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LOVING: A Photographic History of Men in Love, 1850s – 1950s (ISBN 9788874399284), was published in 2020 at the height of the pandemic. Despite that, the book was available in five languages, the first US printing sold out in six weeks; the response to the book was overwhelming and emotional; and five years and multiple printings later, LOVING remains a best-seller. For LOVING, the collectors drew from 2000 photographs; now, in 2025, more than 25 years after they purchased their first picture, the collection has 4000 images. It seems logical then – even necessary – to publish a new volume with all new photographs from those acquired since 2019. LOVING II continues with more stunning vintage vernacular photographs of romantic male couples, with all the emotional power of the first book in intact. This new selection continues the story of the unadulterated joy – longed for by all of us and recognizable to anyone – of being in love.
As with the first LOVING, these photographs and what they convey, whether directly in an embrace or more subtly in a furtive touch, move – in fact change – those who encounter them. Indeed, anyone who has ever loved will identify with the elation – and peace – that these couples share. The collecting criteria have not changed: starting from the earliest years of photography and continuing through the 1950s, the Nini-Treadwell archive includes daguerreotypes, silver gelatins, tintypes, ambrotypes, snap shots, and many more – a historical capsule of a century of photographic technique. The subjects come from all walks of life: soldiers, farmers, students, the young and old, poor and affluent. Their creation happened between loving couples from all around the world. Each photo is the story of two told in an instant.

Image credit: © Nini-Treadwell Inc.

Shikumen Lilong residencies were prevalent from the end of the 19th century until 1930. Combining the traits of southern Chinese dwellings and western row houses, it is the most representative of modern Shanghai residential architecture.

The book shows a unique residential kind of building in Shanghai called Shikumen and records its architectural style and the use of space. A travel guide to 40 of Shanghai’s most representative Shikumen lanes is also provided and is compared with the Shanghai block map in the 1940s of the 20th century. The book also collects 120 pictures of the architecture and life of Shikumen Lilong, and the author has compiled 400 Shikumen Lilong directories based on his accumulation of years of visiting Shikumen, which can become a guide for readers to stroll through Shikumen Lilong houses and experience Shikumen City Life.

From 2004 to 2012, using casual photography to specific documentation, the authors have observed over 500 Shikumen Lilong, and will continue to record the heritage of this style of architecture.

Text in English and Chinese.

“Sue Flood is one of the elite wildlife photographers working today. Just turn over a few pages of this breath-taking book and you will see what I mean.” – Michael Palin

Penguins are beloved creatures. Witness the success of the 2005 Academy Award-winning documentary, March of the Penguins; or the now famous penguin selfie viewed on YouTube by hundreds of thousands; or the news-making discovery by satellite of a new colony of 1.5 million penguins on an island off the coast of Antarctica.

Emperor: The Perfect Penguin is a celebration of one of the world’s most charismatic creatures. In temperatures that can reach -50°C with 150km/h winds, the emperor penguins’ ability to survive and thrive is nothing short of astounding. Over the past nine years, award-winning photographer Sue Flood has journeyed to remote Antarctic penguin colonies to capture the birds in their native home.

Sue Flood’s respect for her subjects emanates from every page. From the poignant sight of an egg abandoned on the sea ice, to majestic shots of emperor penguins returning from the sea and heart-warming photos of chicks clustering together for warmth, every shot explores a new angle of life in this remote and ice-crusted world.

As well as following the difficult journey of the penguins across the sea ice, Emperor: The Perfect Penguin narrates the hardships that must be endured to catch the perfect photograph. Sue’s behind-the-scenes experiences prove that it is only with patience, endurance, and several thermal layers that one can capture magical moments on Earth’s most inhospitable continent.

Faneuil Hall is fine and the duck boats are just dandy, but if you want to go beyond the Boston of brochures and get to the heart of this mysterious, charming old metropolis, you have to dig deep and be willing to get a little weird. 111 Places in Boston That You Must Not Miss is a guidebook with a twist: one that takes you far off the beaten path – and the Freedom Trail – to explore a side of the city that’s offbeat, unexpected, and completely fascinating for visitors and locals alike.

Whether you want to pay your respects at the memorial for a fictional character, sneak behind a vending machine to go shopping for sneakers, sip cocktails where hardened criminals sat behind bars, or hang out with some life-sized puppets, you can do it all here… and before dinnertime, to boot. Throw on your Red Sox cap, hop on the T, and uncover some secrets along the way.

