Maple, birch, walnut, lemonwood and palisander are just a few of the woods from which Liv Blåvarp (b. 1956) creates exceptional one-off jewelry pieces. The rigidity or softness of the wood plays just as much of an important role in the selection process as its structure or texture. The works are comprised of numerous single elements, which fuse together to become sculptural volumes tactile creations that come alive when touched. Yet at the same time Blåvarp’s expressive and colorful pieces remain flexible and wearable. Their forms are not clearly defined; associations to organic growth, animals and plants, light and shade, water and waves all come to mind. With around 55 works from 2002 to 2017 Liv Blåvarp presents the first comprehensive review of her creative output. Text in English and German.

Beginning with the renaissance of gemstones in jewelry design since the 1970s, Ute Eitzenhöfer, Theo Smeets, Lothar Brügel (ret. 2014) and Eva-Maria Kollischan (since 2014) successfully established the Hochschule Trier in Idar-Oberstein as a creative European jewelry centre. To mark the exhibition in the Stadtmusem Simeonstift in Trier on thirty years of the Gemstone and Jewellery Department, the publication shows an exciting selection of works from the last ten years. Works in creative design and photography accompany diverse approaches that exemplify the contemporary use of a reputedly ‘outmoded’ raw material. In exploring the aesthetic characteristics of the material and the experimental confrontation with its physical qualities, the gemstone’s potential for design comes entirely into its own. Within current discourse it comments ironically, on the one hand, on the unilateral societal ascription as a luxury item; on the other, it functions as a charming and noble object of nature.

Text in English and German.

Mari Ishikawa sees a parallel world off the beaten track of everyday living that she wants to make visible with her art. Such counter-worlds are discovered in photographs with long exposures, which are taken up in art jewelry. Together these pairings result in an overall picture that is almost mystical. Silver casts taken from nature are reborn as jewelry in combination with diamonds, pieces of charcoal, or paper. Thus Mari Ishikawa interrupts for a brief moment the flow of transience; a precious object is created that has been wrenched from the cycle of life and death to stand for itself and for the moment.

Everything is black and white. Takamatsu’s hand-painted monochrome images are created using a mixture of watercolor and opaque white pigments in gouache. “White and black metaphorically express the ambiguity of positive and negative, good and evil, race and religion,” the artist writes. After meticulously painting multiple gouache layers, Takamatsu colors each individual pixel of the object a different shade of grey, resulting in an astonishing sense of depth and surrealism. “His hologram-like, female characters look digitized,” writes Hi-Fructose, “though they’re executed entirely by hand.” This extreme attention to detail allows the viewer to experience Takamatsu’s fantastical depictions of Japanese women in an immersive presentation.

Trained at the École Nationale Supérieure des Beaux-arts de Paris in the atelier of Georges Jeanclos, Elsa Sahal quickly focused on working with ceramics for their sensuality and fragility. Former resident at the Archie Bray Foundation for the Ceramic Arts, in 2013 (Helena, MT), at Alfred University, New York State College of Ceramics, in 2009-2010 (Alfred, NY) and at the Manufacture Nationale de Sèvres (2007-2008), Elsa Sahal has also taught at the Haute École d’Art et de Design in Geneva and at the École Supérieure d’Arts Décoratifs in Strasbourg.

She experiments in particular with the idea of volume and balance in sculpture, while returning to an exploration of the themes of the body and femininity. Ambiguous, dense, sensual and colorful, her works oscillate between anthropomorphic landscape and the landscaped body, taking up Cézanne’s dream of uniting women’s curves with the shoulders of hills. Elsa Sahal conceives, kneads and then produces complex and disturbing forms sustained by dense colors and sublimated through enamel.

