Trained at the École Nationale Supérieure des Beaux-arts de Paris in the atelier of Georges Jeanclos, Elsa Sahal quickly focused on working with ceramics for their sensuality and fragility. Former resident at the Archie Bray Foundation for the Ceramic Arts, in 2013 (Helena, MT), at Alfred University, New York State College of Ceramics, in 2009-2010 (Alfred, NY) and at the Manufacture Nationale de Sèvres (2007-2008), Elsa Sahal has also taught at the Haute École d’Art et de Design in Geneva and at the École Supérieure d’Arts Décoratifs in Strasbourg.

She experiments in particular with the idea of volume and balance in sculpture, while returning to an exploration of the themes of the body and femininity. Ambiguous, dense, sensual and colorful, her works oscillate between anthropomorphic landscape and the landscaped body, taking up Cézanne’s dream of uniting women’s curves with the shoulders of hills. Elsa Sahal conceives, kneads and then produces complex and disturbing forms sustained by dense colors and sublimated through enamel.

Winner of the MAIF prize for sculpture, in 2008, and the contemporary sculpture prize awarded by the Fondazione Francesco Messina, in 2007, Elsa Sahal has presented her work in one-woman shows and group exhibitions in numerous museums around the globe: at the Bonnefantenmuseum, ‘Ceramix, Ceramic art from Gauguin to Schütte’, in 2015 (Maastricht); at the MAD Museum, ‘Body and Soul, New International Ceramics’, in 2013 (New York); at the Fondation d’entreprise Ricard, ‘Sculptures’, in 2008 (Paris); and at the Incheon Women Artists Biennale, in 2008 (Korea).

Text in English and French.

Beginning with the renaissance of gemstones in jewelry design since the 1970s, Ute Eitzenhöfer, Theo Smeets, Lothar Brügel (ret. 2014) and Eva-Maria Kollischan (since 2014) successfully established the Hochschule Trier in Idar-Oberstein as a creative European jewelry centre. To mark the exhibition in the Stadtmusem Simeonstift in Trier on thirty years of the Gemstone and Jewellery Department, the publication shows an exciting selection of works from the last ten years. Works in creative design and photography accompany diverse approaches that exemplify the contemporary use of a reputedly ‘outmoded’ raw material. In exploring the aesthetic characteristics of the material and the experimental confrontation with its physical qualities, the gemstone’s potential for design comes entirely into its own. Within current discourse it comments ironically, on the one hand, on the unilateral societal ascription as a luxury item; on the other, it functions as a charming and noble object of nature.

Text in English and German.

The Barbier-Mueller Collection of Pre-Columbian art, recently auctioned at Sotheby’s, is the most comprehensive collection of its kind. Comprising some 300 works from Mexico, Central, and South America – wood and stone sculptures, ceramics, textiles, and ritual objects – it spans 1200 BC to AD 1500. The Barbier-Mueller Collection, one of the most important and wide-ranging art collections in the world, was begun by Josef Mueller in Paris in 1908 with the purchase of works by Hodler and Cézanne; the Swiss Mueller then looked beyond Western art and bought his first pre-Columbian piece, an Aztec stone water goddess, in 1920. Today, Mueller’s daughter and son-in-law, Monique and Jean Paul Barbier-Mueller, continue to collect Western, African, Oceanic, and Cycladic art, which is frequently on loan to museums around the world. Text in English and French.

Maple, birch, walnut, lemonwood and palisander are just a few of the woods from which Liv Blåvarp (b. 1956) creates exceptional one-off jewelry pieces. The rigidity or softness of the wood plays just as much of an important role in the selection process as its structure or texture. The works are comprised of numerous single elements, which fuse together to become sculptural volumes tactile creations that come alive when touched. Yet at the same time Blåvarp’s expressive and colorful pieces remain flexible and wearable. Their forms are not clearly defined; associations to organic growth, animals and plants, light and shade, water and waves all come to mind. With around 55 works from 2002 to 2017 Liv Blåvarp presents the first comprehensive review of her creative output. Text in English and German.

