“The subtle forms and modelled curves and planes in a skeleton were to George Stubbs what a symphony is to a musician.” — Oxford Companion to Art
“The most unique thing of its kind ever compiled. This heroic effort, an epic of the eighteenth century, is as great and unselfish a work as anything could be.” — Sir Alfred Munnings
George Stubbs was one of the most original artists Britain has produced, and it is easy to forget how much his success was based on rigorous scientific observation. In 1756 he rented a farmhouse where he erected scaffolding to hold the cadavers of horses as he dissected and drew. After 18 months, Stubbs produced the drawings for The Anatomy of the Horse, which he later etched. The result was sensational. Scientists from all over Europe sent their congratulations, amazed at the perfection of the work. The Anatomy remained a textbook for artists and scientists for over a century, and its strange, spare beauty continues to fascinate.
This edition is taken from the 1853 printing, the last to use Stubbs’ original plates. The full Stubbs’ commentary is included for the veterinarially minded. Extensive texts by Constance Anne Parker and Oliver Kase place Stubbs’ work in the context of his life and times, and of 18th-century medical science.
“When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made.” — Australian Women’s Weekly Icons
“Caine, the timeless gentleman.” — Diego Armes, GQ Portugal
“The engaging images are either black and white or in color and therefore perfectly show all facets of the actor. A wonderful book about a very special and remarkable actor! 5 Stars!” — Lovely Books
“I had to be an actor,” Michael Caine once said. “[…] And of course, you have to remember with me, the alternative was a factory.”
A working-class actor who broke through to stardom, Caine’s screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O’Neill.
Michael Caine: Photographed by Terry O’Neill offers an immersive visual journey through Michael Caine’s career, immortalizing Caine’s charm both in and out of character. Caine occupies a landmark position in cinema and O’Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and color images and includes never-before-seen contact sheets.
Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.
First edition since 1865, this anthology brings together 80 of Sir John Everett Millais’s finest illustrations. Collected from his work for Trollope, Tennyson, Collins, and the weekly periodicals over most of his long working life, these prints range from visionary romance to comedy of manners. They are some of the finest black and white work of the Victorian era.
Millais was the most precociously talented artist England has ever produced, and the Royal Academy’s youngest ever pupil. When just 19 he founded with six others the Pre-Raphaelite Brotherhood, which revolutionized English art. Although Millais soon abandoned the Pre-Raphaelite style, he remained the pre-eminent painter of his period. Not least amongst his achievements was a revival of serious black and white work. His drawings were widely published and led to the creation of a greatly respected English school of print-making. This book, collected by his publisher, shows the wide range of his work.
In 1987, The Main: Portrait of a Neighborhood (9781550130461) was published and quickly sold out. The critically acclaimed project celebrated the communities around Montreal’s Boulevard Saint Laurent and contributed to the eventual designation of “The Main” as a Canadian heritage landmark.
In 2017, to celebrate the city’s 375th anniversary, the author was invited to re-imagine the original book. Returning to his former neighborhood, his new book weaves old and new photographs with texts and archives, inviting us on a journey into his creative process to reflect on questions of home, identity, time, memory, and the evolving urban landscape, and asking: in a globalized world where people and cities are in constant movement, what happens to places and memories? Can we go home again?
Text in English and French.
Erwin Olaf – Freedom offers an intimate look at the life and work of Erwin Olaf, one of the Netherlands’ most groundbreaking photographers. Known for his staged, cinematic imagery and bold aesthetic, Olaf’s work explored themes of sexuality, transience, vulnerability, and activism. This book, launching alongside a major Stedelijk Museum exhibition, provides a fresh perspective on his artistic legacy, including unseen works created during his final years.
A tireless advocate for equal rights, Olaf’s photography captured the beauty and struggles of marginalized communities – queer individuals, people of color, those with disabilities, and the everyday person. His final pieces, including Self-Portrait with Lungs (2023), reveal an even deeper personal and artistic reckoning.
With striking imagery and personal insights, Ewin Olaf – Freedom is a powerful tribute to an artist who redefined contemporary photography and left behind a legacy of beauty, defiance, and humanity.
Visions in Silk presents the first comprehensive exploration of exquisite Japanese fine art textiles from the Meiji era (1868-1912), showcasing the unparalleled treasures from the Khalili Collection of Japanese Art.
