Looted Art & Restitution relates the history of the trade, looting and restitution of works of art from the Netherlands before, during and after World War II. Countless artworks ended up in German hands during the occupation. The allies recovered a large number of works of art to the Netherlands after the war. It was the Dutch government’s task to return looted or forcibly sold works to their original owners. The mostly Jewish claimants, however, often encountered bureaucratic and unwilling authorities. Meanwhile, most of the artworks were distributed over museums and depots or auctioned off.

It was not until the late 1990s that, in accordance with international developments, the restitution policy became much more humane and a search for the rightful owners was implemented.

The Art of Endurance is a coffee table book about the 2024 season of the FIA World Endurance Championship (WEC), which is one of the most exciting competitions in motorsport. This book is based on the very rich production of images that will be developed and embellished over the eight races that are held around the globe on internationally renowned circuits, including the legendary 24 Hours of Le Mans. The main goal is to capture the “spirit” that characterizes these endurance races. This beautiful publication will be a perfect promotional tool for the championship, whose considerable drawing power is due to the number of competitors and manufacturers who are taking part.

Desperately Young introduces the masterpieces left behind by some of the greatest rising stars in fine art – all of whom died before their thirtieth birthday.

Precocious talent seeps from each artist’s work, along with a sense of unfulfilled potential. Informative biographies detail their legacies, while their tragic deaths lead us to wonder what heights they might’ve reached, had their lives not been cut short. Richly illustrated, Desperately Young presents prime examples of each artist’s work, demonstrating how our cultural heritage is just a little narrower for their loss.

From Europe to America to Japan and the Indian Subcontinent, the mid-14-hundreds to the late 20th century, this book hails the acknowledged greats and introduces those who died before they could leave an indelible mark on history. A compendium of 109 artists who fell prey to sickness, warfare, heartbreak or bad luck, Desperately Young is the only book to provide an in-depth study of artists who died young.

Contents: With works from Tommaso Masaccio, Frédéric Bazille, Thomas Girtin, Egon Schiele, Henri Regnault, Ernst Klimt, Jeanne Hébuterne, Kaita Murayama, Hermann Stenner, Maurycy Gottlieb, Fyodor Vasilyev, Marie Bashkirtseff, Richard Parkes Bonington, Luisa Anguissola, Walter Deverell, August Macke, Pauline Boty and Jean-Michel Basquiat – among many others.

The Bradley Collection comprises the core of the Milwaukee Art Museum’s holdings of modern art. With nearly 400 paintings, sculptures, and works on paper, it features works by groundbreaking artists across the 20th century, including Pierre Bonnard, Georges Braque, Helen Frankenthaler, Barbara Hepworth, Donald Judd, Ellsworth Kelly, Gabriele Münter, Georgia O’Keeffe, Pablo Picasso, and Mark Rothko.

This book tells the story of how Peg Bradley built the collection—and then how she gave it away, transforming her hometown museum and community. The first comprehensive catalog of the collection, it brings together new research and insights by international scholars to shed light on works that have been long admired but little studied. The book is lavishly illustrated throughout with highlighted works and an illustrated checklist, allowing readers to visualize every work in the collection. In addition to focusing on this extraordinary gift, the essays will appeal to anyone interested in the larger arc of modern art. 

Tracing the erotic from its earliest origins to the present day, this provocative and opinionated guide reveals the many shades of erotic art. Covering phallic Babylonian carvings from 1800 BCE, forbidden Victorian watercolors, 18th-century Shunga woodcuts and the extraordinary queer art of Ron Athey, Valie Export and Tom of Finland, this witty guide celebrates the beauty, chaos and absurdity of erotic art – and questions how desire shapes the way we see the world. With simple design, beautiful reproductions and concise, colorful opinion, this is part of the series of Opinionated Guides on art movements, mediums and ideas.

Inferno & Paradiso is a powerful photographic and editorial project that confronts the fragile tension between horror and joy, pain and hope. Conceived by artist Alfredo Jaar and featuring works by 20 leading photojournalists, each contributor presents two images: one depicting the darkest aspects of human suffering, the other capturing a moment of pure, often unexpected joy. Originally created in response to Jaar’s experience of the Rwandan genocide, the project resists apathy and indifference, challenging the spectator to engage with the complex emotional spectrum of our contemporary condition. With an immersive slide installation and a richly layered book, the work explores how images bear witness to reality while also asking fundamental questions about the possibility of happiness in a fractured world. Drawing inspiration from Dante and humanist theology, Inferno & Paradiso becomes a secular pilgrimage through human experience, paying homage to the moral courage of those who testify through images.

