What was the meaning of the extraordinary collection of texts, sketches and graphic prints that Edvard Munch called The Tree of Knowledge of Good and Evil? Get a glimpse into the artist’s world of ideas through one of the greatest mysteries he left behind. In this book you can experience The Tree of Knowledge as it was found in Munch’s home, with both loose, bound and blank pages. An essay by art historian Nora Ceciliedatter Nerdrum provides new perspectives on Munch’s most enigmatic project. No one knows why he created this album. Was it a book proposal? Or was it an attempt to organise his ideas?
What we do know is that he worked on the album for several decades, and that it was probably never completed. The most astonishing part of its content is perhaps Munch’s own texts about love, jealousy, life and death, composed in large, colorful lettering.
Muzharul Islam (1923–2012) has left behind an outstanding architectural legacy in Bangladesh, with a significance reaching far beyond the temporal and geographical horizons of its creation. Yet until now, his work has remained relatively unknown despite its relevance and singularity. This monograph presents numerous photographs and reproductions of detailed original drawings to introduce a series of unique buildings to an international audience, highlighting the Bengali architect’s way of thinking and actions, as well as his engagement in cross-cultural dialogue.
Contributions by practising architects from different continents present multifaceted perspectives on Islam’s work, placing him within a historical context and global interconnections. Muzharul Islam’s pioneering and timeless works address burning issues that are currently shaping the global architectural debate: climate-sensitive and self-sufficient construction, social engagement and overcoming colonial mindsets are all fields that the architect pursued relentlessly since the beginning of his career in the 1950s.
The catalog brings all the paintings in the Galleria dell’Accademia di Firenze together for the first time. It is a straightforward, convenient tool, aimed at all types of users, particularly suitable for educational use, for a first approach to the museum’s paintings or for quick searches by experts or those who would like to become one.
Arranging the paintings in alphabetical order by the names of the artists seemed to us to be the simplest and most natural criterion for anyone who was not already an expert. The catalog includes the various names of the painters, and a brief biography introduces each artist. This is followed by the entry or, if there is more than one, the entries on the works by this artist in the museum collections, in alphabetical order by title. Each work is reproduced with a recent photograph.
This volume constitutes an invaluable collection of data, essential for future studies and discussions regarding the paintings. The book is introduced by an exhaustive essay by Cecilie Hollberg, the Director of the Galleria.
Books of Hours were the bestsellers of the late Middle Ages. Books of Hours, Books of Hope provides unambiguous and accessible answers to the most intriguing questions about the use and significance of these devotional books: what were they about, who were the makers and readers, where did people learn to read, did they use reading glasses or lamps, what do the humorous figures in the margins symbolize, and why do Books of Hours feature so frequently in portraits by, for example, the Flemish Primitives?
From sumptuous masterpieces embellished with gold leaf to modest, well-thumbed copies dotted with candle-wax stains or personal notes – each one has a story to tell. Books of Hours were popular among all levels of society, from dukes and countesses to bricklayers and maids. Not only as showpieces, but above all as their owners’ faithful companions, cherished and used intensively.
Lavishly illustrated with masterpieces from the collections of the Bruges Public Library and Musea Brugge, this publication is a must-have for those who wish to immerse themselves in the fascinating book culture of the medieval era.
Publication accompanying the exhibition Pride and Solace: medieval Books of Hours and their readers at the Groeningemuseum in Bruges from 4 April until 7 October 2025.
John Ruskin wrote this fable for a teenage family friend, Effie, and later he married her. The marriage was famously disastrous, but before it fell apart the Ruskins allowed The King of the Golden River to be published. It became one of the most popular works for children of its time. Richard Doyle contributed over 25 full-page illustrations and vignettes.
The King of the Golden River is the first literary fairy tale in English (as opposed to collected folk tales). Ruskin himself said it was ‘a fairly good imitation of Grimm and Dickens, mixed with some true Alpine feeling of my own’. Later he spoke of the capacity of the traditional tales ‘to fortify children against the glacial cold of selfish science’.
