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Visions in Silk presents the first comprehensive exploration of exquisite Japanese fine art textiles from the Meiji era (1868-1912), showcasing the unparalleled treasures from the Khalili Collection of Japanese Art.

This beautifully illustrated volume reveals how Japanese artists and craftsmen ingeniously adapted centuries-old textile traditions to create innovative art textiles that captivated international audiences, won exhibition awards, and served as prestigious diplomatic gifts.

Featuring over 300 spectacular examples, the book examines dazzling works of embroidery, yuzen resist-dyed silk and cut velvet, tapestry, and oshi-e raised silk, ranging from elegant panels, hangings and screens to grand exhibition showpieces. Each represents the pinnacle of artistic collaboration and hitherto unsurpassed technical mastery.

Written by leading international experts, this landmark publication provides unprecedented insight into these remarkable yet understudied treasures. Visions in Silk will enchant anyone interested in Japanese art, textile design, Japonisme, and the cultural transformations that occurred during the Meiji era, when Japan opened to the outside world.

Investigations by Sara Penco stem from the insightful finding of the absence of a key figure in the Sistine Chapel’s Last Judgement fresco. Prior to this illuminating research, Mary Magdalene was not unequivocally identified within Michelangelo’s masterpiece. Father Pfeiffer, with whom Penco establishes an inescapable dialectic, had already hypothesized the presence of Mary Magdalene in the fresco, but it is the scholar, for the first time in these pages, who convincingly justifies her identification. Mary Magdalene is closely connected to the salient episodes in the life of Jesus. The author rightly wonders, therefore, how it is possible that a figure so central to the biblical narrative and the Christian imagination could have been excluded from the depiction of the Parousia. This observation gives rise to an accurate reflection on the iconography of the saint and the Judgement, in relation to the sacred texts and in relation to Michelangelo’s poetics and production. Sara Penco traces Mary Magdalene in the tangle of figures on the wall behind the altar of the Sistine Chapel, contributing to characterize the fresco – one of the best known and most appreciated works in the world – with an unprecedented theological message.

Text in English and Italian.

A 1000-piece puzzle featuring the artwork of Umar Rashid.

Did the Battle of Malibu actually happen? Probably not. OK, definitely not. But also maybe it did? LA based artist Umar Rashid has given the question a lot of thought and decided that it would be cool if it had happened so for all intents and purposes it did.

And if the Chumash, Tongva, Gabrielino, and other indigenous LA types had in fact gone on to fight the Spanish, armed with a little red Corvette driven by Black Jesus, then, well, we’d have liked to see that. So here it is. It happened.

Published in conjunction with the exhibition Roma pittrice. Artiste al lavoro tra XVI e XIX secolo (Rome paints. Women Artists at Work Between the 16th and 19th Centuries), at the Museo di Roma in Palazzo Braschi, this guide highlights to an even wider audience the presence of several women artists who where either born in Rome or made the eternal city their place of study and work. Starting from the artists represented in the Capitoline collections, such as Maria Felice Tibaldi (Subleyras), Angelika Kauffmann, Laura Piranesi, Luise Seidler and Emma Gaggiotti (Richards), the book includes other important artists who worked in the city, such as Lavinia Fontana, Artemisia Gentileschi, Giovanna Garzoni and many others, sometimes less known, whose oeuvre has been discovered in recent decades. The initial essay presents the gradual integration of women painters into the cosmopolitan Roman art market, with their laborious achievement of full access to education and to the most prestigious art institutions of the city and then explores the numerous pictorial genres to which they devoted themselves. The second part of the guidebook includes 56 biographies of these artists, revealing a rich and varied production until recently overlooked.

Tent poles in the ground is a collection of twenty-one texts by Stephen Bates. Like Papers (2001), Papers 2 (2007) and Papers 3 (2016), which were written in collaboration with Jonathan Sergison, co-founder of Sergison Bates architects, ‘Tent Poles’ testifies to the importance of writing as part of a form of practice that includes building and teaching.

The reflections included are part of the process of developing and testing ideas in Sergison Bates’s London studio and in Stephen Bates’s teaching studio at the Chair of Urbanism and Housing, TU München. Covering a range of themes, from domesticity to the city, landscape and the design process, they record both the fundamental principles that inform his approach to architecture and the shifts in thinking that have come about in 30 years of practice.