Experience Formula 1 as never before. Formula 1 – The Art Dimension transforms the world’s most thrilling motorsport into pure photo art. Each page captures the drama, elegance, and raw power of F1 through breathtaking, gallery-worthy photography. Whether you’re a lifelong fan or a devotee of fine photography, Formula 1 – The Art Dimension is more than a book—it’s a piece of art in itself. Discover the artistry of Formula 1.

The Mediterranean coast of France witnessed the rise and development of modern art over a century, from Cézanne in the 1860s to Matisse, Picasso and Klein in the 1950s and 1960s. These artists and the many more featured here discovered an inexhaustible source of inspiration in this storied region, whose glittering, languid sea stretches out towards the far horizon beneath brilliant azure skies. Indelibly associated with the classical past, this magical land of eternal spring and spiritual renewal came to signify a state of mind, and avant-garde artists sought to convey the vitality and élan it inspired in them through new paradigms of modernist invention.

In the 1960s, Joan Kron and her friend and business partner, Audrey Sabol, made history, collaborating with an emerging group of artists—Jim Dine, Jasper Johns, Allan Kaprow, Claes Oldenburg, Robert Rauschenberg, Ed Ruscha, Niki de Saint Phalle, George Segal, Jean Tinguely, and Andy Warhol, to name a few. In 1962, Kron and Sabol presented the first group show of Pop Art on the East Coast at the YM/YWHA in Philadelphia, beating museums and New York galleries. They also went into business, producing multiples with Robert Indiana, Roy Lichtenstein, and Marisol Escobar. Sabol and Kron’s swan song was the Museum of Merchandise; it had a storefront by an unknown named Christo and a trouble-making product for sale by rising star Andy Warhol. All of this took place before the pair pioneered art on billboards with Roy Lichtenstein.

An extraordinarily written visual history, The Renegade Housewives of Pop Art™: A Memoir of the 1960s, is an inspiring tale of invention and reinvention, relatable to many women. Through never-before-seen documents, Joan Kron’s memoir recounts how she and Sabol became two of the most daring and revolutionary “housewives” of the 1960s. This is a new eyewitness account of the 1960s art scene by one of its last living participants. With wit and verve, Kron shares a collection of personal stories and an extensive private photographic archive, from her early years in costume design to her mid- and late-career adventures as a local arts revolutionary and a reporter and editor at prominent New York publications.

Regularly associated with Surrealism and Naïve Art, movements from which she sought to distance herself, Frida Kahlo is one of the most iconic artists of the 20th century. Severely injured in a bus accident at the age of 18, she transformed her pain into art. Self-taught from an early age in Mexico, she drew inspiration from the country’s popular traditions. Throughout her life, she constantly reinvented herself, turning resilience into both a weapon and a source of strength. Her vibrant compositions, enriched by a rich chromatic palette, make her creative universe truly unique.

Written by Annabelle Gugnon, an art critic, journalist, and psychoanalyst, this book highlights the work of a painting icon through a clear and accessible reading of her work.

As a celebrated and accomplished artist of the 19th century, Rosa Bonheur succeeded in elevating animal painting to the status of art. Defying the social conventions of her time, she became the first female artist to receive the Legion of Honour, making her work a symbol of independence and freedom. Her realistic animal depictions and naturalistic style established her as a pioneer of her era. Largely forgotten after her death, her work, in this book, is being brought back into the spotlight by Armelle Fémelat, art historian, journalist, and specialist in the Italian Renaissance and animal studies. This book offers a precise and attentive reading of the artist’s work, allowing readers to appreciate the uniqueness of both her art and her life.

A new title in the Design series and an excellent introduction to the life and work of this versatile Russian artist. Alexander Mikhailovich Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko’s radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko’s graphic work in the form of book jackets, posters and advertising. Also avaliable: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Abram Games ISBN: 9781851496778

“I was impressed by The Stones. They were dressed casually, had mischief in them and were different to other bands.” Terry O Neill

In July 1962, a group of young men played a gig at The Marquee Club on Oxford Street, London. They called themselves ‘The Rollin’ Stones’ and little did they know they would soon be making music history.

This brilliant new book captures the youth, the times and the spirit of The Stones’ formative early years. And documenting 1963-1965 were two young photographers just starting out in their careers. Terry O’Neill, aged just 25, had a few years’ experience photographing musicians and knew that this group had the same magic as another British phenomenon that just recently started to chart, The Beatles. As the band was starting to record and tour, Gered Mankowitz came along. His first shoot, the now famous Mason’s Yard session, was so fruitful, Gered was asked to tag along on tour to America. Gered was a mere 19 when he picked-up his camera and joined the band on stage in 1965. Between these two legendary photographers, they document the band’s beginnings and these indelible images are forever placed in music’s consciousness. The photography throughout this book is embellished with various memoires and interviews, celebrating the early days and giving an insight into what it must have felt like to go from a small club in Soho with no record deal to touring the world a few years later with a number one record. Terry O’Neill and Gered Mankowitz, two of the most respected, collected and exhibited photographers in the world were sitting in the front-row.

