Empirical evidence is scant and scattered. Between these fragments, historians have filled the voids with legends. Though legends are not evidence per se, they do carry a seed of truth – and hopefully, their incorporation in this volume will inspire new interest in the mystery of the world’s greatest temples. The engineering techniques that allowed ancient civilizations to construct such marvellous edifices have been lost to us for generations. Unfortunately, they have not received the attention they deserve, as relics of human culture and faith. This is especially true for Konark. In The Sun Temple of Konark, the author attempts to separate chaff from grain, utilizing scientific tools and methodologies. The Sun Temple has been recognized as a UNESCO World Heritage Site, and is considered one of the seven wonders of India. This seminal volume is the result of extensive research by the author into not only the history and legends related to the temple, but also the temple structure itself. An engineer and architect by profession, the author examines the temple in great detail. He questions several of the established theories regarding construction in its various stages and forwards his own theories with reasonable conviction. He takes great pains to go into as much detail as possible with regard to each and every portion, monument, and sculpture of the temple. With 415 images and 21 detailed architectural drawings, the book is a treasure trove for any admirer or student of Konark, or a researcher of its art, history, and architecture.

A rich and deeply personal journey into the labyrinth of the Thai past, following spectres and vanished landmarks across present day Bangkok. Chariot of the Sun relates the history of Siam to that of the author’s family story; the Bunnags came from Persia in the early 17th century and through daring, cunning and good fortune were to hold commanding positions of power during the 19th century.

Shane Bunnag’s family saga weaves an ancient prophecy with Siamese history to give us a rich and deeply personal account of both his own family and Thai history.

“Shane Bunnag’s artful merging of text and photographs creates an alternative history of Thailand laced with nostalgia and laden with stories – an evocative, dream-like foray into the past that is both enchanting and enlightening.” – Emma Larkin, author of Finding George Orwell in Burma

“An ever-rising star in the world of photography, Pieter Henket is noted for his accomplished portrait pieces and for his work with celebrities from Anjelica Huston to Sir Ben Kingsley. Having gained worldwide renown for shooting the artwork for Lady Gaga s debut album The Fame, he has continued to break ground with a varied oeuvre that includes landscapes, fashion photography and narrative work documenting Carnaval de Rio. . .In his first book, Stars to the Sun, we chart his diverse disciplines over 172 pages of visionary imagery. As the party comes to town in San Luis, Argentina, Henket takes us on a pictorial journey of the carnival, from the mountainous landscapes of the region to the characters that flood this traditional locale wrapped in feathers and glitter. Both documentary-in his unique cinematic style and artistic endeavour, it evidences Henkets ability to find inspiration in everything from the curve of the rock to the sways of a dancer.” MOJEH Magazine
Every year, there is a huge party in San Luis, Argentina. Thousands of Brazilians are invited to the city to organize a show for the ‘Carnaval de Rio’. To photograph it, Pieter Henket was contacted, one of the ‘hottest’ photographers of the moment. The beautiful photography from Pieter Henket allows the reader to join the party and shows the people behind the show. Combined with the impressive Argentinean landscapes, this book will be a unique document. Text in English, Spanish and Dutch.

Maria Lai (Ulassai, September 27, 1919 – Cardedu, April 16, 2013) is without doubt one of the leading figures in the history of contemporary Italian art. Not only on account of the content of her works, but also thanks to the diversity of her artistic approach, ranging as it does across many media – public art, embroidery, weaving, sculpture, drawing, and writing: all are grist for her poetics. The book is published to coincide with the exhibition at the MAXXI Museum in Rome, which is presenting to the general public over one hundred works by the Sardinian artist, from the early 1960s to her very last works, and explores the various themes dear to the artist with the contributions of experts in their fields: the locations, the creation, and publication of art books, her public art events and her relationship with the written word and her own writing. Her entire oeuvre is distinguished by its powerful visual impact, revealing a ‘way of doing art’ that is nothing other than an instrument of thought. The book’s structure reflects the exhibition’s own sections, arranged by theme, whose titles are paradigmatic of Lai’s oeuvre as a whole: Essere è tessere. Cucire e ricucire; L’arte è il gioco degli adulti. Giocare e raccontare; Disseminare e condividere; Il viaggiatore astrale. Immaginare l’altrove; L’arte ci prende per mano. Incontrare e partecipare.

