The ancient treasures collected over the past 20 years by Ludovic Donnadieu, hail from a myriad of ancient cultures, famous or obscure, across all five continents. The selection maintains a balanced representation of different geographical areas, ensuring that all regions of the world and all historical or prehistoric periods are accounted for. Through this comprehensive panorama, the viewer is invited on a cultural and anthropological journey through time and space.
The showcased artworks are “miniatures”; few exceed a size of 20 centimeters. Indeed, an artwork doesn’t need to be monumental to evoke profound emotional impact and fascination! Fragility can endure, the minuscule can embody grandeur, and singular detail can convey a universal message.
This selection of 99 works, forming a unique ensemble worldwide, adheres to a triple criterion: authenticity, aesthetic quality, and balance, both among the represented subjects and across different forms, materials, or functions. The period covered spans from 6,000 BC to the early 20th century. Presenting this collection to the public holds a dual significance: in a world threatened by uniformity, it celebrates the richness and diversity of human cultures while also highlighting the beauty and grandeur of small-scale formats and the need to protect what is fragile.
The Donnadieu Foundation was established in 2023, under the aegis of the Foundation for Childhood, by Ludovic Donnadieu, art collector, certified public accountant, and founder of the firm Donnadieu & Associates, which specialized in securing funds entrusted to NGOs. The Foundation aims to enable young people, especially those from disadvantaged backgrounds, to broaden their horizons and engage in civic activism, while also raising awareness among the general public and policymakers about the importance of culture for the world’s youth.
Text in English and French.
The Texas Gulf Coast stretches for hundreds of miles from the Louisiana border to Galveston and Corpus Christi, continuing all the way to the Mexican border. Breathtaking landscapes, big cities and motifs straight out of an American road movie line the coast, like a string of pearls: morbidly beautiful towns, dilapidated or picturesquely restored houses, and squares that look like film sets. Between 1987 and 2024, photographer Jörg Rubbert traveled the Texas coast from north to south on six trips, capturing it all on film. In his sombre analog black-and-white photographs, almost exclusively taken in October and November, Rubbert portrays the region and its people. Subjectively and authentically captured, and enriched with anecdotes and texts on geography and history, Rubbert’s photos transport viewers into an American film noir, dreamlike and full of melancholic atmosphere.
Globally recognized photographer Russell James is known for a singular artistic vision that unites technical mastery, fashion, celebrity, cultural storytelling, and humanitarian purpose, driven by an uncompromising commitment to authenticity.
It’s About Time is James’s definitive legacy publication and the first book to present a complete, curated journey through his three-decade career. Spanning continents, cultures, and genres, this book features James’s early work with Indigenous communities, intimate portraits of some of the world’s most influential figures, and groundbreaking imagery that helped redefine modern fashion and supermodel culture. The book comprises a compelling mix of never-before-published images, newly created portraits of global figures, and James’s most iconic works. Candid behind-the-scenes moments reveal a rarely seen insider’s view of the industry.
Across its pages, It’s About Time traces James’s artistic evolution, technical innovation, and enduring focus on human connection. More than a retrospective, the book offers readers an extraordinary visual odyssey—following a young Australian photographer as his work carries him onto the global stage. This is an essential volume for collectors, photography enthusiasts, and anyone drawn to powerful visual storytelling.
Over the past twenty-five years, the Austrian artist Margit Hart has created an extremely diverse oeuvre of contemporary jewelry. Mindscapes, the name of her latest group of works, is synonymous with her ever changing jewelry objects. Since 2009 Margit Hart’s work – parallel to her jewelry has extended into abstract photography, resulting in a mutual dialogue between both disciplines. In her Schattenflug [Fleeting Shadows] works, she goes beyond illustrating the purely representational to create imaginary three-dimensional pictorial spaces that immerse us in mysterious worlds of light and shade. This monograph showcases the interplay between both modes of artistic expression in a tangible way.
Text in English and German.
