The fifth volume in the Car Racing series charts 1969, the year of avoiding unnecessary risk. Le Mans circuit, 14 June 1969. Silence reigns. In a matter of seconds, the din will rise from the engines of 45 cars roaring to life. Into this sonic gap, a man strides towards his destiny. Unlike his neighbors, he does not run. He walks to forestall superfluous danger. At the risk of ruining the race for his crew — and for Ford. Jacky Ickx has just said no to unnecessary risk, no to herringbone starts at the 24 Hours of Le Mans, with drivers leaping into their cars without taking the time to properly strap themselves in before launching full throttle into the race.
Three years earlier, stuck upside down with a back injury and trapped in the cockpit of his BRM he had just spun around on the first lap of the Belgian Grand Prix, Jackie Stewart felt gasoline gushing over him. A mere spark would have spelled tragedy. From this nightmare moment onwards, the Scottish driver campaigned against dangerous circuits and imposed the first safety standards. In 1969, Jacky Ickx — the ‘GT40 walker’ — won the 24 Hours of Le Mans, even as Jacky Stewart was crowned victor of the Formula 1 World Championship in his Matra MS80.
Text in English and French.
Also available:
Car Racing 1965, 9782702210963
Car Racing 1966, 9782702211014
Car Racing 1967, 9782702211113
Car Racing 1968, 9782702211236
The bridge has always stood as a transitional structure – not purely a work of engineering, nor simply a work of architecture. Its functional requirements are more stringent than those of the average building; it not only must stand up; it must stand up, support those who cross it, and effectively span the space over which it stands. As Samuel Johnson said, “the first excellence of a bridge is strength … for a bridge that cannot stand, however beautiful, will boast its beauty but a little while.” The Scottish architect Robert Adam (1728-92) understood these precepts well, continually building bridges that were not just structurally sound, but also aesthetically pleasing. Unlike his contemporaries, Adam did not view bridges as mere skeletons upon which to apply ornament. Rather, he sought to achieve architectural totality, incorporating his bridge designs into greater architectural programs, thereby producing aesthetically pleasing and contextually specific designs. From the Pulteney Bridge in Bath to the ruined arch and viaduct at Culzean Castle in Ayrshire, The Bridges of Robert Adam: A Fanciful and Picturesque Tour will take the reader across Britain, shedding new light on an understudied aspect of the great architect’s career.
The photographs of these journeys form one of the most extensive records of any region taken in the 19th century. The range, depth and aesthetic quality of John Thomson’s photographic vision mark him out as one of the most important travel photographers.
Thomson arrived in Siam in 1865 and with the help of the British Consul in Bangkok, he was able to gain an audience with King Mongkut who granted him permission to take some formal portraits of the King, his royal family and chief ministers, as well as recording important ceremonies and traveling to Ayutthaya, Petchaburi and the surrounding countryside. Staying in Bangkok for several months he photographed many aspects of the city, river scenes, its surrounding countryside and people, before journeying to Cambodia and the amazing Angkor Wat ruins. After an arduous and dangerous journey, Thomson became the first photographer to document Angkor Wat before returning to London.
Between 1868-1872 Thomson turned his attention to China, making extensive trips to Guangdon, Fujian, Beijing and China’s north-east traveling down the Yangtze river and covering nearly 5,000 miles.
In China, Thomson’s photographic skills reached their zenith and his portraits of women are particularly remarkable.
His collection of over 600 glass negatives form a unique archive of images, which are today housed in the Wellcome Library, London.
An unashamedly simple and highly opinionated guide to the very best boutique escapes in Britain. Lockdown has been hard: take a much-needed break. Stay in a wildflower-inspired suite in the Scottish Highlands, explore the Welsh countryside from an art-filled historic townhouse, or sip local cider in the grounds of a Somerset manor. Following on from Hoxton Mini Press’ highly successful series of pocket-sized, paperback Opinionated Guides to London, this sumptuous, larger hardback is our first guide to Britain: with more detailed write-ups, more stunning photography, and even more opinion.
“A collection of glamorous lodgings offering what Scarabeo Camp in Morocco calls “dusty luxury.” — Remodelista
“Celebrates the solitude of the desert and extraordinary places to stay.” — Wallpaper
The desert offers the great benefits of silence, slowness and space. These startling landscapes and awe-inspiring vistas can only be found in a few places in the world. Accompanied by stunning photography, this book bundles together 40 dreamy locations in one volume and shows the most luxurious and special overnight stays the desert has to offer. Get insider tips on travel to the Sahara in Morocco, the salt flats (Salar de Uyuni) in Bolivia or the Gobi Desert in Mongolia, among others.