Published to accompany an exhibition at the MAXXI Museum, Rome, 19 June 2019-12 January 2020.

Text in English and Italian.

Italian artist Ugo Rondinone was invited by the Musee d’Art et d’Histoire (MAH) in Geneva to curate a show that invites a dialog between his work and the works in the permanent collection. The show he created centers around two emblematic figures of 19th and 20th century Swiss art – Felix Vallotton and Ferdinand Hodler – and considers the importance of love and desire in our relationship with art and creation. This book documents the museum’s halls and the exhibition, which includes works by Rondinone and art from the MAH Collection.

Text in English and French.

Tuscany, with its rolling hills and gorgeous villas, its ancient towns and villages, is nirvana for wine lovers. The Smart Traveller’s Wine Guide tells you all you need to know to get the most out of your stay, from the centuries-long history to the best wineries to visit, the trattorias of Montalcino and the lesser-known delights of Bolgheri. We explain what makes a SuperTuscan, decipher Tuscany’s wine classification system, and send you on journeys of discovery down the sun-dappled byways of Italy’s most seductive wine region.

Maria Lai always had a special relationship with fairy tales. She considered them a metaphor for art and a way of communicating with the public in a simple, straightforward way. Starting in the 1980s, fairy tales became central to her art. Tenendo per mano il sole, Tenendo per mano l’ombra, Curiosape and Maria Pietra, are her most famous “sewn fairy tales” – books created by the artist using castoff textiles.

Maria Lai’s fairy tales are not merely children’s stories, but profound reflections on life and what it means to be a human being. They are often inspired by Sardinian myths and legends, to which the artist gives a personal twist, adding autobiographical details and philosophical reflections.
This edition of Tenendo per mano l’ombra is a printed version of Maria Lai’s 1987 tale. The original consists of fabric pages sewn together and collages of dyed textiles, on which the artist has embroidered geometric figures, yarn and other materials. The fairy tale tells the story of a human being (and his double) who must learn to accept shadows, the dark part of the world and of himself. The figure’s shadow, in Maria Lai’s fairy tale, is not a negative element to be rejected, but an integral part of his personality. To live an untroubled and complete life, one must learn to accept and live with it.

Elena Pontiggia’s concluding essay accompanies the reader in a fascinating page by page interpretation of the fable, and discusses Lai’s artistic and stylistic approach in the context of an extensive network of philosophical, literary and artistic references: from Kant and Manzoni to Klee and Malevič.

Text in English and Italian.

Much of what is written about wine, whether in wine books, on bottle labels or in the Sunday supplements uses language that gives wine an air of mystery. While compelling and enticing for the consumer this can also lead to confusion regarding the science of wine as well as fear on the part of the inexperienced wine drinker of ‘getting wine wrong’. In The Cynic’s Guide to Wine Sunny Hodge strips wine back to its basic science and unravels the facts behind wine flavors, showing readers a clear path through the verbiage. The text takes in elements of horticulture, soil science, botany and sensory science as well as oenology and is provided in bite-sized chunks aimed at the curious non-scientist. This is a straightforward and eye-opening book for anybody who has ever wanted to question the stories told around wine but was afraid to ask. 

• The wine book all novice wine drinkers need: strips away the pretension and explains what really matters when it comes to producing the flavors in your glass of wine.
• Questions many of the things we take for granted when it comes to wine, from terroir to the science of winemaking.
• Author is the award-winning owner of two London wine bars who has earned a reputation as a disruptor in the wine trade.

