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“This beautifully produced book will be inspiring to botanical artists and all those who are captivated by the orchid.” — Leisure Painter

“Through these paintings, stories of high stakes orchid breeding and exhibiting are explored, with a cast of characters who helped shape the horticultural world we know today, alongside the dedicated artists who still support their endeavours.” — Lovely Books

Orchids have long held a place of esteem and fascination in the horticultural world. In the 19th century, orchid collecting reached new fanatical heights, with explorers dispatched to every corner of the globe in search of new varieties that could be auctioned at extravagant prices, and orchids are still one of the most popular flowers to breed and buy to this day. These beautiful, diverse flowers are one of the two largest families of flowering plants, with over 30,000 species and over 181,500 hybrids and cultivars.

The RHS Orchid Committee have commissioned watercolors of over 7,000 award-winning hybrids that demonstrate particular value in their fabulous array of colors, patterns, sizes and shapes. Through these paintings, stories of high stakes orchid breeding and exhibiting are explored, with a cast of characters who helped shape the horticultural world we know today, alongside the dedicated artists who still support their endeavors.

For the past five years, the Domaine de Chaumont-sur-Loire has been organizing Quand fleurir est un art (The Art of Flower Arranging), a captivating event where renowned flower artists and designers from around the world unleash their creativity in the majestic rooms of the castle, creating stunning arrangements ranging from the most daring to the most classic. The Château de Chaumont-sur-Loire’s previous (and last private) owners, the Prince and Princess de Broglie, were avid plant enthusiasts. They took pride in their impressive collections of orchids and exotic green plants, which earned them numerous awards in horticultural competitions during the Belle Époque. Today, the Domaine de Chaumont-sur-Loire is committed to carrying on this rich legacy, inviting talented floral artists to showcase their artistry and expertize, creating a harmonious fusion of art and nature in the pursuit of beauty. This book offers a nice overview of some of the best creations that were on view during the event. Discover some of the amazing designs made by renowned floral designers such as Makoto Azuma (J), Clarisse Béraud (F), Timo Bolte (D), Rudy Casati (I), Tomas De Bruyne (B), Sébastien Dossin (B), Frédéric Dupré (F), Max Hurtaud (B), Pascal Mutel (F), Julian Paris (F), Gilles Pothier, Charline Pritscaloff (F) and the École nationale des Fleuristes de Paris (F).

Text in English and French.

Taking four themes as its starting point, this book reveals the strong interconnectedness of Ukraine’s turbulent history, the country’s permanent social and political unrest and the work of Ukrainian artists. Against Oppression, Forgotten Histories, Spaces of Freedom and Thoughts on the Future each reflect the dynamic between the drive for freedom and the mechanisms of oppression.

From illuminated manuscripts to two fried eggs and a kebab (and all the paintings in-between). What’s so great about Hogarth? Why should we care about an unmade bed? And who on earth is Banksy? Well, this book won’t answer all your questions, but it will tell you everything you need to know, and nothing that you don’t. Featuring 50 of the very best and most interesting British artworks from the dawn of history to the present day, alongside color reproductions and pithy explanations of key movements and terms, this guide tells the story of British art as you’ve never heard it before. The first book in a new series of Opinionated Guides on art movements, mediums and ideas which builds on the success of Hoxton Mini Press Opinionated Guides to London.

A visit to a museum is an extraordinary opportunity for imagination, liberation from the mundane routines of daily life, and opening the door to a world of diversified perspectives. In the last two decades, an artistic network has flourished along the scenic banks of Shanghai’s Huangpu River and Suzhou Creek, both prominent waterways in the city. As of 2023, the 6.3-kilometer waterfront along Suzhou Creek has been transformed into an awe-inspiring canvas housing more than 100 vibrant art spaces. Meanwhile, the Huangpu River has become a hub of artistic expression, featuring renowned cultural areas like the Bund, the “West Bund Cultural Corridor” project, initiated in 2010, and the post-Expo venues.

Roaming Shanghai’s Art Museums guides readers through every path that leads to the most important 15 art museums in Shanghai. This book unveils a comprehensive treasure trove of art museum insights, accompanied by precious photographs, and engaging dialogues with directors and architects. From industrial relics to architectural masterpieces by Pritzker Award winning architects like David Chipperfield, Jean Nouvel, and Tadao Ando, it takes readers to a world of art. Embrace the journey of artistic exploration, where each museum visit becomes a transformative and enriching encounter with creativity and human expression.