‘British Wine’ was once shorthand for bad imported grape mush. Not anymore. The rise of sustainable methods, youthful experimentation and, dare we say it, a new climate, mean that Britain is no longer the home of a few fine sparklings but a whole roster of dynamic reds, pinks and even oranges. This book celebrates the people who are growing, producing and championing the best of new British wine. This sumptuous coffee table book, filled with superb original photography, brings together personal interviews with some of the most inspiring people in Britain’s fast-growing, eclectic wine scene – taking you on a tour of over 30 influential winemakers, sommeliers and restaurants, from Cornish vineyards to Scottish wine bars.
The New York jewelry firm of Marcus & Co. (1892–1942) created exceptional examples of Art Nouveau and Art Deco jewelry for an art-loving, wealthy elite. Innovative in their collaboration with contemporary artists, and in their captivating window displays and advertisements, the firm captured the imagination of Gilded Age families such as the Rockefellers. This volume chronicles their story, from the founder’s apprenticeship in Dresden to the firm’s grand premises on Fifth Avenue neighboring Tiffany and Cartier. The triumphs and tragedies of three generations of Marcus jewelers, both artistic and entrepreneurial, are presented here together with exquisite jewelry and archival design drawings spanning 50 years.
This book accompanies a major exhibition in the Ashmolean Museum on the early work of internationally acclaimed German artist Anselm Kiefer. It focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation. Anselm Kiefer: Early Works is the first institutional show and publication in the UK dedicated to Kiefer’s early practice. The book introduces themes, subjects and styles that have become signature to Kiefer’s work, while providing a more intimate and complementary context for his large-scale installations that he is best known for today. The early works are accompanied by three recent paintings from the artist’s own collections and White Cube, chosen by the artist himself.
Art historians, artists, curators and experts of Kiefer’s art from Germany, Austria, Belgium, Britain and the US have contributed 46 original texts on individual works, organized in a chronological structure. An illustrated chronology at the end of the book compiled by Stephanie Biron from the Hall Art Foundation provides an overview of the artist’s early practice and life, to contextualize the works.
The book begins with Kiefer’s iconic Occupations and Heroische Sinnbilder series, created in 1969 and 1970, which Kiefer views as his first serious works. Kiefer was among the first generation of German post-war artists to directly confront the country’s troubled past and identity. Full of complex references to German socio-political history but also to culture, literature and his personal life, Kiefer’s early works carry a unique iconography, linking classic ideas of great art with a distinctive understanding of concrete artistic materiality. The landscapes in his watercolors are historically charged; hand-written words on paintings are closely linked with poetry well known to most German viewers; motifs and symbols point at Nazi ideologies and a collective feeling of guilt.
A new, thoroughly revised and expanded edition of the beloved Scotland guide by local Lauren MacCallum. Because she is so passionate about exploring new places, Lauren always has a list of new secrets ready to share. The new entries in this book include her favorite and recently discovered spots in Orkney Islands and the far north of the Highlands, like the coolest places along the North Coast 500. She also added, for example, the best activities in every season in her home area of Cairngorms.
This book isn’t your typical Scottish travel guide; instead, it aims to encourage you to define your own sense of adventure, to explore beyond the usual hot spots and get to know the real Scotland. It will help you to see beyond the tartan trinkets, Irn-Bru and haggis, and to experience the authentic life in Scotland, so you’ll understand what’s so unique about this small stretch of land and its inhabitants. The book covers an eclectic range of over 60 themes such as: unusual art spaces; gin and whisky distilleries worth a visit; amazing coastal walks; dramatic lochs and bookshops with character.
With authoritative texts and a wide array of illustrations, this handsome monograph charts Barbara Rae’s long and successful career as a redoubtable traveling artist. From her native Scotland, particularly the Lammermuirs, to Spain, Ireland, and the polar regions, Rae’s painterly abstraction brings together her fascinations with landscape and travel. Her sketchbooks feature here, too, revealing her process as she uses them to conceive the larger works she makes in her studio.
