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Edinburgh is rightly celebrated for its famous historical and cultural attractions. But for the discerning visitor it has much more to offer away from the well-worn tourist trail. This book takes you to hidden corners and secret sights in this city of contrasts, exploring fascinating locations unknown even to most residents, and revealing unexpected aspects of some familiar local landmarks. Marvel at a unique underground temple hewn out of the living rock; learn how a world-famous illusionist came to be buried here – with his dog; find out why the city council once commissioned an enormous electric blanket; look out for the ordinary Edinburgh post box with an explosive history. Discover the human stories behind a wide range of places, both exceptional and commonplace, bringing to life the greatly varied cityscape where people have been leaving their mark for at least 5,000 years.

Welcome to the home of Wallace and Gromit, and Blackbeard and Banksy. Bristol is where the world’s first solid chocolate bar was created (Ribena was also invented here) and you can still watch delicious chocolate creations made by modern day Willy Wonkas. The city has a hidden castle (you just need to know where to look) and secret vaults underneath the Clifton Suspension Bridge only rediscovered recently after being hidden for more than 100 years. Climb inside these vaults, or into the cockpit of the final Concorde to fly or ride your skateboard in what used to be a swimming pool. If water is your thing, you can surf guaranteed waves at an inland surfing lake or take a trip in a boat that used to fight fires. Science and art collide at We The Curious, which has the UK’s only 3D planetarium.

If you think you know Bristol, think again. Allow this book to be your guide to Bristol’s best bits for kids.

Fully revised and updated edition, now in full color and with two new chapters: Brunoy and Parc Saint Cloud.
The spectacular medieval castle where Henry V died, Napoleon’s private château, dancing in fifties guinguette cafés, a Victorian gunpowder factory – these are just some of the unexpected delights discovered by Annabel Simms just half an hour from Paris.
Following the format of her small classic, An Hour from Paris, and written with the same delight in the little-known treasures of the Île de France, the revised edition of Half an Hour from Paris now presents twelve new destinations easy to reach from central Paris, each with a carefully planned walk, ample meanderings through the cultural, historical and social milieu, comprehensive practical information and clear, detailed maps.

Michael Coffey: Sculptor and Furniture Maker in Wood unsettles the conventional distinction between craftsman and artist, which is often assumed to be the difference between creating something new, as opposed to reproducing old forms. Inspired by but not beholden to artist-craftsmen such as George Nakashima, Wendell Castle, and Jack Rogers Hopkins, Coffey’s handmade, one-of-a-kind works seamlessly combine the irregular forms of nature, an aesthetic built on the variable and unexpected, with a deep sense for the haptic and functional qualities of wood. This book includes not only a generous reproduction of Coffey’s body of work, but also an in-depth autobiographical reflection on how his formative experience, from his rural and bohemian childhood to community organizing, and to the discovery of his passion for woodworking, molded him into the sculptor and artisan he is today.

Coffey makes all his work in his western Massachusetts studio, deeply integrating his life and practice. This reflects the work itself, as this book makes clear, Coffey’s pieces that are both uniquely sculptural but also highly functional, recognizing the complex relationship people have with the objects they choose for their space. His pieces are meant to be lived in.

Mixing Roman and medieval roots, Chichester sits at the heart of a storied landscape where South Down hills dotted with idyllic hamlets ripple back from a shoreline mixing wild dune-backed beaches with old-school seaside resorts. Reminders of smuggling and war add spice.

But a thrilling thread of modernity runs through this slice of West Sussex too. Chichester’s modernist Festival Theatre provided the foundation for London’s National Theatre, while masterpieces of contemporary architecture that draw admirers from around the world include Sea Lane House in East Preston and The White Tower in Bognor Regis.

Evocative ancient memorials abound. Chichester is blessed with the only English cathedral visible from the sea, while England’s largest castle rises above the ravishing – and cosmopolitan – riverside town of Arundel. Ancient yew trees mark the burial spots of Viking warriors in an idyllic Downland spot. And it’s a land vibrant with creative imprints: poets, painters, composers, from Blake and Keats to Joyce and Chagall.

This guidebook takes you exploring Chichester and its surroundings to find incomparable natural beauty, hidden secrets, astonishing history, art of all kinds, and much more. 