Text in English and Chinese.

D*Face, born Dean Stockton, is a British artist known for his distinctive blend of pop art and punk culture in street art. Drawing inspiration from American comics, he creates street art and exhibits globally, contributing to the rise of contemporary street art alongside artists like OBEY and BANKSY.

The purpose of this book is to give a wider insight into the practice of working within the streets and the public domain. What people most often see of street art is actually the middle point of an artwork’s lifespan, the clean image of a recently finished mural or a freshly peeled sticker but that’s not the whole picture. Not only is there a whole process leading up to the creation of a mural but there also exists a journey of change after work has been left to the streets. Paint fades, tags appear, stickers peel and crack – all these are part and parcel of what it means to work within the street. This book aims to tell that story.

Munch’s Missing! Find the artist hidden in 12 vibrant illustrated scenes which are inspired by the artist’s life, and the themes in his art. Spot him on the hill where he famously heard that resounding scream; find him hidden on stage amongst actors performing an Ibsen play, and search him out in the forest near his home in Ekely. Every scene is jammed with artists and creatives who have been influenced by Munch.

While the magical illustrations by Celyn Brazier offer a playful introduction to the artist, they are a unique piece of art in themselves. Accompanying text opens up the stories behind the illustrations, and explores further Munch’s life and art, and the influence he had. 

This raucous art journey celebrates the startling relevance of Munch who brought us the selfie and liberated us to scream out!

“Prepare to be inspired at National Galleries Scotland: Modern One, as Everlyn Nicodemus opens her first retrospective this Saturday” — The NEN
“Experience Everlyn’s joyful, defiant and searingly honest artworks, with over 80 drawings, collages, paintings and textiles from over 40 years of her career, from 1980 through to the present day.” — Art Daily

This is the first major publication on the artist Everlyn Nicodemus and accompanies the first ever retrospective of her 40-year career. It offers a fascinating introduction to her life, career and art.

This book introduces readers to Nicodemus’s practice – from the very first work she painted to newly commissioned oil paintings. Many of Nicodemus’s drawings, collages, paintings and textiles are published here for the first time.

Nicodemus engages with complex subject matters, unflinchingly addressing human suffering and societal responsibility. While her works convey and process traumatic experiences, they are ultimately hopeful, focusing on healing and the power of creativity. This publication will reveal the scope and ambition of this astonishing artist’s practice.

Expert contributors offer new insights into Nicodemus’s practice, including a new interview with the artist. Exhibition curator Stephanie Straine explains and contextualizes the rich pages of artworks, drawing on extensive primary research with the artist and her archives.

Hand-woven rugs from Persia are among the most exquisite art works ever created. In this fully revised edition of Persian Rugs, Essie Sakhai reveals recent discoveries that present us with a new understanding of this unique art. With hundreds of stunning new photographs, taken especially for this book, Sakhai takes us on a journey through Iran and beyond.
Beginning with the history and art of creating woven masterpieces, Persian Rugs goes on to present full-page examples of some of the most cherished and valuable rugs and carpets in the world. No two hand-woven carpets are the same, each with its own special property, beauty and quality. Sakhai has handpicked the most important of these and gives detailed explanations of how and why these art forms hold such singular and even mystical appeal. A new demand for original and ancient hand-woven pieces has increased their value greatly, leading to world-record prices being achieved at auction and important examples entering major museum collections around the world. 

The exhibition Nasi Per L’Arte was born from the encounter between two curatorial noses belonging to Joanna De Vos and Melania Rossi. The nose is a navigator, guiding us through life; a delicate vehicle that detects and determines. It narrows and dilates at the same time, creating circular communication between the inner and the outer world. For this exhibition and book, a selection of contemporary artists such as Francis Alÿs, Michaël Borremans, Maurizio Cattelan, Laura de Coninck, Mariana Ferratto, Peter de Cupere, Jan Fabre, Mariana Ferratto, Sofie Muller, Luigi Ontani, Daniele Puppi and others, were in dialogue with artists of the permanent collection of Palazzo Merulana, Roma, and with loans of works by Oscar Jespers, René Magritte, George Minne, Constant Permeke, Léon Spilliaert, and others.

