Unfinished paintings can be seen in many of the world’s great collections, including that of the National Gallery of Scotland: they fascinate the viewer and raise intriguing questions. What circumstances left them incomplete? What do they tell us about the ways that painters worked? How do we define ‘finish’, and when did an artist consider a work to be finished? These and other questions will be considered by David Bomford, in an exploration of the non-finito from the Renaissance to the 20th century. The Watson Gordon Lecture Series: The Watson Gordon Lectures, established in 2006, typify the long-standing collaboration between the University of Edinburgh and the National Galleries of Scotland. Each lecture is by a leading scholar and reveals new research on a focused topic. The lectures are delivered and published annually, and now number eight titles in the series. Also available: ‘The Hardest Kind of Archetype’: Reflections on Roy Lichtenstein ISBN 9781906270384 Picasso’s ‘Toys for Adults’, Cubism as Surrealism ISBN 9781906270261 Roger Fry’s Journey: From Primitives to the Post-Impressionists ISBN 9781906270117 Sound, Silence, and Modernity in Dutch Pictures of Manners ISBN 9781906270254

“The result of 11 years of hard work, this mammoth, well-researched book speaks to India’s rich history and its unique tapestry of myriad cultures. . .It is a trove for all interested in the rich, diverse Indian arts and crafts heritage. Summing up: Highly recommended.” CHOICE
India’s crafts journey resembles the progress of a river from the mountains to the ocean, picking up material, depositing some, changing course, disappearing underground to surface somewhere else. Yet the tradition continues forever. The Dastkari Haat Samiti, a national association of craftspeople, undertook the enormous task of documenting whatever skills and crafts it could find and created artistic crafts maps of each state of India. Three new states were born during the process. A traditional art form of each state provides the backdrop for information meticulously gathered from first- and second-hand sources. The maps provide resource material to people working in different disciplines and a source of aesthetic joy to anyone who uses them as wall posters. The vibrant illustrations and academically rich content are recreated as an atlas of India’s crafts, handmade textiles and traditional arts, covering India’s entire cultural history. Contents: Introduction North: Delhi, Haryana, Punjab, Himachal Pradesh, Jammu and Kashmir, Uttarakhand, Uttar Pradesh. Central: Madhya Pradesh, Chhattisgarh, Jharkhand East: Bihar, Odisha, West Bengal, Sikkim, Northeast West: Rajasthan, Gujarat, Maharashtra, Goa South: Karnataka, Andhra Pradesh, Tamil Nadu, Kerala Glossary Acknowledgements Photo credits Index

As the first ever organized collection of Delhi’s maps, containing a chronology of magnificent ancient and modern hand-drawings as well as digital maps of the city, this book is as visually stunning as it is informative. Dr Guerrieri describes each map as an individual entity. She gives the maps unique and detailed focus, elaborating on their idiosyncrasies, aesthetic details, and rich historical relevance. The evolution of planning and architecture, which elegantly unfolds through the maps, mirrors the political, social, and historical progression of the capital. Maps of Delhi is both beautiful and stimulating, while also offering deeply insightful commentary that will be appreciated by the most discerning of scholars. It is an indisputable milestone for those wanting to research the capital. The book reveals, as A.G. Krishna Menon notes in the foreword, the charm of printed maps and the many pleasures and insights they offer when they are physically handled. It is a remarkable tribute to a remarkable city.

The Bargue-Gérôme Drawing Course is a complete reprint of a famous, late nineteenth-century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature. Consequently it is a book that will interest artists, art students, art historians, and lovers and collectors of drawings. It also introduces us to the work and life of a hitherto neglected master: Charles Bargue.

The Drawing Course consists of three sections. The first comprises of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting, with lithographs after exemplary drawings by Renaissance and modern masters. The third part contains almost 60 académies, or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature.

Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects. By working with Gérôme, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, and color schemes that unified his composition in exquisite tonal harmonies. The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.

