Treasures of the Albert Hall Museum, Jaipur catalogues a selection of the marvelous artworks on display at Albert Hall, Jaipur. Envisioned by Maharaja Sawai Ram Singh II of Jaipur and executed by his successor Sawai Madhao Rao Singh II, to preserve the heritage of local arts and crafts, it was designed and built in 1897 by Thomas Holbein Hendley. The 19,000 artworks of the museum include pottery, stonework, woodwork, arms and armour, sculpture, jewelry, musical instruments, coins and seals, carpets and miniature paintings. Some of the best artworks and architectural features of the museum are produced in this book along with concise text.
Science and Art are both manifestations of beauty and creativity. As mankind has evolved and as science has progressed, artistic creations by humans have become more abstract-like mathematics, which is the abstraction of all sciences. The authors of this unusual work postulate some critical ideas on science, art and aesthetics, and establish that we need both, a scientific temper and the temper of art.
The eight theses that relate to science and art, and their rationale presented in this book are a culmination of observations, conversations, readings, ideas exchanged, and thoughts that span a journey of six decades. The accompanying DVD is a reproduction of two shows held in Hyderabad of MF Husain’s 25 paintings on some of the most important events of the last century with their description as written by Bhargava. The CD records the music Susumo Ohno, an American geneticist, created by converting the language of DNA into the language of music.
Threads of Time is a journey around the world through the medium of textiles. In many communities, cultural heritage and traditions have been handed down through generations by textile artisans. Their beliefs, history, ceremonies, and traditions have been woven into cloth with meaning and purpose sometimes lasting thousands of years. Textiles are special in that they can create narratives that are personal as well as eminently portable.
The pages of Threads of Time illustrate exquisite textiles with location photography, from historical examples of centuries past to extraordinary contemporary expressions, revealing a continuum of inspiration and beauty. The 16 chapters, covering regions from across the globe, feature contributions from local textile makers and experts, bringing together over 30 voices to tell stories of cloth.
Locations explored include: Indonesia, China, Vietnam and Cambodia, Laos and Myanmar, Bhutan, Nagaland, Punjab, Egypt and Palestine, The Caucasus, Turkey, Madagascar, Tunisia, Ghana, Peru and Guatemala, Navajo Nation.
Jan Morris’s only artwork – a two meter long panorama of Venice drawn in 1966, published to mark Jan Morris’s centenary. Printed full size as a fold out facsimile, limited edition.
Jan Morris (1926-2020) was one of the great writers, travelers, journalists and historians of the 20th century, perhaps best known for Venice, Pax Britannica and Conundrum.
Visions of Paradise: American Wilderness is a singular, timeless publication — a photographic tour de force celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film. Ortner has always been fascinated with the natural world, particularly as an avid hiker in the American wilderness. This luxurious book collects in a large format his inspiring landscape images, forming a passionate tribute to the American wilderness. In this sensational portfolio of 200 black-and-white images, Ortner has rediscovered and reinterpreted the compelling beauty of many of his most cherished wilderness locations with remarkable portrayals of their sublime, dramatic, tranquil, and transcendent aspects. Join Ortner as he guides us through his visions of paradise.
Signed, numbered special edition, slip cased, with signed landscape print (measuring 28 x 23 mm), and limited to 200 copies.
Tracing human interactions with the world’s most famous tropical timber species, The Social Life of Teak maps worlds revolving around teak forests, trees and wood.
What gives Tectona grandis such a powerful aura, stoking desires and capturing imaginations? How has teak shaped people’s lives, driving fortunes and impacting futures? What has happened to the teak forests and what is their destiny?
In this illustrated anthology of oral histories, people connected personally or professionally to teak speak of survival, change and learning, creativity and destruction, growth and demise. Woven together, these experiences bring to light the ways that teak has been sought, crafted, cultivated, traded and prized over time.
Animist beliefs, creative expression, scientific invention, economic viability, imperialist expansion, peak luxury, violent repression, ecological disaster and the regenerative power of nature all find a home in this global intergenerational tale.
