Hiroshige. Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (1797–1858) in the English language to date. It is based on the largest collection of Hiroshige in private hands outside Japan, the Alan Medaugh collection. The catalogue consists of 500 entries, with an emphasis on urban and rural landscapes, fan prints and prints of birds and flowers. Grouped chronologically by subject, it presents Hiroshige’s interpretation of the urban scenes from his hometown Edo (present-day Tokyo), the great series documenting travel along the famous highways of Japan, and the idylls of nature as represented in his bird-and flower prints. Hiroshige often incorporated poetry in his works and for the first time all textual content is transcribed and translated. Additionally, the catalog pays due attention to the differences between variant editions of his prints. Thus, it provides essential comparative material for every scholar, dealer, and collector.
Invisible Lines, Immortal Beams, by Edinburgh-based artist Barry McGlashan (b. 1974, Aberdeen), documents the past two years of his practice, including the celebrated solo exhibition of the same name at Frestonian Gallery from the spring of 2025. Thresholds, metaphorical and literal, are an omnipresent motif in Barry McGlashan’s evocative paintings. The featured works bring viewers to the edge of lakes, to rivers and roads, and lead to the foot of mountains. Other times the viewer is inside, looking out through windows to the landscape and sky beyond. Transcending time and geography, reality and folklore, McGlashan’s dream-like and otherworldly paintings are as haunting as they are enchanting.
This publication also features works presented by the artist and gallery at Art SG in Singapore in early 2025, as well as documentation of The Distant Ideal, McGlashan’s first presentation at Frestonian in March 2024.
Berthe Morisot: Shaping Impressionism is the first major UK exhibition of the renowned Impressionist since 1950. In partnership with the Musée Marmottan Monet, Paris, it will bring together around 30 of Morisot’s most important works from international collections, many never seen before in the UK, to reveal the artist as a trailblazer of the movement as well as uncovering a previously untold connection between her work and 18th century culture, with around 20 works for comparison.
A founding member of the Impressionist group, Berthe Morisot (1841-1895) was known for her swiftly painted glimpses of contemporary life and intimate domestic scenes. She featured prominently in the Impressionist exhibitions and defied social norms to become one of the movement’s most influential figures. Berthe Morisot: Shaping Impressionism will draw on new research and previously unpublished archival material from the Musée Marmottan Monet to trace the roots of her inspiration, revealing the ways in which Morisot engaged with 18th century art and culture, while also highlighting the originality of her artistic vision, which ultimately set her apart from her predecessors.
Highlights will include Eugène Manet on the Isle of Wight (1875), painted while Morisot was on honeymoon in England, and her striking Self-Portrait (1885), which will appear alongside Jean-Honoré Fragonard’s Young Woman (c.1769) from Dulwich Picture Gallery’s collection. Apollo revealing his divinity to the shepherdess Issé, after François Boucher (1892), In the Apple Tree (1890) and Julie Manet with her Greyhound Laerte (1893), are among nine paintings on loan from the Musée Marmottan Monet, many receiving their first ever showing in the UK.
Chocolate Cosmos, String of Pearls is a new publication featuring highly intricate botanical collage works by New York-based artist Jane Hammond. Alongside a new essay by Hammond herself, the book includes a foreword by John Berggruen and an extended essay by Jenny Uglow. These texts focus on Hammond’s practice in connection with environmental and sociological subjects such as evolution and visual cognition, exploring the gathering and making processes inherent within her complex collages. The book forms part of the ‘Hurtwood Artist & Gallery Series’, offering an in-depth insight into the practice and thinking of some of the most engaging artists working nationally and internationally today.
This catalogue accompanies the first major exhibition in the UK dedicated to Anna Ancher (1859 – 1935), considered to be one the most innovative artists in Danish art history.
Bringing together recently discovered paintings from Anna Ancher’s home, alongside an extensive body of work made throughout the artist’s long career, the exhibition will feature more than 40 of her paintings, including the artist’s most famous masterpieces on special loan from Art Museums of Skagen. A central figure of the Skagen artist colony, based at the northernmost point of Jutland, Ancher is widely considered to be the most significant female painter in Danish art history. She is widely celebrated in her homeland yet remains relatively unknown to foreign audiences.
