“Glamour is what I sell,” Marlene Dietrich once said. “It’s my stock in trade.”
For decades this iconic actress and singer commanded global attention as a thrilling enigma whose allure would transcend time. Dietrich Through the Lens, a collaboration between ACC Art Books and Iconic Images, is a tribute to a mesmerizing 20th-century talent whose influence is still felt today.
Featuring both world-famous and never-before-seen images, the book includes work by nine renowned photographers – Eve Arnold, Terry O’Neill, Norman Parkinson, Douglas Kirkland, Lawrence Fried, Eugene Robert Richee, Don English, William Walling and Lee Miller. Amongst the wide-ranging photographs, we find on-set moments, intimate shoots, one-off encounters and striking portraits of one of the most famous actresses of all time. Accompanied by the stories behind those prints, this book also includes an essay covering early images of Dietrich, curated by the former head of photographs at the National Portrait Gallery, Terence Pepper OBE. The historical sweep and stylistic variety of these photographs creates a rich visual tableau, shedding light on Dietrich’s famously mysterious character, which combined the sultry cabaret singer, the fierce patriot, the lover, the mother, and the independent thinker.
“I had access to what felt like a secret world. It was a subject that had been written about and dramatized but I don’t think any photographers had ever tackled before. There was a change going on. Someone described it as a ‘last hurrah’ of the upper classes.” – Dafydd Jones
Oxford University at the start of the eighties, rife with black ties and ballgowns. A change was on its way – best described by a newspaper as ‘the Return of the Bright Young Things’.
At this time, Oxford University was synonymous with the wealthy, the powerful and the privileged. Many of the young people in these pictures moved on to have careers in the establishment including Boris Johnson and David Cameron. In these photographs, however, their youth is undeniable: teenagers in full suits celebrate the rise of Thatcher in England and Reagan in America, in between punting on the river, chasing romance and partying through the night.
“It was Thatcher’s Britain, a period of celebration for those that had money” – Dafydd Jones
Oxford: The Last Hurrah
shows a world that has been written about and dramatized, yet never photographed. Affectionate and critical, it pokes affectionate fun at its subjects while celebrating English eccentricity. From the architectural marvels of the colleges to misty mornings along the river at dawn, this is Oxford at its most beautiful – and the students of the 1980s at their most raw and honest.
Prague, the capital of the Czech Republic, is known as one of the most beautiful cities in the world because of its perfect blend of nature, environment, architecture and people. With almost complete preservation of architecture from all historical periods, Prague is second to none among other World Heritage cities for its richness, integrity and diversity. The city is like a European open-air museum of architectural art, and one of the indispensable destinations for architects and architecture lovers to travel in Europe.
Based on years of field and literature research by the authors, this book showcases the achievements of Prague’s thousand-year urban architectural changes and the protection of complete heritage.
Through the interpretation of 43 historic buildings from different periods, this book explores Prague’s urban characteristics and changes. Though priceless, most of these built heritages are beyond the focus of Western architectural history research, and their status and significance need to be readdressed and reassessed.
Text in English and Chinese.
ABSTRACTIONISM. A journey through time is the accompanying catalogue of the exhibition of the same name (5 April – 7 September 2025) which represents a tribute to an artistic current of historical importance, but also an expression of the commitment to culture and contemporary art that led to the birth of the Cambiano Foundation. The works of the artists on display are a reflection of the richness and variety of Abstractionism – with a particular focus on classical Abstractionism – while Andy Warhol’s visual provocation still invites us to reflect on the dynamics of consumption in contemporary society.
The essay by Nicola Nuti, curator of the exhibition, offers an overview of the register of Tuscan and Italian artistic participations in the decades following the post-war period, from abstract currents – which reinvented non-figurative language through the different backgrounds of each artist – to Pop art, “closer to American post-pictorial abstraction […] than to contemporary realism” (L. Lippard, Pop Art). The works of Berti, Brunetti, Corpora, Crippa, Monnini, Montanarini, Moretti, Nuti, Rho, Scanavino, Tognetti are collected in the two sections of the volume “Opere pittoriche” and “Opere ceramiche”.
With this exhibition, the CAMBIO Cultural Center of Castelfiorentino inaugurates the dialogue between the temporary exhibition and works from the permanent collection, which already hosts artists such as Venturino Venturi and Gualtiero Nativi.
Text in English and Italian.
There might be more books on Oxford than students who have attended the world’s greatest university, but there has never been one as dynamic and exciting as 111 Places in Oxford That You Shouldn’t Miss. Author Ed Glinert has sifted through all the college histories, records and lists of alumni; examined all the quads and cloisters of the great colleges; explored the glorious villages hewn from honey-dripping Cotswold stone; luxuriated in the glamorous coffee houses of High Street; imagined society’s earliest motor cars built at the Morris garages; been struck dumb by the never-ending peal of bells at Tom Tower; relaxed at Carfax, the very center of the universe; and tippled at each of the legendary pubs between St Giles and Merton.