Charting the domestication of wilderness and exposing the era of extinction of a feted natural resource, this book seeks to stimulate conversations about our role as nature’s most troublesome offspring.
The largest maps in the world are to be found in the floor of the Citizens’ Hall, in the heart of the Royal Palace Amsterdam. The three circular mosaics, each measuring over six metres in diameter, together depict the known world and the night sky. They remain to this day an iconic and beloved part of the majestic palace, which was originally built in the mid-17th century to serve as Amsterdam’s town hall. At that time, the city was the world’s leading cartography centre. The prominent place of the floor maps relates directly to that primacy. This book tells the story of these unique maps and of the flourishing of cartography in Amsterdam in the 17th and 18th centuries.
A Shepherd’s Life centres on Jenny Armstrong, born in 1903 at the farm of Fairliehope, who spent her life working as a shepherdess in the Pentland Hills. In a series of remarkable paintings made over twenty years and based on close observation, Victoria Crowe, one of Scotland’s foremost painters, pays tribute to the life and work of this exceptional woman. In spite of their different ages and backgrounds, the two women came to value each other’s company and it was through the shepherdess that the artist learned how to interpret the surrounding landscape. At the same time the paintings depict an ancient way of living that has been long in the decline and which, at the start of a new millennium, may be finally disappearing.
Step back in time to the captivating world of 16th-century Europe with this compelling portrait of Margaret of Parma, governor of the Netherlands for Philip II of Spain, and a woman who left an indelible mark on history. Through vivid storytelling and meticulous research, this book delves into the life and legacy of Margaret, shedding light on her influence and contributions to the tumultuous political landscape of her era. From exhilarating falcon hunts to lavish feasts, intricate etiquette, and the complexities of dress codes, readers are transported to a time of opulence and intrigue. With profound reflections on customs and traditions, this captivating narrative offers a rich tapestry of life in the Renaissance court.
Within the possibilities of her role, she tried to prevent war and bloodshed. Religious conflicts would divide Europe for more than another century. Margaret of Parma’s story is sure to leave a lasting impression.
Throughout its century of existence, every moment of Le Mans has been captured in countless photographs. From black & white to color, these particularly vivid images bring to life a whole world: that of the cars, naturally, but also of the many human players – drivers, engineers, mechanics – and the public, always numerous and varied.
The authors summarize the moments and actions of the key characters, identifying five major periods:
1923-1929: The time of the pioneers
1930-1967: Reconstruction and globalization
1968-1981: In search of the right solution
1982-1999: The 21st century in sight
2000-2022: A Modern Race
Text in English and French.
The talented printmaker and Royal Academician Chris Orr turns his humorous gaze on some of the most famous – and fabulous – artists of the past. With over 30 new works, accompanied by Orr’s captions, artists from Edward Hopper to Pablo Picasso find themselves in weird and wonderful situations. Edvard Munch holidays at the seaside, John Constable RA is disturbed at his easel by frolicking nudists and an unfortunate incident occurs in Barbara Hepworth’s studio… No one can escape Orr’s imagination: Walter Sickert is distracted from a spread-eagled model by a fly in his soup, Dame Laura Knight RA is caught shoplifting, and Frida Kahlo enjoys a fry-up. Each image is packed with detail to pore over, and the book concludes with notes from the artist, ‘Notes from the Cages’, accompanied by preparatory drawings for the finished work. This new collection, published to coincide with an exhibition of Orr’s works at the Royal Academy, is a delightful fantasy, which affectionately pokes fun at well-loved artists.
Empirical evidence is scant and scattered. Between these fragments, historians have filled the voids with legends. Though legends are not evidence per se, they do carry a seed of truth – and hopefully, their incorporation in this volume will inspire new interest in the mystery of the world’s greatest temples. The engineering techniques that allowed ancient civilizations to construct such marvellous edifices have been lost to us for generations. Unfortunately, they have not received the attention they deserve, as relics of human culture and faith. This is especially true for Konark. In The Sun Temple of Konark, the author attempts to separate chaff from grain, utilizing scientific tools and methodologies. The Sun Temple has been recognized as a UNESCO World Heritage Site, and is considered one of the seven wonders of India. This seminal volume is the result of extensive research by the author into not only the history and legends related to the temple, but also the temple structure itself. An engineer and architect by profession, the author examines the temple in great detail. He questions several of the established theories regarding construction in its various stages and forwards his own theories with reasonable conviction. He takes great pains to go into as much detail as possible with regard to each and every portion, monument, and sculpture of the temple. With 415 images and 21 detailed architectural drawings, the book is a treasure trove for any admirer or student of Konark, or a researcher of its art, history, and architecture.