Edinburgh is rightly celebrated for its famous historical and cultural attractions. But for the discerning visitor it has much more to offer away from the well-worn tourist trail. This book takes you to hidden corners and secret sights in this city of contrasts, exploring fascinating locations unknown even to most residents, and revealing unexpected aspects of some familiar local landmarks. Marvel at a unique underground temple hewn out of the living rock; learn how a world-famous illusionist came to be buried here – with his dog; find out why the city council once commissioned an enormous electric blanket; look out for the ordinary Edinburgh post box with an explosive history. Discover the human stories behind a wide range of places, both exceptional and commonplace, bringing to life the greatly varied cityscape where people have been leaving their mark for at least 5,000 years.
“This book opens the door to Scotland’s hidden past, to places scarred by death, betrayal, disaster, and unresolved trauma.” — NL Magazine
‘Dark Tourism’ involves traveling to sites associated with death, disaster, or the macabre. Scotland is filled with these ‘dark places’ that embody pain, shame, and ‘difficult heritage.’ 111 Dark Places in Scotland That You Shouldn’t Miss provides an engaging, accessible, and authoritative guide to these significant sites within Scotland’s castles, ancient cities, towns, and natural landscapes. This book delves into the darker aspects of the nation’s heritage.
Scotland, while part of the UK, maintains a distinct cultural identity with a history steeped in conflict, especially with its dominant neighbor, England. The country’s legacy of turmoil has shaped its strong sense of national identity, often the core of dark tourism. This guidebook is the first of its kind, designed for both locals and visitors to explore Scotland’s dark tourism sites. It complements 111 Dark Places in England and provides a distinctly Scottish perspective on the nation’s challenging past.
The Arts and Crafts Movement, founded in the philosophies of John Ruskin and William Morris, produced some of the world’s most enduring architectural masterpieces. Author and architect David Cole presents the 100 great Arts and Crafts houses, each individually described and analyzed with insightful detail and floor plans, and illustrated with stunning photography. Beginning with Morris’s own iconic Red House, the book traces the fifty-year span of the movement, with a short chapter dedicated to each of these extraordinary houses: from the works of the pioneer Arts and Crafts architects, to the great reformer architects of the next generation, to the craftsman architects who took their lives and their work to the countryside, to the movement’s Scottish architects, and finally to the houses of the Garden Cities and suburbs built through the movement’s last decade before the First World War. The book features the great houses of some forty of the movement’s most renowned architects, including Philip Webb, R. Norman Shaw, E.S. Prior, William Lethaby, C.F.A. Voysey, Edgar Wood, Ernest Gimson, the Barnsley brothers, C.R. Ashbee, M.H. Baillie Scott, Edwin Lutyens, Charles Rennie Mackintosh, Robert Lorimer, Parker and Unwin, and many others.
As Morris famously said, “Have nothing in your house that you do not know to be useful or believe to be beautiful.”
Fife is an ancient Scottish county, proudly known as the Kingdom. Its distinctive, self-contained identity is summed up in the old adage ‘Bid farewell to Scotland, and cross to Fife!’ A compact peninsula shaped like the head of a Scottie dog nosing the North Sea, it boasts magnificent approaches from south and north via the celebrated bridges over the Forth and Tay. Tourists flock to the world-famous golf courses in the old university town of St Andrews. But Fife is packed with all manner of much less-visited treasures, places of stunning natural beauty as well as fascinating monuments of every era, from prehistoric to post-industrial, testaments to its long and eventful past and richly diverse cultural heritage. You will discover a land where generations of the illustrious and the powerful, the humble and the hard-working have all left their mark, from kings and queens to miners and fishermen, from bishops, earls and industrialists to scholars, artists and sportsmen – to say nothing of the internationally famed Fifers whose legacies have changed history. This book will introduce visitor and native alike to a whole host of unexpected and contrasting sites and sights that celebrate the delightful otherness of this unique little Kingdom.
Social, relaxing and actually really good for you… saunas are replacing the pub as Britons’ favorite pastime. They can be found everywhere, from rugged Pembrokeshire coastlines and Scottish islands to inner-city car parks. Some are so traditional, they could have been plucked from Helsinki; others put an innovative – and distinctly British – spin on things, with saunas in repurposed horseboxes and pub backrooms. Many are new, boasting dynamic community events (sweaty yoga, anyone?); some are as old as Britain’s heritage spa towns. This book explores the very best of them.