Winner of the MAIF prize for sculpture, in 2008, and the contemporary sculpture prize awarded by the Fondazione Francesco Messina, in 2007, Elsa Sahal has presented her work in one-woman shows and group exhibitions in numerous museums around the globe: at the Bonnefantenmuseum, ‘Ceramix, Ceramic art from Gauguin to Schütte’, in 2015 (Maastricht); at the MAD Museum, ‘Body and Soul, New International Ceramics’, in 2013 (New York); at the Fondation d’entreprise Ricard, ‘Sculptures’, in 2008 (Paris); and at the Incheon Women Artists Biennale, in 2008 (Korea).

Text in English and French.

The Barbier-Mueller Collection of Pre-Columbian art, recently auctioned at Sotheby’s, is the most comprehensive collection of its kind. Comprising some 300 works from Mexico, Central, and South America – wood and stone sculptures, ceramics, textiles, and ritual objects – it spans 1200 BC to AD 1500. The Barbier-Mueller Collection, one of the most important and wide-ranging art collections in the world, was begun by Josef Mueller in Paris in 1908 with the purchase of works by Hodler and Cézanne; the Swiss Mueller then looked beyond Western art and bought his first pre-Columbian piece, an Aztec stone water goddess, in 1920. Today, Mueller’s daughter and son-in-law, Monique and Jean Paul Barbier-Mueller, continue to collect Western, African, Oceanic, and Cycladic art, which is frequently on loan to museums around the world. Text in English and French.

Along with 150 full-color glossy illustrations of the terracotta, earthenware, stone, silver, and copper objects, a Pre-Columbian art lover and prestigious curator journey into a fine art collection, describing the rich cultural context and artistic merits of each work. On his part, the acclaimed author, explorer, and filmmaker Hugh Thomson gives a detailed, exciting narrative – based upon extensive research – of the role art played in the conquest of Mexico by Hernán Cortés and of Peru by Francisco Pizarro. It is rare that a collector takes such a personal, descriptive part in publishing his treasure trove, but in this lavishly illustrated book, Stuart Handler describes why he gathered Pre-Columbian art, what attracted him to the individual pieces, and what artistic attributes make these objects outstanding works. Contents: The Collection and Patrimony by Stewart Handler; Introduction: Beginning the Journey, by Stewart Handler; Traveling with Cortés, by Hugh Thomson; Traveling with Pizarro, by Hugh Thomson; The Stuart Handler Collection; Index.

This book presents a personal collection of ancestor sculpture and protective deities, following the ancient migratory and trade routes of the Austronesian, Southeast Asian Bronze Age, and Hindu-Buddhist peoples. The author, Thomas Murray, has spent a lifetime studying this art through his endeavors as a peripatetic dealer, collector, and field researcher. The objects illustrated come from a swath of widely varied cultures from Nepal eastward to Hawaii, with the overwhelming majority from Indonesia and Southeast Asia. Murray’s eye is highly informed and based on an unusually large sampling of objects to which his experience and research have exposed him. The artworks documented represent some of the top examples he has acquired and retained over the course of a long career. They are characterized by sculptural balance and a harmony of line, as well as a rare quality of expressiveness. Each ranks high in terms of aesthetics and desirability within its own particular style as perceived by the art market and by other western aficionados.

This book brings together works from one of the most important private collections of modern and contemporary art, the D. Daskalopoulos Collection with key pieces from the Scottish National Gallery of Modern Art. Providing a new context for both collections, it specifically focuses on the theme of the body, investigating the many and varied approaches that artists have taken across several decades when dealing with this most fundamental of subjects. Highlighting the work of artists such as Marcel Duchamp, Pablo Picasso, Louise Bourgeois, Joseph Beuys, Robert Gober, Matthew Barney, Marina Abramovic and Sarah Lucas, the publication documents the confrontations and dialogues staged between the two collections, and provides a rich insight into one of the most compelling and provocative themes in twentieth- and twenty-first century visual art.

The temples of the Early Chalukyas, dating from the 6th to 8th centuries, are unrivalled in all of India for their comparatively early date and unusually complete condition, the remarkable juxtaposition of their different constructional techniques and building styles, and for the sheer beauty of their figural and decorative carvings. In spite of their appeal and outstanding historical significance, these monuments have until now lacked an adequate publication.

