Whether pizza is served as high-end cuisine or a poor man’s food, this global product transcends the boundaries of culture and social class. The circular piece of dough has long become an established superfood. It is so much more than just something we eat. Aside from culinary considerations, the preparation, consumption and ubiquity of pizza involves at least as many social aspects. These must be taken into account in order to understand the entirety of this phenomenon. For instance, in sociology the ‘pizza effect’ refers to reciprocal processes of reception and exchange and thus to the constant transformation of cultures. Only recently did the UNESCO in Paris allow Italy to formally register the preparation of pizza as an intangible cultural heritage of humanity. That’s iconic!

The collection ‘Pizza is God’ accompanies the eponymous international group exhibition. Situating a cultural phenomenon in the world of contemporary art, the exhibition will be staged by NRW-Forum Düsseldorf in 2018. This feast for the eyes, which combines painting, photography, net art, as well as video and performance, is complemented in the book by texts and essays written by renowned experts from the fields of food history, culture and science.

Text in English and German.

Jewelry Stories highlights the Museum of Arts and Design’s unique, world-class collection of studio and contemporary art jewelry from the US, Europe, Australia, and Asia, a medium that comprises one-third of its permanent collection. Artists working in this field create jewelry rooted in sculptural experimentation and the concept of art as a wearable medium. The pieces featured represent the history of art jewelry as told from a largely US perspective. Jewelry artists are inspired by such subjects as found objects and materials, as well as by politics and pressing social issues, allowing for the development of unique, personal narratives in each piece. Each of the jewelry stories is written by an expert on the artist or subject, thus the book also celebrates the contributions they have made to the field.

Published to accompany an exhibition at Museum of Arts and Design, New York (US), on permanent display.

Born in the cradle of upper-middle-class privilege in a Mumbai Parsi household and educated at one of India’s finest schools, Kobad Ghandy’s life and career could have scaled heights in the bustling world of corporate finance. Only it did not. Instead, he chose to become an activist working for the oppressed of the country.

Shocked by the racism he witnessed in the UK as a student and learning of the horrors of colonial rule in India, he determined to serve those struck the harshest by the cruel inequalities of his country. Fractured Freedom takes you through the journey of an honest man and his partner, Anuradha’s, to a difficult destiny. Here is the story of two people who dedicated their lives in the service of the marginalized, and who believed that true revolution required direct action for a more human and just society. Part memoir, part prison diary, Ghandy bares it all looking back at their lives, love, loss and politics, so intrinsically tied together. Having languished in Indian prisons for over a decade, he tells of his long incarceration, of his fellow prisoners, and of the Kafkaesque experiences with the Indian legal system. This is the candid and unfiltered account of how an unjust system breaks the brave and bold-hearted. A story of life in extremes – the height of privilege and the depth of despair, a story of our times, of a path many would shy away from.

Writing in the immediate aftermath of World War II, wine merchant, gentleman soldier and cricketer Ian Maxwell Campbell casts an affectionate and occasionally wistful look back at the Golden Age of wine, when Bordeaux was affordable, Burgundy’s finest vintages tended towards cannibalism and other wines could be… well, surprisingly attractive. Among the tales of convivial drinking and anecdotes involving Winston Churchill and WG Grace, the author paints a vivid picture of a pre-war (and pre-phylloxera) wine world whose horizons were about to expand beyond all imagining.

Wayward Tendrils of the Vine, though, is much more than a collection of reminiscences. As Neal Martin points out in his Introduction: “The title alone is a perfect allegory for how we learn about wine, how knowledge grows organically over time, never knowing what the next bottle will teach us, how it might alter preconceptions or where it might lead.” 

The Classic Editions breathe new life into some of the finest wine-related titles written in the English language over the last 150 years. Although these books are very much products of their time – a time when the world of fine wine was confined mostly to the frontiers of France and the Iberian Peninsula and a First Growth Bordeaux or Grand Cru Burgundy wouldn’t be beyond the average purse – together they recapture a world of convivial, enthusiastic amateurs and larger-than-life characters whose love of fine vintages mirrored that of life itself.  