“Who better to supply us with our first comprehensive historical survey than the wine writer with the magic pen, Hugh Johnson?” – Jancis Robinson MW

Hugh Johnson has led the literature of wine in many new directions over a 60-year career. His classic The Story of Wine is his most enthralling and enduring work, winner of every wine award in the UK and USA. It tells with wit, scholarship and humor how wine became the global phenomenon it is today, varying from mass-produced plonk to rare bottles fetching many thousands. It ranges from Noah to Napa, Pompeii to Prohibition to Pomerol, gripping, anecdotal, personal, controversial and fun. This new edition includes Hugh’s view on the changes wine has seen in the past 30 years.

In his Foreword the celebrated historian Andrew Roberts writes: “The genius of The Story of Wine derives from the fact that it is emphatically not a dry-as-dust academic history – there are dozens of those – but an adventure story, full of mysteries, art and culture.”

Sharing this story was not something that Christopher Capozziello ever set out to do, but, over the years, one picture has led to another and a story has emerged. Capozziello says, “The time I have spent with my brother, looking through my camera, has forced me to ask questions about suffering and faith and why anyone is born with disability. Nick has cerebral palsy. Taking pictures has been a way for me to deal with the reality of having a twin brother who struggles through life in ways that I do not.” Capozziello’s photographs take us on a journey through his worries and inquiries, ending his debut book with a different sort of question: what comes next? Part two of the book is a journey he and his brother take across the United States. The work has been shown throughout the United States and has won 33 national and international awards. “The collection, titled The Distance Between Us, is both a brother’s touching tribute and Capozziello’s attempt to come to terms with the reality his brother lives and one from which he happened to be spared”. The Mail

The Lake District delights its visitors with a series of superlatives: England’s largest national park, highest mountain, deepest lakes and now a new World Heritage status. One of Britain’s best-loved and most visited locations unveils its secrets. This unusual guidebook explores 111 of the area’s most interesting places, it leaves the well-trodden paths to find the unknown: marvel at a stained glass window which inspired the American flag, let others flock to Hill Top while you explore Beatrix Potter’s holiday home, walk through ancient forest to talk to fairies and swim with immortal fish. Pause to wonder at a stunning lake where a President proposed, view a constellation of stars like nowhere else, find out why exotic spices are used in local cuisine.

“A jewel of Baroque architecture, the Castelluccio Palace is the spotlight of a beautiful book retracing its history, its long restoration and its precious ornaments. These photographs reflect the Sicilian Golden Age.” —Fanny Guenon des Mesnards, AD France

“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”—Italian Vogue

“A Palace in Sicily: A Masterpiece Restored doesn’t just pull back the curtain on the finished palace, it details the four-year-long process through an elaborate array of photos…” —Architectural Digest, and Yahoo

With its sun-drenched sands and Mediterranean waters, Sicily has been a favored destination of travelers for centuries. History is alive on this island, from ancient accounts of the Greeks, Romans, Arabs and Normans; to the journals of wealthy young European men embarking on the Grand Tour. This book captures the sun-steeped aesthetic of the island, while detailing the restoration of one of its finest attractions: the Di Lorenzo del Castelluccio palace.

Marquis de Castelluccio was one of the last “servals” or “leopards” of Sicily – wealthy aristocrats who flooded the island with luxury. Following his death, his home fell to ruin. A half-century later, Jean-Louis Remilleux fell in love with this dilapidated 18th-century palace and made it his mission to restore it. Unveiled for the first time in this beautifully illustrated book, the Di Lorenzo del Castelluccio palazzo is one of the finest testaments to Sicilian architecture and art.

Today, lush green palm trees welcome you to the palace’s imposing front façade. Frescoes, arabesques, masks, imitation marble, ceilings and wainscoting have all restored to their former glory, over decades of elaborate work. This book charts the restoration process and celebrates the astonishing end results. It contains an album’s worth of photographs that capture the beauty of this palace beneath the Mediterranean sun.