“When one is tired of London, one is tired of life.” – Samuel Johnson London has long been a center of the literary world. From Shakespeare to Amis, Byron to Blake, Plath, Thomas, Christie and Rowling; many of the greatest names in literature have made this metropolis their home. Writers’ London guides the reader through homes, bookshops, pubs and cemeteries, in search of where literary greats loved and lost, drank and died. Discover the Islington building where Joe Orton was murdered by his lover, the Soho pub where Dylan Thomas left his manuscript, the Chelsea hotel where Oscar Wilde was arrested, and the Bank of England where Kenneth Graham was shot at (and missed) three times. Gathering hundreds of famous and less-well-known anecdotes, this meticulously researched volume will entertain any lover of literature. Also in the series: Vinyl London ISBN 9781788840156 Rock ‘n’ Roll London ISBN 9781788840163 Art London ISBN 9781788840385 London Peculiars ISBN 9781851499182

2018 marks the fiftieth anniversary of the first international symposium of silver jewelry Jablonec ’68. Thanks to the liberalization endeavours as part of the ‘Prague Spring’, European jewelry artists from East and West came together for a ‘summit’ at the invitation of the Czech artists’ association in Jablonec, northern Bohemia. On the guest list were such renowned names as Anton Cepka, Hermann Junger and Bruno Martinazzi – artists celebrated today as the founders of studio jewelry. The jewelry pieces that developed at that time have remained in the Muzeum skla a bizuterie in Jablonec nad Nisou and to this day have lost nothing of their exceptional and pioneering aura. This publication – which contains a reprint of the original catalogue from 1968 – makes these pieces accessible to a wider audience for the very first time. A document that in a wholly authentic way allows the reader to experience this unique historical moment in the history of the international studio jewelry scene.

Text in English and German.

Accompanies the exhibition at Die Neue Sammlung The Design Museum, Munich (DE), 10 March-3 June 2018.

Hugely popular in his own day and an enormous influence on Monet, van Gogh and other leading European artists, Utagawa Hiroshige (1797 1858) has never lost his appeal. A prolific artist, he produced between 4,000 and 5,000 woodblock print designs. He is particularly renowned for his landscape prints, which are among the most frequently reproduced of all Japanese art in both Japan and the West. Hiroshige’s unusual compositions, humorous depictions of people involved in everyday activities and masterly expression of weather, light and season, are explored in this publication with its especially fine printing and experts’ notations. It is part of a series featuring the depth of the Japanese art holdings at the Ashmolean Museum of the University of Oxford, the world’s first university art museum. The gems of information are numerous, including a page on “how to read a print” — with such as a note on “the censor’s mark,” a detail that only the cognoscenti might recognize. The book adds greatly to the art lover’s knowledge and pleasure.

Contents:
How to ‘read’ a Japanese Print, Preface, Utagawa Hiroshige (1797-1858) Woodblock Print Designer, Making a Japanese Woodblock Print, I Views along the Tokaido, II Views of the Provinces, III Views of Edo, IV Views of Mount Fuji, Further Reading.

“In the beginning, there was tagging and writing on the walls.” From Style Writing to Art is the first anthology of Street Art ever published worldwide. Magda Danysz, the internationally renowned Street Art gallerist, guides the reader on this immersive journey into the heart of the most interesting artistic movement at the turn of the century. This book grapples with Style Writing, Graffiti, and Street Art. It focuses on the fascinating emergence of the movement amongst the graffiti pioneers of the 1960s, their first appearance in galleries in the 1980s, right up to the cutting-edge works made by the Street Artists of today. Spanning over four decades, the book is divided into three sections with each containing detailed accounts of the surfacing of different styles and techniques. Each period is complete with extensive biographies and analysis covering 50 legendary artists including Seen, JR, Miss Van, JonOne, Shepard Fairey, Quik, Blade, Doze Green, and Keith Haring. “Let me repeat myself,” Danysz writes, “if only for the sceptic eye, for the blind and lost or for the latecomers who ve simply just missed the boat: I believe this type of urban art to be the most important artistic movement at the turn of the century.”