“…the panorama of a self-forgotten milieu.”  — Monopol
“Toffs behaving badly: 1980s high society in photos.” — The Times

“The pictorial equivalents of Evelyn Waugh’s sentences.” — The New Yorker
“Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline. Unmissable listening.” — Country & Townhouse podcast

“Wonderfully ironic, every point in the picture ignites and knows how to entertain very well.” — Lovely Books

“Dafydd catches those moments of genuine exhilaration, wealth and youth.” — The Hollywood Reporter

“I wondered if the party guests I’d photographed were just re-enacting a nostalgic fantasy, an imaginary version of England that already no longer existed.” – Dafydd Jones

Throughout the 1980s, award-winning photographer Dafydd Jones was granted access to some of England’s most exclusive upper-class events. Now, the author of Oxford: The Last Hurrah presents this irreverent and intimate portrait of birthday parties and charity balls, Eton picnics and private school celebrations.

With the crack of a hunting rifle and a spray of champagne, these photos give an almost cinematic account of high-society England at its most riotous and its most vulnerable. Against the backdrop of Thatcher’s Britain, globalization, the Falklands War, rising stocks and dwindling inherited fortunes, Jones reveals the inner lives of the established elite as they party long into the night-time of their fading world.

Praise for Oxford: The Last Hurrah

‘Sublime vintage photographs…’ – Hermione Eyre, The Telegraph

‘In The Last Hurrah…we see familiar faces from British high society poised on the brink of adulthood.’ – Eve Watling, Independent

This book explores the figure of Ghitta Carell (1899–1972), a Hungarian-born photographer who was naturalized Italian. Ghitta was born into a Jewish family of humble origins; at a very young age she moved to Italy, where she quickly became a very sought-after portrait photographer. Intellectuals, actors, generals, and political leaders posed in her studio in Rome, as well as famous women and members of royalty and the middle class.
Her black-and-white pictures were taken with a view camera: Ghitta crafted her photographs with mastery and delicacy, and thus created luminous and soft images, intervening through subtraction by removing the most superficial layers. This is how she achieved a kind of unmasking, thanks to which she restored not only the face but first and foremost the soul of those photographed. Ghitta Carell died in Haifa, Israel, leaving behind more than 50,000 plates now mostly dispersed.
Text in English and Hebrew.

This publication depicts the life and work of the Stuttgart garden designer Gustav Adolf Wagner (1817–1893), who in the second half of the 19th century adopted C.C.L. Hirschfeld’s and Ludwig Sckell’s new concepts of garden aesthetics and translated them into romantic park landscapes. His most significant works—which include the Stadtgarten in Stuttgart, the Faberpark near Nuremberg, and other public gardens in the City of Stuttgart such as Hasenberg, Karlshöhe, Feuersee, and Uhlandshöhe, which he supervised as the first garden inspector—are presented here in-depth for the very first time.

Wagner’s gardens symbolize the need for public green spaces and urban park landscapes for an increasingly self-assured middle-class society. Numerous hitherto unpublished projects, for example from Wilhelm Neubert’s Schlüssel zur Bildenden Gartenkunst (1853) or from other contemporary sources, throw new light onto 19th-century garden landscape design and reintroduce the life and work of this unjustly forgotten garden designer.

Text in German.

Titanic & Fashion takes you on a captivating journey through time and style, featuring original costumes from the iconic 1997 film Titanic and rarely seen garments from the 1910s. The book explores a revolutionary era in fashion (1908–1918), when corsets were cast off and visionary designers like Coco Chanel and Lucile redefined modern dress. This period of emancipation, technological optimism, and class division echoes many aspects of our world today.

Combined with works by contemporary designers such as Iris van Herpen and John Galliano for Margiela, the book creates a compelling dialog between past and present. From dreamy gowns to bold statements, fashion becomes a vehicle for stories of hope, struggle, and identity. Aboard the Titanic, these worlds collided – from wealthy travelers in haute couture to migrants in traditional dress – all aboard a ship that came to symbolize both progress and peril.

Published to accompany an exhibition at Kunstmuseum The Hague, Netherlands, between 27 September 2025 and 25 January 2026.

The two little legs of the H, entangled with fiery tongues and other body parts – represent ‘Horny’. The B, formed by two little birds lovingly interlocking their beaks – stands for ‘Lovebirds’. The ‘Alphabet of Love’ by illustrator Sanny Winters is world-class. Her love for letters and for love itself come together in her new book, where her illustrations are interspersed with excerpts from world literature. Armed with nothing but red, black, and white – and tons of inspiration – she transforms each letter into an icon of love.

Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and “the fallen woman”. Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg’s own family. The catalogue sheds light on the subject matter of the exhibition, Krohg’s period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg’s own use of photography as a model for his work and a medium.

Text in English and Norwegian.

The scholarly journal produced by the Institute of Classical Architecture & Art (ICAA) is now in its tenth issue and continues to serve as an inspiration for professionals, academics, and enthusiasts alike. This volume is richly illustrated with drawings, photographs, renderings, watercolors, and details in full color. Essays include contributions by Jana Vandergoot on the traditions of ‘urban food’ in Rome and Paul Gunther on the stunning work produced by the ICAA’s Beaux-Arts Atelier and Grand Central Academy of Art. The work of other schools is also represented through student portfolios from the University of Bologna, Notre Dame, Yale, Judson, Miami, the American College of Building Arts, and The Prince’s Foundation for Building Community. A wide range of professional work from across the country is featured in the “From the Offices” portfolio, reflecting regional application of traditional and classical forms. Also available: The Classicist No.9 ISBN: 9780964260139

The Classicist is an annual peer-reviewed journal dedicated to advancing the mission of the Institute of Classical Architecture & Art by providing a venue for scholarship related to the classical tradition in architecture and the allied arts, a forum for current classical practice, and a source of information and inspiration for students, practitioners, teachers, patrons, and lovers of classical art and architecture. Volume 11 will feature scholarly essays dealing with historical practice, international portfolios of current work by professionals and students, and book reviews. The content ranges from urban design to individual buildings, to decorative arts and gardens. The journal is extensively illustrated, with many images in color, and will appeal to specialists and non-specialists alike. Contents:The Classicist at Large (editorial); Essays; Professional Portfolio; Academic Portfolio; Book Reviews

In the middle of Tivoli Gardens, beneath a canopy of lanterns and reflections from the lake, stands one of Copenhagen’s most iconic buildings — The Japanese Pagoda. Once a symbol of amusement and light, it has in recent years become a beacon of culinary excellence. Over the past five years, twenty-five Michelin-starred restaurants and chefs from all over the world have brought their artistry to The Pagoda — each for a shorter period, each re-imagining the space through their own vision of fine dining.

The Pagoda tells this story through text, photography, recipes, and behind-the-scenes insights, capturing how chefs transform architecture and atmosphere into edible experience. Alongside menu creation, craftsmanship, and the history of Tivoli’s gastronomy, the book unfolds a dialogue between past and present — between playful nostalgia and modern precision. A tribute to creativity, collaboration, and culinary ambition, The Pagoda celebrates the meeting of taste and tradition in the most magical corner of Copenhagen.

The Art of the Architect celebrates the role that drawing and watercolor painting play in architecture. Architectural drawing as we know it dates from the Renaissance, but with the arrival of computer design programs this ancient art—formed of pen, pencil, and brushstrokes on paper—is sometimes regarded as obsolete. The work of Michael G. Imber, whose watercolors and sketches are published for the first time in paperback, shows what a vital contribution they can still make at every stage of an architectural project. His personal example is followed by his colleagues in a visual culture that permeates his practice, Michael G. Imber Architects.

Whatever the place occupied by photographs, simulations, and visual graphics in the design process of today, hand drawing still facilitates a moment of deeper connection between an architect and his environment. Unlike a snap taken on a smart phone, a hand drawing is an active response to its subject: what is understood about a place in sensory terms cannot help but inform the finished design, creating buildings which maintain the balance between the way we live and the natural world around us.

Not only do Michael’s sketches allow him to visualize his environment more clearly, but they provide an immediate visual language with which he can communicate with his team, his craftsmen, and his clients. Pen and wash is a suggestive, selective, and emotive technique. Rich in examples of the art and philosophy that have inspired him over the years, this book is both an ode to a precious art form, and a visual delight to anyone who may turn its pages. Michael’s attention to light, color, line, shape, and space in these “working paintings” reveals a love for the medium that extends from his architectural practice into the time he spends both traveling, and at his summer home on an island in Maine. The beauty of the result will be inspiring to anyone who loves architecture and the attendant arts.

As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world’s greatest rock ‘n’ roll band, Wyman continued his hobby. When he didn’t have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From traveling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones. Limited to just 300 copies, this slipcased edition is accompanied by a print.