This beautifully illustrated volume reveals how Japanese artists and craftsmen ingeniously adapted centuries-old textile traditions to create innovative art textiles that captivated international audiences, won exhibition awards, and served as prestigious diplomatic gifts.
Featuring over 300 spectacular examples, the book examines dazzling works of embroidery, yuzen resist-dyed silk and cut velvet, tapestry, and oshi-e raised silk, ranging from elegant panels, hangings and screens to grand exhibition showpieces. Each represents the pinnacle of artistic collaboration and hitherto unsurpassed technical mastery.
Written by leading international experts, this landmark publication provides unprecedented insight into these remarkable yet understudied treasures. Visions in Silk will enchant anyone interested in Japanese art, textile design, Japonisme, and the cultural transformations that occurred during the Meiji era, when Japan opened to the outside world.
Published in conjunction with the exhibition Histories of a Collection. Modern and Contemporary Art from the CAM, this catalog follows various stories relating to the creation of the CAM Collection CAM Collection (Centro de Arta Moderna Gulbenkian), from the first acquisitions by the Foundation in the 1950s to the present day, as well as offering an in-depth account of the opening of the CAM building in 1983.
The catalog contains seven previously unpublished essays, written by curators Ana Vasconcelos, Leonor Nazaré, Patrícia Rosas and Rita Fabiana, architect Rita Albergaria and independent curator, Antonia Gaeta, outlining some of the key moments in the Collection’s history.
These essays analyze the first acquisitions, made in the context of artist grants awarded by the Foundation and as a result of traveling exhibitions organized in Portugal and abroad, and the development of the section of British art, in close collaboration with the British Council.
The catalog also delves into the construction of the CAM building and the controversy that accompanied the entire process, as well as reflecting on the acquisitions made from the banker and collector Jorge de Brito, which contributed to greatly strengthening the collection in the months leading up to the opening.
The catalog also charts the contribution of the last three CAM directors, Jorge Molder, Isabel Carlos and Penelope Curtis, explaining their priorities in the selection of works and the acquisition policies each of them implemented.
It also reproduces almost all the works on display, organized according to the sections of the exhibition and highlighting seven key works, all acquired during the 1960s, by some of the most renowned Portuguese and British artists featured in the collection: Amadeo de Souza-Cardoso, David Hockney, João Cutileiro, José de Almada Negreiros, Maria Helena Vieira da Silva, Paula Rego and Philip King.
What sort of home would you create for yourself if you could build whatever you wanted—if money, as they say, were no object?
Over the course of his firm’s 30-year history, American architect Mark P. Finlay has been in the privileged position of helping clients answer that very question. This first reprint and revised edition of Country Houses: The Architecture of Mark P. Finlay, originally published in 2018, showcases the dream homes Finlay has designed for some of America’s wealthiest and most sophisticated families.
The renowned architect and interior designer works in the United States’ most storied pastoral locations, including the South Carolina lowlands, Virginia horse country, coastal New England, and the Rocky Mountains. Whether historic restorations or ground-up builds, Finlay’s attention to detail and focus on fine craftsmanship make the magnificent homes look and feel as if they’ve lived on their sites for centuries.
This beautifully presented monograph offers gorgeous photography of 12 superbly designed country residences. Each home is accompanied by an intimate, detailed architectural account that conveys Finlay’s skill and passion for creating residences that telegraph a distinct sense of place and a unique appreciation for their owners’ aspirations.
“Bruges is one of the world’s most interesting cities. This book explains how its rich history has been shaped by the movement of people, goods and ideas across continents, from the North Sea to the Mediterranean and far beyond.”
—Peter Frankopan
The story of Bruges reaches far beyond its city walls. From the Middle Ages, it was a place where worlds met: a hub for merchants linking northern Europe to distant maritime routes; a waypoint on the pilgrimages and Crusades that led to the Holy Land; a courtly focus for Europe’s dynastic circles; and a vibrant cultural and artistic centre where masters such as Jan van Eyck, Hans Memling and Gerard David maintained their workshops.
Drawing on remarkable artworks and objects from major collections, this volume explores how Bruges became one of the great crossroads of the medieval and early modern world. Peter Frankopan, Jan Dumolyn and other leading scholars reveal how the city was shaped by movement, exchange and imagination within the bigger picture of a world bound by trade, faith, power and art.
Published to mark the festive opening of the new art hall BRUSK in Bruges and its opening exhibition Bigger Picture – Connected World of Bruges 900–1550, Belgium, from 8 May until 6 September 2026.
