Geert Baudewijns, full-time ransomware negotiator, is called every week by hacked companies and governments across the globe. But by then, it’s too late. Cybercriminals have infiltrated the system. To prevent worse-case scenarios – weeks of downtime, all your data leaked – over 70 percent of the victims give in to ransom demands. And malicious hacker collectives on the dark web are making fortunes. This is still a taboo because no one wants to go public with it. Who is at risk? How do hackers operate? How can we protect ourselves? In this book, Baudewijns takes the reader into the dark side of the digital world. His insider stories describe recent cases from around the world.
If Richmond VA represented the historic heart of the Confederacy, then Monument Avenue was meant to memorialize its soul. The avenue was conceived in the 1870s, when the city elected to build a memorial to General Robert E Lee. It was not until 1890, however, that the massive monument was unveiled. Over the succeeding decades, Lee was joined by statues commemorating other leading Confederate military and political figures – JEB Stuart, Jefferson Davis, Stonewall Jackson and Matthew Fontaine Maury.
Almost from the moment they were erected, the Confederate monuments, as symbols of white supremacy, were the focus of controversy and protest. The climax came in the summer of 2020 when Black Lives Matter protesters, outraged by the death of George Floyd, converged on the avenue to vent their fury. On July 10th, Jefferson Davis was dragged from his pedestal. Two days later, Brian Rose packed up his cameras in New York and drove back to his home state to document the last days of the grand boulevard of the Lost Cause. En route, he reflected on his own history and the roles played by his forebears in the Antebellum South.This new edition of a classic book captures a pivotal moment in modern American history.
1000 Piece Puzzle featuring the artwork of Benjamin Styer.
In Benjamin Styer’s Mondegreen Codex (2021) a continuous narrative of flying creatures, lost souls, and scattered musical energies unfold amid multicolored crystal towers and rivers. Overhead, shapes dart around a darkening sky punctuated by black portals.
A Mondegreen is- of course- something, often a lyric, that one hears mishears or misinterprets- think Toto’s “I left my brains down in Africa” or Elton John’s “Hold me closer Tony Danza”. In Mondegreen Codex however, Styer shows how a mondegreen could be visual as well. The painting is, in large part, an epic visual mishearing, primarily of Hieronymus Bosch’s Garden of Earthly Delights but also maybe of Candy Land and Saturday morning cartoons.
This may well be the most puzzle you’ve ever put together. You didn’t mishear that.
Munch’s Missing! Find the artist hidden in 12 vibrant illustrated scenes which are inspired by the artist’s life, and the themes in his art. Spot him on the hill where he famously heard that resounding scream; find him hidden on stage amongst actors performing an Ibsen play, and search him out in the forest near his home in Ekely. Every scene is jammed with artists and creatives who have been influenced by Munch.
While the magical illustrations by Celyn Brazier offer a playful introduction to the artist, they are a unique piece of art in themselves. Accompanying text opens up the stories behind the illustrations, and explores further Munch’s life and art, and the influence he had.
This raucous art journey celebrates the startling relevance of Munch who brought us the selfie and liberated us to scream out!
In the dark days of 1940, at the onset of the Battle of Britain Churchill’s ‘Few’, the brave fighter pilots who battled over the skies of Southern England, found a haven in the White Hart Inn in Brasted, where they could escape the traumas of war for a few hours.
The landlords Kath and Teddy Preston were there to share in the hopes and fears, the elation and sorrow of the men who lived their lives on the edge daily.
Inn of the Few is a tale of those precarious days, an insight into life at the White Hart and its famous visitors. The book includes fascinating anecdotes and archive photographs and documents of a momentous time in history, in which local lives gained national significance.
This book celebrates the special relationship between beloved British dogs and their devoted owners. Architects, fashion designers, florists, entrepreneurs – these and the other famous, creative and hyper-successful people have one thing in common when it comes to their canines: the strength of the bond between human and four-legged friend. This makes for tales of companionship that will be sure to uplift your spirits and make the heart sing.
