You searched for the queen s castle at windsor - Page 2 of 6

“A jewel of Baroque architecture, the Castelluccio Palace is the spotlight of a beautiful book retracing its history, its long restoration and its precious ornaments. These photographs reflect the Sicilian Golden Age.” —Fanny Guenon des Mesnards, AD France

“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”—Italian Vogue

“A Palace in Sicily: A Masterpiece Restored doesn’t just pull back the curtain on the finished palace, it details the four-year-long process through an elaborate array of photos…” —Architectural Digest, and Yahoo

With its sun-drenched sands and Mediterranean waters, Sicily has been a favored destination of travelers for centuries. History is alive on this island, from ancient accounts of the Greeks, Romans, Arabs and Normans; to the journals of wealthy young European men embarking on the Grand Tour. This book captures the sun-steeped aesthetic of the island, while detailing the restoration of one of its finest attractions: the Di Lorenzo del Castelluccio palace.

Marquis de Castelluccio was one of the last “servals” or “leopards” of Sicily – wealthy aristocrats who flooded the island with luxury. Following his death, his home fell to ruin. A half-century later, Jean-Louis Remilleux fell in love with this dilapidated 18th-century palace and made it his mission to restore it. Unveiled for the first time in this beautifully illustrated book, the Di Lorenzo del Castelluccio palazzo is one of the finest testaments to Sicilian architecture and art.

Today, lush green palm trees welcome you to the palace’s imposing front façade. Frescoes, arabesques, masks, imitation marble, ceilings and wainscoting have all restored to their former glory, over decades of elaborate work. This book charts the restoration process and celebrates the astonishing end results. It contains an album’s worth of photographs that capture the beauty of this palace beneath the Mediterranean sun.

A revelatory glimpse into the passions and obsessions of 60 visionary artists through the medium of their personal sketchbooks, treatises, storybooks, grimoires, and journals. This unprecedented gathering of handmade books from the most notable Art Brut artists has been brought together expressly for this publication from both public and private collections. Each volume is showcased in separate chapters featuring the cover and a selection of inside pages, with accompanying commentary. They cover the period from the early 20th century to the present, and include works by Horst Ademeit, Alöise, Giovanni Bosco, James Castle, Henry Darger, Charles Dellschau, Malcolm MacKesson, Dan Miller, Michel Nedjar, Jean Perdrizet, Royal Robertson, Charles Steffen, Oskar Voll, August Walla, and Adolf Wölfli, among others.

Text in English and French.

111 Places in County Durham You Shouldn’t Miss will unveil Durham’s secret depths and lesser-known delights, allowing it to step out from the shadow of its spectacular, UNESCO-listed cathedral and its highly-ranked university.

This small, hilly city has its gems, but the county’s historic towns (Bishop Auckland, Barnard Castle, Newton Aycliffe), by the water (Hartlepool, Seaham) and nestled away in its tiniest villages (Kelloe, Tow Law) are home to Durham’s true hidden wonders.

Discover the mysterious sea caves at Blackhall Rocks, or wander up Nose’s Point to Blast Beach. Traverse Durham city’s wonkiest staircase, or make your own mind up about the county’s most controversially-designed estate.

Marvel at Killhope’s working Waterwheel, and uncover the county’s famous coal mining past. Unearth disused collieries and quarries reclaimed by the overgrowth surrounding them.

Spot what’s left of a stone boar at Barnard Castle. Hear the real story behind Hartlepool’s most baffling local legend, and try to stand atop a haunted copse… if you dare.

The best places to stay with kids in Britain, from stylish castle conversions to bustling city boltholes.

Explore the diverse landscape and rich culture of Britain while spending quality time with the family – and without compromising on the quality of your experience. Alice Tate has carefully selected over 40 fantastic family getaways that offer endless creative and energetic opportunities, both on-site and nearby, alongside stylish decor, thoughtful hospitality and welcome luxuries.