While these are personal reflections on buildings and spaces, they were inspired by discussions across the table in the London studio, with teaching colleagues and students in Munich, and meetings with interesting people from different creative disciplines. Like the making of buildings, thinking and writing about them, too, is always the result of a process of collaboration.

One bowl meals are the answer to quick, simple meals that are well thought out, balanced and filling. Filled with grains, noodles, rice or millet, vegetables and protein, they serve as the perfect weeknight meal that is complete, can be made in individual portions, makes good use of leftovers and are extremely versatile. Bowl meals give you the flexibility to switch out ingredients based on dietary restrictions, healthy choices or personal tastes. Indian food offers a variety of flavors and opportunity to pair different flavors, techniques, marinades and ingredients. Chef Megha Kohli takes the principles of the traditional Indian meal and applies it to the popular ‘one bowl meal’ concept to give you recipes that are easy to follow, quick to whip up and in which eat bite offers an exciting combination of taste, textures and flavors.

In the Land of Fire and Ice: Horses of Iceland is photographer and explorer Guadalupe Laiz’s second book celebrating her love for Iceland, its people, and its horses. In this follow up to Horses of Iceland (2019), Laiz widens her lens to not only capture the undeniable beauty of the horses in their natural habitat, but to showcase the rugged, harsh, and unpredictable environment that has shaped their character. Her intimate color and black-and-white images of the majestic Icelandic horses are pure poetry in motion.

Undertaking a more ambitious production, Laiz collaborated with local horse breeders and with Icelandic photographer, filmmaker, and artist Thrainn Kolbeinsson to capture the magnificent animals in iconic and breathtaking locations—from the famous Skógafoss blanketed with snow to the active Fagradalsfjall volcano; and galloping across beaches, frolicking amid glaciers, and with waterfalls, tundra, and fierce ocean backdrops. Kolbeinsson’s powerful drone photography featured throughout the book showcases the aerial perspective of these epic landscapes that have shaped the horses of Iceland.

Laiz’s photographs are testament to her passion for the Icelandic horse and wildlife photography. She shares this collection to reveal the beauty and importance of the remote corners of our planet and the unique animals that call it home.

Edvard Munch, the old painter, thinks he is living alone. But one day, he makes a curious discovery: he’s sharing his house with a mouse called Storm, who dreams of becoming an artist, just like him. A Mouse in Munch’s House is about their shared adventures in search of the perfect picture. Together they explore a hidden bar inside a piano, visit a bug exhibition under Munch’s bathtub and encounter a quirky pest controller. A midnight trip to an art museum run by mice even leads to a daring art heist!

Pjotr Sapegin’s delightful and heart-warming tales are loosely inspired by Edvard Munch’s life, and invite children to explore the magic of art, fun and friendship. Perfect for young readers aged 6 to 12 who are ready to embark on a colourful adventure with an unlikely duo: a tall, lanky artist and his tiny, furry apprentice.

The ultimate volume on Ferrari production enhanced by the artistic photos of Christian Martin. Immerse yourself in a visual journey through legendary Ferrari models: 250 GTO, Testarossa, F40 and more.

This exceptional work on Ferrari fuses art, automobile photography and a catalogue raisonné. It offers a captivating journey through legendary Ferrari models, such as the 250 GTO, the Testarossa, the F40, the Enzo, and the 458 Italia. You will also discover rare treasures, including the Ferrari P4/5, a unique creation by Battista Pininfarina.

Christian Martin sublimates each model with photos that capture speed, elegance and sensuality. His photos pay homage to the vision of Enzo Ferrari, where each curve of the bodywork evokes movement and power. The legendary Ferrari models appear here in their best light, revealing a timeless aesthetic.

This book goes beyond a simple automobile collection. It is a visual and emotional immersion in the world of the prancing horse. Page after page, it celebrates the mechanical treasures that continue to fascinate generations of enthusiasts. A unique experience where art and speed meet to offer a vibrant tribute to Ferrari.

Text in English and French.

The volume takes the form of a refined collection of table settings used in the private residences of the most eminent Tuscan families. The narration complemented by images takes readers through a dazzling, multi-colored world composed of precious pieces of porcelain, splendid silver objects and transparent crystals, in which the traditional and classical blend with design elements and modern tastes. What gives unity to the entire collection is undisputed taste and elegance.