It remains a powerful fable about humanity’s dual capacity for destructiveness and redeeming love, with as strange fairy-tale creatures as one could hope to meet.
An essay by Simon Cooke explains the book’s importance.
In the 1910s and 1920s the unique landscape of the chalk downs of southern England began to exert a new fascination on writers, historians, archaeologists and artists. Modernists such as Paul and John Nash, Eric Ravilious and William Nicholson immersed themselves in exploring these enigmatic, ancient places. The stark, rolling forms of the downs suited the modern aesthetic, offering a place where prehistory and modernity could converge.
With the growing political tensions of the 1930s, this modern engagement with ancient landscape took on a symbolism that still resonates. Images of Britain evolved as the downs became both symbols of wartime vulnerability and resilience and the site of machine gun emplacements and crashed aeroplanes.
Art of the Chalk Downs investigates this extraordinary collision of ancient and modern, idea and place, and the network of artists who worked and lived there. Seventy-five plates of paintings, watercolors, prints and photographs are accompanied by texts written by leading art historians James Russell and Stephens.
Madhubani art’s origin is believed to go back to the ancient era of the Ramayana, when the town was decorated by inhabitants of the region for the wedding of Lord Rama and Sita with elaborate wall paintings and murals. The philosophy of Madhubani art is essentially based on the principle of dualism. The artscape appears inundated with divine deities, the sun and moon, and flora and fauna along with features found in Buddhism, Islamic Sufism, tantric symbols and classical Hinduism. Primarily a significant socio-cultural engagement for the womenfolk of Bihar, this art was a welcome break from their daily drudgery. Immersed in the folklore of Mithila, fresh forms and figures are painted and repainted on walls and floors of their homes to mark special occasions. Well-established procedures are followed and techniques are passed on from one generation to the next, keeping the ephemeral art form and ancestral tradition and its lore alive. Madhubani artists today are seen to work more with brushes and acrylic paint rather than natural dyes and pigments. They now also work on paper, cloth, canvas and wood to create art and artifacts, besides painting on walls and floors. Contents: Foreword by H.E.M.S. Puri, Ambassador of India in Belgium; Preface by Martin Gurvich; Imaging the Divine: Artscape of Bharati Dayal by Sushma K Bahl; Krishna; Shiva; Ganesha; Devi; The Mahabharata Nature; Bharati Dayal.
For the very first time an overview is published featuring the works of Belgium’s finest street art and graffiti artists.
Belgian Street Art Today contains a selection of works made by 50 selected artists, such as Roa, Djoels, Dzia, Jaune, Mata One, 2 Dirty, Bué The Warrior, Joachim, Zenith…
Some of these artists are working around the globe and have received international acclaim; a few of them are even represented by prestigious art galleries abroad.
The selection is preceded by a brief history of street art and a never-before-published comprehensive overview of street art projects and street art and graffiti walks in Belgium. Therefore this book is a must-have for art lovers looking for insider tips and unique experiences.
For more than two years, photographer Vincent Willems crisscrossed Belgium in search of the most spectacular interventions and murals, a passion culminating in this stunning book.
This pocket sized picture book is an artwork to itself telling the story of the famous trio and their art over the last 12 years. From the most human moments to their wacky adventures to the gigantic murals they have birthed – the Sool Boomb Book will transport you into the colorful world of this prolific Italian art crew.
The Meaning of the Earth offers a retrospective on the lives and work of the relentlessly controversial artists, placing them within the context of twentieth century British culture. Wolf Jahn tells the story of how Gilbert & George found their identity in opposition to pervasive ideas around social conformity and religion after meeting in 1967.
