In the late 1950s and early 1960s French New Wave cinema exploded onto international screens with films like Les quatre cents coups, A bout de souffle and Jules et Jim. They were radical, artistic, original and most importantly set up the director as a creative genius; at the forefront were Francois Truffaut and Jean-Luc Godard. Today these films are credited with changing cinema forever. For many film goers they command strong and passionate respect and became the foundations on which a lifetime of cinema-going is built. In the photographs of Raymond Cauchetier we bear witness to the great artistic genius that was central to the process of making these films. Cauchetier’s photographs are a culturally important documentary of the director at work, his methods and processes. His photographs capture some of the most memorable moments in film; Jean-Paul Belmondo and Jean Seberg on the Champs Élysées in A bout de souffle, Jeanne Moreau in the race scene of Jules et Jim, Anna Karina in a Parisian Cafe in Une femme est une femme.
But Cauchetier’s genius lies also in the fact that his photographs are far above just a visual record of these films. They clearly show the same spirit, the same freedom and the same originality that made The New Wave so important. Cauchetier’s photographs are as much a part of The New Wave as the films themselves. In the words of Richard Brody: In these images, Raymond Cauchetier, a witness to art, made art by bearing true witness. This is the first book published in English featuring the New Wave film photographs of Raymond Cauchetier.
The trend for loft residences began among a few select groups, namely artists, artisans and designers. A discarded factory or warehouse is converted into a tall and spacious living area, often highly personalised in design. Over the years, loft residences have developed their own unique style.
This book is divided into two parts: ‘Hard Loft’ – converted factories or warehouses – and ‘Soft Loft’ – new residence space designed in the loft style. In addition, several popular contemporary design styles are featured, such as industrial, Scandinavian, modern and minimalist. Combining different styles within a loft setting means that there are infinite possibilities to explore.
New York reduced to a miniature city? In New York Resized, photographer Jasper Léonard offers you a completely new perspective on The Big Apple. His Tilt-Shift technique creates a dazzling bird’s-eye perspective. Taking pictures from rooftops, helicopters or even drones, Léonard points his lens at the skyscrapers and yellow cabs from above, transforming the city into a swirling ant-hill of miniature people. His images are accompanied by the best quotes about New York, and his unique style guarantees that this is the most original photobook about New York that you will ever see. Praise for Antwerp Resized: “What started as a dissertation with homemade lenses has resulted in a surprising photo book” – Gazet van Antwerpen (newspaper) – “Thanks to his special tilt-shift lenses the photographer creates the illusion you are watching miniature sculptures. Not people but puppets. Not buildings but maquettes” – De Morgen (newspaper) Facebook: Jasper Leonard Photography Twitter: @jasperleonard Instagram: jasper.leonard www.jasperleonard.be Also available: Belgium Resized ISBN 9789401434614 Antwerp Resized ISBN 9789401432702
New York has a history of immigration that results in one of the most dynamic street food scenes in the world. Those who believe food in New York should cost a pretty penny and can only be found in beautifully styled restaurants probably haven’t been further than downtown Manhattan. This book takes you to the far-flung culinary corners of the five boroughs. From sensory-rousing South American snacks in Jackson Heights to homemade noodle dishes in Brooklyn, and from gourmet food trucks in Midtown Manhattan to simple food stalls in Red Hook. New York Street Food introduces you to a culinary New York in all its facets. Culinary adventurer Tom Vandenberghe and food photographer Luk Thys will seduce you once more. With the help of Jacqueline Goossens, who has lived in New York for more than thirty years, they give you fifty recipes from the most delightful venues of the New York street food scene. Also available: Bangkok Street Food ISBN: 9789020987836 Hanoi Street Food ISBN: 9789020997842 Singapore & Penang Street Food ISBN: 9789401403672
Revealing an alternative story of modern Scottish art, A New Era examines the most experimental work of Scottish artists during the first half of the 20th century. It challenges the accepted view of the dominance of the Scottish Colourists and uncovers the hitherto little-known progressive Scottish art world. Through these works, we can see the commitment of Scottish artists to the progress of art through their engagement and interpretation of the great movements of European modern art, from Fauvism and Expressionism, to Cubism, Art Deco, abstraction and Surrealism, among others. Looking at the most advanced work of high-profile artists such as William Gillies and Stanley Cursiter, and lesser-known talents, like Tom Pow and Edwin G. Lucas, A New Era takes its name from the group established in Edinburgh in 1939 to show surreal and abstract work by its members.
The 1920s in Germany witnessed a revolution in visual communication, typography, and graphic design that still influences us today. In 1929, Hungarian avant-garde artist and Bauhaus professor László Moholy-Nagy was invited to design a room dedicated to the future of typography at the Martin-Gropius Bau in Berlin as part of a larger exhibition called New Typography (“Neue Typographie”).