The highly anticipated monograph of acclaimed artist Refik Anadol
Refik Anadol is one of the most influential digital artists of our time—the painter of post‑digital life. From his Refik Anadol Studio in Los Angeles, he creates new artistic forms at the intersection of data, artificial intelligence, and human imagination. His hypnotic data sculptures, AI‑generated visuals, and immersive installations make the invisible visible: the rhythms of cities, the flows of information, and the poetry of a world in motion.
For Anadol, artificial intelligence is not just a tool but a creative partner. Working with massive datasets and live data streams, he builds dynamic works that are constantly evolving. In the tension between digital and physical space, his art invites us to experience data as image, memory, and imagination.
With contributions by Michel Dewilde, Paul Robbrecht & Olivier Salens, and Refik Anadol.
This publication accompanies the exhibition Refik Anadol – Latent City, from 8 May to 8 November 2026 at BRUSK in Bruges.
Presented as a non-linear work where viewers are invited to explore the pages through live indexing, Liminalism offers a collection of thought-provoking visual pairings that document Based Upon’s exploration in global landscapes and the epic sculptural works that result from its process.
Becoming a philosophical treatise, Liminalism illustrates that truth exists not only in those things which can be named, but in the apparent space between them. Readers are invited to allow the images to act as edges between which a connective tissue can be found. In bringing awareness to the liminal space between these pairings, each viewer creates their own exhibition, while the artist offers a poetic reflection on life as a creator.
Published on the occasion of Albert Bitran’s first solo exhibition at Dirimart, Land of Shadows Land of Sky (3 May–2 June 2024), this trilingual catalog presents a comprehensive selection of works created between 1956 and 2013 by one of the pioneering figures of post-war abstract expressionism in Paris. The book highlights Bitran’s enduring spatial sensibility and the fluid transitions between his different series, offering readers a deeper understanding of his unique visual language. Essays by art historian and critic Clotilde Scordia and poet, writer, and pianist Laure Cambau provide critical insights into Bitran’s practice and its evolution across decades. The publication also includes inventory numbers from the artist’s catalogue raisonné, to be released in 2026. Beyond mere chronology, it invites readers to engage with Bitran’s abstractions as dynamic reflections of light, space, and perception.
Text in English, French and Turkish.
On the occasion of the centenary of the Exhibition of Modern Decorative and Industrial Arts, which marked the heyday of Art Deco, this catalog celebrates a major style and its success. During this event, which established Art Deco, numerous decorators, manufacturers, magazines, department stores, artists, and even foreign nations competed fiercely to take over Parisian buildings, while others erected temporary structures to showcase their latest creations. Protean and elusive, this movement brings together a range of modern forms, patterns, materials and techniques used by designers such as Jean Puiforcat, Maurice Marinot, Suzanne and René Lalique, Pierre Chareau, Jacques-Émile Ruhlmann, André Groult and others. Through eight essays, twelve focus sections and image portfolios, this catalog covers the many incarnations of Art Deco, from its beginnings in the 1910s to its contemporary reinterpretations, including its golden age at the 1925 Exhibition. It draws on a rich iconography that showcases Art Deco masterpieces from the collections of the Musée des Arts Décoratifs and others, through magnificent full-page reproductions and previously unpublished details.
Text in French.
Discover the grandest opera houses around the world in 150 Opera Houses You Need to Visit Before You Die. This book will take you on a fascinating journey through 150 unique opera houses across all continents. Whether you are an opera-goer or architecture lover, this richly illustrated book serves as an inspiring travel guide and is the perfect reference for those passionate about the performing arts. From opulent Baroque theaters in Germany to sleek contemporary performing arts centers in China, each opera house has its own story – full of drama of course, and worth exploring both on stage and backstage.
José Bedia: Inner Circle Journey 1976 – 2026 is a rich exploration of the career and work of Cuban artist – José Bedia. From being a formative member of the “Volumen Uno” Cuban art renaissance, Bedia’s international outreach continually grew from the 1980’s onward, reaching worldwide acclaim – spanning from his participation in the monumental exhibit Magiciens de la Terre in 1989 to winning First Prize at the Beijing Biennale in 2010. His unique artistic craft focuses on organic elements, tribal symbology, and shamanism from diverse cultures. Bedia’s work and artistic creations are deeply informed by living and past ancestral communities everywhere and his personal interactions with them, while simultaneously using a “field work” approach of an ethnographer or anthropologist to create his paintings, drawings, sculptures, and installations. Anchored by his 5-decade retrospective at the MARCO Museum of Monterrey, and also accompanied by text from various art scholars, this book will look at his trajectory focusing on his different styles and periods throughout the years, as well as images from his personal travels, and tribal collection, that directly impact his artistic output.