There’s something for all tastes, from Welsh mountain bases for exploring and biking to Cornish coastal retreats for sunning and sailing, and even colorful stable conversions on working farms – where the kids can pick their own dinner and maybe even cuddle a piglet or two.

“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”—Italian Vogue

Our Highland Home explores Queen Victoria’s and her husband Prince Albert’s love affair with Scotland. Their early journeys to Scotland, including visits to Dalkeith Palace, Taymouth Castle and Perth are discussed, as well as their stays at Balmoral, to which they formed a deep attachment. The author illuminates the private side of the royal couple’s existence away from their public life in London. Our Highland Home: Victoria and Albert in Scotland includes images from the collections of the National Galleries of Scotland, the Royal Collection Trust, and many public and private collections throughout the United Kingdom.

In 1678 Louis XIV decided to renovate the small château of Louis XIII; just four years later he moved his government into the huge palace and splendid gardens.

This book follows in the footsteps of the visitor. It starts, as suggested by Louis the XIV himself, “in the vestibule of the Marble courtyard”, moving on to the seven great salons of the King’s Great Apartment, reaching the 357 mirrors of the celebrated Hall of Mirrors. The Great Apartment of the Queen – nineteen ” Enfants de France” were born here – illustrates the more intimate yet superb King’s interior apartments, followed by those of Mme du Barry, the King’s mistress, and Marie-Antoinette. At the lower level are those of the Dauphin and the Dauphine, of the courtiers etc. Upon leaving the Royal Chapel, there’s a tour of the water parterres and the Grand Canal, whose reflections are beautifully reproduced by Jack Tow’s watercolors.

Finally, the tour reaches the domain offered by Louis XVI to his spouse – the Grand Trianon, in rose marble and porphyry, which allows the artist to portray the flowery exuberance of its famous gardens. The final pages are dedicated to the Petit Trianon – entirely renovated for Napoleon who spent time here with the empress, Marie-Louise – and the Hamlet, where Marie-Antoinette, sensible to Rousseau’s ideas, could find a refreshing break from the court’s demanding etiquette.

“Everything’s grand” says decorator extraordinaire, Carleton Varney. After over forty years in the interior design business, Varney opens his archive and brings together his favorite large-scale luxury decorating projects, including an Irish country manor, a sixteenth-century castle, a colonial mansion, a Southern plantation, along with two of his best-loved resorts – the Greenbrier in West Virginia and the “Queen of the Great Lakes”, Michigan’s Grand Hotel. On these pages, he also showcases his most recent private residential project – a 6000 square foot Mediterranean-style home, near the Rio Grande. In Decorating in the Grand Manor, Varney focuses our attention on all the elements of elegant design, from crystal chandeliers to magnificent architectural details and dispenses his time-honored advice on how to achieve the look at home. Also available: In the Pink: Dorothy Draper: America’s Most Fabulous Decorator ISBN: 9780985225605 Mr. Color ISBN: 9780615450902 Houses in my Heart ISBN: 9780977787555

This book celebrates the special relationship between beloved British dogs and their devoted owners. Architects, fashion designers, florists, entrepreneurs – these and the other famous, creative and hyper-successful people have one thing in common when it comes to their canines: the strength of the bond between human and four-legged friend. This makes for tales of companionship that will be sure to uplift your spirits and make the heart sing.

Exuberantly photographed by Dylan Thomas, with interviews by Georgina Montagu, Top Dogs is a joyous read and lustrous eye-candy for dog lovers. From Jacobean manor to Cumbrian hill farm, and circus wagon to royal residence, the lucky hounds who are showcased in this sumptuous volume occupy some of the loveliest homes in the country.