The exhibition was organized by the Ring of New Advertising Designers (“ring neue werbegestalter”), a group started by Kurt Schwitters in 1927 which consisted of 12 avant-garde designers and artists who explored a common vision of modernity in advertising and graphic design. In five years, the Ring put on over 20 shows in Germany, and invited guest artists to exhibit with them.
Moholy-Nagy’s room in the New Typography show was called “Where is Typography Headed?”. He created 78 freestanding panels with work by himself, other artists, and contemporary printed matter, which addressed the current trends and future direction of typography. The panels are reproduced together in this book for the first time, along with an Abcdarium of terms and concepts by a roster of noted typography and design historians.
From the best green spaces to go fetch, to the most stylish cafés and hotels that welcome guests on four legs, this guide tells you all you need to know to have a tail-wagging time in New York City. With beautiful photography, handy maps and plenty of insider’s tips, it lets you in on where to eat, drink, walk, visit and stay, alongside profiles of some of New York’s most interesting dog owners. Whether you’re looking for weekend get-aways or doggy day-trips, find out just how much more fun the city can be when you’ve got your pooch in tow.
Always New: The Posters of Jules Chéret highlights the role that French artist Jules Chéret (1836–1932) played in transforming the illustrated poster into a form of ephemeral art that embraced the public’s interest in novelty and rapid change during the 19th century. Recognized as the father of the poster, Chéret was one of the first artists to bring colorful, large-scale advertisements to the streets of Paris. People strolling down the boulevards were captivated not only by Chéret’s vibrant images, but also by how frequently new designs appeared. Chéret’s printmaking innovations allowed him to produce astonishing numbers of posters rapidly and inexpensively enough to publicize the latest pleasures the city had to offer. Drawing from the largest collection of Chéret posters in the United States, the book features over 100 works that span the artist’s career and includes both his most celebrated and lesser-known images. Always New brings Chéret into focus as a master of his medium, an artist who celebrated the ephemeral nature of posters and shaped the way they were created and experienced.
The Lone Star State continues its love affair with innovative and contemporary architecture and design. Showcasing a stunning range of modern homes, this book will inspire best-design practice and spur on lifestyle dreams. Set out with beautiful full-color photography, New Texas Modern delves into the finer details of trending architectural styles. The exquisite kitchens, glorious living spaces, sumptuous bedrooms, luxurious bathrooms, spectacular outdoor entertaining areas, and other delightful spaces, are all part and parcel of the Texas residential dream. Abundant available space, a sense of Texas architectural historical vernacular, and a need to cater to the harsh Texas climate all combine together to produce gorgeous livable contemporary residences to delight the eye and the senses.
Architecture China is a journal focusing on the leading architectural design projects with regional characteristic in contemporary China. This 2023 Winter issue of Architecture China, focusing on how a new culture could be constructed through the action of building, showcases 12 newly completed museums or galleries, all of which express certain characters in contemporary Chinese culture. Four essays by Li Xiangning, Stanislaus Fung, Aric Chen, and Jiang Jiawei respectively provide different viewpoints on the topic, and expose critical thinking on cultural events that relate to contemporary China.
From wild parrots in the streets of Tokyo to prize pigeons outside New York, this book brings together the world’s best contemporary photography of birds and asks us to look anew at these mysterious winged creatures in all their complexity and majesty.
Featured photographers: Frankie Alduino, Barbara Bosworth, Xavi Bou, Giacomo Brunelli, Robert Clark, Tim Flach, Andrew Garn, Mark Harvey, Leila Jeffreys, Simen Johan, Tracy Johnson, Katerina Kaloudi, Sanna Kannisto, Tom Leighton, Neeta Madahar, Dillon Marsh, Joseph McGlennon, Yoshinori Mizutani, Yola Monakhov, Carla Rhodes, Pentti Sammallahti, Joel Sartore, Aniruddha Satam, Søren Solkær, Tamara Staples, Luke Stephenson, Julia Tatarchenko and Janice Tieken.
In 1851 John Ruskin came to the defence of the young artists of the Pre-Raphaelite Brotherhood by writing two letters to The Times, refuting widespread criticism of their paintings. Soon afterwards he published a pamphlet entitled Pre-Raphaelitism, beginning almost a decade of public support for the work of William Holman Hunt, John Everett Millais and their associates.
Already established as one of the leading writers on art, he took a personal risk in defending the Pre- Raphaelite cause, but saw a parallel in the hostile reaction to the paintings of his artistic idol J. M. W. Turner. In Millais especially, Ruskin hoped to nurture a worthy successor in landscape painting, arguing that the Pre-Raphaelites’ attention to truth and detail offered the opportunity to establish a “new and noble school” of British art.