This volume is the first to fully describe and illustrate the architecture and art of the Early Chalukya temples in Badami, and nearby Mahakuta, Aihole and Pattadakal, all situated on or near to the Malprabha River in central Karnataka. Michell’s definitive text is complemented by forty of his measured drawings, which constitute the most thorough graphic documentation ever undertaken. These are accompanied by more than 150 splendid, newly commissioned photographs by Surendra Kumar.

Contents:
Preface; Historical Background; Architecture; Sculpture; Badami; Mahakuta; Aihole; Pattadakal; Maps; Building Chronology; Glossary of Architectural Terms; Glossary of Indian Names; Select Bibliography; Photo Credits; Index.

The Kabbalistic idea of creation, as expressed through light, space, and geometry, has left its unmistakable mark on our civilization. Drawing upon a wide array of historical materials and stunning images of contemporary art, sculpture, and architecture, architect Alexander Gorlin explores the influence, whether actually acknowledged or not, of the Kabbalah on modern design in his unprecedented book Kabbalah in Art and Architecture. Gorlin brings light to the translation of the mystical philosophy into a physical form, drawing clear comparisons between philosophy and design that will excite and exalt. Comprising ten chapters that each outline key concepts of the Kabbalah and its representations, both in historic diagrams and the modern built environment, Kabbalah in Art and Architecture puts forth an unparalleled and compelling reinterpretation of art and architecture through the lens of the Kabbalah and Jewish mysticism. A chapter on the Golem, and an epilogue that discusses German artist Anselm Kiefer’s powerful interpretations of the Kabbalah, complete this unique book.

“The well-judged employment of classical detail in a new home has an additional significance that cannot be underestimated. It is an expression of an informed personal choice and an evocation of the delight in the human senses. This is true of all the houses featured in this book.” Jeremy Musson
“The architects and craftsmen that Phillip has featured in this wonderful book all have a love for classical detail. The art is alive and well, as can be attested to in these pages.” David Easton
In The Art of Classical Details, Phillip James Dodd takes a close-up look at some of the finest examples of contemporary classical architecture. The book consists of two chapters: The Essays and The Projects. Starting with a foreword by renowned decorator David Easton, The Essays are written by some of today’s most sought after architects, scholars and craftsmen. Accompanied by sumptuous full page photographs and renderings that illustrate a use of fine materials, intricate detailing, and superb artisanship, these insightful texts are essential reading for anyone with an interest in the theory, practice and craft of classical design. The Projects presents an illustrated look at 25 of today’s finest classically-designed homes. Employing the theories prescribed in the writings of the first chapter, this portfolio of contemporary buildings exhibits the work of some of the most recognizable and celebrated architects in Great Britain and the United States. The work featured in within this book demonstrates the timeless beauty of classicism, and delights in the role that superbly crafted details play in creating art.

There’s more to the South of France than sun, beaches, palm trees and the azure blue sea. For over a hundred years, it has been the favorite destination of many artists, who find themselves drawn to the superb light and the pleasant climate. The South of France for Art Lovers will show you what the area between Collioure and Menton has to offer in terms of surprising and remarkable art and cultural treasures. Journalist and art connoisseur Eric Rinckhout (Knack Magazine a.o.) selected more than 350 exceptional places: from the chapel decorated by Louise Bourgeois to the studio of Matisse and the apartment of Nabokov, from Eileen Gray’s modernist Villa E-1027 to architect Frank Gehry’s most recent design, from the oldest cinema in the world to street art in Marseille. Discover the best and most unique spots in inspiring lists such as contemporary sculpture gardens on wine estates, in the footsteps of painters and writers, chansonniers and rock stars, sleeping inside art, gardens that are artistic gems and much more.