This concise yet wide-ranging survey of collectible antique furniture, illustrated throughout in full color, guides the new collector through almost three centuries of Western Furniture with clarity and authority. Invaluable as a reference tool, it offers collectors the means to identify key features of a wide variety of pieces, ranging from the Gothic and Renaissance period to Art Nouveau, and the beginning of the twentieth century. The book is structured chronologically by century and, within each time period, by country. Existing collectors will find all titles in the series act as a handy and portable reference, and beginners will welcome a reliable, accessible starting point from which their interests can develop. Readers will find succinct sections detailing all major phases in Western Furniture, with full-color coverage of English, American, French, Italian, German, Austrian, Low Countries, Spanish and Portuguese pieces. The work of important furniture designers is discussed, from the French ébénistes and Chippendale, through key 19th century figures such as Biedermeier, Pugin and Stickley and the mass producers of bentwood such as the Austrian Thonet, to the Belgian and French Art Nouveau designers.

It doesn t take a passport to visit Brooklyn, as some Manhattanites might lead you to believe. Still, Brooklyn can feel a world away. And that’s precisely what locals love about it. It’s independent. Fiercely headstrong about maintaining its individuality. Tolerant of the different, the foreign, the weird. But what outsiders might be surprised to learn is that Brooklyn is less an undifferentiated mass than a collection of neighbourhoods, each with its own distinctive character and history. From Bay Ridge, Bed-Stuy and Bergen Beach to Weeksville, Williamsburg and Windsor Terrace, Brooklyn is a patchwork quilt of communities stitched together with mismatched threads from nearly everywhere in the world. Celebrating its in-your-face diversity, but continually churning those differences into something fresh and unique, Brooklyn embodies a hip and cool version of the American experiment. E pluribus unum – from many comes one. Here are 111 places to start your explorations.

This major work, first published in 1950, is still considered the classic book on the subject. It provides a comprehensive, critical and well-illustrated survey of the portrayal of plants across over three thousand years, at a more compact size.

Of the first edition, the poet and gardening writer, Vita Sackville-West said: “Let no one think this is a book only for the specialist. It is essential for the specialist, certainly, but it is also for all the flower-lovers and all those who enjoy the by-ways of biography and the added attraction of good writing”.

This edition contains 126 color plates (more than twice as many as the first edition), alongside 140 black-and-white illustrations. It invites the reader to appreciate the works of the greatest botanical illustrators both past and present.

“John Bates came onto the London Fashion scene like a bolt of blue light, trailing sparks of excitement, designing the shortest skirts, the swiftest shapes, the surest colors. He had an unswerving instinct for what was new, modern, cutting edge.” Marit Allen Throughout the 1960s and 70s John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore. Diana Rigg wore his designs in The Avengers, and the press went wild. Cilla Black and Dusty Springfield sang in them; Jean Shrimpton, Twiggy and Penelope Tree modelled; David Bailey, Terence Donovan and Helmut Newton photographed. At every level, from shop girl to pop star, debutante and banker’s wife, his label Jean Varon offered a must-have dress for a party, short or long, empire line or mini. He gave fashion-conscious women the chance to wear dresses featured extensively in the pages of Vogue, Harpers Bazaar, and Queen Magazine and bridged the gap between High Street retailing and couture like no other. Richard Lester’s text is based on detailed interviews with John Bates, covering his entire career in fashion. In addition the book features contributions from Felicity Green, Deidre McSharry, Brigid Keenan, Barbara Griggs, Sian Phillips and other key figures from the fashion industry, cultural scene and media of the time.

This is the exceptionally rich story of Rembrandt’s fame and influence in Britain. No other nation has witnessed such a passionate – and sometimes eccentric – enthusiam for Rembrandt’s works. His imagery has become ubiquitous, making him one of the most recognised artists in history. In this book, some of the world’s leading experts reveal how the taste for Rembrandt’s paintings, drawings and prints evolved, growing into a mania that gripped collectors and art lovers across the country. This reached a fever pitch in the late 1700s, before the dawn of a new century ushered in a re-evaluation of Rembrandt’s reputation and opportunities for the wider public to see his masterpieces for themselves.

The story of Rembrandt’s profound and inspirational impact on the British imagination is illustrated by over 130 sumptuous works by the master himself, as well as by some of Britain’s best-loved artists, including William Hogarth, James Abbott McNeill Whistler, Eduardo Paolozzi and John Bellany.