Text in English and Italian.

How do you portray sin, evil and foolishness in humans? Religious and political tensions and even the weather – we are talking about the depths of the Little Ice Age – contributed to a boom in representations of the Seven Deadly Sins in the Low Countries and immediate surroundings in the long sixteenth century. In this publication, four accessibly written essays highlight different sides of the pictorial tradition of the Seven Deadly Sins, with the renowned print series of the same name designed by Pieter Bruegel the Elder at its center. A fifth, literary essay describes the feverish visions of one of the victims of a true 16th-century series of murders permeated by the deadly sins.

Featuring over 30 color photographs of his work and studio, celebrated Chinese artist Wang Jianwei takes us on a journey that goes behind the scenes of our materialistic world bound by rigid, socially acceptable ‘norms’, and introduces us to the beauty and usefulness of the seemingly banal.

As the reader accompanies Wang through his contemplation of speculative realism and object-oriented ontology, we learn how he integrates his thinking into his creative practice. His philosophical musings turn our worldview of human–object and object–object relations on their head, as he positions humans and objects on an equal footing. By revealing the intrinsic value of an object and refusing to define it by a single meaning, Wang fills the materials and objects that surround him with infinite potential.

A fascinating and thought-provoking book that opens up the realms of the ordinary.

“The pleasure and insight here is that it refocuses our attention and makes the world we move through larger and more complicated, more detailed, and full of identity, which is a joy.” — Hyperallergic

Manhattan Project is a collection of photographs that capture the evolving landscape of Manhattan’s West Side over the past decade. Exploiting the revelatory power of photography, these images explore a city’s architectural transformation.

While Jan Staller’s earlier work focused on industrial decay, these new photographs explore the rise of high-rise construction. By isolating and zooming in on building materials, Staller elevates the ordinary to the extraordinary. The resulting images, reminiscent of drawings or abstract paintings, reveal the hidden beauty and formal qualities of these often-overlooked elements.

This project reimagines the city not as a monolithic entity, but as a composition of intricate details. It celebrates the interplay of light, form and texture, inviting viewers to rethink the familiar and discover the artistic potential of the urban environment.

Text in English and French.

Discover Britain’s most intriguing art. From the prismatic beauty of Charleston House in West Firle to the meditative natural forms at the Barbara Hepworth Sculpture Garden in St Ives, these are the must-see places for anyone seeking creative inspiration. Whether you’re marveling at masterpieces in the Ashmolean Museum, the serene artist studios of Henry Moore, or exploring Jupiter Artland’s open-air artworks, each destination offers and entirely unique experience and a new way to explore Britain’s rich artistic heritage.

1000 piece puzzle featuring the artwork of acclaimed New York City based outsider artist Nicole Appel.

Nicole Appel’s Patchwork Portraits represent people non-traditionally, as a collection of the things that they like or care about. Pakistani Truck Art was done as a gift for Jerry Saltz, the Pulitzer Prize winning art critic who has long championed her work. With images of Dante’s Inferno, elaborately decorated Pakistani trucks, and even the Drive-By Truckers, this “portrait” of Saltz references his purgatorial years as a long haul truck driver after he had abandoned his career as an artist. Conventional portraits have traditionally represented people using their faces. Nicole Appel’s Patchwork Portraits represent people non-traditionally as a collection or ‘patchwork’ of the things that they like or care about. Her “Patchwork Portraits” have been exhibited at the Outsider Art Fair, in New York City, and sold out for the past 13 consecutive years. Her works are included in important collections, nationally and internationally, including representation in the collections of The Museum of Everything and Brian Donnelly, a.k.a KAWS. In 2025, KAWS included 10 of Appel’s Patchwork Portraits, from his personal collection, in the critically acclaimed, blockbuster show, The Way I See It: Selections from the KAWS Collection, at the Drawing Center, in N.Y.C.