Watched over by a medieval castle and built from cobbles and sandstone, Edinburgh is undeniably one of the world’s most picturesque cities. From the historic Old Town to the Georgian New Town, bohemian Stockbridge to blustery Portobello Beach, the charms of the Scottish capital go beyond its history: vibrant cooking, abundant green space and a distinctly friendly spirit. Add to that a creative festival calendar that draws artists from across the globe, and you won’t even notice the temperamental weather and punishing hills. Part of a growing series of opinionated city guides, offering straight-talking insider advice on the world’s must-visit cities — from New York and Berlin to London and Paris.
“…a significant contribution to the study of Chinese photography.” – The Art Newspaper
From political leaders to celebrities, photographic portraits exert considerable influence over our reaction to public figures. As the first academic publication focused on the Taikang photography collection, this book explores both the mechanics of portraiture and its psychological effects.
Taikang Space is one of the most important non-profit art institutions in China. Based in Beijing, they focus on contemporary art and photography. The Chinese Portrait: 1860 to the Present is based on the framework of the eponymous exhibition, which ran at Taikang Space from March 2017. This book introduces the curator and researchers involved with the exhibition, as well as researchers such as Shi Zhimin, Jin Yongquan, Liu Jianping, Liu Zhangbolong, who deliver their own unique angles on the topic of portrait photography. The Chinese Portrait: 1860 to the Present also features the curator’s interviews with Qia Sijie, Chen Shilin and Zhang Zuo – respectively the personal photographer, standard portrait re-toucher and darkroom technician of Chairman Mao.
Eva Besnyo (1910–2003) was one of the most influential photographers of the twentieth century. Born in Hungary and based in Amsterdam from 1931 onward, she developed a distinctive visual language in which modernist aesthetics merge with a deep social awareness. Moving effortlessly between architecture, street photography, portraiture, and documentary work, her images reveal an exceptional sensitivity to rhythm, light, and composition.
This photobook offers a rich and wide-ranging overview of Besnyo’s oeuvre. Iconic works and lesser-known images come together in a visual journey through a turbulent century, highlighting themes of emancipation, urban life, and social change. The publication traces her artistic evolution while underscoring her lasting impact on generations of photographers.
Attentive to both detail and historical context, this book reaffirms why Eva Besnyo’s photography remains strikingly relevant and compelling today.
Sunil Gupta: Life with a Camera, 1970 – Now, traces five decades of Sunil Gupta’s (b. 1953, India) pioneering contribution to photography and activism. Intimate and subversive, Gupta’s photography has been instrumental in documenting the fight for queer rights internationally, particularly in India, the UK and United States, laying bare the tensions between tradition and modernity, and public and private spheres.
Featuring over 100 images in color and black and white, accompanied by a selection of Gupta’s writings from the 1980s to the present. Essays by Natasha Bissonauth, Theo Gordon, Tausif Noor, Gregory Salter and Gayatri Sinha offer fresh perspectives on Gupta’s practice, situating it within global, queer and postcolonial histories, and contributing to ongoing debates around photography as both an art form and an agent of change.
The book accompanies a major exhibition of Gupta’s work opening in September 2026 at Kettle’s Yard, Cambridge, before touring to Ikon Gallery, Birmingham (2027) and Leeds Art Gallery (2028).
Jordi Gómez: Unlimited showcases the dynamic visual world of photographer and multi-disciplinary artist Jordi Gómez, capturing his 25-year journey. From his early analog work to his exploration of digital photography, this collection highlights his unique ability to capture the essence of his subjects with a signature blend of fantasy, glamour, and sex appeal.
Born in 1978 near Barcelona and based in Ibiza since 2002, Gómez draws inspiration from hedonistic Ibiza and global cities like London, Miami, and Tokyo. His eclectic portfolio includes geisha, sumo wrestlers, ballerinas, models, and celebrities from music, fashion, and sports.
Pushing creative boundaries, Gómez merges photography, graphic design, and AI to craft immersive installations. His art extends beyond galleries into hotels, restaurants, and private collections, even appearing on furniture, fashion, and wine bottles.
Jordi Gómez: Unlimited is a tribute to his limitless imagination and groundbreaking artistic expression.
Text in English and Spanish.
Between the twilight years of the Tokugawa shogunate (1603–1867) and the end of the Meiji Era (1868–1912) that followed it, photography offered a unique insight into the rapid transformation of Japan from an isolated, feudal society to a modern, industrialized state. In the four decades that followed the opening of the country in 1853, the camera evolved from an imported novelty to a familiar witness of Japanese daily life. Operating from the Treaty Ports of Yokohama and elsewhere, early practitioners of photography plied an often precarious trade in images of Japan and laid the foundations of what would soon become a highly competitive industry with a global reach. Whether cherished as souvenirs of an exotic land of fond imagination or curated as visual documents of a fast-changing society, these images by foreign and Japanese photographers, often packaged in exquisitely produced albums, enjoyed a wide circulation abroad and played an important role in influencing perceptions of Japan in the West well into the early 20th century.