The British landscape is changing. Geographically, politically, even emotionally, the boundary lines of Britain – and what it means to be British – are in flux. This book looks at the new terrains, memories and myths of this contemporary landscape through the eyes of some of the world’s most exciting photographers. Far away from traditional and sometimes predictable images of landscapes, these photographers present Britain in a new and compelling light while celebrating the enduring beauty of its snow-capped mountains and wind-swept isles.

“Turning the pages of this encyclopedia of golden parties, a nostalgia emanates from the clichés and plunges us into the evening of the stars at the Oscars…” — Harper’s Bazaar France

“With his new collection of photographs, Dafydd Jones offers a sensational dive into the excitement of the awards season in the 1990s.” — Vanity Fair France

“… a rare collection of candid moments that reveal the deepest aspects of the personalities of the world’s most famous people.” — Vogue Greece

“These images, taken before the turn of the century, give us a snapshot into the rise of America’s future movers and shakers, when mobile phones were in their infancy, Facebook had yet to be created, and the hit TV series Succession hadn’t even occurred to a twenty-something Jesse Armstrong.” — The Independent

“If you’re interested in celebrity culture, black & white, and of course any of the other work of Dafydd Jones, this comes highly recommended.” — Amateur Photography

Hollywood: Confidential is the latest collection of beautifully timed photos from bestselling society photographer Dafydd Jones. Formerly of Tatler and Vanity Fair, Jones is a serial capturer of intimate moments during high-society functions. As famous Vanity Fair editor Graydon Carter puts it, when it comes to party photographers, ‘Dafydd Jones is the sniper’s sniper – the best of the best.’

On numerous occasions in the 1990s and 2000s, Jones turned his lens to the faces of Hollywood with all his usual impudence, as they mingled and danced at private events in the Hollywood Hills, Oscar-night parties and awards ceremonies. The result is a rare thing – photographs that convey the underlying personalities of the world’s most public personas.

Following on from England: The Last Hurrah and New York: High Life / Low Life, this is an essential portrait of celebrity culture from behind the scenes, featuring the likes of Anna Nicole Smith, Tom Cruise, Prince, Winona Ryder, Tony Curtis, Oprah, Nicholas Cage and more.

Praise for Dafydd Jones:

“Dafydd catches those moments of genuine exhilaration, wealth and youth.” – The Hollywood Reporter

“Mr. Jones goes about his business with cheery zest and a wicked eye.” – New York Times

“Some carefully tended public images are punctured with such rapier precision that one can hear the hiss as they deflate.” – Mitchell Owens, The World of Interiors

“Sublime vintage photographs…”– Hermione Eyre, the Telegraph

“Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline.” – Country & Townhouse podcast

“The New York book is an evocative historical document, brimming with nostalgia and menace.” – Hannah Marriott, The Guardian

“The best party photographers, and their numbers are few, are like snipers… Dafydd Jones is the sniper’s sniper – the best of the best.” Graydon Carter, foreword from New York: High Life / Low Life

“Dafydd’s brilliant evocation of a time and a class only seem more potent today, when we know that so many of the moneyed twits in his ’80s portfolio ended up running the country, as they always have” – Tina Brown, The New Yorker

Leaving behind a comprehensive archive, Alfred Buckham wrote in detail about his exploits, including his nine crashes and how, to get the best images, he would stand up while flying in an open biplane, tying his right leg to the seat with a scarf, in order to loop the loop in ‘perfect safety’.

But dive a little deeper and there is an even more interesting story – how he created these unbelievable photographs. Using a combination of different negatives, Buckham used his skills in the darkroom to craft stunning images that capture the experience of flight but with a little extra drama.

Published to accompany the first major exhibition of Alfred Buckham’s work, this book draws on the photographer’s archive, held by his grandsons, and exciting new acquisitions made by the National Galleries of Scotland including the camera he took to the skies and a selection of the negatives used to craft his most celebrated images.

Rico Puhlmann (1934–1996) was one of the most internationally renowned fashion photographers over the last four decades of the 20th century. Puhlmann got his chance in the field of fashion magazines as an illustrator, before moving on to cover shoots and editorial work for the world’s leading fashion periodicals, including Constanze, Petra, Vogue, Harper’s Bazaar, Fashions of the Times and GQ, first in Berlin, and later in New York. A fatal plane crash put an abrupt end to his career. His photographs document some of fashion history’s central themes: trends, including the legendary Berlin chic of the post-war period and the American Look of the 1970s, changing dress codes and poses, and a shifting image of women and men. At the same time, the publication focuses on Puhlmann’s work against the backdrop of a media world organized around a division of labor, where questions of editing, layout and journalistic writing play a central role.