“A jewel of Baroque architecture, the Castelluccio Palace is the spotlight of a beautiful book retracing its history, its long restoration and its precious ornaments. These photographs reflect the Sicilian Golden Age.” —Fanny Guenon des Mesnards, AD France

“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”—Italian Vogue

“A Palace in Sicily: A Masterpiece Restored doesn’t just pull back the curtain on the finished palace, it details the four-year-long process through an elaborate array of photos…” —Architectural Digest, and Yahoo

With its sun-drenched sands and Mediterranean waters, Sicily has been a favored destination of travelers for centuries. History is alive on this island, from ancient accounts of the Greeks, Romans, Arabs and Normans; to the journals of wealthy young European men embarking on the Grand Tour. This book captures the sun-steeped aesthetic of the island, while detailing the restoration of one of its finest attractions: the Di Lorenzo del Castelluccio palace.

Marquis de Castelluccio was one of the last “servals” or “leopards” of Sicily – wealthy aristocrats who flooded the island with luxury. Following his death, his home fell to ruin. A half-century later, Jean-Louis Remilleux fell in love with this dilapidated 18th-century palace and made it his mission to restore it. Unveiled for the first time in this beautifully illustrated book, the Di Lorenzo del Castelluccio palazzo is one of the finest testaments to Sicilian architecture and art.

Today, lush green palm trees welcome you to the palace’s imposing front façade. Frescoes, arabesques, masks, imitation marble, ceilings and wainscoting have all restored to their former glory, over decades of elaborate work. This book charts the restoration process and celebrates the astonishing end results. It contains an album’s worth of photographs that capture the beauty of this palace beneath the Mediterranean sun.

Jewelry and the universe are bound together not just in the Ancient Greek sense of the word ‘cosmos’; the sun, moon and stars invariably also found their way into representative forms of art jewelry around the world. While magical, mythological and religious references stood mainly at the forefront of ancient and non-European cultures, over the course of recent history it was on decorative grounds that jewelry pieces with cosmic motifs became so coveted. Whether Köchert in Vienna, Fabergé in St Petersburg or Lalique in Paris, the great jewelers of the nineteenth and twentieth centuries were all inspired by heavenly forms. Today, interest in celestial bodies remains unbroken among contemporary internationally celebrated jewelry artists. With his new, richly illustrated book, the long-standing head of the Jewellery Museum Pforzheim presents for the first time a comprehensive review on the star motif in jewelry – from Ancient Egypt to the present day.

Text in English and German.

Austin is most definitely weird If by “weird”, you mean quirky, offbeat, intriguing, and utterly lovable. The city shares that uniquely Texan pride of place, and yet it has an independent spirit and character all its own. Locals and visitors alike should look no further than these pages to explore some of the weirdest corners of Austin. Try out the latest innovations in a technology petting zoo. Get your car washed among giant dinosaurs. If you dare, spend some time in a garden inspired by Alice Cooper. Soak up the sun on the only official nude beach in Texas. And, of course, in the city of music and food, catch a live show at the spot where Janis Joplin got her start, or enjoy soul food and soul music in someone’s big backyard. Savor some of the best tacos and tamales in a city known for amazing Mexican food.

In this guidebook, you’ll find out where all the secrets are hidden and learn the unknown stories behind them too. Whether you’ve lived here all your life, you’re just passing through, or something in between, you’ll become even more enamored with the capital of Texas in all its inventive, unabashed – and weird – glory.

On 11th May 2018, the Museum of London launched a major new exhibition showcasing both contemporary and historic imagery that explores the capital after hours. Well-known photographers including Bill Brandt, Bob Collins, Brian Griffin, Vicky Grout, Tim Peake, Rut Blees Luxemburg, William Eckersley, Dougie Wallace and Tom Hunter will sit alongside lesser-known artists who explore the dreamy, threatening and shadowy world of the city after the sun goes down. Split into three sections to reflect these different sides of the capital, the book contains essays, poetry by award-winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.
• This collection of historic and contemporary images features work from over 60 photographers who reveal the city after hours: unnerving, beautiful, eerie, energized – sometimes all at once

On 11th May 2018, the Museum of London launched a major new exhibition showcasing both contemporary and historic imagery that explores the capital after hours. Well-known photographers including Bill Brandt, Bob Collins, Brian Griffin, Vicky Grout, Tim Peake, Rut Blees Luxemburg, William Eckersley, Dougie Wallace and Tom Hunter will sit alongside lesser-known artists who explore the dreamy, threatening and shadowy world of the city after the sun goes down. Split into three sections to reflect these different sides of the capital, the book contains essays, poetry by award-winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.

