These pages tell the story without words of a journey through Spain in which the author, the photographer Fernando Manso, visited unknown and hidden corners and captured them on the plates of his large-format camera. From the remotest parts of Galicia to those of Almería, he passed through coasts, deserts and mountains, stopping at old churches, ghostly castles or majestic cathedrals, in forests and gorges, at natural pools and salt mines, and at cemeteries, Arab baths and hermitages carved out of the rock.
Fernando has made the light of these places into the leading figure of his journey. His is a different light, as he has relinquished blue skies and brilliant sunshine, often the stuff of clichés, to make way for visions of places that appear to us with such intimate truth that even if we know them, we can barely recognize them. This is thanks to his technique, his art and the patience with which he waits for the light.
Fernando’s luxury is being able to use all the time in the world to draw us into an artistic heritage that is sometimes secret and hard to reach, and which the viewer has to know how to see. He reveals these places, often in danger of disappearing, after detailed investigation. Both architecture and landscape – for he knows that natural scenery is also a major patrimony that has to be affectionately preserved and protected from speculation – belong to all of us, and we are responsible for their care. We must be aware of this.
The result of that trip is this publication, with beautiful images in reproductions of exceptional quality that present us with a vision of Spain in a different light.
For more than two decades, artist Antonio López dragged his painting gear up and down a high tower to finish his panoramic painting of Madrid. It is typical of the Spaniard: the painting process is a way of getting to know the world better, he thinks. By measuring everything extensively and always staying close to his subject, López manages to flawlessly copy reality. But his work never becomes distant or cold.
Although López was once described as “the greatest realist artist” by American art critic Robert Hughes back in the 1980s, his fame in the Netherlands has not yet achieved anything. Until now. This book serves as a Dutch introduction to the life and work of López. We get to know him personally in an interview and find out more about his technique in articles by various Dutch and Spanish authors.
James Seymour (c. 1700-1752) is one of the founders of English sporting art. A lover of the Turf, Seymour specialized in depictions of horses and their riders, particularly at Newmarket between 1722 and 1752. His wonderful paintings and drawings are some of the most important records we have of the early greats, such as Flying Childers, and of the way racing was organized at this early stage.
Richard Wills has studied Seymour for over ten years, and this book is the first ever comprehensive account and catalogue. 130 paintings and 430 drawings, including new discoveries, are included in the book, with over 500 illustrations, many never reproduced before. The introductory essay examines the life of Seymour, whose devotion to the Turf enabled him to gain an unrivalled knowledge of equine anatomy and behavior. Considerable information about the history of racing, and its enrichment through analysis of Seymour’s paintings, is contributed by David Oldrey and Tim Cox.
Molluscs are extraordinary builders; indeed, their architectural skills are almost unparalleled in the animal world. Who among us has failed to marvel at the wonderful structure of the smallest shell picked up on the beach? Some enthusiasts collect them throughout their lives – attracted by their beauty if they are aesthetes, or sought out for scientific purposes, as in the case of Jacques Senders. In this book, Paul Starosta’s spectacular photographs take the reader on a journey through this astounding collection, first started 50 years ago.
These shells, marvels of nature as they are, naturally suggest exotic or futuristic architecture, ancient or Art Nouveau vases, or even precious stones or volcanic rocks, and reaffirm the importance of nature as a source of inspiration for artists and architects. By celebrating the extraordinary variety and architectural refinement of the shells in Jacques and Rita Senders’s collection, the book reveals a world where nature far surpasses human imagination and invention.
At the end of the volume, miniature photographs are accompanied by scientific information on shells, their life, characteristics and different families.