George Stubbs (1724-1806) was one of Britain’s most original artists, and he transformed nature painting. His dedication to accuracy caused him to spend 18 solitary months dissecting and drawing horses for The Anatomy of the Horse, a landmark in anatomy used by artists and scientists long after his death. His portraits of both people and horses combine an unflinchingly accurate gaze with profound psychological truth; yet he also created some of the age’s most lyrical paintings.
Ozias Humphry, a colleague and friend, recorded many conversations with Stubbs. His manuscript was edited in 1876 by Liverpudlian patron and historian Joseph Mayer, for private circulation only. It was never otherwise issued, and this edition is the Memoir’s first publication.
An introduction by leading expert Anthony Mould discusses Stubbs’ career and reputation and Humphrys’ and Mayer’s work. Thirty-six pages of color illustrations cover the span of Stubbs’ output.
First issued in 2005, the Memoir has now been entirely reset, and updated to include recent scholarship.
“The way we eat Indian food in this country changed forever the day The Cinnamon Club opened its doors, and we should all be, as I am, eternally grateful.” Giles Coren The Times
“The Cinnamon Club has always been more than a restaurant … Vivek Singh has established its place in the hospitality pantheon over a remarkable quarter of a century.” James Stagg The Caterer
Marking twenty five years of culinary brilliance, Spirit & Spice celebrates the extraordinary journey of chef Vivek Singh and his acclaimed restaurants. From the grandeur of The Cinnamon Club within the historic Old Westminster Library, to Cinnamon Kitchen, where the spices of the subcontinent meet the finest British ingredients, through to Cinnamon Bazaar, inspired by the bustling markets of the Old World, Vivek Singh’s fusion of Indian flavors with Western techniques has come to define modern Indian dining in London.
Photography by Jean Cazals accompanies signature recipes from the restaurants’ most popular dishes – many appearing in print for the very first time – interwoven with stories from the kitchen and reflections on 25 years in an ever-changing restaurant landscape. Spirit & Spice is a landmark celebration of one of Britain’s most influential restaurateurs, and the people, places, and plates that have shaped a gastronomic legacy.
Dalí: Disruption & Devotion accompanies a major exhibition partnership between The Dalí Museum, St. Petersburg, Florida and the Museum of Fine Arts, Boston that reconsiders Salvador Dalí as both a radical innovator and a devoted student of his great European predecessors.
An undisputed master of Surrealism, Dalí also drew deeply on the artistic traditions of Spain, Italy, and the Low Countries throughout his career. This catalogue places his oeuvre in dialogue with twenty-seven paintings and works on paper from much earlier generations, revealing connections between Dalí and artists such as Albrecht Dürer, El Greco, Diego Velázquez and Orazio Gentileschi.
Seven essays consider Dalí’s engagement with art history and his place within that tradition. Among them, Frederick Ilchman explores his fascination with Italian Renaissance masters, especially Leonardo da Vinci; Jennifer Cohen examines the artist’s lifelong dedication to taking inspiration from the past; Claire Howard situates Dalí within a wider tradition of the fantastic, from Hieronymus Bosch and Pieter Breugel to the 1930s; Julia M. Vázquez considers Dalí’s Spanishness, his relationship to portraiture; and William Jeffett offers concluding reflections on time and mortality.
Lavishly illustrated, this publication presents an unexpected view of Dalí—an artist whose avant-garde disruptions were inseparable from his devotion to the past.
Nestled in the historic heart of Ghent, a UNESCO World Heritage Site, the Design Museum Gent celebrates Belgium’s rich design culture within a cluster of listed buildings dating back to 1755. Framed around a picturesque courtyard, the museum’s existing architecture tells a story of heritage, with one side still incomplete and forming a missing link in the historic streetscape.
Architects Carmody Groarke lead a sensitive restoration and extension of the museum, introducing a new exhibition and events wing that completes the courtyard and redefines visitor circulation. This book documents the entire construction process, from the site phase to the use of lime-cured bricks made from city waste and the completion of the new museum.