Exuberantly photographed by Dylan Thomas, with interviews by Georgina Montagu, Top Dogs is a joyous read and lustrous eye-candy for dog lovers. From Jacobean manor to Cumbrian hill farm, and circus wagon to royal residence, the lucky hounds who are showcased in this sumptuous volume occupy some of the loveliest homes in the country.
A compelling account of the luxury and splendor of Newport’s nineteenth-century summer “cottages.”
In his latest contribution to America’s architectural record, Michael C. Kathrens gives house enthusiasts a superbly visual and informative book on Newport’s early resort architecture.
The 19th century was an incredibly vibrant period in Newport, Rhode Island’s, rich architectural history. Opulent private houses-or summer “cottages” as they were known-populated the seaside resort half a century before the rise of the European Revival behemoths of the late 1880s and 1890s. The luxury and splendor of many of these earlier homes often rivaled the sumptuousness of the later “Gilded Age” mansions.
In the decades since 1835, when the first private house was built exclusively for seasonal use, scores of magnificent homes were commissioned by a burgeoning summer colony whose members were among America’s wealthiest and most prominent families, including the Schermerhorns, Lorillards, Goelets, and Joneses. They built their summer residences in neighborhoods known today as Kay-Catherine-Old Beach Road, Bellevue Avenue, Ochre Point, and Ocean Drive, commissioning local talents such as George Champlin Mason Sr., Seth C. Bradford, and Dudley Newton as well as nationally renowned architects such as Richard Morris Hunt, McKim, Mead & White, and Peabody & Stearns. These exceptional houses showcased new architectural expressions and displayed the mastery of those who designed them.
The scope of this volume-the prequel to Newport Villas: The Revival Styles, 1885-1935, Kathrens’s first book on Newport residential architecture-extends beyond 1890, providing ownership histories of each of the thirty-six houses profiled, including Cannon Hill, Chateau-sur-Mer, Elm Court, Beaulieu, Land’s End, the original Breakers, Ochre Point, and Chastellux as well as visual documentation of later renovations. Rare late-nineteenth- and early-twentieth-century interior images reflect a shift in fashion from the exuberant Victorian to a cleaner, more classical style that led to the Edwardian elegance of many of the later renovations by architects such as Horace Trumbauer, Ogden Codman Jr., and Francis L. V. Hoppin.
Stunning archival and newly commissioned photography, architectural renderings, and floor plans aid in fully conveying the remarkable legacy of Newport’s majestic cottages built before 1890, presented comprehensively for the first time.
In celebration of the 200th anniversary of the birth of one of Victorian Britain’s greatest thinkers, the art critic and social reformer John Ruskin, the distinguished Ruskinian Robert Hewison introduces Ruskin’s ideas and values through revelatory studies of the people and issues that shaped his thought, and the ideas and values that in turn were shaped by his writings and personality. Beginning with an exploration of the rich tradition of European art that stimulated his imagination, and to which he responded in his own skilful drawings, Ruskin and his Contemporaries follows the uniquely visual dimension of his thinking from the aesthetic, religious and political foundations laid by his parents to his difficult personal and critical relationship with Turner, and his encounters with the art and architecture of Venice. Victor Hugo makes a surprising appearance as Ruskin develops his ideas on the relationship between art and society. Ruskin’s role as a contemporary art critic is explored in two chapters on Holman Hunt, one focussing on the Pre-Raphaelite’s The Awakening Conscience, one examining his later Triumph of the Innocents. The development of Ruskin’s role as a social critic is traced through his teaching at the London Workingmen’s College and his foundation of the Guild of St George, a reforming society that continues to this day. Oscar Wilde came under his personal influence, as did Octavia Hill, a founder of the National Trust. The evolutionary theories of Charles Darwin are shown to have been deeply unsettling to Ruskin’s worldview. The book concludes with a demonstration of the profound influence of the Paradise Myth on all of Ruskin’s writings, followed by an exploration of the concept of cultural value that shows why Ruskin’s ruling principle: `There is no wealth but Life’ is as relevant to the 21st century as it was to the 19th.