This is a volume which will send residents into paroxysms of laughter, remind students why they’re there, and warn prospective undergrads of the joys of living in one of the world’s most beautiful and cleverest cities.
More than any other civilization, China is renowned for its long tradition of ceramic production, from its terracotta and stoneware works in ancient times to the imperial porcelain manufactured at Jingdezhen from the end of the fourteenth century. These works have been admired and collected over centuries for their outstanding quality and refinement. Now two hundred masterpieces from prominent private collections around the world have been brought together for the first time in a new book. The Baur Collections in Geneva, formed between 1928 and 1951, and the Zhuyuetang Collection (the Bamboo and Moon Pavilion in Hong Kong), which has been building since the late 1980s, reveal the elegance and variety of imperial monochrome porcelain wares produced during the Ming (1368-1644) and Qing (1644-1911) dynasties, which followed on from the Tang (618-907) and Song (960-1279) periods. These restrained pieces – both profane and sacred – exemplify the values of simplicity and modesty espoused by classical Chinese texts. With chapters devoted to the historical, cultural and technical contexts in which these pieces were made, this book will be a key reference on Chinese monochrome ceramics for all lovers of the subject, as well as students, researchers and connoisseurs.
Text in English and French with Chinese summaries.
Using the formalist conventions of an ironic heritage, William Ludwig Lutgens attains the expression of something sincere. Like the philosophical idiot who did his utmost best to unlearn all the fallacies he was acquitted with since birth and now only knows he knows nothing, the artist made the world into his own theater wherein he can stomp around like a bull in a china shop with the grace of a prima ballerina. Forcing a pathway to possible exits by presenting us with the alloy of his observations, imagination and scattershot references. Not merely asking questions, which seems to be the hype in contemporary art nowadays, he is unraveling the framework wherein these questions originate. The image deconstructed by the story of its creation, alternating between the power and impotence of the theatrical madness at the end of the world as we know it. William Ludwig Lutgens presents with his Comedy of Humours the dysfunctional family of man.
Text in English and Dutch.
Seven years after his first book, Bart Lens and his team Lens°Ass show how the direction they have chosen can lead to fascinating projects. The formulation of a clear and precise concept forms the basis of every single design. A concious choice of materials and elaborated detailing bring forth creations that express tranquility and serenity. The clear line-work emphasises the pure emotions that originate in the union of design and light. The great care that goes into the elaboration of the interior in all its facets is a constant preoccupation for Les°Ass. The book presents a wide variety of projects: new constructions, remodelling assignments, interior designs, even objects such as furniture and lamps. The introduction of a basic idea, a theme, forms the foundation of every project, no matter what its scale might be. This same visions is also the starting point for the recent large-scale architectural projects.
Text in English and Dutch.
These essays by Hahn and West will deal respectively with the formation of the collection and the figure of Bent Juel-Jensen, the seminal Aksumite coin collector in Oxford (as well as a medical doctor, academic, and traveler). They will also discuss recent problems that have emerged regarding the study of this coinage. In its entirety, this publication will make a fundamental contribution to this area of research and be an indispensable acquisition for many institutions and individuals.
Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials.
Text in English and Italian.
Beginning in 1954, on assignment for the US Army, the New York based photographer Bill Perlmutter traveled through Europe. Through a Soldier’s Lens shows a selection of his 6 x 6 Rolleiflex images taken in Germany, France, Italy, Portugal, and Spain.
It all started in December 1954, when the then 27-year old soldier boarded a troop carrier to Germany, to start his new assignment as a photographer for the U.S. Army magazine. Even though he had never left his home country and was a bit apprehensive about his future, Perlmutter was looking forward to photographing Europe and visiting all those wonderful places that I had read about and seen in the movies. Almost 60 years after the images were conceived, they clearly document the photographer s sense of the special moment. Every single image becomes a lively piece in the puzzle of remembrance, reporting accurately on the historical period, but also capturing very personal encounters. His insightful work has a long-lasting effect, and allows those pictures to come alive. Again and again. Even after all those many years.
This publication emanates from an exhibition by the same title, displayed for the first time at the Alliance Française de Delhi. It is an attempt to trace the development of photography and the other allied visual arts in Pondicherry spanning the late 19th and early 20th centuries. Drawn exclusively from The Alkazi Collection of Photography, at the core of this initiative is the unpublished album by renowned photographer Henri Cartier-Bresson, co-founder of Magnum Photos, who visited the Sri Aurobindo Ashram in April 1950. He took the last pictures of Sri Aurobindo Ghose in the company of his spiritual companion, the Mother. In addition, he meticulously penned his observations almost daily, creating a meta-text around the images, which presents a biographical and anecdotal supplement for his photographic endeavour. The visual material is further enhanced by some extraordinary images of Indian photographers from the same period such as Tara Jauhar and Venkatesh Shirodkar at Aurobindo Ashram, published here for the first time.