Ancher was an influential figure of the Scandinavian ‘Modern Breakthrough’ movement that sought to capture real life, demonstrated in her intimate, observational works, which documented everyday experiences in the fishing town of Skagen. Influenced by her travels to Paris, as well as French Impressionism, the artist produced vivid interiors and evocative landscape scenes in which light becomes the central figure. The exhibition will demonstrate Ancher’s bold approach to color and radical interpretation of everyday scenes as a truly pioneering modern painter.
This publication appears on the occasion of Luc Tuymans’ retrospective exhibition in Hungary. With innumerable analyses by art historians, we thought the most fitting and exciting accompaniment to this display would be a collection of writers’ reflections on Tuymans’ work. Since one of the things to make this retrospective display special is its being the artist’s debut in Central-Europe, Hungary and Poland, we made a point of inviting authors from the region to comment on his art. We gave complete liberty to our authors to decide what to reflect on: a picture, Tuymans’ activity as a painter, or some other aspect of his personality.
J.M.W. Turner 1775-1851 was perhaps the most prolific and innovative of all British artists. His outstanding watercolors in the Scottish National Gallery are one of the most popular features of its collection. Bequeathed to the Gallery in 1899 by the distinguished collector Henry Vaughan, they have been exhibited, as he requested, every January for over 100 years. Renowned for their excellent state of preservation, they provide a remarkable overview of many of the most important aspects of Turner’s career.
This richly illustrated book provides a commentary on the watercolors, addressing questions of technique and function, as well as considering some of the numerous contacts Turner had with other artists, collectors and dealers. The introduction concentrates on Henry Vaughan, one of the greatest enthusiasts for British art in the late nineteenth century, whose diverse collections have not previously been fully appreciated.
The Belgian artist Sergio De Beukelaer has been working on a self-confident and uncompromising oeuvre of paintings for over twenty years. Leaf through his archive of sketches, designs and preliminary drawings made between the years 1997-2023. (cat.)(draw.) follows our first book published with Sergio called (cat.) and presents the prequel to the final result. Discover how an artist plots his designs, and handles his archive of drawings. This book gives a greater insight in the heart of the matter behind Sergio De Beukelaer’s artworks. Sergio’s drawings expose him indiscriminately, hence why he has waited until 2023 to reveal them. “What mathematics is to an engineer, drawings are to an artist. It is the seedbed from which an idea springs. When I am in a gallery or a museum, I want to gain insight and be nurtured. To paraphrase Umberto Eco, a work of art “is a machine for generating interpretations”. Sergio De Beukelaer is represented by PLUS-ONE Gallery.
Text in English and Dutch.
Visions in Silk presents the first comprehensive exploration of exquisite Japanese fine art textiles from the Meiji era (1868-1912), showcasing the unparalleled treasures from the Khalili Collection of Japanese Art.
This beautifully illustrated volume reveals how Japanese artists and craftsmen ingeniously adapted centuries-old textile traditions to create innovative art textiles that captivated international audiences, won exhibition awards, and served as prestigious diplomatic gifts.
Featuring over 300 spectacular examples, the book examines dazzling works of embroidery, yuzen resist-dyed silk and cut velvet, tapestry, and oshi-e raised silk, ranging from elegant panels, hangings and screens to grand exhibition showpieces. Each represents the pinnacle of artistic collaboration and hitherto unsurpassed technical mastery.
Written by leading international experts, this landmark publication provides unprecedented insight into these remarkable yet understudied treasures. Visions in Silk will enchant anyone interested in Japanese art, textile design, Japonisme, and the cultural transformations that occurred during the Meiji era, when Japan opened to the outside world.
‘Beauty is the beacon of God,’ said Botticelli. ‘No, it’s not. Love is,’ snapped his sister.
Beauty: Botticelli in Florence imagines what Botticelli was feeling and thinking as he painted. The people he loved and despised, his private struggle between spirituality and sensuality, the tempestuous times he lived through – all come to life in his images…
The novel is a speculation based on the few facts known about Botticelli, informed by his paintings. There are many surprises. The Birth of Venus was a tapestry design. And his famed self-portrait didn’t depict him (as widely believed) but Pierfrancesco de Medici, who sued his powerful cousin Lorenzo for robbing him, abolished Florence’s homophobic witch-hunts, funded Vespucci’s journey to the New World and commissioned Botticelli’s most famous works. There was boiling tension between him and Botticelli.