Foreword; Introduction; 1 Rembrandt’s Fame in Britain, 1630 1900: An Overview- Christian Tico Seifert; 2 Rembrandt and Britain: The Modern Era – Patrick Elliott; 3 ‘The Finest Possible State’: Cataloguing and Collecting Rembrandt’s Prints, c.1700 1840 – Stephanie S. Dickey; 4 From Studio to Academy: Copying Rembrandt in Eighteenth-century Britain – Jonathan Yarker; 5 Regarding Rembrandt: Reynolds and Rembrandt – Donato Esposito; 6 Rembrandt: Paragon of the Etching Revival – Peter Black; 7 Rembrandt and Britain: A ‘Picture Flight’ in Three Stages, 1850 1930 – M.J. Ripps; Catalogue; Bibliography.

“Wide-ranging and extremely well illustrated, this authoritative yet accessible book is a must for anyone interested in the Antarctic.” – Sir Ranulph Fiennes. “Richly illustrated and expertly written, this book reveals our least known continent in all its power and glory.” – Michael Palin. The Antarctic is the last continent: the last to be discovered, the last great wilderness and the last to be mapped – making it arguably the least known place on Earth. The continent’s contemporary significance lies in its importance as a sensitive part of the global environmental system, influencing sea levels and ocean-current circulation in a warming world – but the history of the continent, be that geologic, or in relation to human ecology, is just as vast and fascinating. The Continent of Antarctica is a richly illustrated account of the Antarctic continent, covering the physical environment, biology and history, as well as examining the future and environmental implications for the rest of the planet. The book draws on the authors’ own experiences during many seasons of fieldwork on the continent and surrounding oceans. They use photographs and images from their own extensive and continent-wide collections and from the world-renowned archives of the Scott Polar Research Institute. Almost entirely wild and unspoiled this cold and remote land is clearly an inspiration to these authors and all who have visited it. The Antarctic continent is crucial for understanding and monitoring climate change and in this comprehensive tome one can see a considered and learned argument for preserving the world’s last true wilderness.

Norman Hartnell (1901-1979) was a uniquely British genius. For nearly sixty years he was a major personality in the world of fashion. By the mid 1930s, Hartnell’s meteoric rise to fame resulted in London becoming a centre of style that closely rivalled Paris. Known for glamorous evening clothes, Hartnell augmented his early design successes by creating a series of stunning wedding dresses for his younger society clientele. His bridal extravaganzas culminated in the romantic 1947 wedding of Princess Elizabeth to Prince Philip. While Hartnell clients included members of the English upper class as well as the best-known stage and film actresses of the time, it was his royal patronage that assured him a place in history. The famous “White Wardrobe” created for Queen Elizabeth (and photographed by Cecil Beaton) in the late 1930s changed her image forever; the extraordinary coronation robes designed for Elizabeth II in 1953; and the sublimely simple wedding dress he made for Princess Margaret when she was married to Lord Snowdon in 1960 remain iconic to this day. Decades of achievement were rewarded with a Knighthood in 1977. Sir Norman Hartnell became the first of two fashion designers to be so honoured. Hartnell continued to create both daywear and evening clothes for a well-heeled sophisticated clientele until his death in 1979. In Be Dazzled!: Norman Hartnell, Sixty Years of Glamour and Fashion, royal enthusiasts and fashion connoisseurs will be able to examine in greater detail his drawings, vintage photographs, fabric samples and personal scrapbooks that have never been published before.
Norman Hartnell (1901-1979) was a uniquely British genius. For nearly sixty years he was a major personality in the world of fashion. By the mid 1930s, Hartnell’s meteoric rise to fame resulted in London becoming a centre of style that closely rivalled Paris. Known for glamorous evening clothes, Hartnell augmented his early design successes by creating a series of stunning wedding dresses for his younger society clientele. His bridal extravaganzas culminated in the romantic 1947 wedding of Princess Elizabeth to Prince Philip. While Hartnell clients included members of the English upper class as well as the best-known stage and film actresses of the time, it was his royal patronage that assured him a place in history. The famous White Wardrobe created for Queen Elizabeth (and photographed by Cecil Beaton) in the late 1930s changed her image forever; the extraordinary coronation robes designed for Elizabeth II in 1953; and the sublimely simple wedding dress he made for Princess Margaret when she w