Text in English and German.

Driving upwards, the pass seems endless, hairpin turn after hairpin turn winding its way to the top. You change gear, keep your eyes on the road, concentrate on the next stretch. And easily forget about the magnificence around you — the fantastic mountain panorama — in order to focus on roads that combine the pleasure and practicality of a roller coaster ride.

This book presents over 200 breathtaking aerial images by “Curves” magazine photographer Stephen Bogner, capturing stunning mountain passes, hairpin turns, switchbacks, and scenic roads. For the past decade, Stephen Bogner has taken glorious photographs of mountain vistas from a helicopter that a driver focusing on the road cannot stop to appreciate. This book brings together the best images of the past 10 years in one beautifully produced, limited edition, slipcased retrospective, with 4 signed prints. His outstanding photos are accompanied by text by Jan-Karl Baedeker. A must-have for the fans of “Curves”, “Escapes” and “Porsche Drive.”

Text in English and German.

Recaptioning Congo places the colonial Congo’s photography history in new perspectives. Six writers and everyday Congolese urban voices take an African-centered look at imperial archival images and provide them with creative, contemporary and/or literary ‘captions’. The book, linked to an exhibition in the photography museum FOMU Antwerp, is based upon the extensive research of the photographic history of colonial Congo (1885 – 1960), conducted by Dr. Sandrine Colard. It contains a wealth of revealing images that highlight the relationship between past and present, Africa and Europe and Belgium and Congo.

Text in English, French and Dutch.

In a completely unexpected way, Aurelio Amendola, a world-renowned photographer, goes beyond his consolidated practice of printing on paper to take up the challenge of the contemporary medium par excellence, digital, exhibiting his shots dedicated to Michelangelo on the screens of Rifugio Digitale. The gallery that hosted the exhibition draws its identity from its origin: an anti-aircraft bunker built in Florence during the Second World War to protect the neighborhood from bombing. The redevelopment of the tunnel has given rise to a space that welcomes artistic expressions of all kinds, with a strong look towards the future and a strong predilection for everything that moves in the digital field.

Antonio Natali, together with the photographer from Pistoia, selected these images, curating the exhibition and the volume, inviting us to pay attention to something completely different from the canonical iconography to which we are accustomed. In fact, we are presented with an iconic Michelangelo.

“Blurring the line between personal research and artistic expression, the book raises complex questions about truth, proof, and what we can and cannot see.” — About Photography

In recent years, photographer Bieke Depoorter developed an overriding interest in astronomy. She sought out amateur stargazers, visited state-of-the-art observatories and researched the history of the field. Gradually, it became clear that her interest in astronomy was linked to lost memories from her past. After all, the night sky is a kind of shared memory; the light of celestial bodies takes hundreds, thousands or millions of (light) years to reach our eyes on earth. In Blinked Myself Awake, photographer Bieke Depoorter explores the power and fragility of memory, the human desire for objectivity and the elusive nature of ‘truth’. She does this by interweaving photographs of amateur and professional stargazers, diary-inspired texts and fragments of astronomical history, in which often-forgotten female astronomers play a role.

Sarah Zak. Born in Germany, she started her career as a hairstylist and makeup artist before discovering the world of analog photography in 2016. From the beginning, her main topic was clear: beautiful women. With passion and a love for travel, she found women from all over the world who were willing to show themselves in front of her camera. What started as a hobby slowly developed into a bigger vision.
Today, Sarah focuses mainly on her project sarahlikesprettygirls. In addition to her publications on social media, with a wide reach and awareness, she now also collaborates with galleries and other artists around the world.
For her second photo book, she chose Mexico City as the setting. The city fascinated her with its colors, its energy and its history and architecture. There she met and took portraits of numerous women – locals and travelers alike. Each photograph was captured on 35mm film, creating an “analog imperfection” that, in addition to its natural aesthetic, creates a special closeness to the women photographed.
In a world of nude photography dominated by men, Sarah Zak’s work breaks down stereotypes and creates a space for a unique beauty and power in women. Immerse yourself in this special collaboration and experience the sensual and inspiring world of female nude photography.