In celebration of the 200th anniversary of the birth of one of Victorian Britain’s greatest thinkers, the art critic and social reformer John Ruskin, the distinguished Ruskinian Robert Hewison introduces Ruskin’s ideas and values through revelatory studies of the people and issues that shaped his thought, and the ideas and values that in turn were shaped by his writings and personality. Beginning with an exploration of the rich tradition of European art that stimulated his imagination, and to which he responded in his own skilful drawings, Ruskin and his Contemporaries follows the uniquely visual dimension of his thinking from the aesthetic, religious and political foundations laid by his parents to his difficult personal and critical relationship with Turner, and his encounters with the art and architecture of Venice. Victor Hugo makes a surprising appearance as Ruskin develops his ideas on the relationship between art and society. Ruskin’s role as a contemporary art critic is explored in two chapters on Holman Hunt, one focussing on the Pre-Raphaelite’s The Awakening Conscience, one examining his later Triumph of the Innocents. The development of Ruskin’s role as a social critic is traced through his teaching at the London Workingmen’s College and his foundation of the Guild of St George, a reforming society that continues to this day. Oscar Wilde came under his personal influence, as did Octavia Hill, a founder of the National Trust. The evolutionary theories of Charles Darwin are shown to have been deeply unsettling to Ruskin’s worldview. The book concludes with a demonstration of the profound influence of the Paradise Myth on all of Ruskin’s writings, followed by an exploration of the concept of cultural value that shows why Ruskin’s ruling principle: ‘There is no wealth but Life’ is as relevant to the 21st century as it was to the 19th.
What were Montmartre and Montparnasse really like in their hey-day, roughly between 1904, when the youthful Picasso had just arrived on the Hill of Martyrs, and 1920, when Amedeo Modigliani, justly called ‘the prince of Bohemians’, died of consumption and dissipation in Montparnasse? This book, written by an Englishman who lived in Montmartre for 30 years and knew its famous habitue intimately, gives a vivid description. It reveals the truth behind the many legends, is packed with authentic stories about writers and painters whose names are now household words, and contains much hitherto unpublished information about the life and career of Modigliani obtained from his family and friends. Much of the text was written in Montmartre amid the scenes described, and after personal consultation with survivors of the great days when Frede presided over the Lapin Agile and Libion, patron of the Cafe de la Rotonde, was beginning to rival him in Montparnasse. It is the most complete account which has yet been written in English of the birth of Cubism and other contemporary movements in modern painting, and of the lives and loves who started them.
a+u’s October issue features the work of Charles Rennie Mackintosh, born in 1868, in Glasgow, Scotland. Glasgow grew rapidly into a modern industrialized city in the latter half of the 1800s. With this urban development came a generation of students from Glasgow School of Art, including Mackintosh and his close associates known as The Four, who started creating designs and artworks from an entirely new vantage point. As detailed in an essay by guest editor Hiroaki Kimura, Mackintosh enriched traditional architectural composition through his advocacy of the “philosophy of craft,” which brought together craft and engineering. In their distance from historicist styles and pursuit of a new environmental aesthetic, these activities paralleled other movements in continental Europe at the turn of the 20th century. This issue showcases 15 built works by Mackintosh through lavish displays of archival drawings and historical photographs.
Text in English and Japanese.
This Boston guide is the newest addition to the internationally successful series The 500 Hidden Secrets. Like the other city guides in the series, it contains 500 places to visit or things to know. All of them are addresses or activities the author, savvy Boston local Natalia Ivanytsky, would recommend to friends visiting her hometown. A new feature are the two city walks included in the book, leading past a selection of the 500 secrets: a great way for first-time visitors to get to know the city.
This bulky selection of Boston tips is based only on the author’s personal opinions after thorough research: Natalia wandered through the many Boston streets and neighborhoods accompanied by her dog, looking for the best places to eat, drink, shop, visit, dive into the cultural scene, … She drank and ate her way through the best brunch spots, cocktail bars, and restaurants with family and friends, looking for the five best on-the-go sandwiches, the five tastiest street food trucks, the nicest shops for New England-inspired home décor or five urban oasis garden escapes. She also tells you which unofficial stops along the Freedom Trail are worthwhile, or where to find cool outdoor art installations. Her aim is to showcase Boston’s strong culture beyond sports and history, and to help you discover new, unexplored places.
