Taking four themes as its starting point, this book reveals the strong interconnectedness of Ukraine’s turbulent history, the country’s permanent social and political unrest and the work of Ukrainian artists. Against Oppression, Forgotten Histories, Spaces of Freedom and Thoughts on the Future each reflect the dynamic between the drive for freedom and the mechanisms of oppression.
The rose is generally seen as the most romantic flower. No other plant blooms for so long and profusely, and comes in so many different shapes, scents and colors. Roses deserve a place in everyone’s home, outside – in the garden or on the balcony – but certainly also indoors on the table. The Joy of Roses answers every question you may have about roses: from the history of the rose to applications in the home. The different types of roses are discussed in detail with descriptions of the flower, the scent, the thorns, the inflorescence and information about the best place for this specific species. The book also provides information about cultivators, which flowers go well with roses and their care. Anneke Beemer’s beautiful photos complete the book.
Inspired by poets, draftsmen and printmakers, painters also discovered Haarlem and its beautiful surroundings as rewarding subjects for their work. Jacob van Ruisdael and Gerrit Berckheyde both repeatedly pictured the city – the former with his ‘Haerlempjes’, where heavy cloudy skies dominate the landscape and the unmistakable St Bavo’s Church stands on the horizon. Berckheyde is known for his atmospheric cityscapes: the Grote Markt, with St Bavo’s as the focal point, the Weigh House on the River Spaarne and the city gates.
John Ruskin wrote this fable for a teenage family friend, Effie, and later he married her. The marriage was famously disastrous, but before it fell apart the Ruskins allowed The King of the Golden River to be published. It became one of the most popular works for children of its time. Richard Doyle contributed over 25 full-page illustrations and vignettes.
The King of the Golden River is the first literary fairy tale in English (as opposed to collected folk tales). Ruskin himself said it was ‘a fairly good imitation of Grimm and Dickens, mixed with some true Alpine feeling of my own’. Later he spoke of the capacity of the traditional tales ‘to fortify children against the glacial cold of selfish science’.
It remains a powerful fable about humanity’s dual capacity for destructiveness and redeeming love, with as strange fairy-tale creatures as one could hope to meet.
An essay by Simon Cooke explains the book’s importance.
Provence today is famous for its rosé. In the hearts and minds of winemakers, however, it is red wine that the region ought to be famous for. Few wine regions have a history so distinct from the wines that are made today – or such a distinction between the wines that the locals want, and the wines that sell well. As of 2024, red production has dropped to third place, behind rosé and white by volume. In The wines of Provence Elizabeth Gabay MW and Ben Bernheim analyze this split personality to help explain why and how the wines are made today. They define the wine region of Provence and explain how it differs from the neighboring Rhône wine region in terms of history, landscape, wine culture and varieties grown. Exploring the differences between inland and coastal Provence, they assess the difficulties in distinguishing its appellations and profile the region’s key producers.
– Explains clearly the history, geography and terroir of Provence and details all the appellations of the region.
– Examines the key historic grape varieties of Provence, explaining how the vineyard make-up has changed over the years and continues to evolve, including the introduction of new varieties with climate change resilience.
– Unpicks the reasons behind the huge success of Provence rosé and assesses how this has affected the region’s wine economy and reputation.
– A thorough look at the Bandol AOC with its powerful, long aging reds.
– Supported by color photos, and maps detailing the appellations of the region.
– Both authors live in Provence and are experts in rosé and the wines of southern France.
For more than six decades, the Porsche 911 has been more than a car — it is a cultural symbol of design, performance, and passion. From the first sketches in Stuttgart to the modern GT3 and Turbo S, the 911 has defined what it means to drive, to create, and to feel. The Essence of Porsche 911: Unfolded takes readers on a visual and emotional journey through the legacy of this timeless machine. With stunning photography, insightful essays, and stories from designers, engineers, and enthusiasts, the book explores what makes the 911 unique — its sculpted lines, air-cooled heritage, racing DNA, and unmistakable silhouette. It is a tribute to precision and emotion in perfect balance — the fusion of art and mechanics that only Porsche can achieve. From the racetrack to the open road, from vintage classics to the latest innovations, every page celebrates the 911 as more than an automobile — it is a living legend.