Gilbert & George created Dark Shadow in 1974 as a ‘living sculpture book,’ the ‘result of our past three years of earnest daily thoughts, shadows, deeds, cares, and pleasures.’ Hurtwood’s limited re-edition of 2,000 marks its fiftieth anniversary.

Featuring original text and artwork by Gilbert & George, the publication offers an unparalleled perspective on the early career of one of the twentieth century’s most significant artistic duos. Like their art, Gilbert & George’s writing is irreverent, rebellious, often funny, and deeply poetic. The book includes a letter to their readers and photographs by the artists of themselves, their home in East London, and their pictures.

Dark Shadow is structured into eight chapters, which elaborate on the inspirations behind Gilbert & George’s work, such as London life and British culture, including, of course, Gordon’s Gin. As is emblazoned on the cover, Dark Shadow is a continuation of their lifelong agenda ‘Art for All’, and each book is a piece of art in itself, uniquely bound in the UK with hand-marbled cloth.

A visit to a museum is an extraordinary opportunity for imagination, liberation from the mundane routines of daily life, and opening the door to a world of diversified perspectives. In the last two decades, an artistic network has flourished along the scenic banks of Shanghai’s Huangpu River and Suzhou Creek, both prominent waterways in the city. As of 2023, the 6.3-kilometer waterfront along Suzhou Creek has been transformed into an awe-inspiring canvas housing more than 100 vibrant art spaces. Meanwhile, the Huangpu River has become a hub of artistic expression, featuring renowned cultural areas like the Bund, the “West Bund Cultural Corridor” project, initiated in 2010, and the post-Expo venues.

Roaming Shanghai’s Art Museums guides readers through every path that leads to the most important 15 art museums in Shanghai. This book unveils a comprehensive treasure trove of art museum insights, accompanied by precious photographs, and engaging dialogues with directors and architects. From industrial relics to architectural masterpieces by Pritzker Award winning architects like David Chipperfield, Jean Nouvel, and Tadao Ando, it takes readers to a world of art. Embrace the journey of artistic exploration, where each museum visit becomes a transformative and enriching encounter with creativity and human expression.

Text in English and Chinese.

Punjab, and especially Sikh art, has taken multiple forms ranging from scriptural manuscripts, floral adornments to illustrations and illuminations. This family collection showcases varied forms of jewelry, textiles, arms, coinage, along with construction of religious places and monuments. Murals and frescoes, paintings from Mughal, Punjabi and Pahari styles as well as calligraphy; all enhance the culture and add to its beauty. In addition, foreign artists such as Emily Eden, Shoefft, Soltikoff and other Europeans have left their imprint. The Khanuja Family believes encouragement of art is an essential element in enriching cultural heritage, upliftment of the human spirit, which eventually results in understanding, tolerance and interconnecting us all. This collection is a labor of love which started with an interest in listening to the history of Punjab from elders and subsequently reading about it. Over time with the help of Dr P Khanuja’s daughter, Jasleen it evolved into this expensive passion of collecting artifacts and paintings over the last 14 years.

“Adimoolam’s work, in addition to being inherently attractive, is also intriguing for its unusual deviations off regular artways. Mapin Publishing’s The Art of Adimoolam is a show-and-tell of this journey and largely succeeds in giving readers/viewers an idea of the geography of Adimoolam’s routing in art and art’s forms and locations. Sinha’s writing maintains a sensitive balance of technical and human-interest angles….” -The Hindu K. M. Adimoolam’s art resists easy categorization. He brings to his work a genuine spirit of inquiry, and a continually rejuvenating wonder at the generative cosmic possibilities of art. He makes profoundly aesthetic choices, bringing to his abstract painting and apparently realistic drawing sheer, unambiguous artistic skills. Adimoolam is primarily optimistic; his paintings resonate with a pleasure in the sensuality of the medium of oil, its dexterity and movement, and its ability to translate emotion into color. What all the works have in common is his preoccupation with presences and fields outside his immediate perception, and a graded move towards the ideal space of pure abstraction. This for Adimoolam is the vivid, magnetic Other, the field of consciousness-energy or citsakti-one that is not personalized in any way, but which hints at the possibility of the deepest realization.