Also available: The 500 Hidden Secrets of Chicago, The 500 Hidden Secrets of Seattle, The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Tokyo, and many more. Discover the series at the500hiddensecrets.com
Building on her experience following a several-week trip to Taliesin West, Kora Bürgi investigates Frank Lloyd Wright’s architecture and traces his work in the USA and Switzerland. The result of the field research is a presentation of his influence on the Central Swiss architectural landscape – a theme that has not been studied before. That influence ranges from partial copies of elements of Wright’s architecture to own interpretations of his architectural ideas.
This publication analyzes 14 buildings in Central Switzerland – from the Heimbach school and the Villa Schnyder (both in Lucerne) to the residential buildings in Brodhubl (Canton of Obwalden) – including Wright’s influence on various architects, such as Josef Gasser, Lisbeth Sachs and Otto von Deschwanden. The author also sheds light on the distribution of Wright’s urban-planning principles and the future of his architecture in Switzerland.
Text in German.
The Lake District delights its visitors with a series of superlatives: England’s largest national park, highest mountain, deepest lakes and now a new World Heritage status. One of Britain’s best-loved and most visited locations unveils its secrets. This unusual guidebook explores 111 of the area’s most interesting places, it leaves the well-trodden paths to find the unknown: marvel at a stained glass window which inspired the American flag, let others flock to Hill Top while you explore Beatrix Potter’s holiday home, walk through ancient forest to talk to fairies and swim with immortal fish. Pause to wonder at a stunning lake where a President proposed, view a constellation of stars like nowhere else, find out why exotic spices are used in local cuisine.
Sheffield is yet to be discovered. Were you aware that football’s first professional rule book was written in Sheffield, and that it is home to the oldest ground in professional use? Did you know that climbers the world over come to Stanage Edge for the challenges offered by one of the world’s most fearsome millstone grit escarpments? Did you know that the Arctic Monkeys grew up in Sheffield, and that you can see the room at Yellow Arch Studios where they rehearsed as schoolboys and cut their first album? Did you know that the steepest hill in the entire 2012 Tour de France is in Sheffield? Did you know that Sheffield’s craft breweries produce some of the finest beers in the world? Did you know that you can walk out of the center of Sheffield, through parkland, and directly into open countryside? You need this book fast then, don’t you, you soft ‘aporth!
More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.
Australia’s wine history dates back almost 250 years, to the arrival of the First Fleet in 1788. The first commercial wine region, the Hunter Valley in New South Wales, was created a mere 40 years later, and by as early as the 1850s small amounts of wine were being exported to the UK. In the modern era, Australian wine became known for fortified wine styles modeled on Port and Sherry. These were the main wine styles consumed for several decades, but by the mid-1990s nearly all grapes were going into table wine and Australia was the sixth largest global exporter of wine. Vibrant, varietally expressive and affordable wines introduced new generations of drinkers to the joys of wine. The popularity of Australian wine has ebbed and flowed over the years but experimentation, innovation and the illumination of newer regions has created a quiet revolution, challenging preconceptions of what is possible.
In The Wines of Australia, sommelier Mark Davidson tastes his way round this new Australian wine world. European immigration was an important factor in the development of wine but it also had a dramatic and negative impact on the indigenous peoples, an issue that Davidson addresses in a chapter on history and culture, explaining how the wine industry is taking steps to involve First Nations peoples in grape growing and winemaking. The growing environment, including the critical question of climate change, is tackled, and today’s most important grape varieties, along with those that can take Australian wine into the future, are profiled. This is followed by a chapter explaining why the country is home to some of the oldest vines in the world. Every region is clearly delineated, its key producers introduced and their wines assessed. The Wines of Australia captures the character of one of the most exciting wine-producing countries on the planet.