The artists staged an internal revolution, mining their psyches to create visionary and unwaveringly modern art. The ‘two people but one artist’ ask the questions that gnaw at us all: ‘Where do we come from?’, ‘Who are we?’ and ‘Where are we going?’ The book meditates on the artists’ role in this century, connecting their beginnings as Living Sculptures to their pictorial work of today.
The Meaning of the Earth is a continuation of Jahn’s 1989 work, The Art of Gilbert & George. The author writes a playful philosophical interrogation of Gilbert & George’s work that truly grasps its cosmic scale.
(Re)discover Art Nouveau at the heart of Brussels. At the end of the 19th century, the anti-academic movement pushed Brussels’ architects towards Art Nouveau. Both Victor Horta, in an organic style, and Paul Hankar, in a more geometrical tendency, created an architecture that quickly gained an international reputation. In a little more than a decade, from 1893 on, hundreds of Art Nouveau-fashioned buildings appeared in Brussels, elaborated first by the great pioneers and later by their students and imitators who are also influenced by the Vienna Secession and other trends of European Art Nouveau. At first, this style fulfilled industrial bourgeoisie’s dreams, yearning to assert itself in the city’s structure through this new, and sometimes exuberant, architecture. This book offers nine walks to discover – in different districts – the multiple aspects of architectural Art Nouveau in Brussels. Witness the personal style of the most important architects as well as decorative methods such as sgraffito. Through interviews with owners, custodians and restorers of Art Nouveau-styled buildings, Brussels Art Nouveau describes the fundamental guardians of this remarkable heritage.
The hidden art of London is for the ever-curious roamer of both the back streets and the familiar places you never quite see – churches, gardens, graveyards, pubs. What little garden finds the poet John Keats sitting in the corner of a bench? Which abandoned building tells the story of a great Roman Road?
There are always marvels hidden in plain view – the back corner of a museum containing great sculptures by Rodin or the naked, street-corner golden boy, who marks where the Great Fire of London finally petered out. A famous literary cat or a painting by Hogarth on the bend of a stairs in an ancient hospital.
This guidebook takes you exploring London beyond its most famous sights to find the art we have never quite noticed before: the hidden statues, paintings, and murals that have escaped from the official museums, and often live unnoticed lives in tucked away places.
Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars. Recent scholarship in this field has offered deeper analysis into established norms, explored pan-Indian connections and drawn comparisons with contemporaneous regions of the early modern world. Further studies along these lines were encouraged in a seminar held by the K.R. Cama Oriental Institute, Mumbai, and the formidable scholarship presented by contributors forms the content of this volume.
The articles in this book explore varied subjects under the Mughal umbrella, challenge long-held ideas and draw comparisons between the artistic expressions and material culture of the powerful Islamicate triumvirate of the early modern period – the Safavids in Iran, the European-based Ottomans and the Mughals in the Indian subcontinent.
Themes as diverse as portraits of royal women, sub-imperial patronage of temples, word-image relationship, the lapidary arts and the Imperial Library of the Mughals, a reconsideration of Mughal garden typologies, murals painted on architectural surfaces, the textile culture of the city of Burhanpur, changes in visual language and content of painting, and Imperial objets d’art have been discussed, challenged and analyzed. The final three articles are groundbreaking comparisons across Ottoman, Safavid and Mughal spheres. This beautifully illustrated book is sure to appeal to connoisseurs, collectors and scholars alike.
“Outsider art” is the name given to the idiosyncratic work of self-taught creators who are driven to use their own invented visual language to bring forth images from their imaginations. It is outside the continuum of art history, outside the boundaries of art recognized by established art institutions, and outside the collective discourse of the mainstream art world. This book examines the underlying biases, ideologies, and social factors that inform the various approaches to outsider art, including myths surrounding mental illness, movements toward social inclusion, and movements away from the marginalizing effect of labels. Most importantly, Outsider Art of Canada explores how we think about art and who is entitled to call themselves an artist. In this survey dedicated to outsider art in Canada, the first of its kind, the artists introduced have much to tell us about their need to create, unapologetically and without regard to public opinion.