This is the first in a sequence of illustrated ‘painting novels’ that make sights as telling as words.
This beautifully designed book is a celebration of one of the world’s most creative, dynamic and fascinating cities: Tokyo. It spans 400 years, with highlights including Kano school paintings; the iconic woodblock prints of Hiroshige; Tokyo Pop Art posters; the photography of Moriyama Daido and Ninagawa Mika; manga; film; and contemporary art by Murakami Takashi and Aida Makoto. Visually bold and richly detailed, this publication looks at a city which has undergone constant destruction and renewal and it tells the stories of the people who have made Tokyo so famous with their insatiable appetite for the new and innovative – from the samurai to avantgarde artists today. Co-edited by Japanese art specialists and curators Lena Fritsch and Clare Pollard from Oxford University, this accessible volume features 28 texts by international experts of Japanese culture, as well as original statements by influential artists.
“In the beginning, there was tagging and writing on the walls.” From Style Writing to Art is the first anthology of Street Art ever published worldwide. Magda Danysz, the internationally renowned Street Art gallerist, guides the reader on this immersive journey into the heart of the most interesting artistic movement at the turn of the century. This book grapples with Style Writing, Graffiti, and Street Art. It focuses on the fascinating emergence of the movement amongst the graffiti pioneers of the 1960s, their first appearance in galleries in the 1980s, right up to the cutting-edge works made by the Street Artists of today. Spanning over four decades, the book is divided into three sections with each containing detailed accounts of the surfacing of different styles and techniques. Each period is complete with extensive biographies and analysis covering 50 legendary artists including Seen, JR, Miss Van, JonOne, Shepard Fairey, Quik, Blade, Doze Green, and Keith Haring. “Let me repeat myself,” Danysz writes, “if only for the sceptic eye, for the blind and lost or for the latecomers who ve simply just missed the boat: I believe this type of urban art to be the most important artistic movement at the turn of the century.”
Swiss Art Brut 1945–2026 is being published to coincide with an exhibition celebrating the 50th anniversary of the Collection de l’Art Brut (Swiss). It brings together a wide range of works from the Lausanne museum’s collection that were created by Swiss artists or artists who worked in Switzerland. With Switzerland as the common thread, this publication and the accompanying exhibition highlight the close and lasting ties between the originator of the concept of art brut Jean Dubuffet and this country. Indeed, it was this close bond that led him to donate his collection of outsider art to the City of Lausanne in order to ensure its preservation and the public’s access to it.
The book includes a foreword by writer Metin Arditi and a presentation by Sarah Lombardi, director of the museum and curator of the exhibition, followed by Jean Dubuffet’s own handwritten notes recounting his trip to Switzerland in search of extra-cultural works in the summer of 1945. This previously unpublished document is reproduced here in facsimile. Other authors provide further analyses of the works: Michel Thévoz, the museum’s first director; Lucienne Peiry, who succeeded him until 2011; Andreas Steck, president of the Aloïse Corbaz Association; and Astrid Berglund and Eleanor Philippoz, respectively curator and outreach coordinator at the Collection de l’Art Brut.
This book offers a beautiful exploration of Henri de Toulouse-Lautrec’s works in lithography. It explores the new artistic approach to the poster at the end of the 19th century, which bridged visual and popular culture and turned the relationship between ‘high’ and ‘low’ art on its head. Technical innovations in lithography pioneered by Lautrec and other artists produced larger sizes, more varied colors and new effects and launched the role of the poster as a powerful tool for communication and marketing in fin de siècle Paris. Lautrec’s embrace of celebrity helped to define the famous hotspots (theaters, cabarets and café-concerts) of fin de siècle Paris and made their stars recognizable figures across the whole city.
Works by contemporaries such as Pierre Bonnard, Théophile Alexandre Steinlen and Jules Chéret also feature, and Lautrec’s influence on British, and particularly Scottish, artists of the period will be explored. These include Walter Richard Sickert, Arthur Melville, John Duncan Fergusson and William Nicholson.
For a large part of his life, Jackie Kurltjunyintja Giles Tjapaltjarri (ca 1935-2010) led a nomadic existence, traveling across large tracts of and later spending time in small communities in Australia’s vast Western Desert region.