For the past five years, the Domaine de Chaumont-sur-Loire has been organizing Quand fleurir est un art (The Art of Flower Arranging), a captivating event where renowned flower artists and designers from around the world unleash their creativity in the majestic rooms of the castle, creating stunning arrangements ranging from the most daring to the most classic. The Château de Chaumont-sur-Loire’s previous (and last private) owners, the Prince and Princess de Broglie, were avid plant enthusiasts. They took pride in their impressive collections of orchids and exotic green plants, which earned them numerous awards in horticultural competitions during the Belle Époque. Today, the Domaine de Chaumont-sur-Loire is committed to carrying on this rich legacy, inviting talented floral artists to showcase their artistry and expertize, creating a harmonious fusion of art and nature in the pursuit of beauty. This book offers a nice overview of some of the best creations that were on view during the event. Discover some of the amazing designs made by renowned floral designers such as Makoto Azuma (J), Clarisse Béraud (F), Timo Bolte (D), Rudy Casati (I), Tomas De Bruyne (B), Sébastien Dossin (B), Frédéric Dupré (F), Max Hurtaud (B), Pascal Mutel (F), Julian Paris (F), Gilles Pothier, Charline Pritscaloff (F) and the École nationale des Fleuristes de Paris (F).

Text in English and French.

The name Johann Joachim Kaendler (1706–1775) is closely entwined in the 18th century with the golden age of the Meissen Porcelain Manufactory. His exceptional artistic talent, coupled with craftsmanship, enabled him to capture the daily life of the nobility in their palaces and residences in numerous figures and groups. In doing so, he did not limit himself to official events but reflected tastes and aspirations as well as current trends. In the publication Magnificence of Rococo impressive porcelain figurines from top-class European private collections are brought together for the first time: on over 300 pages, these magnificent, often unique objects provide insights into courtly life of the Baroque and Rococo periods.

The Languedoc is a land of mountains, sea and Cathar castles in the south of France. For much of its history the region has also been seen as the home of rustic table wines with no international reputation. However, over the last 40 years the wines have improved enormously, with innovations in both vineyards and cellars, helped by the development of appellations and IGPs recognizing the individuality of its different areas. Now boasting more than 2,500 wine producers, the Languedoc has attracted interest from around the world, thanks to its affordable land and exciting creative possibilities.

The Languedoc is best known for its spicy reds, often made from one or more of the classic quintet of varieties, Carignan, Cinsaut, Grenache Noir, Mourvèdre and Syrah. However, it is also gaining a reputation for its whites, with the coastal appellation Picpoul de Pinet in particular seeing a rise in popularity, and for its rosés, producing twice as much as its fashionable neighbor Provence. The Languedoc is also home to the world’s oldest sparkling wine, Blanquette de Limoux, and to vins doux naturels in the form of delicious, sweet Muscats.

It is in the twenty-first century above all that the Languedoc has really found its place among the great wine regions. Here, Rosemary George MW profiles a selection of those producers who have made and continue to boost the region’s reputation. Some are newcomers, while others are inheritors of family businesses, many of whom have studied oenology or learned winemaking elsewhere. All are passionate about what they do, continuing to improve their wines with every vintage. 

The Languedoc is one of the world’s largest and most exciting wine regions, making Wines of the Languedoc essential reading for professionals and enthusiasts alike.

Wines from Côte-Rôtie, Hermitage and Châteauneuf-du-Pape have made the Rhône Valley world famous. This may be a classic wine region, but as Matt Walls reveals in Wines of the Rhône that doesn’t mean it is set in its ways. Change here is not only driven by innovations in winemaking and fashions in wine, it is also an essential response to a rapidly shifting climate, which has seen temperatures rise significantly over the last 40 years and extreme weather events become more commonplace. Walls provides a rounded picture of this large and complex region, which varies greatly along the 200-kilometer stretch of river, from Vienne in the north to Provence in the south. Beginning with a vivid journey through the terrain, he explores one of the region’s constants, its varied geology, before moving on to the pressing issue of climate. A short tour through the Rhône’s winemaking history, from early Greek settlers to the modern industry, is followed by vignettes of all the AOC-permitted grapes and an explanation of the five levels of the region’s appellation system. Walls encourages readers to venture beyond the famous crus, making it easy for those eager to explore by detailing the terroir of every appellation and describing and assessing typical wines. Profiles of 200 key producers complete the picture. Boxes throughout the text provide interesting asides on current issues as well as key appellation facts, while an appendix on ageing wines offers a guide to the last 40 vintages. This comprehensive examination of a renowned region is an ideal introduction for those new to the Rhône, while providing fresh insights for long-time admirers of the wines.