With concrete examples from healthcare, education, finance and HR, this book demonstrates how humans and technology can reinforce one another. Practical tools such as the ‘Humanity Check’ help you assess AI on autonomy, connection and meaning. It becomes clear that AI can be an ally in fostering personal growth and societal progress. It invites managers, innovators and policymakers to engage in the most important conversation of the next decade: how humans and AI can enrich one another.
Welcome to the world of 2051 through the eyes of digital marketing pioneers from around the world: engineers, developers, designers, writers and analysts who closely follow tech trends. With their finely honed intuition for user experience and a passion for technology, the authors boldly predict life 30 years from now through a collection of fascinating, futuristic, stories.
From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.
In the 19th century, photography and colonial ethnography were tools of British governance on the subcontinent. Colonial officers were asked to submit photographs on various subjects across India. Images of people, place and space was seen as useful surveillance documentation to observe, understand and control native communities. Eugene Clutterbuck Impey (1830-1904) arrived in India in 1851 and lived there until his retirement in 1878. He served as political agent at different posts across the country. The Eastern Art archives include over 250 negatives and photographs of Impey’s images of people, architectural sites, and landscapes.
“Ms. Ruttenberg’s latest efforts make her a force to contend with as a narrator and symbolist, a form maker and colorist.” – Roberta Smith, New York Times The Nature of the Beast is a comprehensive retrospective of artist Kathy Ruttenberg’s work in the past six years including ceramics, drawings, and watercolors. With text by curator and art historian Charles Stuckey, the book also features a tour of her eccentric estate and studio in upstate New York where pigs, rabbits, chickens, and goats roam free. Her most recent show at Stux Gallery in Manhattan for the Fall of 2014 culminate in a conversation between Ruttenberg and Sir John Richardson which is also featured.
This beautifully designed book is a celebration of one of the world’s most creative, dynamic and fascinating cities: Tokyo. It spans 400 years, with highlights including Kano school paintings; the iconic woodblock prints of Hiroshige; Tokyo Pop Art posters; the photography of Moriyama Daido and Ninagawa Mika; manga; film; and contemporary art by Murakami Takashi and Aida Makoto. Visually bold and richly detailed, this publication looks at a city which has undergone constant destruction and renewal and it tells the stories of the people who have made Tokyo so famous with their insatiable appetite for the new and innovative – from the samurai to avantgarde artists today. Co-edited by Japanese art specialists and curators Lena Fritsch and Clare Pollard from Oxford University, this accessible volume features 28 texts by international experts of Japanese culture, as well as original statements by influential artists.
Slavko Kopač. Hidden Treasure. Informal Art, Surrealism, Art Brut accompanies the exhibition Slavko Kopač. Hidden Treasure (Accademia delle Arti del Disegno, Florence, 12th September – 13th November 2025). With an introduction by Bernard Blistène, honorary director of the Centre Pompidou and advocate of the acquisition of twelve of Kopač’s works into the museum’s collection, the book explores a multifaceted artist, deeply connected to Surrealism, Informal Art, and Art Brut. A key collaborator of Jean Dubuffet and the first curator of the “Collection de l’Art Brut”, he played a fundamental part in its promotion and configuration. His magical, totemic universe captivated the Surrealists and led to a collaboration with André Breton. At the same time, critic Michel Tapié included him in Un Art Autre (1952), recognizing his originality within the Informal Art movement. He used painting, drawing, ceramics, sculpture, collage, and art books to explore materiality, intertwining reality and fantasy. The volume features contributions by leading international scholars and an extensive iconographic repertoire, including previously unpublished works and archive documents.
