ten years, Swedish floral designer Per Benjamin developed his own color theory. The World of Colour according to Per Benjamin is an educational-entertaining-inspirational book where his color theory is explained in text, but above all presented in a very creative, visual ‘hands on’ style in beautiful pictures and colour charts. The photos are a mixture of studio works, outdoor pieces and bigger event designs (such as the Nobel Prize award ceremonies) and show both small and extra large arrangements. All of the pictures included illustrate how it is possible to extract color tones from a material both in theory and in practice.
South Africa is the eighth largest wine-producer in the world and its wine industry is among the oldest of the New World. Today it is one of the globe’s most dynamic industries, compact but diverse. In the past decade a new generation of winemakers has breathed life into centuries-old estates and new, boutique brands alike. The Wines of South Africa begins by introducing readers to the history of South African wine, starting with the arrival of the Dutch and the establishment of what would become Cape Town. Clarke then analyses South Africa’s industry today including the geological, geographical, and climatic conditions that create the parameters and potential of South African wine. He describes the major grape varieties and wine styles and outlines the broad range of wines being produced. The book the current infrastructure of the industry paying particular attention to the role of Black and coloured people in the wine industry since the end of apartheid. Key challenges facing the industry are explored, including profitability and the loss of vineyards as farmers switch to higher-margin orchards; environmental concerns, the effects of climate change, and water conservation; and the legacy of apartheid and continued imbalances in the socioeconomic structure of the Western Cape. The major growing areas of South Africa are described in turn, including an explanation of the Wine of Origin scheme, and the most important producers operating in each one.
Despite some field research our knowledge of the sacred among the Mumuye is still embryonic. In all these acephalic groups of a binary and antinomic nature, the complex va constitutes an extremely varied semantic field in which certain aspects are accentuated depending on the circumstances. Religious power is linked to the strength contained in sacred objects, of which only the elders are the guardians. Moreover, this gerontocracy relies on a system of initiatory stages which one must pass to have access to the status of ‘religious leader’. Geographically isolated, the Mumuye were able to resist the attacks of the Muslim invaders, the British colonial authority and the activities of the different Christian missions for a long time. As a result the Mumuye practised woodcarving until the beginning of our century. In 1970 Philip Fry published his essay on the statuary of the Mumuye of which the analysis of the endogenous network has so far lost nothing of its value. Basing himself on in situ observations, Jan Strybol attempted to analyze the exogenous network of this woodcarving. Thus he was able to document about forty figures and some masks and additionally to identify more than twenty-five Mumuye artists as well as a specific type of sculpture as being confined to the Mumuye Kpugbong group. During and after the Biafran war, hundreds of Mumuye sculptures were collected. Based on information gathered between 1970 and 1993 the author has demonstrated that a certain number of these works are not Mumuye but must be attributed to relic groups scattered in Mumuye territory.
“The product of extensive archival research by members of the Institute of Classical Architecture & Art, these editions make newly accessible the work of the accomplished British designer.” — Architectural Record
The genius of Edwin Lutyens is now universally recognized. When the acclaimed English architect passed away in 1944, three large volumes of his drawings and photographs were commissioned from the thousands found in his office and were published by Country Life. In 2023, all three volumes will be republished by ACC Art Books.
This third and final volume showcases Lutyens’ detailed plans and elevations for the greatest examples of his townhouse renovations, memorials and public buildings, including the Cenotaph at Westminster, the Thiepval Memorial, and the colossal Midland Bank building in Manchester.
These reissues are once again bringing to the world’s attention not just the professionalism of a great architect, but also the loving care with which he set down the minutiae of his visions. They are among the few books in existence illustrated with his working drawings, as well as pristine photos of the finished masterpieces themselves. A beautiful tribute to a monumental figure in the history of modern architecture.
“If celebrity watch spotting is your thing, and believe me, this is a growing tribe, then, Watch Spotting: The Collectors by ACC Art Books (left) is watch voyeurs dream come true.” — The Jewellery Editor
“Riche digs into the compelling nature of watch collecting, even for the very famous.” — Watchonista
“… If you share a passion for timepieces with Brad Pitt, Marlon Brando, Jay-Z, or even Princess Diana and many others, then these pages are for you! ” —Tribune des Arts
“With stunning visuals and sharp commentary, this tome is essential reading for anyone fascinated by horology and its ability to make a statement.” — Boss Hunting
The intricate mechanics, precision and artistry behind high-end watches have long been appreciated by collectors, but in more recent times watches have become cultural icons. Symbolizing luxury, wealth and success, timepieces now play a key role in pop culture with celebrities like Pharrell Williams and Rihanna elevating watches through endorsements, and rappers like Jay-Z and Drake flaunting high-end watches such as Patek Philippe, Audemars Piguet and Rolex in their lyrics and public appearances, turning them into status symbols.