Explore deep into the heart of Phoenix to find its best kept secrets, natural wonders, and inspiring people – not to mention a few ghosts – and discover the Western charm that still permeates the culture here. Visit a mystery castle, a gleaming white pyramid on a hilltop in Papago Park, and a curiosity shop on 7th Avenue. You can stargaze on horseback or at the top of a spiral tower resembling the Milky Way. Offer your respects at one of the numerous sites honoring the USS Arizona and the famed Navajo Code Talkers. Revel in the sight of Frank Lloyd Wright architecture, find true beauty beneath a gorgeous peacock staircase, and ponder why a giant robot is reading a book instead of tapping on its smartphone. From the world’s tallest Kachina doll to sharks in a toilet, Phoenix is a haven for those who are adventurous and have a passion the Wild West of yesterday and today.

Belgian interior architect and art historian Anne Derasse, renowned for her prestigious projects in Belgium and abroad, reveals the philosophy of her creations. Her companion, the photographer and artist Jörg Bräuer, captures the atmosphere emanating from these architectures through his superb images. The highly regarded wine château of Calon Ségur in the Médoc, the Delvaux flagship store in Brussels, the Ancienne Nonciature, her base, and the castle of Montmoreau, their lair in the South Charente, reveal her style combining history and contemporaneity, in a refinement and sophistication imbued with sobriety. The choice of works of art completes her artistic approach. “I seek to capture and preserve the soul of places, this intangible anchor point between human history and the passage of time. I wish to magnify the worlds of life and re-enchant everyday life to bring well-being, tranquility, and felicity to the people who entrust their projects to me.”

Text in English and French.

A short story by Strega-award author Tiziano Scarpa accompanies cutting-edge porcelain work. Once again, historical women artists fetch a premium under the auctioneer’s hammer for Simone Facchinetti. A Dolce & Gabbana show spotlights Sicilian handicrafts, as Pietro Mercogliano tells us. The untutored, intuitive Franco-Tuscan artist Élisabeth Chaplin painted glowing portraits of her home, her family, and herself, by Cristina Nuzzi. Antony Shugaar narrates the feats of the starchitect of her time, Julia Morgan, who shaped Hearst’s Castle. Sylvia Ferino-Pagden describes how the selfies of the 16th century were advertisements for the work of Sofonisba Anguissola. Luísa Sampaio narrates René Lalique’s work as a jeweler, before he turned to glass. Rafael Barajas Durán lays out the political theory underlining Surrealism in the work of Remedios Varo. And Giorgio Antei tells the tale of the statesmanship and horseflesh haggling behind the two wives – a Savoy and a Farnese – of Spain’s Philip V.

Edinburgh is rightly celebrated for its famous historical and cultural attractions. But for the discerning visitor it has much more to offer away from the well-worn tourist trail. This book takes you to hidden corners and secret sights in this city of contrasts, exploring fascinating locations unknown even to most residents, and revealing unexpected aspects of some familiar local landmarks. Marvel at a unique underground temple hewn out of the living rock; learn how a world-famous illusionist came to be buried here – with his dog; find out why the city council once commissioned an enormous electric blanket; look out for the ordinary Edinburgh post box with an explosive history. Discover the human stories behind a wide range of places, both exceptional and commonplace, bringing to life the greatly varied cityscape where people have been leaving their mark for at least 5,000 years.

In this increasingly globalized, modernized, interconnected world, what can we learn from the first temples and burial sites built by our ancestors? This handbook brings some of the muddier, forgotten aspects of our shared history to life, offering a compelling insight into the origins of British cultural identity and a reminder of our deep-rooted connection to the earth.

Mixing Roman and medieval roots, Chichester sits at the heart of a storied landscape where South Down hills dotted with idyllic hamlets ripple back from a shoreline mixing wild dune-backed beaches with old-school seaside resorts. Reminders of smuggling and war add spice.