From the author of the best-selling Famous Japanese Swordsmen: The Warring States comes more solid sword history in the guise of thrilling narrative. The Two Courts Period was a turning point in Japan’s medieval era – a time when an unbridgeable rift appeared in the fragile fabric of Japanese feudal society. On each side stood a separate imperial court, each with its own army and its own agenda. As the schism deepened and the positions hardened, every warrior faced the terrible choice between loyalty and friendship. Two such men were Nennami Okuyama Jion and Chûjô Hyôgo no Kami Nagahide. Jion, an impoverished warrior monk who had lost his father through the treachery of a Bakufu official, joined the side of the loyalists, the forces fighting on behalf of the Southern Court. Nagahide, whose ancestors had stood at the cradle of feudal society and had risen to high rank within the Bakufu, was bound by duty to the Northern Court. Their stories, set against the greater historical backdrop of ruthless political intrigue and vast military campaigns, tell of loyalty, of betrayal, and of seemingly insurmountable setbacks; they describe the tragedy of civil war experienced at the personal level.

A remarkable private collection formed over the last thirty years is the focus of this richly illustrated book that introduces the reader to English silver spanning a century and a half from a little before the Tudor age (1485-1603) to the threshold of the Civil War (1642-51). This was a period when England changed out of all recognition. At the beginning it was still essentially a medieval country dominated by an autocratic king and a rich and powerful Church; by the end of the period the Church had lost virtually all of its power and, with the execution of Charles I in 1649, the monarchy itself was abolished. To a degree, this changing world is mirrored in the styles represented by the silver featuring in the collection. Besides setting the silver against its social and historical background the book examines the wide range of techniques used by silversmiths at the time to shape and adorn silver objects.

Be NY is an original city guide about the most intriguing city in the world, and also a manual that quickly and simply teaches you how to be a New Yorker. Discover together with Patrick van Rosendaal the life, preferences and habits of 24 colorful New Yorkers. They happily share their experiences and give you a unique look, from a different perspective, on life in the city. What are their favorite places to enjoy art, culture or tasty food? Where do they go for some peace and quiet, or to have a good time? Which bars do they frequent, and where should you go for the best cup of coffee? Which museums are trendy, and which galleries are up and coming? Where can you find the best deals, and which shops are absolute musts? Patrick’s stories, knowledge and tips are the ultimate preparation for your adventure in The Big Apple.

The career of Y.G. Srimati – classical singer, musician, dancer and painter – represents a continuum in which each of these skills and experiences merged, influencing and pollinating each other.

Born in Mysore in 1926, Srimati was part of the generation much influenced by the rediscovery of a classical Sanskrit legacy devoted to the visual arts. Soon swept up in the nationalist movement for an independent India, she was deeply moved by the time she spent with Mahatma Gandhi. For the young Srimati, the explicit referencing of the past and of religious subjects came together in an unparalleled way, driven by the conscious striving for an indigenous agenda. This experience gave form and meaning to her art, and largely defined her style.

As John Guy demonstrates in this sumptuous volume, as a painter of the mid and late twentieth century, Y.G. Srimati embodied a traditionalist position, steadfast in her vision of an Indian style, one which resonated with those who knew India best.

Empirical evidence is scant and scattered. Between these fragments, historians have filled the voids with legends. Though legends are not evidence per se, they do carry a seed of truth – and hopefully, their incorporation in this volume will inspire new interest in the mystery of the world’s greatest temples. The engineering techniques that allowed ancient civilizations to construct such marvellous edifices have been lost to us for generations. Unfortunately, they have not received the attention they deserve, as relics of human culture and faith. This is especially true for Konark. In The Sun Temple of Konark, the author attempts to separate chaff from grain, utilizing scientific tools and methodologies. The Sun Temple has been recognized as a UNESCO World Heritage Site, and is considered one of the seven wonders of India. This seminal volume is the result of extensive research by the author into not only the history and legends related to the temple, but also the temple structure itself. An engineer and architect by profession, the author examines the temple in great detail. He questions several of the established theories regarding construction in its various stages and forwards his own theories with reasonable conviction. He takes great pains to go into as much detail as possible with regard to each and every portion, monument, and sculpture of the temple. With 415 images and 21 detailed architectural drawings, the book is a treasure trove for any admirer or student of Konark, or a researcher of its art, history, and architecture.