Through the collections of 30 celebrities, chosen by Toronto-based watch writer Rhonda Riche, Watch Spotting: The Collectors sets out to illustrate what makes watch collecting so compelling and why timepieces have come to symbolize more than just timekeeping. With its marriage to pop culture, watch collecting has brought timepieces into mainstream consciousness in a fresh and bold way, making these wearable works of art more popular than ever.
“Neural networks do not understand what optical illusions are.” – Technologyreview.com
“Some pictures tell a thousand lies.” – hplyrikz.com
An optical illusion confuses the eye by pretending to be something it isn’t. It both misleads and deceives the brain, which is trying to make sense of the information the eye is sending. This book presents a selection of brain-bending optical illusions featuring graphic art and photography by 60 artists, and includes an overview of the history of optical illusions in art.
Dallas & the New Tradition explores Dallas’s unique architectural history and celebrates Larry E. Boerder’s vision of restoring the city’s great revival past in a manner fit for the twenty-first century.
Larry E. Boerder Architects specializes in designing and building homes in the prestigious suburbs of Highland Park, University Park, and Preston Hollow, nestled in Dallas. With a modern revivalist approach, their work honors the architectural traditions established in these communities in the early twentieth century.
Delve into the origins of some of America’s most beautiful and idyllic suburbs and how this setting inspired Boerder to create homes that are elegant, refined, and above all, harmonious to their surroundings. Come behind the scenes to tour some of his greatest properties located in Texas and farther afield, which stand as an enduring testament to the talent of Boerder and his team, as well as their dedication to preserving and taking forward the New Tradition.
“Russell Ord’s photographic odyssey through Australia’s coastal landscape explores this unique culture by portraying the people whose lives pulsate in time with the rhythmic swells of the ocean.” — HOOM
“Life Around the Sea is more than a book—it’s a tribute, a meditation, and a love letter to the ocean and the people who live in harmony with its eternal rhythm.” — Ninu Ninu
“… Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery and inspiration of the ocean.” —The Guardian
Life Around the Sea is an odyssey of Australia and a deep dive into some of the remarkable individuals who have been transformed by the sea’s enduring embrace; those whose hearts beat in unison with the rhythmic swells of the sea. In this beautiful publication, you’ll encounter people from all walks of life, from fearless big wave riders, and surfers who first felt the tender caress of a wave in their childhood, to artists drawn to the coastline to bring its ancient beauty to life, and shapers who expertly craft boards for wave seekers around the globe.
Be transported to Australian coastal villages, hinterland hideaways, remote beaches, and solitary shaping bays that form the backdrop to the unique lives of these people. Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery, and inspiration that the ocean bestows upon us all.
Step further into the world of Louis Vuitton, where legacy craftsmanship meets bold innovation. This extended edition delves deeper into the brand’s journey—from its origins in custom travel trunks to its status as a global symbol of style and sophistication.
Explore the evolution of the iconic monogram, the creative impact of designers like Marc Jacobs and Nicolas Ghesquière, and how Louis Vuitton has influenced fashion, art, and pop culture. With added chapters and rare visuals, this book uncovers the layers behind the label.
See how stars like Zendaya, Scarlett Johansson, and Selena Gomez have redefined red carpet glamor and street style with Louis Vuitton’s signature pieces.
Whether you’re a longtime admirer or new to the brand, this expanded volume is a richly curated celebration of why Louis Vuitton remains at the pinnacle of luxury.
Also available is ISBN 9788794190596 The Essence of Louis Vuitton, Unfolded.