Design on the High Seas is an autobiographical account of the architectural design work of Joseph Farcus, which charts his career as an architect who eventually found his way into the cruise-ship industry, in the early days of what is now a truly global business in more ways than one. His works reflects a hard-earned disciplined practice that has helped to foster sophisticated designs for the billion-dollar cruise-ship industry. Many of the projects featured in the pages of this book reflect the beautiful ships of Carnival Cruise Lines, the world’s leading cruise-ship company, as well as those of the celebrated Costa Cruises.

The volume combines spectacular full-color photography, original sketches, and a compelling, first-person narrative to showcase Farcus’s spectacular journey. The author shares anecdotes from his childhood, his university days and his early career, giving an insight into what inspired the architect he was to become – and explaining how the astronomical success of the Carnival Cruise Lines is due in no small way to his product-defining designs. Indeed, millions of passengers have enjoyed memorable and meaningful experiences aboard his works. This is a fascinating and unique account of an architectural designer’s journey, and it will appeal to a broad readership: those who love to sail, those with a passion for boat design, as well as businesspeople of all backgrounds who wish to learn the story behind a leisure industry powerhouse.

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

“…many famous names have stepped in front of his camera, captured quickly in his distinctive, clean style, with the images featuring in magazines and newspapers, galleries and exhibitions, and even earning him an MBE from Queen Elizabeth II for services of his photography.” – Chris Anderson, Air Magazine

“Andy’s contact-sheets give us what feels like a VIP pass to spend time with his subjects. We see their beauty, their flaws, charisma, humanity and even a glimpse into their thoughts and process. We see the person in these people and are touched by their being.” Kylie Minogue

“Above all Andy Gotts allows his subjects to shine through, untouched. His artistry does not come afterwards, in Photoshop and all the supposedly flattering trickery technology has taught us to expect. His skill is there in each frame, each moment, in the relationship he has built with his sitter, no matter how short a time they have shared, and the trust he has engendered in them because he is, quite simply, a good man. Anyone who encounters him can sense immediately his openness and kindness and I think this book is most of all a testament to those qualities.” Alan Cumming

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

A 90-second shoot with Stephen Fry in 1989 launched the career of Andy Gotts, photographer to the stars. Through grift and graft and raw, honed talent, Gotts has become one of the most in-demand celebrity photographers working the circuits of Hollywood, British media, and the music industry. Gotts’s dramatic black-and-while style turns faces into artworks of shadow and light, while his color portraits capture his subjects’ ineffable humanity.

For the first time Andy Gotts reveals the incredible depth of his archive, showing his most famous portraits and many rare images alongside. The book focuses on Andy’s contact sheets, which reveal the process behind capturing the perfect image. Accompanying texts from Andy shed light on his craft and delve into the stories behind these captivating photographs. This really is the definitive, career spanning book, produced to the highest standards.

The book also contains personal testaments from a cross-section of the celebrities who Gotts has worked with: Alan Cumming, Gene Simmons, Ian McKellen, Jeff Bridges, Kylie Minogue, Michael Caine, Peter Capaldi and Simon Pegg.

“Who better to supply us with our first comprehensive historical survey than the wine writer with the magic pen, Hugh Johnson?” – Jancis Robinson MW

Hugh Johnson has led the literature of wine in many new directions over a 60-year career. His classic The Story of Wine is his most enthralling and enduring work, winner of every wine award in the UK and USA. It tells with wit, scholarship and humor how wine became the global phenomenon it is today, varying from mass-produced plonk to rare bottles fetching many thousands. It ranges from Noah to Napa, Pompeii to Prohibition to Pomerol, gripping, anecdotal, personal, controversial and fun. This new edition includes Hugh’s view on the changes wine has seen in the past 30 years.