Notorious as a refuge for the eccentric, the eclectic, and the creative, the Hotel Chelsea has been home to some of the great and unconventional writers, musicians, artists, and actors of the past century, including Bob Dylan, Janis Joplin, Charles Bukowski, and Allen Ginsburg, to name just a few. When the hotel was sold and closed for full renovations in August 2011, American photographer Victoria Cohen was invited to capture and document the essence of the building’s original interior before it’s imminent demise. Cohen’s photographs of these hallways, lobbies, and rooms, once beaming with life and vision, now bare and aged, illuminate a bohemian era that once was, speaking untold truths of a lost time. Absolutely fascinating and bittersweet, Hotel Chelsea casts the historic landmark through the lens of the twenty-first century, exhibiting it as it has never been seen before, and will never be seen again.

This catalog assembles sumptuous photographs of the world’s leading collection of Cham sculpture, along with the most recent insights of Vietnamese and international scholars. The Champa culture thrived in magnificent temples, sculpture, dance and music along the central and southern coast of today’s Vietnam from the 5th to the 18th century. A focused exploration here uncovers this brilliant yet almost lost culture to newcomers and experts alike. The Danang Museum has been recently expanded and refurbished to house what is generally considered the world’s greatest collection of Cham Art.

Wedding floristry has always been one of the most important fields of interest for florists all over the world. Time and again floral designers manage to redefine wedding bouquets, churches and table decorations. Florever Wherever presents around 15 complete wedding stories from 15 different countries. All weddings are decorated by world famous, top-class florists, all of them being spokespersons for the floral wedding traditions of their country. This magnificent publication will show every aspect of this unforgettable day: the bridal bouquet, corsages, bridesmaids, car decoration, church/venue decoration, table arrangements and the wedding party. A book that will have you lost in sweet reveries, a romantic feast for the eyes or a source of inspiration and a fountain of ideas for couples dreaming of chiming wedding bells. Featured Florists:
Moniek Vanden Berghe (BE), Daniel Santamaría I Pueyo (ES), Markus Donati (D), Jouni Seppänen (FIN), Robert Koene (GR), Kristin Voreland (N), Damien Koh (SGP), Giordano Simonelli (I), Mark Pampling (AU) and David Beahm (US).

There are few destinations more alluring than resorts. The combination of an evocative location, lavish rooms, exceptional service and architecture that’s designed to inspire, has long been irresistible to travelers. In the past decade, however, the global search for stylish getaways has become so intense that hospitality has now become the world’s fastest growing industry.

Few people understand the nature of resorts and the secrets of designing them more than the world-renowned architects and designers, Wimberly Allison Tong & Goo (WATG), whose mission over the last six decades has been ‘to design experiences that lift the spirit’. Having created hundreds of exclusive destinations for well-known companies such as the Four Seasons, Sheraton and Hyatt, ranging from luxurious island resorts to exotic desert getaways, sophisticated urban hideaways, and cool mountaintop retreats, WATG has become a respected name in the area of resorts and hotels. Some of their extraordinary projects include the Hotel Bora Bora in French Polynesia, The Palace of the Lost City in South Africa, The Ritz-Carlton Laguna Niguel in California, and the Hyatt Regency in Kauai Resort & Spa in Hawaii.

This spectacular volume looks at these and other world-class destinations, and also takes you behind the foyers to explore the inspiration and ideas behind the designs, which often begin from a thought on a notepad. As well, it offers insightful interviews with those involved with the projects, explains how the vernacular architecture of the region can influence the end design, and even predicts what resorts may look like in the future.