Award-winning writer René Balcer is best known for his hit series Law & Order and Criminal Intent. Much less is known about his startling photographic work, shared only with his close friends and colleagues – until now!
This offers 500 photographs showcasing Balcer’s trademark crime scene aesthetic. The stunning images range from West Africa to the Utah desert, from a remote Arctic village to a seedy Brooklyn bar, with photos full of narrative mystery. There is a section on pre-Covid China, a China many say has since vanished. Also included is a unique homage to Balcer’s adoptive city of Los Angeles, and a ground-breaking photo-essay on Buenos Aires’ posh Recoleta neighborhood.
Marked by wry social commentary and breath-taking beauty and framed by insightful essays from noted Contemporary Art expert Robert Hobbs, renowned artist Xu Bing, and bestselling mystery writer Naomi Hirahara, these compelling never-before-seen photos are now presented in a glorious high-quality publication.
For more than 20 years, photographer Vladimir Rys has been working at the highest level of Formula 1 photography. Constantly pushing himself to raise the bar and remain creatively relevant in one of the world’s most demanding sports, documenting some of the most iconic moments in modern Formula 1 from an insider’s perspective. Echoes of Speed brings together two decades of Rys’s work, revealing not only the intensity and precision of the sport, but the human presence within it. This book is both a celebration of Formula 1 and a portrait of a photographer whose vision has helped shape how the sport is seen.
Karkhana takes us on a meandering journey through the Rajasthani city of Udaipur as we follow American artist Waswo X. Waswo, a 20-year resident of India, through a typical day of collaborations with a variety of Indian artists. From miniature painters such as R. Vijay and Dalpat Jingar, to the third-generation photo hand-colorist Rajesh Soni, to the phenomenally skilled painter of golden borders, Shankar Kumawat, we are treated to an intimate look behind the scenes of Waswo’s extended network of co-creators, as well as the photography studio he uses in the outlying village of Varda. Waswo and his team weave visual narratives that blend vintage miniature painting techniques with digital photography, the past with the present, and a self-effacing humor with existential angst. Karkhana is a word that literally means ‘factory’ in Hindi, but has lineage to the historical painting workshops of Persia. This book explores the continuance of this system of mutual artistic collaboration within a contemporized Indian community, and the manner in which Waswo’s unlikely team has come into the contemporary art market.
Custodians brings together for the first time, in this beautifully compiled collection, images of many of Oxford’s most prestigious buildings along with some rarely seen, but wonderful venues and their ‘Custodians’. Photographer Joanna Vestey set out to explore the extraordinary colleges and buildings of Oxford, behind the closed doors, often beyond the reach of the 9.5 million visitors a year who come here, and to meet the ‘Custodians’ playing a pivotal role in perpetuating these world renowned institutions. Rarely do we get to catch a glimpse behind the closed facades of these iconic structures and to see the spaces that lie within. All the images have been captured in the University City of Oxford, known as the “City of Dreaming Spires” and show its extraordinary breadth of architecture since the arrival of the Saxons. It includes venues such as the 17th Century Divinity School, the mid-18th century Radcliffe Camera continuing through to the most recent award winning RIBA nominated chapel at Ripon College completed last year. Venues such as the Sheldonian Theatre and Christchurch College sit alongside perhaps lesser known venues such as The Real Tennis Courts or the John Martyr Pawsons cricket pavilion portraying the breadth and diversity constituting the city. The ‘Custodians’ and their surroundings enjoy equal status in Joanna’s formal compositions; they seem to belong together, yet do not fuse into one, thereby asking us to question how we are all largely shaped and influenced by the structures around us – how defined we are by them and how much they form us. Full of unexpected venues beautifully photographed, this book will appeal to the his-torian, city visitor, people interested in architecture and interiors as well as to the extensive alumni network of the colleges themselves. It will also appeal to an audience interested in contemporary photography.
