“This modern, refreshing examination of today’s American cowboys and cowgirls is something people will want to revisit time and time.” — Yahoo
“…captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Ailbhe Macmahon, Daily Mail

“Cowboys may be innately photogenic, but French photographer Anouk Krantz has succeeded in capturing their lives and surroundings like no other.”  —Graphius Magazine

Having earned wide acclaim for her bestselling Wild Horses of Cumberland Island (2017) and West: The American Cowboy (2019), this new collection of work that is American Cowboys is Anouk’s strongest work yet. Join Anouk Masson Krantz in her solo journey across America where she reveals the intimate lives and families of this private, elusive icon of our American West. Through her lens Anouk showcases an incredible journey from an outsider’s perspective into the private world of the American cowboy. Real people and real stories — a remarkable and inspiring story of people coming together to share their lives and celebrate the nation’s cowboy culture. This book is a must-have title among Anouk’s fine collections of photographs.

Anouk’s work has been exhibited in galleries and museums across America. She is renowned for her large-scale contemporary photography and her use of white space that defines her elegant, minimalistic style.

The identical reproduction of the Meuricoffre album, acquired by the Louvre in 2018, is a good opportunity to leaf through one of the only two portrait books attributed to the French painter Antoine-Jean Gros (1771-1835). It is a testimony to Gros’ activity as a portrait painter during his stay in Italy (1793-1800) and illustrates the privileged relationship that the painter had in Genoa with the family of the Franco-Swiss banker Jean-Georges Meuricoffre. The beautiful gallery of portraits, drawn in the intimacy of this family, restores the physiognomies of representatives of Franco-Swiss high society who were in contact with the Meuricoffre family at the time and, through them, with Gros.
The study that accompanies the publication of the notebook reveals the hitherto unknown identity of these characters. A material description of the album, an essential scientific support for its understanding, completes the subject.

Text in French.

Marzena Pogorzaly made two trips to Havana. There, she walked the streets of Havana Vieja and El Centro, the old districts, trying to capture the melancholy beauty and decay of the city, and its inhabitants. Pogorzaly’s calmly gorgeous images are not directly concerned with politics, but as someone who grew up in pre-Solidarity Poland, she combines mature scepticism about communist regimes with due respect for some of its achievements. As she explains in her introduction: “Some of it was familiar. I was born, and grew up, behind the Iron Curtain. I immediately felt at home with the way The System worked, or rather the way it did not. But where the palette of my homeland was dull, drab and irredeemably monochrome, here I found a vivid treasure chest of visual epiphanies.” Her chief care is for people, either viewed directly or by means of the traces they leave: posters of Che Guevara, neglected chairs, rickety old American cars. Her photographs are entirely without sentimentality but rich in that tradition of humanism which sees the deeper qualities that unite us with strangers, as well as the surface differences that divide us. Her Cubans are not pathetic victims of a dictatorship but a handsome, vital, proud and resourceful people.

With authoritative texts and a wide array of illustrations, this handsome monograph charts Barbara Rae’s long and successful career as a redoubtable traveling artist. From her native Scotland, particularly the Lammermuirs, to Spain, Ireland, and the polar regions, Rae’s painterly abstraction brings together her fascinations with landscape and travel. Her sketchbooks feature here, too, revealing her process as she uses them to conceive the larger works she makes in her studio.

Kengo Kuma’s work masterfully engages experimentation, traditional Japanese design, and advanced technology. This results in highly innovative yet beautifully simple, evocative, and human-scaled structures. Kengo Kuma: Substance explores a selection of the architect’s work through six materials. The thirty-five projects from around the world range from captivating wood pavilions, ethereal metal installations, and sculptural woven structures to experiential stone monuments, intricate bamboo tea houses, and luminous shape-shifting domes. Insightful narratives detail the concept and craftmanship of each structure, and beautiful imagery showcases how Kuma’s architectural designs are conceived and constructed. By experimenting with materials and ideas, Kuma seeks to restore the relationship between people, buildings, and nature, and foster a greater sense of humanity in architecture. Kengo Kuma: Substance will be a prized addition for architects, designers, and fans of Kengo Kuma. It is also a valuable resource for those interested in the fusion of traditional and contemporary architecture, design, craftsmanship, and technology. 

A beautifully illustrated and extensively researched collection of 100 of the most famous houses of Britain’s Arts and Crafts Movement.

The Arts and Crafts Movement, founded in the philosophies of John Ruskin and William Morris, produced some of the world’s most enduring architectural masterpieces. Author and architect David Cole presents the 100 great Arts and Crafts houses, each individually described and analyzed with insightful detail and floor plans, and illustrated with stunning photography.

Beginning with Morris’s own iconic Red House, the book traces the fifty-year span of the movement, with a short chapter dedicated to each of these extraordinary houses: from the works of the pioneer Arts and Crafts architects, to the great reformer architects of the next generation, to the craftsman architects who took their lives and their work to the countryside, to the movement’s Scottish architects, and finally to the houses of the Garden Cities and suburbs built through the movement’s last decade before the First World War. The book features the great houses of some forty of the movement’s most renowned architects, including Philip Webb, R. Norman Shaw, E.S. Prior, William Lethaby, C.F.A. Voysey, Edgar Wood, Ernest Gimson, the Barnsley brothers, C.R. Ashbee, M.H. Baillie Scott, Edwin Lutyens, Charles Rennie Mackintosh, Robert Lorimer, Parker and Unwin, and many others.

As Morris famously said, “Have nothing in your house that you do not know to be useful or believe to be beautiful.”

Miami, Florida, is a city that’s highly vulnerable to the effects of climate change. Global design firm ArquitectonicaGEO is at the forefront of designing sustainable, contemporary landscaped environments that address these challenges as well as enhancing the human experience and community wellbeing.

In Resilient Horizons: The Future of Landscape Architecture, ArquitectonicaGEO presents 10 pioneering projects in Miami, offering an insightful case study that explores the transformative role of landscape architecture in creating a more resilient city. Ranging from urban green spaces and neighborhood precincts to large-scale developments and ecosystem restorations, these projects demonstrate how sustainable, innovative landscape architecture can transform not just spaces, but entire communities, and our future cities.

Full-color photography, site plans, drawings, and engaging narratives showcase the innovative approaches that ArquitectonicaGEO uses to design sustainable, resilient, enriching environments. Written in English and Spanish, the bilingual text reaffirms the importance of landscape architecture as a powerful, transformative tool for a greener future.  

Text in English and Spanish.

“It’s a delight to browse through the 200-plus pages of Chanel Illustrated, featuring a variety of illustration styles and techniques… “ — Mirror Mirror

Chanel Illustrated presents a breathtaking selection of illustrations inspired by the iconic fashion house Chanel. The book is authorized by the brand itself. Chanel Illustrated combines the creative visions of some of the most respected contemporary illustrators, who work for brands like Hermès, Louis Vuitton, Longchamp, Miu Miu, Ferragamo and of course Chanel. The work of Aurore de la Morinerie, Posuka Demizu, Chloe Takahashi, Anna Blachut, Joanna Layla, Cecilia Carlstedt, Mila Gislon and many others showcases the versatility and timeless appeal of Chanel, from the famous tweed jacket to the iconic perfume bottle.

Chanel Illustrated is the first book in the Illustrated series. It’s a tribute to the heritage of a brand that has transformed the fashion world and continues to inspire, and that invariably appears in the top 5 of best-selling luxury brands. The book is an artwork in itself, blending fashion, art, and history. It’s a true collector’s item, for fans and collectors of the brand, but also for fashion professionals and fashionistas, fellow illustrators, and art enthusiasts.