Drawing from an extensive private collection assembled over many years, this book presents a unique selection of 19th century photographs of Japan, many of which are published here for the first time.
Robin Grierson’s photography book, Steam Rally is published by Lost Press and has an introduction by the esteemed journalist and author, Ian Jack. It consists of 72 high quality color photographs that explore steam rallies in England over the past 30 years. The images record the engine men, their restored traction engines, and the lively steam heritage scene, which draws thousands to its events around the country every summer.
Having grown up around his father’s bus garage in County Durham and spent much of his formative years tinkering with engines, Grierson found himself instinctively drawn to the steam people and their beloved vintage machines. This collection of thoughtfully composed images, include respectful portraits, close up details of people and their machines, and wider views of the steam rally within the rural landscape. Grierson pays particular attention to the work-worn textures, stained surfaces, and subtle colors of the working steam environment.
“The genuine tone of this work derives undoubtedly from the photographer’s long acquaintance with tough working men and the tools and sounds of busy engineering yard’s” – Ag magazine
Multiple Exposures – Allen Jones & Photography explores the numerous ways in which artist Allen Jones has engaged with the possibilities of this medium. Historian Philippe Garner has researched Jones’s extensive archive to develop and present the insightful narratives implicit in this remarkable, often surprising selection of images.
Studying at Hornsey School of Art, then at the Royal College of Art till 1961, Jones achieved swift success within a dynamic roster of artists celebrated as ‘The New Generation: 1964’ at the Whitechapel Gallery, London. Alongside his practice as a painter, sculptor, and printmaker, Jones nurtured an ongoing fascination with photography. This volume – an important addition to the literature on Jones’s oeuvre – reveals how he was first drawn as a student to the camera’s potential, making his earliest experiments in black and white.
Through the sixty-plus years of Jones’s career – using camera and, more recently, iPad, and iPhone – photography has become ever-more integrated within his wider practice as an artist. We observe his incorporation of ‘found’ photographs within his early collaged works; we discover the photographs he has taken as a visual ledger of all that intrigues him; we see a telling selection of the imagery that he has collected, mostly drawn from vernacular sources, such as post cards, newspaper cuttings, and magazine tear-sheets; we find his playful images of his studio and its juxtapositions; and we follow his investigation of the ways in which his paintings and sculptures can interact and invite fresh readings when transmuted into photographs.
The images in Multiple Exposures, mostly hitherto unpublished, are supported by an introductory text by Philippe Garner and by revelatory chapter introductions and pertinent pull-quotes by Allen Jones. The dynamic design of the book is by the legendary graphic artist David Hillman.
“This monograph offers vivid explanatory captions, but there is little additional text to distract from the powerful images that put a human face on conflict.” — Communication Arts
“Tomasevic’s images sear themselves into your consciousness. I have never seen such powerful imagery that not only captures the horror of war itself but also its heartrending impact on innocent civilians, on our sense of our own humanity. But they do much more than that. They have an iconic quality as if created with a painter’s eye for detail, composition and contrast.” – John Green, Morning Star
“This powerful, terrible book conveys a Dantesque vision of our humanity. Admiration for Goran Tomašević, a wonderful Caravaggio of photography!” – Francis Kochert, Académie nationale de Metz
Goran Tomašević is a living legend. Not only has he survived for 30 years in crisis zones, but he has mastered the supreme art of photography, interpreting the world in a humanistic way, following in the footsteps of Robert Capa and James Nachtwey. This powerful, terrifying book conveys a Dantesque vision of our humanity. Current circumstances lead us to believe that this madness will go on and on. Goran is just 13 years old when his father gives him his first camera – an ancient FED 5V. And with it, his life begins to become a constant adventure, described in the 444 pages of this book. The quality of his reportage and the power of his images enabled him to join the Reuters agency in 1996 and, over the next 20 years, to become one of the most awarded photographers in the world. His œuvre can be called a photographic synthesis of the arts, an eminent contribution to the great path of photo reportage and an indispensable history of the last 30 years. Goran Tomašević’s credo:
“If you want to present the facts authentically, you have to be where they are. That’s the challenge.”
Text in English, German, and French.