Author Claudia Pianetti Della Stufa is not only a sophisticated interpreter of mise en place but also a true enthusiast of the aesthetics of refined table settings in all their nuances. Her knowledgeable gaze accompanies readers through classical, contemporary and country chic arrangements.

Text in English and Italian.

Geert Baudewijns, full-time ransomware negotiator, is called every week by hacked companies and governments across the globe. But by then, it’s too late. Cybercriminals have infiltrated the system. To prevent worse-case scenarios – weeks of downtime, all your data leaked – over 70 percent of the victims give in to ransom demands. And malicious hacker collectives on the dark web are making fortunes. This is still a taboo because no one wants to go public with it. Who is at risk? How do hackers operate? How can we protect ourselves? In this book, Baudewijns takes the reader into the dark side of the digital world. His insider stories describe recent cases from around the world.

“Images of life, love, humor, and the surreal on London’s Brick Lane form the basis of this sumptuous catalogue of photographs” —  Street Photography

Images of life, love, humor, and the surreal on London’s Brick Lane form the basis of this sumptuous catalogue of photographs. Today Brick Lane is a favorite tourist destination, famous for its street art and theater, and colorful market stalls. For centuries it was a hub for immigrant communities entering Britain through the nearby docks on the River Thames.

Sonya and David Newell-Smith, whose careers began in professional news photojournalism, have spent decades recording the changing streetscape and vibrant personalities of this East End district. This publication serves as a tribute to their passion for street photography, for capturing a ‘decisive moment’, and for documenting everyday lives and diverse cultures, their interactions, and emotional connections. Scholarly texts accompany over 170 photographs curated by Sonya in memory of David (1937–2017).

“There’s a deeply personal and detailed account of how these homes came about that can’t fail to inspire the would-be house builder to push a little harder to create something beyond the ordinary that will truly stand the test of time.” — enki UK Magazine

Mark English Architects believes every home is a prototype, developed in collaboration with the client, landscape, topography, climate, and cultural considerations. in Situ: Unique Homes Crafted for California Living invites readers into seven of the firm’s residences to learn more about the studio’s approach to architecture and design.

Landscape and climate play a vital role in every Mark English project, with buildings and spaces designed to celebrate their California location, whether it’s the city, coast, or mountains. Each residential design is a sensitive and creative response to the site and environment and reflects the firm’s inherent understanding of the Golden State’s relaxed indoor-outdoor lifestyle. The practice draws on the California vernacular of open-plan living, light-filled spaces, and natural materials to blur the boundaries of inside and outside, and embeds every design with a layer of artistry to create meaningful homes for their residents. 

This beautifully presented monograph features seven outstanding homes, illustrated with color photography, renders, plans, drawings, scale models, and site photographs that showcase Mark English Architects’ design and construction process and reveal how the firm crafts these unique homes for California living.

Curated and introduced by Ian Warrell, the leading expert on Turner, this selection from the fabled Hickman Bacon collection is one of the finest groups of British watercolors in existence, and hardly ever seen or reproduced. Centered around 32 watercolors by Turner, including some of his breathtaking views of the Alps, early views, and late cloud and sea studies, the collection also encompasses some of the greatest works by Turner’s contemporaries: John Sell Cotman, Alexander Cozens, Thomas Girtin, Peter de Wint, John Crome, David Cox and others. Beautifully printed on heavy uncoated paper, with some reproductions life size, this book conveys the intensity and freshness and stupendous virtuosity of these artists whose work in watercolor has never been rivaled. An extended essay by the leading expert and former Tate curator Ian Warrell examines the paintings and gives a vivid picture of the artists who made them.

“Photographer Martyn Goddard reveals what it was like to shadow Blondie on the cusp of superstardom in 1978.” — Uncut Magazine

“Thus, this work is more than a scrapbook; it’s a time capsule that revives an era of danger, glamour, and creative revolution. And it’s also the perfect excuse to revisit the Blondie phenomenon, the art of photographing rock stars, and why, perhaps, bands aren’t “made” like they used to be.” — GQ Mexico

“Goddard’s lens doesn’t merely document Blondie’s rise; it captures a turning point in music and visual culture.” Louder Than War

“…a handsome book.” BBC’s Robert Elms Show

“… More than nostalgia, the book reflects Goddard’s ability to balance artistry and access—creating images that feel as intimate as they are electric.” — The Candid Frame Podcast

Blondie in Camera 1978 is richly illustrated with photographer Martyn Goddard’s most famous images of Blondie. Taken during their breakthrough year, these pictures have graced magazines, newspapers, promotional campaigns, posters and even the ‘Picture This’ single cover and the Best of Blondie album cover.