Art for Tribal Rituals is the outcome of extensive fieldwork carried out by Eberhard Fischer and Haku Shah in South Gujarat in 1969. After an initial survey tour to locate village shrines and sacred pilgrimage sites, as well as specialists in rituals and crafts, the two art-anthropologists stayed in the field to observe as silent participants oracle and spirit-healing sessions, a death cere­mony and the worship of local deities by the village communities. Fischer and Shah documented their experiences in unprecedentedly detailed photographic sequences, and as well, took precise notation of what they observed. In addition, they spoke to the specialists and carefully noted their comments, which are reproduced in this book as individual “ indigenous voices ”.

This book of 528 pages and 823 photographs thus presents painted stones, large wooden stone-slabs and figures – representations of bodies for otherwise unsettled souls of the dead – but also monumental wooden crocodiles, revered with piles of terracotta votive offerings. They also documented the production, installation and worship of these icons and ritual objects. An astonishing variety of expressive forms are displayed by these spectacular field photographs, taken half a century ago.

This publication is a tribute to the artistic and ritualistic accomplishments of Adivasi ritual leaders, healers, and craftspeople of the past in a once remote area of Western India.

“This beautifully produced book will be inspiring to botanical artists and all those who are captivated by the orchid.” — Leisure Painter

“Through these paintings, stories of high stakes orchid breeding and exhibiting are explored, with a cast of characters who helped shape the horticultural world we know today, alongside the dedicated artists who still support their endeavours.” — Lovely Books

Orchids have long held a place of esteem and fascination in the horticultural world. In the 19th century, orchid collecting reached new fanatical heights, with explorers dispatched to every corner of the globe in search of new varieties that could be auctioned at extravagant prices, and orchids are still one of the most popular flowers to breed and buy to this day. These beautiful, diverse flowers are one of the two largest families of flowering plants, with over 30,000 species and over 181,500 hybrids and cultivars.

The RHS Orchid Committee have commissioned watercolors of over 7,000 award-winning hybrids that demonstrate particular value in their fabulous array of colors, patterns, sizes and shapes. Through these paintings, stories of high stakes orchid breeding and exhibiting are explored, with a cast of characters who helped shape the horticultural world we know today, alongside the dedicated artists who still support their endeavors.

For the past five years, the Domaine de Chaumont-sur-Loire has been organizing Quand fleurir est un art (The Art of Flower Arranging), a captivating event where renowned flower artists and designers from around the world unleash their creativity in the majestic rooms of the castle, creating stunning arrangements ranging from the most daring to the most classic. The Château de Chaumont-sur-Loire’s previous (and last private) owners, the Prince and Princess de Broglie, were avid plant enthusiasts. They took pride in their impressive collections of orchids and exotic green plants, which earned them numerous awards in horticultural competitions during the Belle Époque. Today, the Domaine de Chaumont-sur-Loire is committed to carrying on this rich legacy, inviting talented floral artists to showcase their artistry and expertize, creating a harmonious fusion of art and nature in the pursuit of beauty. This book offers a nice overview of some of the best creations that were on view during the event. Discover some of the amazing designs made by renowned floral designers such as Makoto Azuma (J), Clarisse Béraud (F), Timo Bolte (D), Rudy Casati (I), Tomas De Bruyne (B), Sébastien Dossin (B), Frédéric Dupré (F), Max Hurtaud (B), Pascal Mutel (F), Julian Paris (F), Gilles Pothier, Charline Pritscaloff (F) and the École nationale des Fleuristes de Paris (F).

Text in English and French.

Taking four themes as its starting point, this book reveals the strong interconnectedness of Ukraine’s turbulent history, the country’s permanent social and political unrest and the work of Ukrainian artists. Against Oppression, Forgotten Histories, Spaces of Freedom and Thoughts on the Future each reflect the dynamic between the drive for freedom and the mechanisms of oppression.

From illuminated manuscripts to two fried eggs and a kebab (and all the paintings in-between). What’s so great about Hogarth? Why should we care about an unmade bed? And who on earth is Banksy? Well, this book won’t answer all your questions, but it will tell you everything you need to know, and nothing that you don’t. Featuring 50 of the very best and most interesting British artworks from the dawn of history to the present day, alongside color reproductions and pithy explanations of key movements and terms, this guide tells the story of British art as you’ve never heard it before. The first book in a new series of Opinionated Guides on art movements, mediums and ideas which builds on the success of Hoxton Mini Press Opinionated Guides to London.