But a thrilling thread of modernity runs through this slice of West Sussex too. Chichester’s modernist Festival Theatre provided the foundation for London’s National Theatre, while masterpieces of contemporary architecture that draw admirers from around the world include Sea Lane House in East Preston and The White Tower in Bognor Regis.

Evocative ancient memorials abound. Chichester is blessed with the only English cathedral visible from the sea, while England’s largest castle rises above the ravishing – and cosmopolitan – riverside town of Arundel. Ancient yew trees mark the burial spots of Viking warriors in an idyllic Downland spot. And it’s a land vibrant with creative imprints: poets, painters, composers, from Blake and Keats to Joyce and Chagall.

This guidebook takes you exploring through Chichester and its surroundings to find incomparable natural beauty, hidden secrets, astonishing history, art of all kinds, and much more. 

Building on themes from his acclaimed monograph The Silence of the Lens, artist David Claerbout’s latest work, The Woodcarver and the Forest, explores the delicate interplay of creation and destruction, solitude and connection. Set against the evocative backdrop of Kasteel van Gaasbeek, a mesmerizing video installation seamlessly blends stillness and motion, offering a profound meditation on time, patience, and our deep, intricate bond with the materials we shape. In addition to the new film, the book presents a curated selection of David Claerbout’s works, seamlessly integrated into the historic rooms of Kasteel van Gaasbeek. Set against the backdrop of a vast forest, the castle’s rich 19th-century neo-style architecture, adorned with intricate woodwork, creates a dialogue between past and present, craftsmanship and nature.

Text in English, French and Dutch.

The Willett Collection is unique. It is the only collection formed to illustrate what 19th century businessman Henry Willett called ‘popular British history’. The collection of nearly 2,000 items is arranged here in chapters corresponding to Willett’s own cataloguing system. Many of the groupings commemorate historical events and personalities, such as ‘Royalty and Loyalty’, its content running from the Tudors through to Queen Victoria, and ‘Statesmen’, with its ceramic representations of Disraeli and Gladstone. Other chapters focus on social history, from the grisly murder in the Red Barn to bull baiting, pugilism, animal husbandry and teetotalism.
Stella Beddoe’s engaging, informative text places each item in context, exploring the maker and the subject matter depicted. The introduction on Henry Willett the man reveals the life that spawned such a diverse, irreplaceable collection of ceramics. The items, depicted in more than 800 colour illustrations, comprise hollow ware and flat ware, ornamental busts and figures, dating from the late sixteenth to the late nineteenth centuries. They represent a complete range of ceramic bodies and manufacturing technology. 
“This historically important tome is a stunner from the off, the resplendent glittery hardback exterior merely teasing at the delights within… ‘The End Is Near’ is an indispensable collection of images from a unique rock ‘n’ roll moment, beautifully presented.” – Phil Singleton. God Save the Sex Pistols.
Christmas Day 1977, a day to be spent with family and loved ones, unless of course you’d decided to spend it with The Sex Pistols.
The punk band, at the center of a tabloid frenzy and banned from just about every venue in the country, had booked themselves into a small club in Huddersfield to perform a benefit in support of striking West Yorkshire fire fighters.
That evening, the band took to the stage to perform what would become their final UK gig. There to capture the chaos was photographer Kevin Cummins. No stranger to The Sex Pistols, he’d been there at that gig at Manchester’s Lesser Free Trade Hall just 18 months previously. Kevin incurred the fury of his own family to forgo Christmas in order to travel across The Pennines to document the event.
Every frame Kevin shot is here, for the first time, in this book of more than 150 color and black and white photographs, each beautifully capturing Johnny Rotten, Sid Vicious, Steve Jones, and Paul Cook as they play together for the last time in their home country. Just weeks later The Pistols would break up and a year later, Sid would be dead.
“You’ve had the Queen’s speech. Now you’re going to get the Sex Pistols at Christmas. Enjoy.” – Johnny Rotten

“Terry was everywhere in the 60s – he knew everything and everyone that was happening” Keith Richards

“Terry O’Neill rates rightly as one of the best photographers in the world. He captures something special” Sir Michael Caine

“When it comes to photographic legends there can be few more prolific or revered than Terry O’Neill, the man who shot the greats.” VOGUE

“This sumptuous collection of portraits, taken over six decades, represents the best of his memorable career and should grace every coffee table in the land” The Daily Mail

“I’ve been repeatedly asked to write my autobiography – I have seen an awful lot of famous people at their best and worst – but I’m not interested in making money trading their secrets or mine. I want my pictures to tell a story not sell a story.” Terry O’Neill

Terry O’Neill is one of the world’s most celebrated and collected photographers. No one has captured the frontline of fame so broadly – and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history.