In this catalogue a conscious effort has been made to bring out a non-linear, yet credible history of how Pondicherry has been witness to the development of a unique visual trajectory. The use of images as evidence and document create a subtle interplay between cultural context and artistic intent, a conceptual linking of mannerisms and tropes those of landscape, architectural and portrait photography.
The photographs of these journeys form one of the most extensive records of any region taken in the 19th century. The range, depth and aesthetic quality of John Thomson’s photographic vision mark him out as one of the most important travel photographers.
Thomson arrived in Siam in 1865 and with the help of the British Consul in Bangkok, he was able to gain an audience with King Mongkut who granted him permission to take some formal portraits of the King, his royal family and chief ministers, as well as recording important ceremonies and traveling to Ayutthaya, Petchaburi and the surrounding countryside. Staying in Bangkok for several months he photographed many aspects of the city, river scenes, its surrounding countryside and people, before journeying to Cambodia and the amazing Angkor Wat ruins. After an arduous and dangerous journey, Thomson became the first photographer to document Angkor Wat before returning to London.
Between 1868-1872 Thomson turned his attention to China, making extensive trips to Guangdon, Fujian, Beijing and China’s north-east traveling down the Yangtze river and covering nearly 5,000 miles.
In China, Thomson’s photographic skills reached their zenith and his portraits of women are particularly remarkable.
His collection of over 600 glass negatives form a unique archive of images, which are today housed in the Wellcome Library, London.
“The subtle forms and modelled curves and planes in a skeleton were to George Stubbs what a symphony is to a musician.” — Oxford Companion to Art
“The most unique thing of its kind ever compiled. This heroic effort, an epic of the eighteenth century, is as great and unselfish a work as anything could be.” — Sir Alfred Munnings
George Stubbs was one of the most original artists Britain has produced, and it is easy to forget how much his success was based on rigorous scientific observation. In 1756 he rented a farmhouse where he erected scaffolding to hold the cadavers of horses as he dissected and drew. After 18 months, Stubbs produced the drawings for The Anatomy of the Horse, which he later etched. The result was sensational. Scientists from all over Europe sent their congratulations, amazed at the perfection of the work. The Anatomy remained a textbook for artists and scientists for over a century, and its strange, spare beauty continues to fascinate.
This edition is taken from the 1853 printing, the last to use Stubbs’ original plates. The full Stubbs’ commentary is included for the veterinarially minded. Extensive texts by Constance Anne Parker and Oliver Kase place Stubbs’ work in the context of his life and times, and of 18th-century medical science.
Burgundy thrives on the limestone remnants of a warm, shallow sea while Sancerre and Pouilly wrap their roots around flint. The finest Pomerols bloom in a ‘button’ of blue clay, and Beaujolais famously begins life in granite. Cabernet Sauvignon loves just about any sandstone and Champagne gets on gloriously with chalk. But is the secret to great port really schist? Alex Maltman, emeritus professor of earth sciences at Aberystwyth University, finds himself between a rock and a vineyard place as he explains how a wine’s flavors relate to the geology at foot, and discovers that there is more to ‘minerality’ than mud, rocks and the earth’s stark materials…
Terroir is as intrinsic to the quality of a wine as the grapes it comes from or the intentions of the wine maker. This beautifully produced and illustrated book looks at the many factors that influence, or don’t, how a wine tastes. Professor Maltman poses lots of questions and answers, while busting some myths along the way.
This beautifully designed book is a celebration of one of the world’s most creative, dynamic and fascinating cities: Tokyo. It spans 400 years, with highlights including Kano school paintings; the iconic woodblock prints of Hiroshige; Tokyo Pop Art posters; the photography of Moriyama Daido and Ninagawa Mika; manga; film; and contemporary art by Murakami Takashi and Aida Makoto. Visually bold and richly detailed, this publication looks at a city which has undergone constant destruction and renewal and it tells the stories of the people who have made Tokyo so famous with their insatiable appetite for the new and innovative – from the samurai to avantgarde artists today. Co-edited by Japanese art specialists and curators Lena Fritsch and Clare Pollard from Oxford University, this accessible volume features 28 texts by international experts of Japanese culture, as well as original statements by influential artists.
As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world’s greatest rock ‘n’ roll band, Wyman continued his hobby. When he didn’t have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From traveling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones. Limited to just 300 copies, this slipcased edition is accompanied by a print.
Scotland has produced an astonishingly high number of men and women whose lives have inspired and changed the world. This book, illustrating just over forty portraits, represents only a few of them, but with Robert Burns and Walter Scott, Eric Liddell and Alex Ferguson, Bonnie Prince Charlie and Queen Victoria, it represents the flavour of the collection at the Scottish National Portrait Gallery.
“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.
The Vatican Museums is one of the most important museum complexes in the world, housing incredible masterpieces from the Egyptian Age to the late Renaissance.
The Vatican Museums hold a treasure trove of art and history, as well as an inestimable patrimony of our culture and our civilisation. This volume focuses on the paintings to be found in the collection – including The Sistine Chapel.
Text in English and Italian.