In 2016, London’s Saatchi Gallery hosted the first ever major exhibition dedicated to the band: Exhibitionism, a career-spanning, museum-style display of Stones artifacts and memorabilia. The publication of this book coincided with the opening of this ground-breaking exhibition.

Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewelry in the late 1970s. Since then she has extended her practice from “wearable objects” and textile works to dance collaborations and installations in historic buildings. Broadhead’s work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. This comprehensive overview also comprises larger scale and collaborative works that aim to elicit a particular experience or to start a train of thought.

Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February – 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January – 2 February 2019.

James Tower (1919-1988) is best known for his elegant forms in glazed earthenware. During a career spanning four decades, from the 1950s to the 1980s, he worked unceasingly in a wide variety of media to achieve an elusive harmony of shape and surface, form and decoration, inert material and active design. His personal understanding of the purpose and meaning of abstraction embodies a perpetual dialogue between the visible world and the unseen dynamics which shape it. This centenary volume of essays considers Tower’s entire output from a wide variety of perspectives, embracing paintings and drawings, as well as sculpture in bronze, terracotta and fibreglass. The contributions of leading critics and historians approach his work, situated at the junction of art, craft and design, in a broad historical and cultural context, illuminating key episodes in postwar British art, and Tower’s unique place within it. This book accompanies an exhibition at Victoria Art Gallery, Bath, UK, 21 September – 24 November 2019

Open Space – Mind Maps pursues the current development in art jewelry that is positioned far from the merely decorative in the aesthetic and artistic discourse of our era. Thirty international artists present their works in this publication, which is arranged thematically by the buzzwords inhabiting current trends, such as the nomadic aspect and the tendency towards narrative imagery to provocation that infringes on boundaries and to the poetic imagination in jewelry. All these facets as open-ended chapters illustrate the iconographic focus of each of these protagonists from across the world. Contents: Berndt Arell: Foreword; Ellen Maurer Zilioli: Open Space – Mind Maps. Positions in contemporary jewellery; Inger Wästberg: The Swedish Perspective; Philip Warkander: Art Jewellery. A reflection on terminology; Catalogue; Appendix; Artists’ biographies; Authors’ biographies

Custodians brings together for the first time, in this beautifully compiled collection, images of many of Oxford’s most prestigious buildings along with some rarely seen, but wonderful venues and their ‘Custodians’. Photographer Joanna Vestey set out to explore the extraordinary colleges and buildings of Oxford, behind the closed doors, often beyond the reach of the 9.5 million visitors a year who come here, and to meet the ‘Custodians’ playing a pivotal role in perpetuating these world renowned institutions. Rarely do we get to catch a glimpse behind the closed facades of these iconic structures and to see the spaces that lie within. All the images have been captured in the University City of Oxford, known as the “City of Dreaming Spires” and show its extraordinary breadth of architecture since the arrival of the Saxons. It includes venues such as the 17th Century Divinity School, the mid-18th century Radcliffe Camera continuing through to the most recent award winning RIBA nominated chapel at Ripon College completed last year. Venues such as the Sheldonian Theatre and Christchurch College sit alongside perhaps lesser known venues such as The Real Tennis Courts or the John Martyr Pawsons cricket pavilion portraying the breadth and diversity constituting the city. The ‘Custodians’ and their surroundings enjoy equal status in Joanna’s formal compositions; they seem to belong together, yet do not fuse into one, thereby asking us to question how we are all largely shaped and influenced by the structures around us – how defined we are by them and how much they form us. Full of unexpected venues beautifully photographed, this book will appeal to the his-torian, city visitor, people interested in architecture and interiors as well as to the extensive alumni network of the colleges themselves. It will also appeal to an audience interested in contemporary photography.

The 2000s proved a turning point for the skateboard and its relationship to art. Previously restricted to practical use, the skate deck left the pavement to appear on the walls of galleries and auction houses. Such was the advent of an entirely new contemporary art movement, laconically baptized Skate Art. From silk-screening to Posca markers, from repurposing and twisted shapes to upcycling broken boards, SkateArt is an anthology of specialized and eclectic decks made by artists from all over the world. Text in English and French.