Munch’s Missing! Find the artist hidden in 12 vibrant illustrated scenes which are inspired by the artist’s life, and the themes in his art. Spot him on the hill where he famously heard that resounding scream; find him hidden on stage amongst actors performing an Ibsen play, and search him out in the forest near his home in Ekely. Every scene is jammed with artists and creatives who have been influenced by Munch.

While the magical illustrations by Celyn Brazier offer a playful introduction to the artist, they are a unique piece of art in themselves. Accompanying text opens up the stories behind the illustrations, and explores further Munch’s life and art, and the influence he had. 

This raucous art journey celebrates the startling relevance of Munch who brought us the selfie and liberated us to scream out!

For the past five years, the Domaine de Chaumont-sur-Loire has been organizing Quand fleurir est un art (The Art of Flower Arranging), a captivating event where renowned flower artists and designers from around the world unleash their creativity in the majestic rooms of the castle, creating stunning arrangements ranging from the most daring to the most classic. The Château de Chaumont-sur-Loire’s previous (and last private) owners, the Prince and Princess de Broglie, were avid plant enthusiasts. They took pride in their impressive collections of orchids and exotic green plants, which earned them numerous awards in horticultural competitions during the Belle Époque. Today, the Domaine de Chaumont-sur-Loire is committed to carrying on this rich legacy, inviting talented floral artists to showcase their artistry and expertize, creating a harmonious fusion of art and nature in the pursuit of beauty. This book offers a nice overview of some of the best creations that were on view during the event. Discover some of the amazing designs made by renowned floral designers such as Makoto Azuma (J), Clarisse Béraud (F), Timo Bolte (D), Rudy Casati (I), Tomas De Bruyne (B), Sébastien Dossin (B), Frédéric Dupré (F), Max Hurtaud (B), Pascal Mutel (F), Julian Paris (F), Gilles Pothier, Charline Pritscaloff (F) and the École nationale des Fleuristes de Paris (F).

Text in English and French.

“The well-judged employment of classical detail in a new home has an additional significance that cannot be underestimated. It is an expression of an informed personal choice and an evocation of the delight in the human senses. This is true of all the houses featured in this book.” Jeremy Musson
“The architects and craftsmen that Phillip has featured in this wonderful book all have a love for classical detail. The art is alive and well, as can be attested to in these pages.” David Easton
In The Art of Classical Details, Phillip James Dodd takes a close-up look at some of the finest examples of contemporary classical architecture. The book consists of two chapters: The Essays and The Projects. Starting with a foreword by renowned decorator David Easton, The Essays are written by some of today’s most sought after architects, scholars and craftsmen. Accompanied by sumptuous full page photographs and renderings that illustrate a use of fine materials, intricate detailing, and superb artisanship, these insightful texts are essential reading for anyone with an interest in the theory, practice and craft of classical design. The Projects presents an illustrated look at 25 of today’s finest classically-designed homes. Employing the theories prescribed in the writings of the first chapter, this portfolio of contemporary buildings exhibits the work of some of the most recognizable and celebrated architects in Great Britain and the United States. The work featured in within this book demonstrates the timeless beauty of classicism, and delights in the role that superbly crafted details play in creating art.

The conceptual art practice of Cerith Wyn Evans encompasses installations, sculpture, film and text, translating ideas from philosophy, art history, film and literature into lyrical, often monumental, site-specific exhibitions. This publication provides valuable insight into Evans’ wide-ranging practice, as well as a document to the artist’s 2025–26 exhibition of the same name – Forms in Space…through Light (in Time) – at Lisbon’s MAAT – Museum of Art, Architecture and Technology. Featuring specially commissioned photographs of Evans’ complex, captivating works in situ, the catalogue includes an introduction by exhibition curator Sérgio Mah, who also conducts an interview with the artist, and an essay by Professor Michael Newman.

Dual Language English and Portuguese.