Shikumen Lilong residencies were prevalent from the end of the 19th century until 1930. Combining the traits of southern Chinese dwellings and western row houses, it is the most representative of modern Shanghai residential architecture.
The book shows a unique residential kind of building in Shanghai called Shikumen and records its architectural style and the use of space. A travel guide to 40 of Shanghai’s most representative Shikumen lanes is also provided and is compared with the Shanghai block map in the 1940s of the 20th century. The book also collects 120 pictures of the architecture and life of Shikumen Lilong, and the author has compiled 400 Shikumen Lilong directories based on his accumulation of years of visiting Shikumen, which can become a guide for readers to stroll through Shikumen Lilong houses and experience Shikumen City Life.
From 2004 to 2012, using casual photography to specific documentation, the authors have observed over 500 Shikumen Lilong, and will continue to record the heritage of this style of architecture.
Text in English and Chinese.
“Sue Flood is one of the elite wildlife photographers working today. Just turn over a few pages of this breath-taking book and you will see what I mean.” – Michael Palin
Penguins are beloved creatures. Witness the success of the 2005 Academy Award-winning documentary, March of the Penguins; or the now famous penguin selfie viewed on YouTube by hundreds of thousands; or the news-making discovery by satellite of a new colony of 1.5 million penguins on an island off the coast of Antarctica.
Emperor: The Perfect Penguin is a celebration of one of the world’s most charismatic creatures. In temperatures that can reach -50°C with 150km/h winds, the emperor penguins’ ability to survive and thrive is nothing short of astounding. Over the past nine years, award-winning photographer Sue Flood has journeyed to remote Antarctic penguin colonies to capture the birds in their native home.
Sue Flood’s respect for her subjects emanates from every page. From the poignant sight of an egg abandoned on the sea ice, to majestic shots of emperor penguins returning from the sea and heart-warming photos of chicks clustering together for warmth, every shot explores a new angle of life in this remote and ice-crusted world.
As well as following the difficult journey of the penguins across the sea ice, Emperor: The Perfect Penguin narrates the hardships that must be endured to catch the perfect photograph. Sue’s behind-the-scenes experiences prove that it is only with patience, endurance, and several thermal layers that one can capture magical moments on Earth’s most inhospitable continent.
In Let the Kids Play, Drago’s 36 Chambers series exalts the beauty and exuberance of youth as embodied by the renowned street artist, Pax Poloscia. The book is a reaction to the cynicism and monotony of the adult world and a celebration of youthful creativity.
In this revised edition of the superb large-format, trilingual volume, first published in 2019, Guadalupe captures the beauty, strength, and gentleness of the Icelandic horses in a compelling pictorial journey. Guadalupe’s sensitive photographs—taken over a period of five years—showcase the inherent nature of the horses in intimate portraits and against Iceland’s dramatic landscapes. The magnificent color and black-and-white images present the horses in fine detail, bringing the majestic animals to life. Guadalupe invites readers to share her love for Iceland and its indigenous horses. She has since returned to Iceland numerous times to photograph the horses for her follow-up publication, In the Land of Fire and Ice: Horses of Iceland (2025), in which she widens her lens to not only capture the horses, but to showcase their rugged, harsh, and unpredictable environment. This breathtaking volume is for fans of wildlife photography, nature conservation, and exploration travel, and anyone who admires and appreciates the sublime presence and pure beauty of the Icelandic horse.
Text in English, French and German.