Jackie Giles was renowned as a man of great erudition and a powerful healer, Maparnjarra in his native Ngaanyatjarra language. The powers of these traditional healers include the gift of seeing into the bodies and even the spirits of others. In the 1990s, Jackie Giles started painting with acrylic on canvas. Mr Giles, as he was often called, combined an intimate knowledge of his land with his own oneiric visions to build what became a significant personal oeuvre. These paintings celebrate the Tjukurpa (Dreaming), which pervades the land and is a cornerstone of its identity.
Built around labyrinthine patterns and monumental shapes, these dynamic, rhythmical compositions allude to the esoteric, sacred subject matter of the Dreaming. The intense, striking works that make up this awe-inspiring oeuvre manage to link two dimensions: Ngaanyatjarra cosmology and the rapidly changing modern world.
Text in English and French.
Mallorca: 100 Classic Posters celebrates the outstanding natural beauty and rich heritage of the beautiful island of Mallorca through the definitive collection of poster art brought to us by fine-art print specialists Stick No Bills Global. In its pioneering role as a glamorous, sun-lit, Mediterranean destination, Mallorca came to inspire an inordinate number of wonderful, hand-etched and hand-illustrated typographic, lithographic and fine-art print artworks, designed to promote ‘La Isla De La Calma’ over the years.
From its white-sand beaches and hidden coves to its natural landmarks, gothic architecture, year-round festivals, legendary nightclubs and international sports events, Mallorca’s vibrant multicultural history comes to life through 100 stunning poster artworks, each presented here under license in all its vintage glory.
This book brings together works from one of the most important private collections of modern and contemporary art, the D. Daskalopoulos Collection with key pieces from the Scottish National Gallery of Modern Art. Providing a new context for both collections, it specifically focuses on the theme of the body, investigating the many and varied approaches that artists have taken across several decades when dealing with this most fundamental of subjects. Highlighting the work of artists such as Marcel Duchamp, Pablo Picasso, Louise Bourgeois, Joseph Beuys, Robert Gober, Matthew Barney, Marina Abramovic and Sarah Lucas, the publication documents the confrontations and dialogues staged between the two collections, and provides a rich insight into one of the most compelling and provocative themes in twentieth- and twenty-first century visual art.
Published to coincide with the exhibition at Kettle’s Yard, Christopher Wood: In Love offers an intimate and revelatory encounter with one of Britain’s most compelling modern artists. Drawing on new research and previously unpublished works from private collections, the book traces Wood’s brief yet incandescent career through the relationships, places and creative exchanges that shaped his art. Structured in a series of thematic ‘acts’, it moves from London and Paris to the Mediterranean and Brittany, weaving together painting, drawing, stage design and archival material to illuminate Wood’s passionate devotion to both art and life. Six newly commissioned essays explore questions of love, performance and sexuality in the early twentieth century, situating Wood within an international avant‑garde network that included Jean Cocteau, Serge Diaghilev and the Ballets Russes. Beautifully designed and richly illustrated, this publication is an essential contribution to Christopher Wood scholarship and a vital companion to a vibrant moment in British modernism.
One sole truth about Edvard Munch’s art does not exist. The answers depend on the questions we pose. Twenty-two Munch experts have written 150 texts about well-known and lesser-known works from Munchmuseet’s collection. Through these multiple ways of seeing, Munch’s lifework emerges as infinite. And this book, as an exercise in the art of seeing. The book invites the reader to explore the world of Edvard Munch — his ideas, processes, and the profoundly human topics that occupied him and that still affect us today. Through a wide selection from the museum’s collection, you can experience the richness of Munch’s artistic career and his unrelenting drive to experiment and innovate.
Real Life is introduced and curated by Wells Fray-Smith. It is published in collaboration with Gallery Sofie Van de Velde on the occasion of the group exhibition Real Life. The publication gathers works by Ilse D’Hollander, Lois Dodd, Christopher Colm Morrin, Jesse Murry, Heidrun Rathgeb, Peter Shear, Trevor Shimizu, and Frank Walter, presenting a dialog across generations and geographies around painting’s enduring engagement with lived experience. The book explores how these artists, much like Ilse D’Hollander herself, use paint to address reality in its most porous, poetic, and capacious sense. Whether working through figuration or abstraction, their practices blur the boundaries between pigment and picture, illusion and observation, the tangible and the transcendental. At its heart Ilse D’Hollander’s quiet yet profound vision. Through sketchbooks and paintings from 1988 onward, she offered intimate glimpses of her daily surroundings — a window frame, a stairway, a cat — each rendered with the same precision and restraint that define her painting. These drawings were not preparatory studies but complete reflections on perception itself, acts of seeing that transformed the ordinary into the contemplative.