Sharing this story was not something that Christopher Capozziello ever set out to do, but, over the years, one picture has led to another and a story has emerged. Capozziello says, “The time I have spent with my brother, looking through my camera, has forced me to ask questions about suffering and faith and why anyone is born with disability. Nick has cerebral palsy. Taking pictures has been a way for me to deal with the reality of having a twin brother who struggles through life in ways that I do not.” Capozziello’s photographs take us on a journey through his worries and inquiries, ending his debut book with a different sort of question: what comes next? Part two of the book is a journey he and his brother take across the United States. The work has been shown throughout the United States and has won 33 national and international awards. “The collection, titled The Distance Between Us, is both a brother’s touching tribute and Capozziello’s attempt to come to terms with the reality his brother lives and one from which he happened to be spared”. The Mail

The 1980s weren’t that long ago, but visually much has changed. Martin Langer’s black-and-white photos illustrate everyday life from the early 1980s in the Ostwestfalen-Lippe region, focusing on the towns of Bielefeld, Detmold, Herford, Gütersloh and Paderborn. Also depicted are the forests and meadows in between, but Langer’s approach to his craft falls into the genre of street photography. So the stage is set for the day-to-day, complimented by subjects photographed at the sidelines of major local events.

Text in German.

The ultimate volume on Ferrari production enhanced by the artistic photos of Christian Martin. Immerse yourself in a visual journey through legendary Ferrari models: 250 GTO, Testarossa, F40 and more.

This exceptional work on Ferrari fuses art, automobile photography and a catalogue raisonné. It offers a captivating journey through legendary Ferrari models, such as the 250 GTO, the Testarossa, the F40, the Enzo, and the 458 Italia. You will also discover rare treasures, including the Ferrari P4/5, a unique creation by Battista Pininfarina.

Christian Martin sublimates each model with photos that capture speed, elegance and sensuality. His photos pay homage to the vision of Enzo Ferrari, where each curve of the bodywork evokes movement and power. The legendary Ferrari models appear here in their best light, revealing a timeless aesthetic.

This book goes beyond a simple automobile collection. It is a visual and emotional immersion in the world of the prancing horse. Page after page, it celebrates the mechanical treasures that continue to fascinate generations of enthusiasts. A unique experience where art and speed meet to offer a vibrant tribute to Ferrari.

Text in English and French.

Award-winning writer René Balcer is best known for his hit series Law & Order and Criminal Intent. Much less is known about his startling photographic work, shared only with his close friends and colleagues – until now!

This offers 500 photographs showcasing Balcer’s trademark crime scene aesthetic. The stunning images range from West Africa to the Utah desert, from a remote Arctic village to a seedy Brooklyn bar, with photos full of narrative mystery. There is a section on pre-Covid China, a China many say has since vanished. Also included is a unique homage to Balcer’s adoptive city of Los Angeles, and a ground-breaking photo-essay on Buenos Aires’ posh Recoleta neighborhood.

Marked by wry social commentary and breath-taking beauty and framed by insightful essays from noted Contemporary Art expert Robert Hobbs, renowned artist Xu Bing, and bestselling mystery writer Naomi Hirahara, these compelling never-before-seen photos are now presented in a glorious high-quality publication.

Over the past 15 years, Sabine de Milliano has driven through all the countries of Europe, covering a distance of over 150,000 km. As a photographer she is constantly in search of the most beautiful views and spectacular roads, interspersed with visits to cozy villages and lively cities. Sabine shares her favorite road trips in Europe and offers lots of inspiration to anyone who wants to make an unforgettable journey by car. With colorful photography, clear maps and plenty of tips for hikes and trips, she helps you design your own road trip through the old continent. From a surprisingly spectacular week in the Benelux to a month through the Balkans: after reading this book you will want nothing more than to pack your bags and get in the car!

Saint Benedict the Moor, or Binidittu as the Sicilians fondly rechristened him, was an Afro-Sicilian hermit friar, the son of African slaves born in Sicily in the 16th century. Canonized in 1807, he was the Catholic Church’s first Black saint and was made Patron Saint of Palermo. These photographs address the lives of African migrants in the Mediterranean today through the historical figure of Binidittu. This project retraces his improbable life, explores the historical sites of his hagiography, the worship of relics, and the religious and secular practices devoted to him in Sicily and elsewhere in the Mediterranean. This book is part of Lo Calzo’s long-term photographic project, Cham, about the living memories of colonial slavery and anti-slavery struggles.