“Capturing the spirit of every Glastonbury since 1992, this coffee table book from award-winning photographer Liam Bailey brings together three decades of revelry and wonder among festivalgoers on Somerset’s most famous dairy farm.” — Redonline.co.uk
“…Iconic Photos That Capture the Messy Essence of Glastonbury.” — VICE
“The book’s images capture the rugged anarchy that spreads through Somerset each year around the solstice.” — MSN
“There are many books about the music scene but few that show punters in all their beautiful variety. Liam Bailey’s long-term documentation has really paid off – this book about the craziness of Glastonbury Festival is terrific.” – Martin Parr
Glastonbury is the striking distillation of over 30 years’ unprecedented photographic access to the world’s largest green-field music and performing arts festival. In over 120 memorable images, Liam Bailey invites us to share his experiences of being among its diverse tribes.
Although Glastonbury has evolved into a sprawling fixture of the British summer calendar, this famously vibrant event is still powered by the belief in alternative communal culture. It is this special energy that has kept Bailey returning every year since 1992. Above all, this ‘access all areas’ visual diary makes a case for the positive human potential of over 200,000 people being able to get together in the open air – to enjoy music, performance and each other.
Bailey’s work has been exhibited in the UK and abroad, and appeared in magazines and newspapers including The Independent, The Guardian and Condé Nast Traveller.
Great food culture starts at home – especially when it’s from the chef’s home kitchen and garden! Be inspired by this unique and visually stunning book, which takes a behind-the-scenes look into the home kitchens (and gardens) of 22 of Australia’s celebrity chefs. Notable mentions include Frank Camorra (MoVida), Brigitte Hafner (Graceburn House & Tedesca Osteria in Red Hill, on Victoria’s Mornington Peninsula), Tony Niccolini (Italian Artisans), Scott Pickett (Estelle, Matilda, and Audrey’s in Sorrento), and of course many others. Each chef is interviewed by renowned architecture and design writer Stephen Crafti, and each profile is captured through gorgeous, intimate imagery by celebrated photographer Catherine Sutherland. Featuring fabulous, inspiring conversations with each chef in their personal living spaces, while they are preparing a meal in their stunning kitchen, and with a close look at their kitchen’s architectural design, and garden style, this book celebrates not only some of Australia’s finest chefs, but also the architects who make these chef’s kitchens a pleasure to work in. The chefs and architects answer important questions, such as what makes a great kitchen as much as a great meal; what makes these kitchens unique; what are some of the less obvious things that need to be addressed in a kitchen design; what is the range of fresh produce, ie herbs and spices, as well as vegetables that is best planted in a successful kitchen garden; and so much more. This beautifully illustrated book is filled with inspiration for foodies (included are recipes from the chefs), gardeners and design aficionados, and a peek into the secret lives of these celebrities.
Ratha Yatra, the ancient annual festival of the chariot and Jagannatha, the presiding deity of the great temple Srimandira at Puri, is one of the grandest spectacles on earth.
Jagannatha (along with siblings Balabhadra and Subhadra) ride three colorful chariots in their annual sojourn to their garden house and birthplace Gundicha Temple, where they stay for seven days before returning back. Full of drama, vitality, and a panoply of rituals and ceremonies, Ratha Yatra is rooted in ancient traditions, myths and legends. It embodies the most colorful elements of the classical folk cultures of the Indian subcontinent and the Odisha region, and is the most succinct manifestation of India’s heritage today. Celebrating the Hindu faith, this festival keeps Jagannatha alive and vibrant in the great pilgrim town of Puri, one of India’s four most sacred cities.
Over the course of 60-plus years, Erwin Hauer has created modular sculptures that feature penetrations and prominent interior voids yet, remarkably, are bonded by continuous surfaces. The modules of these sculptures contain the seeds of infinity: what Hauer calls ‘continua’. Still Facing Infinity covers the full scope of Hauer’s artistic oeuvre, from early two-dimensional works that double as room dividers to three-dimensional, space-filling sculptures that are conceptually similar to innovative architecture and engineering (works by Antoni Gaudi, Félix Candela, and Frei Otto) as well as advanced mathematical concepts (triply periodic infinite surfaces without self-intersections). Hauer offers detailed presentations in writings as well as in abundant photographs of a number of significant works, including Jerusalem Tower and Infinite Surface I-WP, the basis for numerous tabletop and large-scale sculptures as well as for two independent series that explore multiple iterations of the infinite surface concept.