“So far, there haven’t been many women who have dared to dream on a truly megalomaniac scale—and see those dreams through to completion.” — Niki de Saint Phalle.
The story of the Tarot Garden, created by Niki de Saint Phalle (1930–2002), unfolds like a fairy tale. For the first time, this book documents the extraordinary adventure of its construction, from 1978 to 1998. It all began when, at the age of twenty-five, Niki de Saint Phalle visited Gaudí’s Park Güell and decided to give form to her lifelong “desire for grandeur.” The result was the creation of twenty-one monumental and esoteric sculptures spread across two hectares in Tuscany’s Maremma region—an artistic interpretation of the Tarot’s major arcana, a system that had long captivated her imagination. The Tarot Garden stands within a visionary lineage of fantastical environments, alongside the Palais Idéal of Ferdinand Cheval, Gaudí’s Park Güell, Alain Bourbonnais’s Fabuloserie, and the Gardens of Bomarzo in Lazio. Enriched with rare archival material, this book reveals the behind-the-scenes story of Niki de Saint Phalle’s magnum opus, shaped by Etruscan heritage, local craftsmanship, and rituals drawn from cultures around the world.

“Seeing the garden Gaudí built in Barcelona changed my life. From that moment on, my path would be a slow apprenticeship—until the day I, too, would be capable of creating a magnificent work like his, a place of joy.” — Niki de Saint Phalle.

Text in English, Italian and French.

“The subtle forms and modelled curves and planes in a skeleton were to George Stubbs what a symphony is to a musician.” — Oxford Companion to Art

“The most unique thing of its kind ever compiled. This heroic effort, an epic of the eighteenth century, is as great and unselfish a work as anything could be.” — Sir Alfred Munnings

George Stubbs was one of the most original artists Britain has produced, and it is easy to forget how much his success was based on rigorous scientific observation. In 1756 he rented a farmhouse where he erected scaffolding to hold the cadavers of horses as he dissected and drew. After 18 months, Stubbs produced the drawings for The Anatomy of the Horse, which he later etched. The result was sensational. Scientists from all over Europe sent their congratulations, amazed at the perfection of the work. The Anatomy remained a textbook for artists and scientists for over a century, and its strange, spare beauty continues to fascinate.

This edition is taken from the 1853 printing, the last to use Stubbs’ original plates. The full Stubbs’ commentary is included for the veterinarially minded. Extensive texts by Constance Anne Parker and Oliver Kase place Stubbs’ work in the context of his life and times, and of 18th-century medical science.

“The subtle forms and modelled curves and planes in a skeleton were to George Stubbs what a symphony is to a musician.” — Oxford Companion to Art

“The most unique thing of its kind ever compiled. This heroic effort, an epic of the eighteenth century, is as great and unselfish a work as anything could be.” — Sir Alfred Munnings

George Stubbs was one of the most original artists Britain has produced, and it is easy to forget how much his success was based on rigorous scientific observation. In 1756 he rented a farmhouse where he erected scaffolding to hold the cadavers of horses as he dissected and drew. After 18 months, Stubbs produced the drawings for The Anatomy of the Horse, which he later etched. The result was sensational. Scientists from all over Europe sent their congratulations, amazed at the perfection of the work. The Anatomy remained a textbook for artists and scientists for over a century, and its strange, spare beauty continues to fascinate.

This edition is taken from the 1853 printing, the last to use Stubbs’ original plates. The full Stubbs’ commentary is included for the veterinarially minded. Extensive texts by Constance Anne Parker and Oliver Kase place Stubbs’ work in the context of his life and times, and of 18th-century medical science.

“A beautiful coffee table book you will actually read from cover to cover, over and over again.” — Homes & Gardens

“Blue Carreon’s latest book, The Gardens of the Hamptons, takes us behind the hedges into some of the East End’s most spectacular properties.” — Hamptons Cottages & Gardens

” …With richly hued photography and evocative storytelling, Carreon artfully reveals the soul of each garden, unearthing the personal philosophies of the owners behind the blooms.” — Modern Luxury

The Gardens of the Hamptons is an awe-inspiring collection of vibrant, luxurious, full-color photography amid personal profiles of individuals who have shared the story behind their private garden with lifestyle writer and photographer Blue Carreon, who is also the author of bestseller Equestrian Life in the Hamptons.