Few marques command the same reverence as Ferrari — a symbol of Italian artistry, innovation, and unrelenting pursuit of excellence. Since Enzo Ferrari founded the brand in 1947, the Prancing Horse has stood not just for performance, but for a way of life defined by style, emotion, and craftsmanship. The Essence of Ferrari Unfolded celebrates this spirit in all its forms — from the sculpted curves of the 250 GTO and LaFerrari to the precision engineering that turns mechanical movement into poetry. Through breathtaking photography and insightful storytelling, the book explores the DNA of Ferrari: design, speed, sound, and the people who live for them. It delves into the creative worlds of designers, drivers, engineers, and dreamers, capturing how Ferrari continues to merge technology and beauty in perfect harmony. Beyond the racetrack, the book unfolds Ferrari’s cultural impact — from haute couture collaborations and architectural icons to its influence on film, art, and design.
Few names in fashion embody elegance quite like Giorgio Armani. For more than four decades, the Armani universe has shaped the way the world perceives luxury — not as excess, but as effortless perfection. The Essence of Armani Unfolded invites readers into this world of refined simplicity, unveiling the codes that define the House: precision tailoring, sculptural silhouettes, neutral tones, and the unmistakable whisper of sophistication. From the runways of Milan to the luminous world of Armani Beauty and Fragrances, this book explores the designer’s creative vision across fashion, fragrance, architecture, and design. Through stunning photography and insightful storytelling, it celebrates the designers, models, muses, and artisans who have helped craft an empire built on purity of line and emotion. With every turn of the page, Armani’s world unfolds — from the minimalist allure of the Giorgio Armani suit to the sensual poetry of Acqua di Giò.
The Song Inside of Things includes a foreword by Mary Kate Tankard, an extended essay by Craig Burnett and an interview by Jeff Gunderson. These explore Berggruen’s wide-ranging subjects, her musical, literary, historic and artistic influences, and her working processes. The book forms part of the Hurtwood Artist & Gallery Series, offering an in-depth insight into the practice and thinking of some of the most engaging artists working nationally and internationally today.
Chocolate Cosmos, String of Pearls is a new publication featuring highly intricate botanical collage works by New York-based artist Jane Hammond. Alongside a new essay by Hammond herself, the book includes a foreword and an extended essay. These texts focus on Hammond’s practice in connection with environmental and sociological subjects such as evolution and visual cognition, exploring the gathering and making processes inherent within her complex collages. The book forms part of the Hurtwood Artist & Gallery Series, offering an in-depth insight into the practice and thinking of some of the most engaging artists working nationally and internationally today.
The 500 Hidden Secrets of Chicago reveals 500 off-the-beaten- track places and interesting details for anyone who’s keen to explore Chicago’s best-kept secrets, e.g. 5 cafés for sitting a spell, 5 iconic merchants, 5 ways to enjoy the Chicago river, 5 unlikely art destinations, 5 historic music spots… and much more.
This second edition is fully revised and updated.
Also available: The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Tokyo, The 500 Hidden Secrets of Miami, The 500 Hidden Secrets of Seattle, The 500 Hidden Secrets of San Francisco, and many more. Discover the series at the500hiddensecrets.com
A century after Theodore Dreiser and F. Scott Fitzgerald mapped the American Dream’s promise and peril, Lauren Greenfield’s latest photographic monograph, The Queen of Versailles: An American Allegory, arrives in bookstores to visually recapture the origin story behind her hit 2012 documentary film and the 2025 Broadway musical—collectively transforming a documentary mirror onto the national stage, where wealth, overreach, and reality-TV culture converge in one distinctly American aria. Named by The New York Times as “America’s foremost visual chronicler of the plutocracy,” and the best-selling author of four award-winning monographs that incisively deconstruct turn-of-the-century America (Fast Forward, Girl Culture, Thin, Generation Wealth), Greenfield now presents The Queen of Versailles: An American Allegory—the first publication of the complete photographic series from the iconic documentary, featuring essays by Greenfield and longtime collaborator and curator Trudy Wilner-Stack.
From underdog start-up to industry leader, 40 years of strategic choices, innovative breakthroughs, and bold choices revealed. Lessons Learned of ASML traces the journey from an underdog start‑up to the dominant supplier in a volatile Tech industry. Built on interviews, internal notes and archives, it reconstructs the managerial choices—how ambitions were set, investments staged, partnerships orchestrated, technologies chosen, and setbacks absorbed—and tests them across four decades. Each chapter applies a clear analytical lens and brief reflection prompts, bringing strategy, innovation and ecosystem coordination into one readable, evidence‑driven narrative that opens theory for practice without pretending there is a universal recipe.