Text in English, French and Italian.
This study of the wooden Serpent figures/headdresses of the Baga people of Guinea is a collaboration by the author, as an art historian, with many contributions from diverse perspectives, including scientists preeminent in their fields, Robert J. Koestler, Roy Sieber, Dennis William Stevenson, Mark T. Wypyski, and Peter J. Zanzucchi.
The text begins with a thorough exploration of the ethnological and art historical evidence for the Serpent masquerade among the Baga of Guinea, bearing an immense wooden serpent figure on top of the head representing a python. Never witnessed or photographed by an outsider, it disappeared in the 1950s along with most ritual performance after an Islamic jihad instated strict prohibitions against indigenous religions. The ritual context is followed by an in-depth analysis of the Serpent masquerade figures now extant in collections in Europe, the Americas, and Africa, as well as other representations of the python in the ritual art of the region. The final sections present the arguments, as a debate, between interested persons in the arts, including art historians, dealers, appraisers, collectors, and curators, and the scientific examinations by specialists in botany, chemistry, physics, entomology, and conservation concerning one particular Serpent figure in question.
“In the beginning, there was tagging and writing on the walls.” From Style Writing to Art is the first anthology of Street Art ever published worldwide. Magda Danysz, the internationally renowned Street Art gallerist, guides the reader on this immersive journey into the heart of the most interesting artistic movement at the turn of the century. This book grapples with Style Writing, Graffiti, and Street Art. It focuses on the fascinating emergence of the movement amongst the graffiti pioneers of the 1960s, their first appearance in galleries in the 1980s, right up to the cutting-edge works made by the Street Artists of today. Spanning over four decades, the book is divided into three sections with each containing detailed accounts of the surfacing of different styles and techniques. Each period is complete with extensive biographies and analysis covering 50 legendary artists including Seen, JR, Miss Van, JonOne, Shepard Fairey, Quik, Blade, Doze Green, and Keith Haring. “Let me repeat myself,” Danysz writes, “if only for the sceptic eye, for the blind and lost or for the latecomers who ve simply just missed the boat: I believe this type of urban art to be the most important artistic movement at the turn of the century.”
The Art Travel Book takes you on a journey across the globe, past iconic outdoor art installations and sculptures. The book showcases both well-known landmarks and hidden treasures: all extraordinary works that harmonize with their natural surroundings. From the arid plains of Texas to the cliffs of the South of France, from the verdant forests of England to the rugged beauty of Cape Town: many of the locations featured are freely accessible, making The Art Travel Book as much an invitation to travel as a source of inspiration for art and nature enthusiasts. The book provides background information on the artists, the artworks and their settings, while also offering curated recommendations for nearby sites of interest. It’s the perfect travel guide for art enthusiasts with a craving for new discoveries.
The Swiss family-owned banking group CBH Compagnie Bancaire Helvétique SA has been putting together its own art collection for over fifteen years. Modern and contemporary African art is one of its major themes.
The works in this catalogue (paintings, sculptures, photographs) span about a century (1929-2025). All were created by artists who were born, or spent part of their lives, in sub-Saharan Africa. The growing success of the African artists of today undoubtedly stems from the artistic legacy of their ancestors, whose dazzling colors reflect a profoundly original worldview that addresses social and environmental themes. Missionaries and a few colonial administrators with an eye for art identified a number of interesting artists in the 1920s.
Although African art – in the Congo, Kenya, and South Africa in particular – developed throughout the 20th century, recognition only came in the 1960s. The creation of art schools in the continent’s major cities promoted cultural re-appropriation through new types of expression based on an encounter between traditional African forms and modern aesthetic sensibilities emerging in the new conurbations. Artistic movements burgeoning at the turn of the millennium confirmed and reinforced the vitality of this art. It was a period that saw dynamic figures come to the fore on the global art scene. Contemporary artists turned their attention to the “Black Atlantic” and the African-American communities it explored. Africa is now able to send its own message to the world. As a result, nearly 80 artists are represented in the “Au-delà des Apparences” (More than Meets the Eye) exhibition at the Musée Rath.