Tibetan Buddhist art is not only rich in figural icons but also extremely diverse in its symbols and ritual objects. This first systematic review is an abundantly illustrated reference book on Tibetan ritual art that aids our understanding of its different types and forms, its sacred meanings and ceremonial functions. Eighteen chapters, several hundred different implements are documented in detail, in many cases for the first time and often in their various styles and iconographic forms: altar utensils and amulets, masks and mirrors, magic daggers and mandalas, torma sculptures and prayer objects, vajras and votive tablets, sacrificial vessels and oracle crowns, stupas and spirit traps, ritual vases, textiles, furniture, and symbolic emblems. These are accompanied by many historical and modern text sources, as well as rare recorded oral material from high-ranking Tibetan masters. This long-awaited handbook is a must-have for all those with an interest in Buddhist art and religion.
Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewelry in the late 1970s. Since then she has extended her practice from “wearable objects” and textile works to dance collaborations and installations in historic buildings. Broadhead’s work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. This comprehensive overview also comprises larger scale and collaborative works that aim to elicit a particular experience or to start a train of thought.
Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February – 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January – 2 February 2019.
What came first – the Porsche or the Beetle? Which Porsche racing car set every world record in the very year it was first presented in racing at Monza? And who is “Sascha”?
Immerse yourself in the unique and visionary world of Porsche: in tales of secret prototypes, fascinating photos from the Porsche archives, magic words such as “Carrera” and inside stories that have never yet been told in this way.
Headrests are simple, utilitarian objects. Widely used across Africa, they are predominantly found in the eastern, central, and southern part of the continent. Also known as neckrests or pillows, headrests are valuable and very personal objects which are indispensable to everyday life. They are made to sleep on, to rest the neck, to sit on, and to protect the elaborate coiffure of their owners. At first sight, they appear to be devoid of any symbolic content. This functional utility has confined them through history to the realm of mere objects. Headrests are not that simple, though. They transcend their material purpose to become something more. In many instances, their design, inherent beauty, technical mastery, and uses give them a multi-purpose value and a multi-layered meaning.
They are objects with ritual and magical intent concealed inside their utilitarian function. Headrests can be flaunted as status symbols that differentiate chiefs from ordinary people, rich from poor, diviners from healers, farmers from shepherds, and sedentary from nomadic. The volume features full-color pictures of very rare and fine headrests that have never before been published. Short texts introduce selected pieces among the 230 works that have particularly interesting, well-documented backgrounds. This book is a journey through ethnicity, anthropology, aesthetics, creativity, tradition, and spirituality. A journey to a part of Africa that materializes through a simple artefact that sometimes dreams to become art: a dream that starts with resting the neck on a piece of wood.
Founded probably in the 5th or 6th century, the Cathedral of Genoa was later rebuilt in Romanesque style and devoted to St. Lawrence the martyr. Money came from the successful enterprises of the Genoese fleets in the Crusades. After a fire in 1296, the building was partly restored, the inner colonnades rebuilt and matronei and frescoes added. In 1550 the Perugian architect Galeazzo Alessi was commissioned by the city magistrates to plan the reconstruction of the entire building, but the construction of the cathedral didn’t finish until the 17th century.
Among the artworks inside the church are ceiling frescoes, paintings and altarpieces by Luca Cambiaso, Federico Barocci, Lazzaro Tavarone and Gaetano Previati, while sculpture include works by Domenico Gagini, Andrea Sansovino, Giacomo and Guglielmo Della Porta. Impressive are also the works of art and silverware kept in the Museum of the Treasury which lies under the cathedral. One of the most important pieces is the Sacred bowl brought by Guglielmo Embriaco after the conquest of Cesarea and supposed to be the chalice used by Christ during the Last Supper.
Contributors include: Gianluca Ameri, Beatrice Astrua, Michele Bacci, Piero Boccardo, Antonella Capitanio, Marco Ciatti, Marco Collareta, Anna De Floriani, Clario Di Fabio, Grazia Di Natale, Gabriele Donati, Lucia Faedo, Marco Folin, Maria Flora Giubilei, Henrike Haug, Karin Kranhold, Anna Rosa Calderoni Masetti, Roberto Paolo Novello, Linda Pisani, Stefano Riccioni, Giorgio Rossini, Philippe Sénéchal, Carlo Tosco, Gerhard Wolf, Photographs by Ghigo Roli.
Text in English and Italian.
Adorned on the outside with a magnificent marble entrance, the Libreria Piccolomini possesses on the inside a jewel-like cycle of frescoes painted by Pinturicchio. For the first time this fresco cycle – of remarkable pictorial quality – is fully illustrated in all in inexhaustible narrative and chromatic richness. Mirabilia Italiæ is a unique series. It owes its existence to an innovative and ambitious project: an atlas of the great monuments of Italy that will display them in all their details, from the best known to the least. This series represents a completely new way of documenting art.