Blondie’s rise to the mainstream surface punctuated the late ’70s with a raft of unforgettable New Wave hits. The genre-mashing classic ‘Heart of Glass’ along with the likes of ‘Hanging on a Telephone’ and ‘Picture This’ were as zesty and fresh-faced as the young band members, who soon found superstardom as their singles landed and the strength of their attitude began to resonate. When Goddard traveled to New York in ’78 with an assignment to photograph lead-singer Debbie Harry, he couldn’t have imagined that Blondie’s songs and his images would soon become permanent fixtures on the cultural landscape.

This is the ultimate treasure trove for fans of one of the world’s biggest bands.

From Paris and New York to more surprising hotbeds of style, the In Fashion series invites you to discover the most fashionable locations in the world. Covering high fashion, classic street style and trendsetting people, as well as interiors, streets, shops and more, each beautifully presented volume offers a unique glimpse into the clothes and fashion culture of a distinct and remarkable destination.

Paris is perhaps the most widely recognized fashion capital of all, with Haute Couture setting the standards for all others to follow. The Parisian shows are some of the hottest dates in the fashion calendar and the locals have a penchant for being as chic as they are streetwise. PARIS. In Fashion is your opportunity to visit the grand fashion houses, take inspiration from timeless Parisian outfits, sit front row at the catwalk shows and walk among the beautiful buildings without leaving your own home.

An unmissable treat for fans of both fashion and travel. 

From Paris and New York to more surprising hotbeds of style, the In Fashion series invites you to discover the most fashionable locations in the world. Covering high fashion, classic street styles and trendsetting people, as well as interiors, streets, shops and more, each beautifully presented volume offers a unique glimpse into the clothes and culture of a distinct and remarkable destination.

New York is widely celebrated as America’s fashion capital. The city has heavily influenced the rest of the country and the world, with its near-mythical cultural contributions, including a fierce command of all things urban-chic. New York. In Fashion is your chance to enjoy the best of the West, take inspiration from the sharpest New York outfits, sit front-row at the catwalk shows, and stroll among the cutting-edge tower blocks without leaving your own home.

An unmissable treat for fans of both fashion and travel.  

” …an intriguing look at what is the relatively recent past, and a great one for nostalgia – especially if you’ve ever paid a visit to the island yourself for a week of carefree abandon.” —  Amateur Photographer

“The photographs in Dean’s new book ‘Back in Ibiza 1998 – 2003’, taken in the heat of many magic moments, capture the golden age of happy, all-in-it-together, 24 hour party people, bacchanalian excess, and sunkissed beach life…” — Bureau of Lost Culture Podcast

“…The photos come fast and furious, without captions, encouraging the readers to figure it out for themselves — just as they would have to in real life if this all was happening in front of them.” — CNN

Dean Chalkley has been taking compelling cultural photographs since the mid 1990s and his work with the likes of Oasis, Idris Elba and Amy Winehouse is widely celebrated.

At the tail end of the ’90s, Chalkley found himself in Ibiza, the capital of the clubbing world. For many, the turn of the millennium represents the peak of club life, when clubbers would lose themselves for days in the often-surreal abandon of their favorite Spanish party haven. Working for Mixmag, the biggest dance-music magazine in the world, Chalkley amassed a vast archive of images from this unrivaled golden era in the island’s near-history.
Back in Ibiza 1998 – 2003 offers a thrilling deep-dive through those images, illustrating the unfiltered and sometimes unhinged club scene from a world before Snapchat and TikTok reels. This unique collection is essential viewing for partygoers and clubbing fans, a joy to behold, and a nostalgic reminder of what a real party can look like.

Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. 

Text in English and Italian.