“Turning the pages of this encyclopedia of golden parties, a nostalgia emanates from the clichés and plunges us into the evening of the stars at the Oscars…” — Harper’s Bazaar France
“With his new collection of photographs, Dafydd Jones offers a sensational dive into the excitement of the awards season in the 1990s.” — Vanity Fair France
“… a rare collection of candid moments that reveal the deepest aspects of the personalities of the world’s most famous people.” — Vogue Greece
“These images, taken before the turn of the century, give us a snapshot into the rise of America’s future movers and shakers, when mobile phones were in their infancy, Facebook had yet to be created, and the hit TV series Succession hadn’t even occurred to a twenty-something Jesse Armstrong.” — The Independent
“If you’re interested in celebrity culture, black & white, and of course any of the other work of Dafydd Jones, this comes highly recommended.” — Amateur Photography
Hollywood: Confidential is the latest collection of beautifully timed photos from bestselling society photographer Dafydd Jones. Formerly of Tatler and Vanity Fair, Jones is a serial capturer of intimate moments during high-society functions. As famous Vanity Fair editor Graydon Carter puts it, when it comes to party photographers, ‘Dafydd Jones is the sniper’s sniper – the best of the best.’
On numerous occasions in the 1990s and 2000s, Jones turned his lens to the faces of Hollywood with all his usual impudence, as they mingled and danced at private events in the Hollywood Hills, Oscar-night parties and awards ceremonies. The result is a rare thing – photographs that convey the underlying personalities of the world’s most public personas.
Following on from England: The Last Hurrah and New York: High Life / Low Life, this is an essential portrait of celebrity culture from behind the scenes, featuring the likes of Anna Nicole Smith, Tom Cruise, Prince, Winona Ryder, Tony Curtis, Oprah, Nicholas Cage and more.
Praise for Dafydd Jones:
“Dafydd catches those moments of genuine exhilaration, wealth and youth.” – The Hollywood Reporter
“Mr. Jones goes about his business with cheery zest and a wicked eye.” – New York Times
“Some carefully tended public images are punctured with such rapier precision that one can hear the hiss as they deflate.” – Mitchell Owens, The World of Interiors
“Sublime vintage photographs…”– Hermione Eyre, the Telegraph
“Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline.” – Country & Townhouse podcast
“The New York book is an evocative historical document, brimming with nostalgia and menace.” – Hannah Marriott, The Guardian
“The best party photographers, and their numbers are few, are like snipers… Dafydd Jones is the sniper’s sniper – the best of the best.” Graydon Carter, foreword from New York: High Life / Low Life
“Dafydd’s brilliant evocation of a time and a class only seem more potent today, when we know that so many of the moneyed twits in his ’80s portfolio ended up running the country, as they always have” – Tina Brown, The New Yorker
Ian McKeever RA (b. 1946) began painting in 1969. His early work grew out of a conceptual interest in landscape, painting and photography, reflecting his journeys to Greenland, Papua New Guinea and Siberia. In the mid-1980s his art became more abstract, revealing his interest in the human body and architectural structures. McKeever has published many texts concerning his travels and the nature of painting, and this selection – ranging from Piero della Francesca to Joan Mitchell – brings these together in one volume for the first time.
Recaptioning Congo places the colonial Congo’s photography history in new perspectives. Six writers and everyday Congolese urban voices take an African-centered look at imperial archival images and provide them with creative, contemporary and/or literary ‘captions’. The book, linked to an exhibition in the photography museum FOMU Antwerp, is based upon the extensive research of the photographic history of colonial Congo (1885 – 1960), conducted by Dr. Sandrine Colard. It contains a wealth of revealing images that highlight the relationship between past and present, Africa and Europe and Belgium and Congo.
Text in English, French and Dutch.
Introducing Karel Fonteyne, one of Belgium’s foremost contemporary and fashion photographers. Since 1968 the artist has created an extensive oeuvre that has its place in the history of photography. His timeless visual storytelling relates to nature, darkness and loneliness, the inner world, and esotericism, while touching uncovered dimensions. For more than 15 years Fonteyne was active as a fashion photographer, breaking boundaries by introducing his narrative approach as a contemporary artist in the traditional fashion world. He had early collaborations with Martin Margiela, Dries Van Noten, Walter Van Beirendonck and Dirk Bikkembergs, and internationally he collaborated with Vogue, Interview, Bazaar, Marie-Claire and Brutus Magazine in Japan.
Text in English and French.