In his Foreword the celebrated historian Andrew Roberts writes: “The genius of The Story of Wine derives from the fact that it is emphatically not a dry-as-dust academic history – there are dozens of those – but an adventure story, full of mysteries, art and culture.”

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

“The photos here are undeniably spectacular — but the exploration of the costume ball’s history is worth sticking around for, too.” —Natural Diamonds

Tiaras have always inspired a great fascination and the most beautiful and influential women have been painted, photographed and admired whilst wearing them. Even in the 21st century they are still worn and continue to inspire special poise, elegance and sophistication.
This lavishly illustrated book includes exclusive photographs, many reproduced for the first time, of a variety of Royal tiaras together with those of French and Russian Imperial provenance, including four stunning tiaras designed by Prince Albert for Queen Victoria. Geoffrey Munn has also been granted privileged access to the archives of many famous jewelers, including Boucheron, Cartier, Van Cleef and Arpels and Fabergé, for his research.
The regal images of some of the most prestigious jewels in the world will captivate the reader and ensure turning the page to the next enticing image becomes irresistible. Many of these mesmerizing tiaras also have great historical significance and their provenance is fully explained here. Among the contemporary pieces referred to are tiaras belonging to Jamie Lee Curtis, Vivienne Westwood, Elton John and Madonna, that were made by Galliano, Slim Barratt and Versace.
The scholarly text, which incorporates more than 400 illustrations, includes chapters on tiaras as crown jewels, Russian style tiaras, tiaras as works of art and the relationship between the tiara and the costume ball. Tiaras – A History of Splendour is a magnificent work that will enthral all those interested in fashion and style, jewelry, European history and Royalty.
“… beautifully written and magnificently produced… for anyone interested in social history, it’s as good a read as you are likely to have this year.” Daily Telegraph
“A truly majestic book” Antiques Info
“… elegantly melds social history, fashion criticism and an appreciation of the jeweler’s art.” Town & Country

Authors Dave Doroghy and Graeme Menzies take you to find the cool, the quirky, and the unusual places hidden in Victoria amidst the unique architecture and glorious outdoor scenery.

Visit the place where author Rudyard Kipling slept. Explore Canada’s largest ant farm. Answer the call of nature in a pub’s haunted loo. Or take a date to a secluded, waterfront fish-and-chips shop. See the world’s tallest freestanding totem pole.

If it’s history you’re after, consider that James Cook was the first non-indigenous person to set foot near here in 1778. Later, the Hudson’s Bay Company established the spot as a trading post, naming it Fort Victoria after the reigning British queen. Vestiges of the old British Empire can still be spotted in the majestic colonial buildings in the inner harbor, the red double decker buses on its busy streets and the occasional old fashioned British telephone booths. God Save the King!

Must form still follow function, as Martin Gropius, Le Corbusier, and their followers proclaimed? Dysfunctional invites a reconsideration of the conventional relationship between artistic expression and functionality. In an exhibition organized by the Carpenters Workshop Gallery in the stunning setting of the Ca’d’Oro in Venice, site-specific works by 17 established and emerging artists explore the boundaries of art, architecture, and design. These contemporary artists draw on the rich heritage of Venetian craftsmanship and the museum’s exceptional collection of Italian masterpieces to create a meaningful dialogue about the 20th century mantra of form following function. With work located in the realm between craft and art, each of the artists in the show challenges preconceptions about what is beautiful and what is useful, what is historical, and what is modern. Included here are site-specific installations and furniture-sculpture by Nacho Carbonell, Studio Drift, Vincent Dubourg and Virgil Abloh, organic benches by Wendell Castle and Mathieu Lehanneur, and inhabited clocks by Maarten Baas, among others.