Mirabilia Italiæ provides a guided tour of each monument, fully and accurately explained. Each atlas contains hundreds of color photographs, arranged in a precise topographical sequence and accompanied by diagrams showing the exact location of each detail. The atlas is complemented by a volume of texts edited by the premier scholars in the field, consisting of critical essays and descriptive notes. Essays examine the monument from the art-historical point of view, and record the alterations it has undergone over time. Descriptive notes analyze the content and significance of the images. Extensive cross-references link the essays and notes to the images, facilitating consultation of the work. The General Editor of Mirabilia Italiæ is Salvatore Settis, Director of the Scuola Normale Superiore in Pisa.
Text in English and Italian.
For the nature and adventure enthusiast: Roaming America is a visually stunning, ultimately practical guide to visiting the US National Parks.
Combining breathtaking imagery, useful planning information for each national park, suggested itineraries, best-of recommendations, and more Roaming America will give you all the inspiration you could need to plan your next national park road trip! Featured inside:
Art, literature, music and other intellectual expressions of a particular society are together regarded as the culture of that society. Ideas, customs, and social behavior of a particular people or society are also its ‘culture’. Contrary to what we think, it is not easy to describe ‘culture’, nor is it easy to write the cultural history. Writing the history of Bengali culture is even more difficult because Bengali society is truly plural in its nature, made even more so by its political division. The two main religious communities that share this culture are often more aware of the differences between them than the similarities. Nonetheless, the people remain bound by history and a shared language and literature.
Ghulam Murshid’s Bengali Culture Over a Thousand Years is the first non-partisan and holistic discussion of Bengali culture. Written for the general reader, the language is simple and the style lucid. It shows how the individual ingredients of Bengali culture have evolved and found expression, in the context of political developments, and how certain individuals have molded culture. Above all, the book presents the identity and special qualities of Bengali culture. The book was originally published in Bengali in Dhaka in 2006. This is the first English translation.
Windhorse Warrior offers an inside look at the struggles and aspirations of the Tibetan people during the 1950s. It is a tale that weaves together the politics of occupation and resistance, an other-worldly romance between a Chinese communist and an educated Tibetan woman, and the soaring vision of the Tibetan spiritual heart. Chuang Wei Ming, a young zealot from Shanghai, arrives in Lithang – on the eastern Tibetan plateau – with a mission to prepare the people for Maoism but soon outgrows its limiting worldview. Chuang falls in love with the beautiful and intelligent Dechen, who introduces him to the richness of Tibetan Buddhism. Palden Rinpoche, Dechen’s spiritual teacher, includes Chuang in their plan for a general spiritual awakening based on the Legend of King Gesar of Ling. Together, they pursue a pure communism infused with Buddhist teachings to create an ‘enlightened society’. This is a story that extends beyond the decade in which it is set. Its message is true today in the global context of oppression and disparity, fake news, and injustice. Those who believe in a just and beautiful world will find themselves longing for an ‘enlightened society’ filled with spiritually awakened women and men, free to pursue their true potential and eager to enrich the lives of others.
On April 27, 2018, six large-scale sculptures were unveiled along New York’s historic Broadway – from across from Lincoln Center, at 64th Street and extending up to 157th Street. The artist, Kathy Ruttenberg, most known for her fantastical mix of human, nature, and plant forms used in ceramics, watercolour, and sculpture, spent months planning, designing, and executing the works. From an armless mouse atop a squash-like pedestal, to an upside-down female Atlas, a woman caught in a contemplative moment while inside a snail’s shell, and a deer-man and his tree-lady partner who walk in an embrace these fairytale-like creatures are juxtaposed against New York’s chaotic urban landscape. In Dreams Awake also the name of the installation tracks Ruttenberg’s progress is tracked from concept to the final results. Sponsored by the Broadway Mall Association, the installation will be up through March 2019. Contents: Kathy Comes to Broadway Thinking Big: Kathy Ruttenberg’s Transition to Bronze Cavalcade Introduction All the World’s a Stage In Sync Transformation Ms. Mighty Mouse Snail’s Pace Topsy Turvy Fish Bowl Epilogue Acknowledgments Index Captions & Photography Credits