The art of Caspar David Friedrich (1774-1840), mysterious and spiritual as it was, depended on an intense engagement with nature. On the long hikes that he took through his native north Germany, and further south in the Bohemian mountains, he drew landscapes, buildings, people and, most intently of all perhaps, trees. Half of Friedrich’s surviving drawings come from the sketchbooks that he compiled on his journeys and referred to during the whole of his career. A handful of these sketchbooks survive intact. The one known as The Oslo Sketchbook of 1807 was used for just two months, from April to June of that year. Its 23 pages of drawings record, with almost hallucinatory simplicity and clarity, trees that Friedrich would use in his paintings for years to come.
History of Italian Watchmaking takes readers on a centuries-long journey that begins with the marking and measuring of time in the Middle Ages and the Renaissance to the apex of modern watchmaking revived by ‘Made in Italy’ stylistic trends and precision craftsmanship. Italy’s peninsula occupies only 0.5% of the world’s surface but has given birth to 70% of the world’s art. Italy’s pursuit of art, beauty, and elegance is a defining trait of Italian watchmaking. Italians have always been voyagers to far away lands, from Marco Polo on, poets, artists, and creators of iconic fashion brands and car design. It is not surprising that this genius has been applied to clocks and watches as well. Hourglasses, sundials, and church bells marked time over many centuries. Illustrious geniuses such as Dante Alighieri, Galileo Galilei, Giorgio Vasari, Filippo Brunelleschi, and Leonardo da Vinci were intensely interested in the measuring of time passing.
The most luxurious of Parisian gastronomic guides, the most exclusive. The most timeless: with the QR code accompanying each review, the book becomes eternal and is permanently updated. Albert Nahmias knows his business well (and that of others). A star restaurateur in the 90s with Olympe, the happy few flocked to his table. From the art of hosting, he moved to the other side of the counter to cultivate the art of being hosted, and now he delivers his judgments. Whether they are favorites or criticisms, it’s an elegant and incredibly useful book. Like a gourmet and travelling Ulysses returning to his Ithaca rich in sensory and gustatory images, Paris becomes an odyssey-city that constantly attracts poets and ambitious individuals… Its chefs are also poets. In Paris, the true gourmet is a traveler from elsewhere who comes to taste its charms; like Ulysses, one simply needs to choose a neighborhood, a welcoming restaurant according to their mood, age, or fortune… This guide gives meaning to daily urban wandering, in the labyrinth of over a thousand establishments. No one knows them all. So many dives, bistros, and restaurants for a people of Parisian navigators for whom it’s a bit of a secret sport. Less so now.
Text in English, French and Chinese.
Twentieth-century Japanese printmaking—especially the refined art of shin hanga (new prints)—has long remained underappreciated. This expanded and revised edition of Shin Hanga. New Prints of Japan (1900–1960) sets out to change that.
Building on the success of the original 2022 publication, this richly illustrated volume offers an even deeper exploration of the shin hanga movement, with an expanded section on its most celebrated artist, Kawase Hasui. New entries, additional prints, and enhanced scholarship highlight Hasui’s poetic vision and his central role in shaping the aesthetics of modern Japanese woodblock prints.
Shin hanga works are the result of a unique collaborative process between artist, publisher, block cutter, and printer—reviving traditional techniques to create modern expressions of beauty. Their subtle visual language, exquisite craftsmanship, and emotional resonance distinguish them from both their ukiyo-e predecessors and the emerging avant-garde.
This updated edition features an expanded selection of prints, drawn from two major private collections, the Royal Museums of Art and History in Brussels, and rare works from the Watanabe family archive—the publisher who launched the shin hanga movement and helped define its legacy.
A lone PSG sticker on a North‑London Street sign; the towering Maradona mural that watches over Naples. Europe’s fan‑made canvases tell football’s biggest stories. Timed perfectly for World‑Cup fever, Tifo: The Art of Football Fan Stickers—Revised & Expanded presents 500 plus images from over 100 clubs, printed on premium matte‑art stock and bound in a linen‑wrapped hardback with foil stamping.