Joan Kron’s remarkable career spans from her early work as a costume designer at NBC Universal to her later roles as a reporter, writer, and editor for prominent New York publications, including the New York Times, New York Magazine, and Allure. In The Renegade Housewives of the 1960s, Kron’s voice—strong-willed, witty, and incisive—resonates on every page as she details her life. Alongside her business partner and close friend of the ‘60s, Audrey Sabol, Kron corresponded and collaborated with artists such as Andy Warhol, Robert Indiana, and Marisol Escobar. The two were known for their leadership at the Y Arts Council in Philadelphia, Pennsylvania, where iconic events and exhibitions shaped a local arts community. Drawing on a rich collection of personal stories and an extensive private photographic archive, this extraordinary written and visual memoir offers an intimate portrait of Joan Kron’s life while also illuminating the vibrant creative landscape of 1960s Philadelphia and beyond.

From illuminated manuscripts to two fried eggs and a kebab (and all the paintings in-between). What’s so great about Hogarth? Why should we care about an unmade bed? And who on earth is Banksy? Well, this book won’t answer all your questions, but it will tell you everything you need to know, and nothing that you don’t. Featuring 50 of the very best and most interesting British artworks from the dawn of history to the present day, alongside color reproductions and pithy explanations of key movements and terms, this guide tells the story of British art as you’ve never heard it before. The first book in a new series of Opinionated Guides on art movements, mediums and ideas which builds on the success of Hoxton Mini Press Opinionated Guides to London.

The Kabbalistic idea of creation, as expressed through light, space, and geometry, has left its unmistakable mark on our civilization. Drawing upon a wide array of historical materials and stunning images of contemporary art, sculpture, and architecture, architect Alexander Gorlin explores the influence, whether actually acknowledged or not, of the Kabbalah on modern design in his unprecedented book Kabbalah in Art and Architecture. Gorlin brings light to the translation of the mystical philosophy into a physical form, drawing clear comparisons between philosophy and design that will excite and exalt. Comprising ten chapters that each outline key concepts of the Kabbalah and its representations, both in historic diagrams and the modern built environment, Kabbalah in Art and Architecture puts forth an unparalleled and compelling reinterpretation of art and architecture through the lens of the Kabbalah and Jewish mysticism. A chapter on the Golem, and an epilogue that discusses German artist Anselm Kiefer’s powerful interpretations of the Kabbalah, complete this unique book.

“This beautifully produced book will be inspiring to botanical artists and all those who are captivated by the orchid.” — Leisure Painter

“Through these paintings, stories of high stakes orchid breeding and exhibiting are explored, with a cast of characters who helped shape the horticultural world we know today, alongside the dedicated artists who still support their endeavours.” — Lovely Books

Orchids have long held a place of esteem and fascination in the horticultural world. In the 19th century, orchid collecting reached new fanatical heights, with explorers dispatched to every corner of the globe in search of new varieties that could be auctioned at extravagant prices, and orchids are still one of the most popular flowers to breed and buy to this day. These beautiful, diverse flowers are one of the two largest families of flowering plants, with over 30,000 species and over 181,500 hybrids and cultivars.

The RHS Orchid Committee have commissioned watercolors of over 7,000 award-winning hybrids that demonstrate particular value in their fabulous array of colors, patterns, sizes and shapes. Through these paintings, stories of high stakes orchid breeding and exhibiting are explored, with a cast of characters who helped shape the horticultural world we know today, alongside the dedicated artists who still support their endeavors.

Malak Mattar grew up in occupied territory and has been creating art since her teenage years. She left Gaza just before the war broke out on 7 October 2023. She was the first artist from Gaza to have a solo exhibition at Central Saint Martins in London, where she studied a masters of fine art, and her work has since been exhibited in over 80 countries. Mattar’s paintings bear witness to resilience, femininity and hope, and stand as a defiant stance against war, injustice and inequality. No words … (for Gaza) is Mattar’s first monograph. Experts Louisa MacMillan, Dr Winnie Wong, Dr Vijay Prashad and Francesca Albanese, the United Nations Special Rapporteur on the situation of human rights in the Palestinian Territory occupied since 1967, shed light on the significance of her work, and her paintings enter into dialog with poems by the Palestinian authors of the collective We Are Not Numbers.