South Africa is the eighth largest wine-producer in the world and its wine industry is among the oldest of the New World. Today it is one of the globe’s most dynamic industries, compact but diverse. In the past decade a new generation of winemakers has breathed life into centuries-old estates and new, boutique brands alike. The Wines of South Africa begins by introducing readers to the history of South African wine, starting with the arrival of the Dutch and the establishment of what would become Cape Town. Clarke then analyses South Africa’s industry today including the geological, geographical, and climatic conditions that create the parameters and potential of South African wine. He describes the major grape varieties and wine styles and outlines the broad range of wines being produced. The book the current infrastructure of the industry paying particular attention to the role of Black and coloured people in the wine industry since the end of apartheid. Key challenges facing the industry are explored, including profitability and the loss of vineyards as farmers switch to higher-margin orchards; environmental concerns, the effects of climate change, and water conservation; and the legacy of apartheid and continued imbalances in the socioeconomic structure of the Western Cape. The major growing areas of South Africa are described in turn, including an explanation of the Wine of Origin scheme, and the most important producers operating in each one.
A hundred years after the fall of the Ottoman Empire, the Museum Fünf Kontinente is showing the special exhibition In trockenen Tüchern! Gewebtes und Besticktes aus dem Osmanischen Reich [A Stitch in Time! Woven and Embroidered Textiles from the Ottoman Empire]. The accompanying publication provides an insight into the different aspects of inhabitants’ life during the Late Ottoman Empire, based on selected textiles and everyday items from the collections of the Museum Fünf Kontinente as well as the private collections of Ther and Middendorf. Together with their rural counterparts featuring woven red and blue patterns, the napkins and hand towels from the 18th to 20th century, artistically embroidered with blossom, fruits, or architectural elements, accompanied people from cradle to grave and bear impressive witness to their craftsmanship. Today these textile objects are a significant part of the cultural legacy of Turkey.
Text in German with partial Turkish translation.
A new edition of the bestselling Every Picture Tells a Story from one of the greatest photographers of the last 60 years, Terry O’Neill. This updated edition includes 32 additional pages of new stories behind some of the O’Neill’s most iconic images.
From the morning he spent with Faye Dunaway at the pool in Beverly Hills, to walking around Vegas with Sean Connery dressed as James Bond, a chance encounter with Bruce Springsteen on the Sunset Strip, to taking Jean Shrimpton to a doll hospital – these are the stories behind the images as only Terry O’Neill can reveal.
“I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying… I just reached out with the letter in my hand and he took it. He opened it, read it… turned to his security men and said, “this kid’s with me.” I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle.” – Terry O’Neill
From The Beatles to the Rolling Stones, Terry O’Neill fast became the photographer of the 1960s. Having an eye – and ear – for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. “I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we’d do next, after all of this was over. By this, we meant the fame, being the ‘new kids of the moment’. Usually, this sort of celebrity doesn’t last. Little did we know that 60 years later, we’d still be at it.” Music led O’Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He traveled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage.
O’Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O’Neill has worked with over the past 60 years is a Who’s Who in celebrity; from film to music, sports to politics. Terry O’Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all.
Based in a historically distinguished town near New York City, the firm of Bentel & Bentel Architects has been led for over 50 years by two generations – men and women – of one family. The interweaving of their experiences, lifestyles, and personal philosophies has produced a uniquely elegant series of works including public buildings, restaurants, and hotels. The buildings are equally notable for their thoughtful relationships to the structures they occupy or adjoin, the communities in which they stand, and the experiences of their intended users. Bentel & Bentel’s accomplishments reflect not only its cumulative design experience but the insights the partners bring to their work from a variety of related activities: painting, sculpture, dance, design of furnishings, architectural history, and education. Reflecting the lives and accomplishments of the firm’s partners, this monograph is composed of three narratives: Who We Are, What We Do, and Who We Were.
This second book in the Aboriginal Arts and Knowledge series documents a body of work created cooperatively by 4 artists: Ted Egan Tjangala, Dinny Nolan Tjampitjinpa, Johnny Possum Tjapaltjarri and Albie Morris Tjampitjinpa. Wamulu, a yellow flower, has traditionally been used during ritual ceremonies in the western desert of Australia. The wamulu flower is gathered, dried, cut up, and mixed with ochre and binders before being applied to the ground. This catalog for an exhibition at the Fondation Opale showcases an exceptional project that took place near Alice Springs between 2002 and 2005, where this collective of artists used paint made from the wamulu flower, which is most often associated with impermanence, to create contemporary and permanent works of art. At the same time, they honored the traditional Aboriginal process of communal performance, participation, and song that emphasizes the link between the present and the past. Includes an interview with the noted Aboriginal art expert Arnaud Serval, who facilitated the work of the collective.