Night. A place inhabited by an unknown wildlife. A mixture that is not found anywhere else. Often hidden underground, emerging rarely during the day, people are living against time and against a system, for a lifetime or for some hours. A world inside another world. Some come to work, others for fun. The night is fast: while few change overnight, people leave, come back, hide, change their appearance. The Night Day is an almost instant snapshot of that life without the sun, years of reporting on people who make and remake the night in Paris and everywhere the photographer Keffer goes. The stars, the unknown, the opportunist, the organizers, the enthusiasts, the artists. Some left, others have not even arrived yet, The Night Day presents the incredible diversity of this world, this universe that few have known. Over ten incredible years of urban photography has been compiled by Keffer and Drago into this sleek, definitive volume of Parisian nightlife from 2008-2016.

“Any number of stories seem to pour forth from the work, which has a unique decorativeness and is very finely and exquisitely drawn. The frame decoration is beautiful and enjoyable, making it seem as though you are looking at a tapestry. In the personification of wood and use of colour, one senses not only the following of tradition but also the artist’s individuality.” The Jury for the Grand Jury Prize at the 15th Noma Concours for Picture Book Illustrations, 2006
Jugnu Rani, a tiny firefly, ponders over her insignificance and witnesses the gradual distancing between trees and humankind. She observes the disciplined life of ants and the hard work of the bees, and feels that her existence is useless. But Suraj Dada, the Sun, reminds her that every creature has a place and purpose in the universe. One day, when the forest is in danger, Jugnu Rani discovers the light within her and find her purpose. Soon no one is afraid of the dark anymore. The Firefly is finally happy. The illustrations are drawn in the Mithila (also Madhubani) style of painting from northeastern India. Giving equal weight in its drawings to people, animals, and plants, the illustrations convey the values of the Mithila region. The unique decorativeness is beautiful and enjoyable.

Wounded landscapes, crumbling buildings, old dusty wigs still displayed in deserted storefront windows. These plats and parcels represent the history of a built environment and its ongoing discourse with nature. There is a strong sense of passage and decline.

Yet along with the photographs of blighted and neglected landscapes is a glimmer of hope and the possibility of transformation. In one picture, a sliver of light scrapes across a backyard lawn casting tangled shadows that land on the clapboard siding of a neighborhood house. In another, the surfaces of the sun-soaked brick and concrete are rendered so precisely as to elevate their significance by pure photographic description. Of course, there are twists and turns all along the way and a multitude of signs that present our world as more complex than any single feeling or photograph.

Almost Home, the third book that Gary Green has created with L’Artiere, continues the photographer’s exploration of the medium’s possibilities through the poetic landscape of the photobook. The book is printed in tritone on uncoated paper in an edition of 500. 

“It’s not just about spectacular natural landscapes, but above all about inspiring stories behind the residents of the “Shacks”. The book is ideal for travel lovers, adventurers and for all those who want to escape from everyday life for a moment.” — Meter Magazine

“Escape to another place and a less complicated time in South Australia.” — Inside Out Australia