The Hamptons is a well-known destination for sunshine, luxury, and fun, especially during the summer. This book embraces the well-established, beloved, and aesthetic qualities of the glorious Hamptons communities by showcasing over 50 wonderful examples of lush gardens, ranging from bespoke private oases to public offerings and also larger garden estates, inspired by renowned gardens overseas.

Each individual speaks of their personal interest and purpose when envisioning and designing the garden of their dreams. Blue effortlessly conveys each gardener’s sense of pride and the reasons behind the choices of landscape design and architecture, as well as color scheme and flora selection—whether the garden be the source of an intimate escape or a space to activate family laughter and glee.

Blue captures the heart of the Hamptons by showcasing the friendly people and elegant portraits of nature at its best.

The history of the erstwhile State of Jodhpur is a record of heroic exploits, epic victories and magnificent gallantry displayed by its army. The Story of the Jodhpur Lancers is a remarkable narrative of the warriors of this Indian Princely State – prior to, and during the First and Second World Wars – and of how the friendship between an Indian Prince, Sir Pratap Singh, and British royalty contributed to the Allied War efforts. This book provides a comprehensive historical account of the Jodhpur Lancers – their origin, their deeds and dash and their role in the armies of British India and their Princely State. Featuring rare photographs, maps, documents and sketches, this book is a richly illustrated kaleidoscope packed with historical data assembled from a wide variety of sources, much of it previously unavailable. The author has taken the skeins of Jodhpur history and woven them expertly to create a fascinating story. Forewords by General Bipin Rawat, Chief of the Army Staff and Maharaja Gaj Singh, erstwhile Maharaja of Jodhpur, make the book even more memorable. The Story of the Jodhpur Lancers also reminds us, lest we forget, of the sacrifice of so many Indians who fought in the Great War and who died in foreign lands, as brave sons of India. The book contains detailed information about the Jodhpur Lancers and the mavericks who won fame at the Battle of Haifa in 1918, during the Great War. Ardently written and engrossing to read, it takes readers back to an era of royalty and pageantry, passion and valor.

A Sino-Chinese family find their destiny is inseparably entangled with that of the country they have adopted as a home. Not long before the Communist revolution, Tong, sent by his peasant-parents in impoverished rural China to work with a relative in Siam, has risen to become a rice-trading tycoon in Bangkok’s Chinatown, married a former palace cook and built a large family in the town of Pad Riew. Haunted by the dream of returning to his true home in China, Tong, along with his wife and their five children, are swept along by the torrents of history as World War II breakout and China turns red, while the military strongman in Thailand act out the interminable cycle of power struggle, rebellion and coup d’état.

Memories of the Memories of the Black Rose Cat, the award-winning second novel by Veerapon Nitiprapha, is a generations-spanning family saga that explores the roots of the Chinese diaspora in Siam and how the tragedy of ruined love, maternal betrayal and futile ambition shape the lives of Tong’s clan members, each of them hounded by their own ghosts and burdened by their own sins. All of this is played out against the backdrop of Siam’s mid-century social and political history, the most chaotic period the formation of the nation.

In 1856, just months after Britain and Siam had finalized the historic Bowring trade treaty that would prevent the countries colonization, the violent death of a Siamese official at the new British consulate threatens to scuttle the deal and lead to war. The King and the Consul explores UK and Thai archives to reveal the twists, turns and tensions of this little-known episode that pitted Thailand’s renowned King Mongkut, Rama IV, against the first British Consul, Charles Hillier. The crisis was resolved without war, but not without cost for the participants who suffered unintended tragic outcomes. By examining the background to this tragedy, the book reveals how history has often overlooked the importance of an issue that lay behind it the right of foreigners to own land in the country, and issue that continues to be a thorn in the side of Thailand’s foreign relations to this day.

“The tragic deaths in 1856 of the first British consul to Siam and a Siamese official had an unusual impact on Thailand‘s property law and Britain’s diplomatic presence in the country. This intriguing book could only be written by someone with long residence in Bangkok, through knowledge of Thailand’s property law, and enthusiasm for history. Simon Landy gives us a slice of legal and diplomatic history with close attention to its human dimensions. An unusual and lovely read” – Chris Baker