This beautiful coloring and drawing book contains intricate illustrations, decorative details and a fabulous fold-out map. This is the perfect starting point for your art adventure around the National Galleries of Scotland. Color in the buildings, draw your favorite artworks and add your friends and family into your pictures.

Discover Britain’s most intriguing art. From the prismatic beauty of Charleston House in West Firle to the meditative natural forms at the Barbara Hepworth Sculpture Garden in St Ives, these are the must-see places for anyone seeking creative inspiration. Whether you’re marveling at masterpieces in the Ashmolean Museum, the serene artist studios of Henry Moore, or exploring Jupiter Artland’s open-air artworks, each destination offers and entirely unique experience and a new way to explore Britain’s rich artistic heritage.

1000 piece puzzle featuring the artwork of acclaimed New York City based outsider artist Nicole Appel.

Nicole Appel’s Patchwork Portraits represent people non-traditionally, as a collection of the things that they like or care about. Pakistani Truck Art was done as a gift for Jerry Saltz, the Pulitzer Prize winning art critic who has long championed her work. With images of Dante’s Inferno, elaborately decorated Pakistani trucks, and even the Drive-By Truckers, this “portrait” of Saltz references his purgatorial years as a long haul truck driver after he had abandoned his career as an artist. Conventional portraits have traditionally represented people using their faces. Nicole Appel’s Patchwork Portraits represent people non-traditionally as a collection or ‘patchwork’ of the things that they like or care about. Her “Patchwork Portraits” have been exhibited at the Outsider Art Fair, in New York City, and sold out for the past 13 consecutive years. Her works are included in important collections, nationally and internationally, including representation in the collections of The Museum of Everything and Brian Donnelly, a.k.a KAWS. In 2025, KAWS included 10 of Appel’s Patchwork Portraits, from his personal collection, in the critically acclaimed, blockbuster show, The Way I See It: Selections from the KAWS Collection, at the Drawing Center, in N.Y.C.

The exhibition Nasi Per L’Arte was born from the encounter between two curatorial noses belonging to Joanna De Vos and Melania Rossi. The nose is a navigator, guiding us through life; a delicate vehicle that detects and determines. It narrows and dilates at the same time, creating circular communication between the inner and the outer world. For this exhibition and book, a selection of contemporary artists such as Francis Alÿs, Michaël Borremans, Maurizio Cattelan, Laura de Coninck, Mariana Ferratto, Peter de Cupere, Jan Fabre, Mariana Ferratto, Sofie Muller, Luigi Ontani, Daniele Puppi and others, were in dialogue with artists of the permanent collection of Palazzo Merulana, Roma, and with loans of works by Oscar Jespers, René Magritte, George Minne, Constant Permeke, Léon Spilliaert, and others.

Text in English and Italian.

Published on the occasion of Karin Kneffel’s exhibition Haymatlos at Dirimart (13 November 2020–17 January 2021), this trilingual catalogue explores themes of memory, displacement, and belonging. The 19 paintings on view establish a dialogue between Germany and Turkey through the notion of heimatlos—statelessness—probing how the past is recalled, altered, or transformed, leaving ambiguous traces in the present. Kneffel engages with the legacies of three exiled figures who lived in Istanbul: architect Bruno Taut, sculptor Rudolf Belling, and designer Margarete Schütte-Lihotzky. Their iconic works—the Bosphorus house designed by Taut, Belling’s İnönü sculpture and Skulptur 49, and Schütte-Lihotzky’s pioneering Frankfurter Küche—reappear under Kneffel’s painterly veil of drops, bubbles, and brushstrokes, questioning whether the world is ever truly familiar. Enriched with an essay by Julia Voss, along with studio and installation views, the catalogue situates Haymatlos within Kneffel’s broader practice and her celebrated retrospective STILL in Germany.

Text in English and Turkish and German.

Taking four themes as its starting point, this book reveals the strong interconnectedness of Ukraine’s turbulent history, the country’s permanent social and political unrest and the work of Ukrainian artists. Against Oppression, Forgotten Histories, Spaces of Freedom and Thoughts on the Future each reflect the dynamic between the drive for freedom and the mechanisms of oppression.