The Khalili Anīs al-Hujjāj (Pilgrims’ Companion) presents a ground-breaking new exploration of Safi ibn Vali Qazwini’s richly illustrated manuscript dating from 1676-77. This beautifully produced volume, with a scholarly introduction by Qaisra M. Khan and translation by Michael Burns, documents the author’s year-long journey to Mecca and Medina from Mughal India via the Indian Ocean and Red Sea.

Commissioned by Zeb un-Nisa, the daughter of Mughal Emperor Aurangzeb, this delightfully vivid account belongs to a long-established tradition of guides to the Holy Sanctuaries. It gives comprehensive advice to prospective pilgrims on every aspect of the maritime journey, such as which ships to select, the best foods to consume, rituals to observe, significant places to visit and the people one might encounter.

This volume extensively explores the original manuscript’s detailed illustrations and text, providing an invaluable window into 17th-century religious practices, maritime travel, and the cultural landscape of the Indian Ocean world.

Costume jewelry is commonly understood to mean fashionable yet affordable adornments made from non-precious material. Originating in in mid-1700s France with the rise of the bourgeoise, the earliest ‘costume jewelry’ mimicked fine jewelry styles. Since then, costume jewelry has always been evolving. From Victorian sentimentalism to the mass-produced ornaments available today, costume jewelry has developed into an artform in its own right. An encyclopedic study of its history is long overdue. Flush with expert information, identification tips and historical anecdotes, Adorning Fashion explores the development of costume jewelry across the past four centuries. The styles of each era – Victorian, Edwardian, Arts & Crafts, Jugenstil, Art Nouveau, and each decade of the twentieth century – are given individual attention. Production methods are also explained in depth. Alloys and gilded electroplating can mimic silver and gold, while the refraction index of treated glass can, to the untrained eye, be mistaken for diamond.
Adorning Fashion
discusses the contributions of a remarkable roster of designers and innovators, including Kokichi Mikimoto, Arthur L. Liberty, Carlo Giuliano, René Lalique, Elizabeth Bonté, the Castellani brothers, Jean Fouquet, Jean Després, Fulco di Verdura, Jean Schlumberger, Salvador Dalí, Miriam Haskell, Lina Baretti, Countess Cissy Zoltowska, Line Vautrin, Kenneth Jay Lane, Francisco Rebajes, Diane Love, Christian Dior, Balenciaga, Chanel, Van Cleef & Arpels, Paco Rabanne, Yves Saint Laurent, Napier, Haskell, Trifari, Brania, Bulgari, Versace and more.

Born in Yugan, near Jingdezhen, the birthplace of porcelain, Bai Ming has contributed to the revival of contemporary Chinese ceramics and introduced it to a new worldwide audience through numerous exhibitions. Today he is arguably China’s greatest exponent of this most traditional art form.
In this book, Bai Ming traces his career, revealing a sensitive yet creative and flamboyant style, built on the most rigorous traditional techniques.
Focussing particularly on his blue and white ceramic work, this book, through a large selection of glorious images and the artist’s own words, reveals Bai Ming’s exquisite style and superb attention to detail.
Dr Christopher Dresser is best remembered for his pioneering advances in design and associated technology. In the new industrial world of the nineteenth century, Dresser was the first designer to understand that machinery was a good servant but a poor master; he made it his business to understand how machines worked.
His success gained him credibility. Dresser became a sought-after consultant to several textile manufacturers, most notably Barlow & Jones, Tootal, Warner & Sons, Turnbull & Stockdale, and Wardle, which allowed him to establish the largest design practice in Britain by 1870. Equally, it was his success in promoting textiles at affordable prices that attracted his popular following in the press. Unlike his contemporaries, he was interested in making designs available to everyone.
However, Dresser is less celebrated in comparison to other designers of the era, such as William Morris, because Dresser was obliged to abandon this campaign to improve British taste due to an unexplained illness in the early 1880s. At the same time, Morris was expanding his business just as the Arts and Crafts movement was beginning to gain momentum.
Despite being the first Victorian to address the decorative needs of all the population, there is a severe lack of appreciation for Dresser’s work – whose influence can be found in many textiles that we take for granted today. This book redresses that balance, giving Dresser the monograph he deserves.