This is the first compilation of all of Ruskin’s published writings relating to the Pre-Raphaelites, beginning with the celebrated passage in the first volume of Modern Painters (1843) exhorting young artists to “go to nature in all …. rejecting nothing, selecting nothing and scorning nothing,” later claimed by Hunt to have been an inspiration. As well as Pre- Raphaelitism (1851), rarely reprinted since, and the fourth of the 1853 Edinburgh lectures, it includes all the comments on paintings in the annual Academy Notes (1855-9) which pertain to Pre-Raphaelitism, underlining Ruskin’s significant contribution to the movement’s popular success and the widespread acceptance of its principles. From the period after 1860, when Ruskin was concentrating more on social issues, come the the little-known articles published in the Nineteenth Century magazine under the title The Three Colours of Pre-Raphaelitism (1878), and a number of lectures, including the last of his Slade Lectures, The Art of England (1883), delivered just a few years before his mental faculties failed.
Edited with a commentary and preface by Stephen Wildman, Director of the Ruskin Library and Research Centre, University of Lancaster, and with an introduction by Robert Hewison, one of Ruskin’s successors as Slade Professor of Art at the University of Oxford.
These previously unpublished images of New York’s waterfront are presented here as part of a unique editorial project: the iconographic perspective is analysed and discussed in Pauline Vermare’s interview with Sophie Fenwick, and finds further literary development in the photographer’s poetry, on which she started working during the pandemic and is used here to accompany the visual narrative.
The language of photography is used here — in a series of black and white and color shots — to retrace the memory of a transformation and to express the urgency of documentation that in these pages evolves from personal to universal. The invitation to travel voiced by Fenwick is visual poetry articulated in a series of pictures, each of which possesses the potential to become a true icon.
Text in English and French.
“Now you can learn about and enjoy the big redo at ground level… “ — The Seattle Times
“This technical book pairs vintage tokens of remembrance—like midcentury blueprints and construction photos—with modern renderings of the tower, giving context to Olson Kundig’s plan for the since-completed upper deck.” — Architectural Digest
Originally built for the 1962 World’s Fair, the Space Needle quickly became an international icon of the Pacific Northwest and a symbol of Seattle. At the time of its construction, the tower pointed the way toward the future with a sense of optimism, possibility, and invention. In its 55th year, the Space Needle is again representing an enhanced future with the Century Project, a holistic renovation of the upper levels led by Olson Kundig that repositions the iconic tower for its next fifty years. New Heights: Transforming Seattle’s Iconic Space Needle documents this latest chapter of the Space Needle’s story with an in-depth look at the innovations, challenges, and triumphs realized by the client and project team, as seen through the eyes of the architects.
‘British Wine’ was once shorthand for bad imported grape mush. Not anymore. The rise of sustainable methods, youthful experimentation and, dare we say it, a new climate, mean that Britain is no longer the home of a few fine sparklings but a whole roster of dynamic reds, pinks and even oranges. This book celebrates the people who are growing, producing and championing the best of new British wine. This sumptuous coffee table book, filled with superb original photography, brings together personal interviews with some of the most inspiring people in Britain’s fast-growing, eclectic wine scene – taking you on a tour of over 30 influential winemakers, sommeliers and restaurants, from Cornish vineyards to Scottish wine bars.
Death to grey. After too many years of polite neutrals and subdued palettes, color is finding its way back into the home. At last. Adding pops of color to an interior is like adding a dash of spice to your favorite dish. Emma Merry has brought together 35 brilliant interiors, from jewel-bright color-drenched spaces to sophisticated homes with unexpected splashes of color. Alongside specially commissioned photography there are fascinating accounts of how the homeowners have injected personality into their living spaces, using color in unusual ways to create a mood or make a statement.
Making New Worlds: Li Yuan-chia & Friends is the first book to document the extraordinary activity at the LYC Museum & Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organized exhibitions, published books, exhibited archelogical artifacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travelers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle’s Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li’s work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner’s account is accompanied by nine short texts – by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer & Harriet Aspin, Nicola Simpson and Diana Yeh – that trace the diverse threads and ramifications of Li’s practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century.
From the end of the 19th century onwards, jewelry became an important vehicle for the formal experimentation and plastic innovation of its time, thanks to the development of knowledge about stone, the techniques used to produce it and the development of the art of jewelry. Books and exhibitions showcase this leading decorative art, which accompanied Romanticism in all its forms. It accompanied Romanticism in its final stages before adopting the emerging Art Nouveau repertoire.