What could be more romantic than watching the sun rise and set over the sea, the mountains or the endless desert from a stylish little getaway shack with the ones you love? In this beautifully illustrated book, design journalist, book author and lifestyle editor Susan Redman not only inspires readers with the many decorating ideas on show, collated from the most gorgeous getaway homes across Europe, the Americas and Australasia, she also delves deeply to reveal the personal stories of creative couples and individuals who have built, styled or restored their special hideaways. From rustic retreats and dreamy beach houses to retro getaways and bespoke architectural havens, the diverse range of love shacks featured here offer design inspiration for your home away from home. Providing readers with an authentic perspective, the ‘shack’ owners share design visions and decorating tips on how they, and you, can awaken one’s inner stylist by combing the natural environment, local markets and vintage fairs to source love shack treasures. Along with stunning photographs, the pages also feature interesting notes on the wild and natural setting of each love shack—so you, too, can immerse yourself in the gorgeous surrounds of each home and find out how the people who live there connect with nature in their sanctuary. This compelling book gives a unique insight into the desire to escape the urban jungle for a holiday home of one’s own making in a remote or wild location, while exploring the role of design and creative vision in the process. It is perfect for anyone with a similar dream.

“It’s not just about spectacular natural landscapes, but above all about inspiring stories behind the residents of the “Shacks”. The book is ideal for travel lovers, adventurers and for all those who want to escape from everyday life for a moment.” — Meter Magazine

“Escape to another place and a less complicated time in South Australia.” — Inside Out Australia

What could be more romantic than watching the sun rise and set over the sea, the mountains or the endless desert from a stylish little getaway shack with the ones you love? In this beautifully illustrated book, design journalist, book author and lifestyle editor Susan Redman not only inspires readers with the many decorating ideas on show, collated from the most gorgeous getaway homes across Europe, the Americas and Australasia, she also delves deeply to reveal the personal stories of creative couples and individuals who have built, styled or restored their special hideaways. From rustic retreats and dreamy beach houses to retro getaways and bespoke architectural havens, the diverse range of love shacks featured here offer design inspiration for your home away from home. Providing readers with an authentic perspective, the ‘shack’ owners share design visions and decorating tips on how they, and you, can awaken one’s inner stylist by combing the natural environment, local markets and vintage fairs to source love shack treasures. Along with stunning photographs, the pages also feature interesting notes on the wild and natural setting of each love shack — so you, too, can immerse yourself in the gorgeous surrounds of each home and find out how the people who live there connect with nature in their sanctuary. This compelling book gives a unique insight into the desire to escape the urban jungle for a holiday home of one’s own making in a remote or wild location, while exploring the role of design and creative vision in the process. It is perfect for anyone with a similar dream.

‘To critics who said that the full-lipped so-called ‘Beardsley mouth’, which adorned many of his women, was ‘inexpressive and ugly’, the artist countered, ‘Well, let them criticise. It’s my mouth and not theirs. I like big mouths. People like the little mouth – the “Dolly Varden” mouth, if that describes it better. A big mouth is the sign of character and strength. Look at Ellen Terry with her great, strong mouth. In fact, I haven’t any patience with small-mouthed people.’ ‘The popular idea of a picture is something told in oil or writ in water to be hung on a room’s wall or in a picture gallery to perplex an artless public.’ ‘To my mind, there is nothing so depressing as a Gothic cathedral. I hate to have the sun shut out by the saints.’ ‘What a nice ample creature George Sand is: like a wonderful old cow with all her calves.’ And other witty, urbane insights on life, art, and culture, illustrated with selected drawings from his Grotesques series.

With this beautiful book you will literally bring the summery hippy-chic ‘Ibiza’ atmosphere into your home. With the most beautiful interiors and stunning photography – where you can imagine yourself in the azure bays – Architectural Digest journalist Gala Mora offers you a unique look into the Mediterranean-inspired homes of top designers and creative minds. The interiors breathe sun, sea and beach. Enjoy beautiful design surrounded by breathtaking nature. Open spaces that seemingly flow without boundary into a terrace, garden or beach. Two hundred and fifty-six pages full of exclusive and archetypal interiors that reflect one hundred percent what the island’s way of living stands for. Ibiza Interiors is the third volume in the successful urban interiors series for lovers of design, architecture and interior design.

Also available in the series: London Interiors ISBN 9789401485258; Barcelona Interiors ISBN 9789401485586.