Verstrengeld (“entwined”) by Dutch photographer Floor Martens is a poetic visual meditation on the interconnectedness of humans, nature, and time, addressing the ‘zeitgeist’ of a younger generation. Through a deeply personal lens, Martens explores the transformation and decay that define all living matter, tracing parallels between the human body and the natural world. Her photographs — depicting (often naked) bodies, trees, flowers, and skies — capture the delicate balance between fragility and endurance, intimacy and distance, life and loss. Employing analogue techniques alongside written text, sound, and sculptural gestures, Martens creates an immersive, sensorial experience that transcends the photographic image. Each composition suggests a metaphysical dialogue, where the veins of a leaf mirror the lines of a hand, and the cycles of growth and decay reveal beauty in impermanence. Verstrengeld reflects Martens’ commitment to slowing down perception, allowing the ordinary to emerge as extraordinary. This tril-ingual publication is both a visual elegy and a philosophical inquiry — an invitation to contemplate our entanglement with the living world.
Text in English, Dutch and French.
“Do come in as often as you like – the place is only alive when used” – Jim Ede
Take a room-by-room journey through the Kettle’s Yard house in Cambridge (UK), former residence of curator and ‘friend to artists’ Jim Ede and his wife Helen. Home to their substantial collection of 20th century art, furniture, ceramics, glass and natural objects, the house remains open for visitors to experience as the Ede’s intended: art as a way of life.
The carefully curated interior spaces in the original converted cottages (1957) and Leslie Martin-designed extension (1970) are a masterclass in balance and restraint, appealing to aesthetes across the spectrum of art and design from fine art to fashion; interior designers, architects and art historians.
Richly illustrated with new photography by Gilbert McCarragher and inspired by classic mid-century guidebooks, this book will catch the eye of long-time fans of Kettle’s Yard as much as those discovering the house for the very first time. A companion publication Kettle’s Yard Art & Artists ISBN 9781904561620 is also available.
“A history of cool.” — Airmail
“Without a doubt she is the great reference of photography in the Hip Hop Culture, with photos that are already the history of contemporary culture of the 20th century.” — Staf Magazine
“In over 240 pages, the book encapsulates the spirit of history-making generations and their influence on fashion and wider visual culture.” — The Luupe
Covering four decades of photography, this book serves as a stunning snapshot of Beckman’s significance in the world of art, photojournalism, music, fashion, and popular culture – but most prevalently, it’s a testament to her unique ability to extract beauty from the outliers of society. With written contributions from Beckman’s peers including academia’s Jason King, Chair of NYU’s Clive Davis Institute of Recorded Music & Vivien Goldman Author & Professor at NYU; journalists Vikki Tobak, and co-founder of PAPER, Kim Hastreiter; visual artist Cey Adams; music legends Sting, Run DMC, Paul Weller, Salt-n-Pepa, Belinda Carlisle, and Slick Rick; and fashion’s Dapper Dan, Dior’s Maria Grazia Chiuri, Levi’s Chad Hinson – Rebels: From Punk to Dior showcases Janette Beckman’s influence in her realm.
In addition to publishing five books, Janette Beckman’s work has been exhibited in galleries worldwide and is included in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, and the British National Portrait Gallery. She is represented by the Fahey Klein Gallery.
Sharing this story was not something that Christopher Capozziello ever set out to do, but, over the years, one picture has led to another and a story has emerged. Capozziello says, “The time I have spent with my brother, looking through my camera, has forced me to ask questions about suffering and faith and why anyone is born with disability. Nick has cerebral palsy. Taking pictures has been a way for me to deal with the reality of having a twin brother who struggles through life in ways that I do not.” Capozziello’s photographs take us on a journey through his worries and inquiries, ending his debut book with a different sort of question: what comes next? Part two of the book is a journey he and his brother take across the United States. The work has been shown throughout the United States and has won 33 national and international awards. “The collection, titled The Distance Between Us, is both a brother’s touching tribute and Capozziello’s attempt to come to terms with the reality his brother lives and one from which he happened to be spared”. The Mail
Aerial photography is prohibited in India. It can only be done with permission from various government agencies. It is for this reason that there are hardly any substantial books on India from the air. For the first time, Nicolas Chorier achieves this feat by using the fascinating technique of kite photography (taking aerial pictures by using a kite to lift the camera).