A collaboration with the world’s most powerful NGOs, including UNESCO’s GEM Report, Mother Nature in the Bardo explores the impact between art, culture, and the environment. The book illuminates the innate connections between creativity and nature and inspires crucial conversations about humanity’s relationship with nature, sustainability and climate change. Bringing together historical and contemporary artworks from over 100 renowned international artists, galleries, institutions, estates and foundations, Mother Nature in the Bardo speaks to the most critical global dialogues of our time.

“A jewel of Baroque architecture, the Castelluccio Palace is the spotlight of a beautiful book retracing its history, its long restoration and its precious ornaments. These photographs reflect the Sicilian Golden Age.” —Fanny Guenon des Mesnards, AD France

“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”Italian Vogue

“A Palace in Sicily: A Masterpiece Restored doesn’t just pull back the curtain on the finished palace, it details the four-year-long process through an elaborate array of photos…” —Architectural Digest, and Yahoo

With its sun-drenched sands and Mediterranean waters, Sicily has been a favored destination of travelers for centuries. History is alive on this island, from ancient accounts of the Greeks, Romans, Arabs and Normans; to the journals of wealthy young European men embarking on the Grand Tour. This book captures the sun-steeped aesthetic of the island, while detailing the restoration of one of its finest attractions: the Di Lorenzo del Castelluccio palace.

Marquis de Castelluccio was one of the last “servals” or “leopards” of Sicily – wealthy aristocrats who flooded the island with luxury. Following his death, his home fell to ruin. A half-century later, Jean-Louis Remilleux fell in love with this dilapidated 18th-century palace and made it his mission to restore it. Unveiled for the first time in this beautifully illustrated book, the Di Lorenzo del Castelluccio palazzo is one of the finest testaments to Sicilian architecture and art.

Today, lush green palm trees welcome you to the palace’s imposing front façade. Frescoes, arabesques, masks, imitation marble, ceilings and wainscoting have all restored to their former glory, over decades of elaborate work. This book charts the restoration process and celebrates the astonishing end results. It contains an album’s worth of photographs that capture the beauty of this palace beneath the Mediterranean sun.

“These photos are stunning, bittersweet visions of a past shared by all of us.” – Tom Hanks.

“Brian Hamill is best known as a still photographer and a photojournalist. But I’ve always regarded him – first and foremost – as a master portraitist. And this book bears that out – capturing as it does, the many-faceted phenomenon that was John and Yoko – artists, lovers, cultural comrades and – most elusively – business partners. Behind his camera, Hamill is something of a phenomenon himself.” – Richard Price

John Lennon’s life, death and music shaped the world. His reputation as a philanthropist, political activist and pacifist influenced millions worldwide. If Elvis was King, Lennon was his rightful successor – and fittingly, several images in this collection of both classic and unseen photos show him wearing a diamond-studded ‘Elvis’ pin over his heart, in homage to his forefather on the throne of Rock ‘n’ Roll. John Lennon is seen here in several sessions in New York, performing on stage, relaxed at home and walking on the street with Yoko Ono.

Renowned celebrity photojournalist Brian Hamill delivers his own insider view of this Beatles icon, through intense, intimate photographic portraits and insightful text. Whether Lennon is dominating the stage, posing on the roof of the Dakota building, or relaxing with Yoko Ono, Hamill’s photography takes this quasi-mythical figure from the world of Rock ‘n’ Roll and shows him as the man he really was.

“Brian looked at the John Lennon who had become an icon and saw instead a familiar face. He saw a working-class hero like those that built the City of New York. And so when John Lennon came to live in New York, Brian captured him as a New Yorker, in the joyous images that you will find in this book.” – Pete Hamill

“Lennon, one of the most famous men in human history, wanted to live as one among many. Of course, he hit it off with Hamill. The guy that flew so high needed some oxygen. Hamill is fresh air. His folio of Lennon images shows Lennon focused, present, but edgy, never relaxed.” – Alec Baldwin

“… In fact, my entire journey through Amsterdam’s vibrant house museums was one great historical sensation in a variety of contexts. I followed in the footsteps of Dutch East India Company directors, workers, orphans, writers, artists, architects, and many others, seeing how they lived and worked. How they ate in poverty-stricken 19th-century slums or at lavishly laid tables in canal-side mansions of Van Loon or Bartolotti. How they prayed in secret with Father Parmentier in a clandestine attic church. I am not longer just an Amsterdammer: now I’m an Amsterdammer with a past.” – Froukje Wattel.

Text in English and Dutch.