Stickerbomb founders Suridh Hassan and Ryo Sanada spent more than two years tracking down these graphics and the tales behind them: the unlikely bond between Boavista and Aberdeen, St Pauli’s anti‑fascist iconography, Sevilla’s surprising love affair with Karl Marx, and how Parma became entangled in Europe’s biggest bankruptcy scandal. Insightful essays by award‑winning journalist James Montague and Design Museum curator Eleanor Watson deepen the cultural and historical context.
Equal parts visual archive and behind‑the‑scenes anecdote, Tifo is the ultimate gift for ground‑hoppers, quiz‑night champions and anyone who bleeds club colors.
William Nicholson was still in his twenties when he started working on books for the publisher William Heinemann that combined a hugely powerful woodcut style with peerlessly precise observation and sly humor. The Square Book of Animals brings together a collection of 12 beasts drawn with Nicholson’s sweeping line and unerring eye for the lively detail. The text is by Arthur Waugh, the father of Evelyn Waugh. A great classic of British book illustration, unavailable for decades. Published simultaneously with two other works An Alphabet and The Book of Blokes.
Bonnard drew on the Japanese printmakers, especially Hiroshige, to convey the essence of Paris not through its monuments or vistas, but with scenes of bustling daily life observed from idiosyncratic angles. But unlike the Japanese artists, he worked with a painterly sense of texture and color that remains as astonishing today as when it was first published. This is one of the three hugely original portfolios of etchings brought out in 1899 by the great dealer Ambroise Vollard, and printed by the master craftsman Auguste Clot. The other two are by Édouard Vuillard and Maurice Denis, and all three are being published simultaneously by Pallas Athene.
William Nicholson’s most eccentric book, The Book of Blokes consists of thirty crayon drawings of men’s faces, often with hats. There is no text, but the virtuosity of the drawing and the wit and economy with which Nicholson imbues each face with unmistakable personality, remain compelling after many readings. It was a favorite book of Nicholson’s, who often gave copies to his friends. Originally published in 1929, this is the first time it has ever been reprinted. Published simultaneously with two other classic books of illustration by Nicholson, An Alphabet and The Square Book of Animals.
Tracing a crescent from Cairo to Khiva, art historian and archaeologist Karen Polinger Foster takes us on four unforgettable journeys East of the Moon – to Egypt, Ethiopia, Iran and Central Asia – exploring commonalities and differences in thought and belief, art and architecture, language and literature, tradition and innovation. As her travel experiences unfolded, overarching themes emerged, often from serendipitous inspiration and encounters. From these she has fashioned a beguiling kaleidoscope of photo essays which tessellate into a compelling whole. With a remarkable gift for the telling detail and a photographic eye at once incisive and discreet, Foster’s elegant text and stunning images invite us to a place which, in her words, ‘exists in the atlas of the mind, at the intersection of image and imagination’.
Katya and the Prince of Siam is the story of a daring love affair and marriage between a beautiful young Ukrainian-Russian girl Ekaterina Ivanovna Desnitskaya from Kiev and Prince Chakrabongse, one of King Chulalongkorn‘s favorite sons. It tells of their meeting in St Petersburg in 1904 where the Prince had an honorary commission in the Hussars as a protégé of Tsar Nicolas II, of elopement to Constantinople and their journey to Siam. At first she was an outcast in Thai Society, known as Mom Katerin, but gradually gained love and respect. In 1908, their son, Prince Chula, was born and for the next 10 years they enjoyed life in Bangkok society as well as making various trips abroad and throughout Siam.
Making use of unpublished archive material, the book is a fascinating insight into life of both pre-Revolutionary Russia and the Siamese court. This revised edition by Narisa Chakrabongse includes many newly found letters which provide new insights into the lives of Katya, Prince Chakrabongse and their son Prince Chula.
Queer people’s experiences of war have largely been invisible. Portraits like the ones in this book are rare because most recent wars have been fought in places where it is generally unsafe for queer people to come out. But Russia’s invasion of Ukraine is different: Queer people have become a visible part of the war effort, continuing to fight for their rights as they join the fight for their country. Queer freedom and the fight for democracy are deeply entwined in Ukraine. Russian President Vladimir Putin has partly framed the war as a battle to protect “traditional values,” making this the first war in which a global superpower has invaded its neighbor with the explicit goal of rolling back LGBTQ rights. Award-winning photographer and journalist J. Lester Feder shows us The Queer Face of War in this remarkable collection of stunning portraits and moving profiles.