“Quickly being recognised as the most comprehensive guide to Irish whiskey.” – Gary Quinn, The Irish Times

“A must read book for any fan of Irish whiskey. At a time when the category is making the mightiest of comebacks Fionnán O’Connor has written a gem of a book, digging deep in to the heart of his country’s whiskey history and telling its story with style and authority. Excellent.” – Dominic Roskrow, Founding Director, The Craft Distillers Alliance

Irish single pot still whiskey has a romantic mystique for many whiskey critics because of its tragic history as the lost sister of single malt scotch. Ireland’s history and politics resulted in the near-annihilation of the national drink and there’s an almost eerie beauty to the silent distilleries that still dot the Irish countryside. These distilleries inform the aesthetic of the title and, indeed, there is visual poetry in the barrels, pot stills and photogenic amber spirits that convey the Irish whiskey world. Although Irish whiskey is currently the fastest-growing global spirits category and Irish pure pot still has long been a favorite drink among whiskey critics and connoisseurs, the existing literature is still surprisingly sparse. This book illustrates the production, history, and appreciation of Irish pot still whiskey and will introduce casual drinkers to the richness of these whiskeys as well as being a collector’s item for established whiskey connoisseurs.

“… This book attempts to be authoritative yet accessible in exploring places of pain and shame.” — NL Magazine 

Our significant dead and mortality moments are remembered at dark tourism sites, where complex issues of politics, history and ethics are exposed. This first-ever travel guide to dark tourism in England offers a thought-provoking compendium of difficult heritage.
We remember the dead or acts of suffering through ‘heritage that hurts’. This book explores infamous acts as well as obscure dark tourism sites lost to memory. Each site is challenged by its history and its political discourse and questions are raised as how we remember our tragic past.
Each site also has ethical issues that need to be addressed and confronted and visiting these sites are often fraught with moral dilemmas. 111 Dark Places in England That You Shouldn’t Miss will help shine light on dark tourism and inherent complex issues associated with commemorating our dead. Dark tourism is politically vulnerable and ethically laden with moral commentary. This book attempts to be authoritative yet accessible in exploring sites of pain and shame.       

“All the photos of David Bowie you could possibly ever need. The most noteworthy collection of David Bowie images ever accumulated. Whether you want to own the book as a collector’s item or display it on your coffee table, this definitive work is a tribute fit for an icon.” – Interview magazine

David Bowie: Icon gathers the greatest photographs of one of the greatest stars in history, into a single, luxurious volume. The result is the most important anthology of David Bowie images that has ever been compiled. With work by many of the most eminent names in photography, this book showcases a stunning portfolio of imagery, featuring the iconic, the awe inspiring, the candid and the surprising.

An astonishing 25 photographers from around the world have contributed to this celebration. Their images are accompanied by personal essays and reflections about working with this astonishing artist. From memories of the earliest days at the Arts Lab in Beckenham to what it was like touring the world with Bowie, each contributor shares their experiences of working with – and knowing – this most extraordinary figure.

From portraits and album covers, performances and rehearsals, to rarely seen private moments and candid snapshots, this collection is at once powerful, sentimental and inspiring. The thoughts and reminiscences of the photographers, many sharing their memories for the first time, give us an insight into this artist unlike any other.

Photography and text by: Fernando Aceves, Brian Aris, Philippe Auliac, Alec Byrne, Kevin Cummins, Chalkie Davies, Justin de Villeneuve, Vernon Dewhurst, Gavin Evans, Gerald Fearnley, Lynn Goldsmith, Greg Gorman, Andrew Kent, Markus Klinko, Geoff MacCormack, Janet Macoska, Terry O’Neill, Denis O’Regan, Norman Parkinson, Mick Rock, John Scarisbrick, Steve Schapiro, Barry Schultz, Masayoshi Sukita and Ray Stevenson.

Features an introduction by Bowie’s life-long friend, the artist George Underwood.

When David Bowie passed away on 10 January 2016, the world lost a musical hero. But his legacy lives on. While his sound and style evolved throughout his career – from Ziggy to the Thin White Duke – two facts never changed: he was an innovator; and photographers adored him. This book pays homage to this ultimate icon.