This book showcases the finest work of the French photographer, who has been shooting in India for many years. Seen here are unique and spectacular views of the wonders of India; jewels such as Amber Fort, Mehrangarh Fort, Nagaur Fort, Pushkar, Chittorgarh, Taj Mahal, Hampi, Mamallapuram and the beaches and backwaters of Kerala. Accompanying the pictures is the photographer’s anecdotal take on his India odyssey. For anyone who loves India and its rich heritage, this lavish book is a sumptuous treat for the eyes.
Ever since Munch first came up with the Scream motif at the end of the 19th century, countless artists, including Andy Warhol and Marina Abramović, have modified it within their own work. In addition, the open-mouthed figure has cropped up in popular cultural productions such as Wes Craven’s Scream film franchise, the poster for the kids’ movie Home Alone, and in scores of satirical cartoons – on everything from Brexit to Donald Trump’s presidency and tax rises – as well as on innumerable political banners and placards, most recently in protests about the climate emergency. In recent years, the Scream image has also taken a prominent place on digital screens in the form of its own emoji and as the basis of countless memes. At the same time, the quantity of souvenirs and other objects decorated with or shaped like Munch’s figure of desperation has increased immeasurably. In short: these days The Scream haunts pretty much every layer of culture. It is without doubt one of the most frequently reproduced images in the history of art, equaled only perhaps by Leonardo da Vinci’s Mona Lisa, and is the originator of a constantly expanding network of analogue and digital mutations. Via these three texts, and a rich selection of illustrations – including all known Scream images ever made by the artist himself, a selection of his Scream texts and countless so-called Scream mutations – this book embraces Munch’s best-known image as a cultural phenomenon.
Musicscapes: The Multiple Emotions of Indian Music is a visual diary, comprised of 30 years of photo documentation. It explores Indian music through the lens of the passionate photographer Shobha Deepak Singh. Shobha is a chronicler, dedicated to representing the musical zeitgeist of modern India in pictographic form. Retelling history through evocative black-and-white portraits, she displays the many moods, iconic moments and the ‘rasa’ of Indian music. From the maestros of vocal music, Balasaheb Poonchwale, Kumar Gandharva, Bhimsen Joshi, Kishori Amonkar and Shubha Mudgal; to legendary instrumental musicians, Bismillah Khan, Ravi Shankar, Amjad Ali Khan, Ali Akbar Khan, Vilayat Khan, Hari Prasad Chaurasia, Shiv Kumar Sharma, Ronu Mazumdar and Zakir Hussain; Shobha captures some of the boldest and brightest talents that have emerged from India’s diverse music community. Her unique visual language portrays these artists with a rawness and verve no other photographer’s camera could match.
“Blurring the line between personal research and artistic expression, the book raises complex questions about truth, proof, and what we can and cannot see.” — About Photography
In recent years, photographer Bieke Depoorter developed an overriding interest in astronomy. She sought out amateur stargazers, visited state-of-the-art observatories and researched the history of the field. Gradually, it became clear that her interest in astronomy was linked to lost memories from her past. After all, the night sky is a kind of shared memory; the light of celestial bodies takes hundreds, thousands or millions of (light) years to reach our eyes on earth. In Blinked Myself Awake, photographer Bieke Depoorter explores the power and fragility of memory, the human desire for objectivity and the elusive nature of ‘truth’. She does this by interweaving photographs of amateur and professional stargazers, diary-inspired texts and fragments of astronomical history, in which often-forgotten female astronomers play a role.