A landmark celebration of Richard Mille watches, Monograph (III) explores the latest Richard Mille watch creations, movements, tourbillon innovations and Formula-inspired engineering, showcasing Richard Mille partnerships with elite athletes such as Felipe Massa and Rafael Nadal. This new limited edition reveals the evolution of the brand through luxury materials, advanced automatic and chronograph mechanisms, cutting-edge titanium case architecture and the precision-driven culture of modern haute horology, including its French artistic heritage.
The apartment is the defining home of the modern city. Whether overlooking Parisian boulevards, occupying a historic Milanese palazzo or soaring above the skyline of New York, today’s finest apartments combine exceptional interior design and architectural character. They are places where city life finds its most vital and refined expression.
Apartment takes readers inside the world’s most beautiful and stylish apartments, told through interviews with the leading interior designers and architects who created them. Discover richly layered Madrid residences, cinematic New York penthouses and landmark apartments in London, and step inside the personal homes of iconic designers such as Willy Rizzo and Dimorestudio’s Emiliano Salci. From bijou Parisian residences to cavernous Manhattan lofts, each project reveals a singular vision of urban living.
With over 250 beautiful color images in a large-format cloth-bound edition, Apartment is the essential global survey of the world’s most beautiful and stylish apartments.
There is a particular magic to the world’s finest boutique hotels. Hidden behind discreet facades and tucked away on quiet streets, these remarkable places offer something far beyond luxury: a sense of discovery, individuality and belonging. Each is a destination in its own right, created through exceptional architecture, thoughtful interiors and an unwavering attention to detail.
From Venice to Kyoto, Manhattan to Marrakech, Secret Hotels takes readers on a stunning photographic journey through the world’s most stylish boutique and jewel-box hotels, told through interviews with the leading interior designers, architects and creative visionaries behind them. Step inside the illicit glamor of Experimental Marais and Maison Souquet in Paris; discover the dazzling romance of Aline Asmar d’Amman’s 15th-century Palazzo Donà Giovannelli, home to Orient Express Venezia, and the urban chic of The Twenty Two in New York City. With in-depth features from Martin Brudnizki, Hugo Toro, Michele Bönan and many more, explore landmark restorations, intimate urban retreats and beautifully crafted hideaways that redefine the modern luxury hotel.
With over 250 beautiful color images in a large-format cloth-bound edition, Secret Hotels is the essential global survey of the world’s most stylish boutique and jewel-box hotels.
Learning from Ganga Riverfront chronicles a unique revitalization program along the River Ganga in Patna. For a city with its back to the river—marked by isolated ghats and disconnected development—this project proposes a comprehensive development solution addressing vital concerns such as public space, civic amenities, environmental awareness, and ecological restoration. The project connects existing fragmented open spaces into a continuous public realm along the river, aiding in religious festivities and recreation alike. The project also aims to develop ghat prototypes that could create a cohesive typology for the river’s edge, integrating heritage buildings while remaining sensitive to the local context.
Engaging a long stretch along the river, the purposed development includes 6.5 kilometers of promenades, six community, educational, and recreational buildings, food kiosks, ecological landscaping, and other public amenities. The project received $40 million in funding from the World Bank and was supported by the Ministry of Jal Shakti, Government of India. As a holistic development, the proposal promotes a walkable city, creating larger usable open spaces and attracting people from all age groups.
The German Werkbund’s Weißenhofsiedlung, which was developed and built in 1927 for the exhibition Die Wohnung, is a model estate in Stuttgart and practical example of the Neues Bauen movement, known across the globe. This unique ensemble showcases, side by side, architecture by Peter Behrens, Le Corbusier, Ludwig Mies van der Rohe, and Hans Scharoun, among others. Originally conceived by the Werkbund to explore the possibilities of affordable and efficient construction, the aim was quickly abandoned in favor of individual creative freedom. This sixth and final volume of the Weißenhof series, published to mark the 100-year anniversary of the estate, illuminates once more the different approaches to the history of the Weißenhofsiedlung. Newly discovered figures uncovered by the research into this highly innovative period are presented, such as the pioneer of wooden construction Konrad Wachsmann, trailblazer of modern kitchen design Erna Meyer, and many designers who worked at the Pausa textile company. In addition, the media’s portrayal of the Weißenhofsiedlung and its continuing impact up to the present day is placed under critical examination.