Now, for the first time, an exhaustive cataloging of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years. Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious – from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O’ Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives.

Add to that the magazine covers, album sleeves, film poster and fashion shoots of 1,000 stars, and Terry O’Neill – comprises the most compelling and epic catalog of the age of celebrity. Terry O’Neill has worked for the most prestigious magazines in the world including Time, Newsweek, Stern, Bunte, Figaro, The Sunday Times, Vanity Fair, People, Parade, Vogue and many others. And his award launched to showcase the work of young emerging photographers is now one of the most highly prized global competitions in art. The Royal Society of Arts has honored him with the rare Centenary Medal for his lifetime achievement. Only a dozen have ever been awarded in recognition of ‘outstanding contributions to the art and science of photography.’

Iain R Webb’s Postcards from the Edge of the Catwalk is a personal photographic portfolio spanning three decades that documents the glittering brouhaha surrounding the ready-to-wear and haute couture fashion collections in New York, London, Milan and Paris. The photographs, snapped by the award-winning fashion journalist from the insider vantage point of his front row seat and invite-only parties, capture a world of show-stopping creativity and inspirational individual style.

Weimin He’s 324 ink drawings, pen sketches and woodblock prints comprise an intimate record of the progress of construction in the newly designed Ashmolean Museum that opened late last year. An unusual approach to documentation in the age of digital photography, the catalogue provides a delightful experience for readers who will never set foot in the Ashmolean.

Weimin has drawn workers lifting roof beams, welding metal rods and pouring cement into the mixer. He gives us behind-the-scenes portraits of museum personnel, making each individual come alive, for example, an objects conservator at her work and a researcher in the prints room at his. An artist-in-residence at the museum and an art scholar, Weimin employed Chinese drawing and woodblock printmaking methods. His portraits were drawn on pi, xuan papers or album leaves, with Chinese brushes and inks that have been used for over a millennium. Seven of the prints and the catalogue were presented to Queen Elizabeth for the museum’s opening.

From the Belle Époque to the 1960s, jewelry from the Parisian firm Lacloche Frères adorned over four generations of crowned heads, including Queen Victoria of Spain, the Duchess of Westminster, the kings of Greece and Siam, and Grace Kelly. Founded in Paris in 1901 by three brothers, Lacloche Frères sold jewelry created by the best Parisian workshops, including Strauss Allard Meyer, Verger, Helluin-Matlinger, and Langlois, and was renowned for its elegant designs and exquisite workmanship. Their tiaras, bracelets, pins, clocks, and ladies’ accessories (vanities, cigarette cases) embodied the spirit of Art Nouveau and Art Deco, and are some of their best-known pieces. This is the first monograph to trace the dazzling history of the Lacloche family business, and includes an extraordinary album of gouaches that recreates the 21 clocks and 63 pieces of jewelry from their award-winning booth at the 1925 Paris Exhibition des Arts Décoratifs.

Text in English and French.

The Darnley jewel, a masterpiece of the goldsmith’s art on display at Edinburgh’s Holyrood Palace, has been deemed a love token, but has also been labelled an emblem of political ambition. Taking the shape of a heart, the jewel was produced at a moment (1565-75) when such objects worn by courtiers were a primary means of asserting status and proclaiming allegiances. With a deep medieval history – originally the fleshly power center of the human body, the seat of the soul, and place of memory and emotion – the heart has many aspects to offer. This book shows how the understanding of the heart changed during the Middle Ages, from spiritual locus of the body, to source of devotion to country, and finally, to the font of love and sentimentality.

Pioneering Edinburgh photographers David Octavius Hill (1802-1870) and Robert Adamson (1821-1848) together formed one of the most famous partnerships in the history of photography.

Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography.

In the space of four and a half years Hill and Adamson produced several thousand prints encompassing landscapes, architectural views, tableaux vivants from Scottish literature and an impressive suite of portraits featuring key members of Edinburgh society.

Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography.

Illustrated with around 100 masterpieces from the Galleries’ unique, vast collection of the duo’s ground-breaking work.