A visit to a museum is an extraordinary opportunity for imagination, liberation from the mundane routines of daily life, and opening the door to a world of diversified perspectives. In the last two decades, an artistic network has flourished along the scenic banks of Shanghai’s Huangpu River and Suzhou Creek, both prominent waterways in the city. As of 2023, the 6.3-kilometer waterfront along Suzhou Creek has been transformed into an awe-inspiring canvas housing more than 100 vibrant art spaces. Meanwhile, the Huangpu River has become a hub of artistic expression, featuring renowned cultural areas like the Bund, the “West Bund Cultural Corridor” project, initiated in 2010, and the post-Expo venues.

Roaming Shanghai’s Art Museums guides readers through every path that leads to the most important 15 art museums in Shanghai. This book unveils a comprehensive treasure trove of art museum insights, accompanied by precious photographs, and engaging dialogues with directors and architects. From industrial relics to architectural masterpieces by Pritzker Award winning architects like David Chipperfield, Jean Nouvel, and Tadao Ando, it takes readers to a world of art. Embrace the journey of artistic exploration, where each museum visit becomes a transformative and enriching encounter with creativity and human expression.

Text in English and Chinese.

Munch’s Missing! Find the artist hidden in 12 vibrant illustrated scenes which are inspired by the artist’s life, and the themes in his art. Spot him on the hill where he famously heard that resounding scream; find him hidden on stage amongst actors performing an Ibsen play, and search him out in the forest near his home in Ekely. Every scene is jammed with artists and creatives who have been influenced by Munch.

While the magical illustrations by Celyn Brazier offer a playful introduction to the artist, they are a unique piece of art in themselves. Accompanying text opens up the stories behind the illustrations, and explores further Munch’s life and art, and the influence he had. 

This raucous art journey celebrates the startling relevance of Munch who brought us the selfie and liberated us to scream out!

“Prepare to be inspired at National Galleries Scotland: Modern One, as Everlyn Nicodemus opens her first retrospective this Saturday” — The NEN
“Experience Everlyn’s joyful, defiant and searingly honest artworks, with over 80 drawings, collages, paintings and textiles from over 40 years of her career, from 1980 through to the present day.” — Art Daily

This is the first major publication on the artist Everlyn Nicodemus and accompanies the first ever retrospective of her 40-year career. It offers a fascinating introduction to her life, career and art.

This book introduces readers to Nicodemus’s practice – from the very first work she painted to newly commissioned oil paintings. Many of Nicodemus’s drawings, collages, paintings and textiles are published here for the first time.

Nicodemus engages with complex subject matters, unflinchingly addressing human suffering and societal responsibility. While her works convey and process traumatic experiences, they are ultimately hopeful, focusing on healing and the power of creativity. This publication will reveal the scope and ambition of this astonishing artist’s practice.

Expert contributors offer new insights into Nicodemus’s practice, including a new interview with the artist. Exhibition curator Stephanie Straine explains and contextualizes the rich pages of artworks, drawing on extensive primary research with the artist and her archives.

Hand-woven rugs from Persia are among the most exquisite art works ever created. In this fully revised edition of Persian Rugs, Essie Sakhai reveals recent discoveries that present us with a new understanding of this unique art. With hundreds of stunning new photographs, taken especially for this book, Sakhai takes us on a journey through Iran and beyond.
Beginning with the history and art of creating woven masterpieces, Persian Rugs goes on to present full-page examples of some of the most cherished and valuable rugs and carpets in the world. No two hand-woven carpets are the same, each with its own special property, beauty and quality. Sakhai has handpicked the most important of these and gives detailed explanations of how and why these art forms hold such singular and even mystical appeal. A new demand for original and ancient hand-woven pieces has increased their value greatly, leading to world-record prices being achieved at auction and important examples entering major museum collections around the world.