The Ashcan School and The Eight are now recognized as America’s first modern art movement: rejecting their academic training and the practices of the National Academy of Design, they forged a new art that represented America’s shifting values. By focusing on urban streets scenes, the lives of immigrants, popular entertainments, and the working poor, this loosely affiliated group of artists became synonymous with ordinary, everyday subjects — in the words of one critic, “pictures of ashcans.” Yet this is only part of their story: they also experimented with complex color theory and embraced scientific studies about movement and perception, while also creating scenes of bourgeois leisure and society portraits in attempts to reconcile their high-art practices with their populist reputations.
This catalog features nearly 130 works across media, including paintings, drawings, pastels, and prints — rarely seen objects and popular favorites. Collectively these works emphasize the Ashcan School’s and The Eight’s valuable contributions to the formation of American modernism at the beginning of the 20th century.
“I fully intend to lean heavily on my copy of Blanning’s guide in planning my next trip to the region, not least as she helpfully includes places to stay and eat too. The mix of the practical and educational with a real sense of love for the region is a gift that will keep giving for many years to come.” — Club Enologique
“… it’s an essential buy for any enthusiast, budding or committed.” — Decanter
Wines of the Loire Valley provides an up-to-date guide to the wines of this historic region. The hallmark of Loire wines is their balance between succulent fruit and refreshing acidity but the Loire Valley encompasses a vast array of wines, not only the well-known and trusted names but many more little known, overlooked and undervalued. The complex patchwork of vineyards that extends more than 500 kilometers along France’s longest river is a haven of discovery for wine lovers. The Loire’s winemakers are at the forefront of the move towards a more natural approach to winegrowing, making it a preferred choice for anyone looking for organic, biodynamic and ‘natural’ wines. While higher-profile regions are struggling with rising temperatures and excessive alcohol levels, the cooler vineyards of the Loire are benefiting from warmer vintages. The first part of the book covers the Loire Valley’s history and presents an overview of the region, the grape varieties used, the wine styles produced, and the viticulture and vinification of the Loire Valley. The second part profiles the main regions and the individuals shaping the vinous landscape of the Loire Valley today, from Muscadet on the Atlantic coast, through Pouilly-Fumé and Sancerre in Centre Loire, to Côtes d’Auvergne in the Upper Loire. A final chapter gives an overview of Loire vintages.
This book, edited by the designer of Shanghai Astronomy Museum, Ennead Architects LLP, is an all-round record of the design and construction process of Shanghai Astronomy Museum, with a foreword written by Ye Shuhua—an astronomer and academician of the Chinese Academy of Sciences, and a preface by Shanghai Science and Technology Museum. The main part of the book unfolds from four perspectives: site, concept, realization, and engineering and construction, which describes the process of generating the core form of the Shanghai Astronomy Museum, as well as the design ingenuity of the main functional areas inside. The book presents many beautiful images of the museum, and includes texts by the chief designer, Thomas J. Wong. The designers’ love for the universe and their great enthusiasm for the project contribute to the essence of this book.
Text in English and Chinese.
“The product of extensive archival research by members of the Institute of Classical Architecture & Art, these editions make newly accessible the work of the accomplished British designer.” — Architectural Record
The genius of Edwin Lutyens is now universally recognized. When the acclaimed English architect passed away in 1944, three large volumes of his drawings and photographs were commissioned from the thousands found in his office and were published by Country Life. In 2023, all three volumes will be republished by ACC Art Books.
This third and final volume showcases Lutyens’ detailed plans and elevations for the greatest examples of his townhouse renovations, memorials and public buildings, including the Cenotaph at Westminster, the Thiepval Memorial, and the colossal Midland Bank building in Manchester.