Text in English and French.
In 1933, Virginia Woolf wrote a biography of the poet Elisabeth Barret Browning, told in the first person by her cocker spaniel, Flush. In 1936, to write her memoirs, All the dogs of my life, Elisabeth von Arnim chose to tell the story of the 14 dogs that had accompanied her throughout her life. In 1957, the dachshund Lump arrived at the home of Pablo Picasso, whose life he shared until 1973. This book charts Picasso’s intimate family life, with Jacqueline, Claude and Paloma, and with the animals that populate the villa La Californie, as well as his artistic life. Inspired by these references, this collection (whose title is a nod to Picasso and Lump) takes a look at the lives and works of the great artists and art lovers of the 20th and 21st centuries from the perspective of their relationship with the “dogs of their lives”. These lighthearted, erudite books offer a unique approach to the life and work of Pablo Picasso, Andy Warhol, Peggy Guggenheim and Yves Saint Laurent…
This book brings together over 160 of the finest surrealist artworks by legendary artists including Salvador Dalí, Max Ernst, René Magritte, Joan Miró and Man Ray. The works hail from the four renowned and extraordinary private collections of Edward James, Roland Penrose, Gabrielle Keiller and Ulla and Heiner Pietzsch, and together offer a superb overview of surrealist art.
Ten essays explore the different origins, historical contexts and creative urges behind these collections. Artworks, perhaps more than anything else that one can acquire, are objects of desire and surrealist artworks even more so. The sheer quality of the works acquired (and, in the case of the Pietzsches, still being acquired) is astonishing and, while passionate about their private visions, all the collectors have been mindful of contributing something to the public good.
The collections complement each other to an extraordinary degree and allow us to follow some of the artists’ careers from beginning to end. By uniting them, exciting new juxtapositions emerge along with a fuller and richer picture of the surrealist movement as a whole.
“Offers readers a chance to look again at modern British architecture through the eyes of all sorts of experts.” – Architectural Digest
“Very sophisticated and thoroughly researched.” – Bevis Hillier
“An eclectic selection with an unsurprising bias towards Modernism.” – Design Insider
This is a compact guide to Britain’s best buildings of the last 100 years, with an intriguing twist: the choices come from a wide range of experts with strong and sometimes unexpected opinions. The contributors include architects Norman Foster, Piers Gough, Charles Holland and Richard Rogers; critics and historians such as Elain Harwood, Bevis Hillier, Jonathan Meades, Alan Powers, Alice Rawsthorn and Peter York. Everyone involved contributed their ten choices, and all these lists are reproduced at the end of the book. In the main section featuring 75 key buildings, everything selected more than once is illustrated and examined in more detail.
The result is a fascinating cocktail of undisputed greats and genuinely surprising entries. Alongside the work of Wells Coates, Denys Lasdun, James Stirling and John Outram, you’ll find post-War prefabs, Preston Bus Station and the ruins of St Peter’s Seminary in Cardross. Whether you’re after a slightly unorthodox selection of Britain’s finest modern buildings, or just curious about what major architects and critics consider as their favorites, this book is your ideal guide.
All the following contributed a list of their favorite buildings: John Allan, Stephen Bates, Keith Bradley, Peter Clegg, Nigel Coates, Richard Hywel Evans, Kathryn Ferry, Jenny Fleming, Norman Foster, Piers Gough, John Grindrod, Ivan Harbour, Claire Harper, Elain Harwood, Birkin Haward, Simon Henley, Bevis Hillier, Charles Holland, Owen Hopkins, David Jenkins, Owen Luder, Jonathan Meades, David Nixon, Stefi Orazi, James Perry, Alan Powers, Alice Rawsthorn, Richard Rogers, Jonathan Sergison, Anne Ward, Peter York, Paul Zara.