This new title in the highly successful Design Series features the design work of the acclaimed artist Peter Blake. Best known of the British pop artists, Peter Blake came to fame in the late 1950s and early 1960s with iconic works like On the Balcony and First Real Target both now in the Tate Gallery. Tate held an exhibition of his works in 1983 as well as a more recent retrospective at Tate Liverpool in 2007. His famous works for album covers, such as The Beatles, Sgt. Pepper’s Lonely Hearts Club Band the Band Aid single Do They Know Its Christmas, the Oasis greatest hits album Stop the Clocks and Paul Weller’s Stanley Road brought him to a wider audience. This stunningly designed book celebrates the brilliant creative talent of a unique British artist. Also avaliable: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

“This historically important tome is a stunner from the off, the resplendent glittery hardback exterior merely teasing at the delights within… ‘The End Is Near’ is an indispensable collection of images from a unique rock ‘n’ roll moment, beautifully presented.” – Phil Singleton. God Save the Sex Pistols.
Christmas Day 1977, a day to be spent with family and loved ones, unless of course you’d decided to spend it with The Sex Pistols.
The punk band, at the center of a tabloid frenzy and banned from just about every venue in the country, had booked themselves into a small club in Huddersfield to perform a benefit in support of striking West Yorkshire fire fighters.
That evening, the band took to the stage to perform what would become their final UK gig. There to capture the chaos was photographer Kevin Cummins. No stranger to The Sex Pistols, he’d been there at that gig at Manchester’s Lesser Free Trade Hall just 18 months previously. Kevin incurred the fury of his own family to forgo Christmas in order to travel across The Pennines to document the event.
Every frame Kevin shot is here, for the first time, in this book of more than 150 color and black and white photographs, each beautifully capturing Johnny Rotten, Sid Vicious, Steve Jones, and Paul Cook as they play together for the last time in their home country. Just weeks later The Pistols would break up and a year later, Sid would be dead.
“You’ve had the Queen’s speech. Now you’re going to get the Sex Pistols at Christmas. Enjoy.” – Johnny Rotten

Follow these Canadian artists as they travel abroad and return home again, over a series of journeys taking place during the last decades of the nineteenth century to the turn of the twentieth. 130 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism and present a fresh perspective on its reception in the arts of Canada. Adopting a thematic approach, comprehensive essays demonstrate the commitment of these pioneering artists to an innovative interpretation of foreign and familiar surroundings, imbued with an Impressionist vocabulary.

Gisbert Stach’s (b. 1963) monograph Jewellery and Experiment presents a multifaceted opus from twenty-five years of gold- and silversmithing. In his oeuvre the primarily conceptual artist combines jewelry with video, photography and performance. One focus of his work deals with processes of transformation and experiment – pieces disappear through chemical dissolution, and form is determined by agencies of growth in nature. Stach works with means of alienation and irritation. Ground amber serves as pigment, which he works into jewelry pieces in the form of fish fingers, sliced bread or schnitzel. A further characteristic of his work is the performative act, for example when brooches are pelted with knives.

Gisbert Stach is represented in numerous museums and collections, including Die Neue Sammlung – The Design Museum, Munich (DE); Fondazione Cominelli, Brescia (IT); Museo de Arte Moderno, Tarragona (ES); Museum of Arts & Crafts, Itami (JP); Gallery of Art, Legnica (PL); Museum of Bohemian Paradise, Turnov (CZ); Amber Museum, Gdansk (PL).

Published to accompany exhibitions at Arnoldsche Art Publishers, Stuttgart (DE), 9-11 November 2018, and Bayerischer Kunstgewerbeverein (BKV), Munich (DE) 28 February-24 March 2019.

Text in English and German.

Gunnar S. Gundersen (1921-1983) was one of the most important Norwegian artists of the post-war period. Together with several other artists, he was part of a modernist breakthrough. He started abstract painting in 1947, and by around 1960 his art had evolved towards a fully non-figurative form. Gundersen became one of the few Concrete artists in Scandinavia, together with Richard Mortensen in Denmark and Olle Bonniér and Olle Bærtling in Sweden. An important part of his oeuvre consists of the many rich, colorful wall paintings made from 1950 to 1980. Despite Gundersen having exhibited all over the world, an international breakthrough eluded him. A gallery dedicated to his art was opened in Høyanger in Western Norway in November 2018.
Text in English and Norwegian.