These reissues are once again bringing to the world’s attention not just the professionalism of a great architect, but also the loving care with which he set down the minutiae of his visions. They are among the few books in existence illustrated with his working drawings, as well as pristine photos of the finished masterpieces themselves. A beautiful tribute to a monumental figure in the history of modern architecture.
Joel Denot (b.1961) is a French photographer. His images are centered on the essential elements of photography: light, color and shape. They are neither figurative nor abstract, with colored surfaces floating in a void, framing each other and projecting shadows of overlapping colors: orange then pale pink then blue then bright pink; red then green then pink then grey-blue. Produced entirely during the shoot, they are a purely photographic gesture, created without laboratory work. This is the first monograph on his career.
Text in English and French.
Where to go for the best pints of Guinness in Dublin? Or when you’re craving the ultimate sandwich? And what are the 5 shops you absolutely have to visit on Grafton Street? Shane O’Reilly knows! With lots of love and enthusiasm, he shares hundreds of his favorite places in his hometown of Dublin, like the wood-panelled and plush club serving as a multi-purpose arts center, Ireland’s oldest reggae shop, or the stunning and family-run delicatessen serving up delicious seafood straight from the ocean half a mile away. The 500 Hidden Secrets of Dublin is the perfect book for those who wish to discover the city, but avoid all the usual tourist haunts, as well as for residents who are keen to track down the city’s best-kept secrets.
Discover the series at the500hiddensecrets.com
This outstanding jewelry collection of the Cologne Museum of Applied Arts (MAKK) will be showcased for the first time in a dedicated exhibition. Featuring cross-epochal and cross-cultural themes, the exhibition successfully presents diverse approaches to the art of jewelry-making. The photographs of around 370 objects and the accompanying descriptions demonstrate just how multifaceted jewelry design is. The social, societal, emotional, and symbolic aspects of jewelry are also evaluated and discussed in an essay by Beatriz Chadour-Sampson. The MAKK’s jewelry collection of around 1600 works spans a period of 7000 years: from ancient oriental gems from the 5th millennium BC to contemporary jewelry. This is what makes this collection so unique and diverse.
Text in English and German.
Way of the Sign III offers a great variety of magnificent architectural examples that demonstrate the essential characteristics of good signage: excellent design, integration within the space and functional communication. Also available: Way of the Sign II ISBN: 9789881973566
For more than 40 years, Cyril Christo – son of the artist duo Christo and Jeanne-Claude – his wife Marie, and their son Lysander have been traveling among the last indigenous peoples of our time and documenting their relationship with nature. On their visits to far-flung places such as New Guinea, Tibet, Africa, the Amazon River, and the vast expanse of the Arctic, they have witnessed many instances of the spiritual connection between humans and nature.
Lords of the Earth takes its readers on a journey to the world’s oldest continent, the birthplace of Homo sapiens. The three photographers have captured the endangered soul of Africa, threatened by humans and climate change, in a series of striking duotone images. In conjunction with a gripping essay and relevant quotations, the photographs give a fascinating account of Christo’s and Wilkinson’s experiences, encounters, and their belief in the beauty and significance of that ancient continent.
This book is a tribute not only to Africa’s indigenous peoples, but also to the majestic creatures that have lived together with them since time immemorial and that are now threatened with extinction more than ever before. It includes insights into local folklore, rituals, and stories of tribespeople that provide a decidedly African perspective alongside the Western one.
“Travelling from your couch, it is possible with the book. You will get an overview of different types of cottage accommodations, from small weekend houses to lavishly decorated summer villas and modern cottages.” — Elle Decoration Belgium
The Design of Retreat explores different types of outdoor retreats designed by and owned by leading names in the interior design world. From contemporary cabins, modern cottages and minimal vacation homes to sumptuously decorated summer villas with a flair for drama. In The Design of Retreat, they stand side by side with seaside Italian palazzos and tropical hideaways in the Mexican jungle. The wonderfully colorful homes, playful weekend cottages, innovative farmhouses and historic mansions will take you around the world. Relax and get away.