Documentary photographer William E. Crawford spent three decades documenting Vietnam, and in particular Hanoi, its people and the surrounding countryside. As one of the very first Western photographers to work in post-war North Vietnam, Crawford was drawn back to the country numerous times at regular intervals between 1985 and 2015 to record this fascinating country’s culture, people, and society with beautiful, compelling and intimate photographs, concentrating on colonial and indigenous architecture, urban details, portraits, and landscapes. In 1986, the Vietnam’s Communist leadership began to shift from a Soviet-style central planning model toward free-market economic reforms. As a result, Hanoi has been transformed over the last three decades, becoming an example of how traditional Asian and developing cities have often been torn down or allowed to crumble – only to re-emerge in a ‘modernized’ form. Unlike photo-journalism, which is interested in the theatre of the moment, Crawford’s evocative and powerful photography chronicles life throughout Hanoi and its surroundings over the course of the last three decades. Filled with full-color photographs and informative essays on his experiences and the people he encountered, Crawford’s work – showcased in this beautifully presented volume – provides a unique visual catalogue of the evolution of a city and its inhabitants, and particularly the complex historical area known as The 36 Streets.
Delhi: Red Fort to Raisina traces the journey of Shahjahan’s new capital of the Mughal Empire, Shahjahanabad built on the banks of river Yamuna in 1638 to New Delhi the new capital of British-ruled India in 1911. From Red Fort to Jama Masjid and from Jahanara Bagh to Hayat Bakhsh Bagh, every palace, mosque, bazaar, and bagh in the Mughal city was planned to perfection. The new city too, designed in the early twentieth century, was a blend of Mughal architecture and modern aesthetics. This book celebrates the centenary with four essays on different aspects of Delhi’s history by JP Losty, Salman Khurshid, Ratish Nanda, and Malvika Singh. A lively portrait of the city and its culture and people, the book documents the transition of the old-world charm of Shahjahanabad to a modern city with a new seat of power built on the Raisina Hill. Contents: Introduction – JP Losty; Delineating Delhi: Images of the Mughal Capital – JP Losty; Life in Shahjahanabad – Salman Khurshid; Architecture of Shahjahanabad – Ratish Nanda; Map of Shahjahanabad, 1846-47; Making of New Delhi – Malvika Singh; Bibliography; Notes; Index. Pramod Kapoor is a collector of historical records and photographs, and a publisher by profession. The photographs for this book were lovingly collected by him over a long period of time from all over the world. Often, the best photographs were found in old trunks lying forgotten in dusty attics or damp basements of the palaces. A keen photographer, he has also compiled and researched photographs for pioneering books like India: Then and Now, Witness to Life and Freedom: Margaret-Bourke White in India, New Delhi: Making of a Capital, and the most recent Delhi: Red Fort to Raisina.
Rome Wasn’t Drawn in a Day is a coloring book filled with exquisite templates, allowing you to step in to the shoes of Romulus and Remus as you bring the eternal city to life. Use your own artistic direction to turn DolceQ’s intricate illustrations into a beautiful and personal souvenir of Rome. Reimagine some of Rome’s iconic landmarks by fusing floral and geometric patterns with both ancient and modern architecture. Explore the contrast between the sharp outline of the Altare Della Patria with the intricately detailed patterns that surround it. Sketch the skyline of St Peters whilst the wolves howl from below. Trace the Tiber with your pencil and view Rome from above. Color the vibrant culture of Rome, from rappers to mythical creatures, from ancient monuments to contemporary art museums. The book outlines the beauty of past and present Rome in a series of templates, offering a truly unique way to relax, explore the city and create a work of art.