Mr. Rossi | Papik Rossi, the renowned skateboarder, contributes to Drago’s 36 Chambers series, exhibiting the cutting-edge of contemporary Roman counterculture. His images, shrouded in monochrome with luminous yellow highlights, stunningly capture the spontaneity of the streets and the magic of Trastevere, the Roman neighborhood that Rossi calls home. This neighborhood is also home to the ‘funkhouse’, Rossi’s nest and creative factory that inspires the vibrant imagery showcased in this book. The so-called King of the Roman streets is known for his skateboarding, music, street photography and the clothing brand, Trustever. He has worked on some of Rome’s most notable exhibitions such as Mania at Termini station and 30% Acrilico at the Museum of Rome in Trastevere. He has also held the position of director at the ‘Cuattro’ gallery in Rome where he worked on a series of extraordinary initiatives such as the production of the book Just Push the Button, with clothing brands Slam Jam, Stussy and Carhartt.

Artists of Nigeria analyzes the influence of different art systems (museums, cultural institutions, art fairs, galleries, the internet) and cultures on the development of modern and contemporary Nigerian art in the past 100 years. Organized chronologically, and including biographical notes on the artists and lavish color illustrations, this unprecedented book charts the development of modern Nigerian art, and analyzes the works of significant Nigerian artists and art movements within the country and beyond. This comprehensive overview demonstrates the variety and vitality of Nigerian artists and confers on them a visibility they are often denied in global publications. Among the artists featured are Olowere, whose work is in the collections of the British Museum, the Detroit Institute of Arts, and the Smithsonian Institution; Chike Aniakor, who has a PhD from Indiana University; and Uche Okeke, whose work has been shown at the Sherman Gallery at Boston University.

Lightning was created in 1975, during a very controversial period in India’s history, to be the backdrop of the then Prime Minister Indira Gandhi’s Emergency speech. Given the short time frame that M.F. Husain had to complete the work, it was titled Lightning, because it came about in a flash. The masterpiece was made up of twelve massive panels with ten wild, white horses charging through an open space. The significance of the painting is heightened not only by its sheer size or the brilliant rendering of its subject by the artist but also the time it was executed and the ideologies it stands for. The painting included depictions of family planning, farmers and their families, and a builder with an axe in hand. The work portrayed the political climate of the time in India post-separation. This book was conceived in honor of Husain, and various anecdotal stories and interviews on the painting form a part of this book. The selected authors invited to write on Lightning address the painting as well as its creator from various angles. It is an attempt to create a whole story around this masterpiece; every brush stroke and every inch of the canvas has a story, secretly tucked away in the midst of the powerfully rendered horses, that is left for the beholder to decipher. Published in association with TamarindArt, New York, and Asia Society Museum, New York. Contents: Foreword; Journey of Lightning, its Creator and the Progressive Movement; A Personal Commentary; Biography; The Advent of a Masterpiece; The Roar of Crores; East Meets East in Husain’s Horses; Like Thunder and Lightning; A Narrative of the Nation; Husain’s Journey; Troublesome Entanglements: Art and the Asian Nation; In Conversation with M.F. Husain; The Unveiling of Lightning in New York; M.F. Husain; Selected Exhibitions.

The first to describe in detail a community of potters working for the Jagannatha Temple in Puri, eastern India, Temple Potters of Puri explores the role of the temple servant and how it affects the potters’ understanding of their work and of themselves. As a pilgrimage center of national importance, supported by the patronage of successive regional dynasties and by fervent popular belief, the Jagannatha Temple requires earthenware in great quantities for the creation and distribution of the sacred food that is an integral feature of daily ritual and pilgrimage. Several hundred potters participate as temple servants in maintaining the temple’s ritual cycle by performing their divinely assigned task. This study observes the potters’ technical prowess, sustained by devotion, but also examines the tensions within their relationships to more powerful temple servants and authorities. The role of the potter as temple servant is at once glorious, as demonstrated by texts and personal interpretations of the potters’ divinely-appointed service, and pathetic, as shown in the brutality of caste-based hierarchy and cash-based exchange penetrating the modern temple’s daily operations. The accompanying DVD shows the potters at work and records their skills and products as well as the annual festival that celebrates their role as temple servants.

Since taking the helm of the National Galleries of Scotland in 1984, Sir Timothy Clifford has overseen the acquisition of some of the finest, and best-loved works in the national collection. This book chronicles the development of the collection under his directorship and casts light upon the wide range of acquisitions, including the fascinating stories behind their purchase. Lavishly illustrated, highlights of the book include The Virgin Adoring the Sleeping Christ Child by Botticelli, The Three Graces by Canova (purchased jointly with the Victoria and Albert Museum, London), and the most recent major acquisition, Venus Anadyomene by Titian. Works from the Scottish National Gallery of Modern Art’s internationally renowned Surrealist collection are also featured, as well as paintings from the Scottish National Portrait Gallery.