“Binidittu emerges in this work as an allegory of our time: an encounter between the Mare Nostrum and the world, between oblivion and memory, between racism made commonplace and our shared humanity, between the Sicilian people’s aspirations and African migrants’ hopes of freedom and dignity as they drift towards Europe’s shores.” Nicola lo Calzo

Text in English and Italian.

Paris – a photographic book with the city as its theme – takes an abstract approach to depicting the city, while retaining a direct relationship with reality. It is part of the tradition of modernist photography, but it distinguishes itself by the perfect appearance of digitally retouched images.

Shadows play a key role in simplifying reality, dissociating locations from their classical visual representation. The economy of form thus created enables the depiction of Paris to be radically transformed, going beyond the customary descriptive task of photography.

At first glance, the viewer perceives the overall contrast of the image, with only the light lines standing out against the shadows. As the eye gradually adapts, the details in the shadows become apparent, introducing a second way of reading the photograph and enriching the way it is perceived. Paris is thus viewed anew, moving from shadow to abstraction.

Text in English and French.

Ever since Munch first came up with the Scream motif at the end of the 19th century, countless artists, including Andy Warhol and Marina Abramović, have modified it within their own work. In addition, the open-mouthed figure has cropped up in popular cultural productions such as Wes Craven’s Scream film franchise, the poster for the kids’ movie Home Alone, and in scores of satirical cartoons – on everything from Brexit to Donald Trump’s presidency and tax rises – as well as on innumerable political banners and placards, most recently in protests about the climate emergency. In recent years, the Scream image has also taken a prominent place on digital screens in the form of its own emoji and as the basis of countless memes. At the same time, the quantity of souvenirs and other objects decorated with or shaped like Munch’s figure of desperation has increased immeasurably. In short: these days The Scream haunts pretty much every layer of culture. It is without doubt one of the most frequently reproduced images in the history of art, equaled only perhaps by Leonardo da Vinci’s Mona Lisa, and is the originator of a constantly expanding network of analogue and digital mutations. Via these three texts, and a rich selection of illustrations – including all known Scream images ever made by the artist himself, a selection of his Scream texts and countless so-called Scream mutations – this book embraces Munch’s best-known image as a cultural phenomenon.

These pages tell the story without words of a journey through Spain in which the author, the photographer Fernando Manso, visited unknown and hidden corners and captured them on the plates of his large-format camera. From the remotest parts of Galicia to those of Almería, he passed through coasts, deserts and mountains, stopping at old churches, ghostly castles or majestic cathedrals, in forests and gorges, at natural pools and salt mines, and at cemeteries, Arab baths and hermitages carved out of the rock.

Fernando has made the light of these places into the leading figure of his journey. His is a different light, as he has relinquished blue skies and brilliant sunshine, often the stuff of clichés, to make way for visions of places that appear to us with such intimate truth that even if we know them, we can barely recognize them. This is thanks to his technique, his art and the patience with which he waits for the light.

Fernando’s luxury is being able to use all the time in the world to draw us into an artistic heritage that is sometimes secret and hard to reach, and which the viewer has to know how to see. He reveals these places, often in danger of disappearing, after detailed investigation. Both architecture and landscape – for he knows that natural scenery is also a major patrimony that has to be affectionately preserved and protected from speculation – belong to all of us, and we are responsible for their care. We must be aware of this.

The result of that trip is this publication, with beautiful images in reproductions of exceptional quality that present us with a vision of Spain in a different light.

One of the oldest storytelling traditions, shadow theater combines puppetry with music, philosophy, history, storytelling, fashion, ritual, religion, and education.

While each nation in Southeast Asia has its own distinct culture, shadow theater is a shared theme. Many of the masters make their own puppets, play all the musical instruments, learn long texts in ancient languages, sing, study movement, and perform for long period of time in what is one of the most difficult and challenging art forms. Most of the performers are farmers, fisherman, factory workers, or teachers by day and artists by night.

Through documentary photography, A Life in Shadows by Constantine Korsovitis, illustrates the sophistication and value of shadow theater and its creators, and the author has been capturing the spirit and multiplicity of shadow theater since 1999 in Malaysia, Indonesia, Thailand and Cambodia, the common thread being the use of the Hindu epics of the Ramayana and the Mara Mahabharata as a source stories.