The art of Peter Paul Rubens (1577-1640) is synonymous with the female nude, with the term ‘Rubenesque’ first coined in the 19th century to describe a voluptuous female body. Yet remarkably, there has never been a focused study of Rubens’ depictions of women, making this book, and the exhibition that it will accompany, a first.
Bringing together a diverse range of paintings and drawings from throughout the artist’s career and from a range of international lenders, the exhibition at Dulwich Picture Gallery (October 2023 – January 2024) will challenge the popular assumption that Rubens only painted one type of woman. Instead, it will present a more nuanced view of the varied and essential role that women played in the artist’s life and work, uniting and contributing to recent scholarly developments in subjects such as the identities of Rubens’ sitters, 17th century artistic theory and practice, and Rubens’ treatment of the human body.
Rubens evidently enjoyed painting the female figure, especially in its sensual and unclothed form. But his women are never mere bodies trapped by the male gaze, on the contrary; they are proud and complex heroines, full of character and gravitas. No other male artist has created such potent images of female power, assurance, determination, commitment, and beauty. Providing a catalogue for the works in the exhibition and featuring three introductory essays that contextualize Rubens’ work, this publication will both contribute to the existing corpus of scholarly literature on Rubens and introduce his masterpieces to new audiences, discussing them in the context of current debates around sexuality, power and feminism.
In 2024, Dulwich Picture Gallery will present Soulscapes, a major exhibition of landscape art that will expand and redefine the genre. Published to coincide with this revelatory exhibition, this book features over 30 contemporary artworks, spanning painting, photography, film, tapestry and collage from leading artists including Hurvin Anderson, Phoebe Boswell, Njideka Akunyili Crosby, Kimathi Donkor, Isaac Julien, Marcia Michael, Mónica de Miranda and Alberta Whittle, as well as some of the most important emerging voices working today. Soulscapes explores our connection with the world around us through the eyes of artists from the African Diaspora and considers the power of landscape art through the themes of belonging, memory, joy and transformation.
Each copy of Soulscapes includes a special edition print by Kimathi Donkor depicting the painting On Episode Seven, 2000, and is only available with this book. The print measures 177 x 221mm., including a 13mm. border, is housed inside the rear cover of the book, and is visible through a bespoke die-cut window.
This star I give to you is the first publication on the work of London-based artist Freya Douglas-Morris, presenting a body of paintings exploring the poetry, beauty and magic of landscapes and the natural world.
The book documents the artist’s first solo exhibition of the same name at Alexander Berggruen, New York, in 2023, and showcases the eight large oil paintings on canvas and five oil paintings on copper that were on display. This star I give to you includes a conversation between the artist and British publisher Matt Price, a foreword by New York-based writer and Associate Director at Alexander Berggruen, Kirsten Cave, along with studio notes by the artist on each of the reproduced works.
A graduate of the University of Brighton and the Royal College of Art, London, Douglas-Morris has exhibited internationally in China, Taiwan, The Bahamas, Austria, Italy, France and America.
Shadows of Boulder Hill presents a group of 50 powerful paintings in oil on linen by artist Tang Shuo (b. 1987 in Guangxi, China) that delve into his childhood experiences in rural southern China. This, Tang’s first book, documents the concurrent exhibitions of these works at Fabienne Levy’s galleries in Geneva and Lausanne, Switzerland, in 2023.
Shadows of Boulder Hill marks a significant point in Tang’s career; in 2023 he incorporated narrative threads into his paintings for the first time, depicting young lovers, recluses, and wanderers lost in imagined and remembered landscapes of lush vegetation and wildflowers. A selection of the fascinating true stories from Boulder Hill that inform Tang’s practice, personal and collective, are detailed in the gallery notes.
Shadows of Boulder Hill includes a foreword by gallerist Fabienne Levy and an essay by multidisciplinary scholar Dr Matthew Holman. Here, Tang appears as an artist who has found his voice as he eloquently explores scenes of family, friendship, suffering, solitude, and survival.