Text in English and French.
“Dachshunds, debutantes and Donald Trump: capturing the glitzy, bizarre world of 80s high society.” — The Guardian on Saturday Magazine
“Through these varying shades of grey, Jones was able to capture the pomp and grandeur of 1990s New York.” — Air Magazine
“British photographer Dafydd Jones documented New York’s upper class in the 1990s. His photo book “High Life, Low Life” is a testimony to a time lost in dreams.” — Die Welt Germany
“The renowned photographer, known for his images of debauchery at Oxford University, has released a new book of his time among East Coast socialites.” — The Times UK
“Dark, glamorous and hedonistic…captures New York in the 1990s.” — Wallpaper*
‘In England, I’d become too well-known as a Tatler photographer. It was wonderful to be invisible again.’
At the end of the 1980s, society photographer Dafydd Jones began a new life in New York. He had been hired by Vanity Fair to attend the most talked-about parties in the city and soon found himself descending into a world of human tableaux, ladies who lunch, princesses in powder rooms and dachshunds scrapping over canapés. Camera at the ready, Jones quickly filled the society pages of the illustrious magazine, snapping the likes of Leona Helmsley, Donald Trump, Jeffrey Epstein, Ghislaine Maxwell and Imelda Marcos as they celebrated, mourned and unravelled in the bright lights. During the day, he captured the city streets and the ordinary citizens grounded in the real world. In these pages, the author of England: The Last Hurrah reveals the story of New York, the highs and the lows, as the ’90s unfolded in front of his expert lens.
‘Mr. Jones goes about his business with cheery zest and a wicked eye.’ – New York Times, 1993
“Award-winning Belgian photojournalist Nick Hannes casts a critical eye on six newly built capital cities around the world, from Korea to Kazakhstan, and questions whether they are really serving the people who live in them.” — Elle Decoration UK
What does the ideal capital look like? Photographer Nick Hannes traveled to six countries – Egypt, Korea, Nigeria, Kazakhstan, Indonesia and Brazil – that have recently built a new capital or are in the process of doing so. Each and every one of them is a typical example of what Rem Koolhaas calls the Generic City: a planned city without historical layers, local identity, or its own character. As a visual sociologist with a sharp eye for detail, Hannes searches for the human dimension in a setting full of spectacular architecture and pompous prestige projects. New Capital is a critical reflection on unbridled neoliberal urban development and its social and ecological consequences, but is also peppered with subtle humor and surprising coincidences. Meandering between pride and sadness, New Capital shows how utopia and dystopia are sometimes surprisingly close.
Fourteen years after the first publication of Architectural Stories by Bernard De Clerck, this beautiful new book features the latest design projects from Flemish architect Bernard De Clerck – undoubtedly a conceptual architect who is not in the least conventional, even when he finds inspiration not only in ancient times, the Renaissance and the Arts and Crafts movement, but also in local architecture.
Each house, living space, cluster of buildings created by Bernard De Clerck is based on a story, and in turn, is the beginning of a new one. It is both in the present and in the past. Timeless, warm, with clear lines and a sensitive attention to detail, New Architectural Stories presents 17 truly exceptional residential country homes and castles, some of them in collaboration with Axel Vervoordt.
Text in English, French and Dutch.
The successor to the bestselling Cosmopolitan Living – 15 new city houses and apartments from all over the world, each one with a strong metropolitan feel.
Includes: Maddux Creative, London; Helena Clunies Ross, New York; Sebastiaan Van Maanen/Ramses Caesar, Amsterdam; Brent Buck Architects, New York; Messana O’Rorke, New York; Nadine Fabry, Düsseldorf; Ooaa, Madrid; Steven Van Dooren, Amsterdam; Pupil Office, Singapore; Hauvette & Madani, Cologny (Switzerland); Mathieson Kurraba (Australia); Studio Liu Sydney (Australia); Rodolphe Parente, Paris.
“The book is intelligent and informative. Investors should find it particularly interesting.” — Financial Times
The future is uncertain but for one thing: the global economy is in disarray. Investors, companies and governments must rethink their approach in light of raging inflation, the ongoing climate crisis and an ageing population. In addition, they have to deal with the highest mountain of debt ever accrued in peacetime, disruptive innovations and the effects of multi-globalization. So much is happening simultaneously, making it difficult to distinguish the big waves from the small hypes. Which economic developments are here to stay and which are transient? How will interest rates evolve? Which emerging countries will become tomorrow’s global powers? Which sectors offer the most opportunities? Macroeconomist Koen De Leus and market strategist Philippe Gijsels take a deep dive into the inner workings of our economy. They identify the five major trends that will dominate our lives and our money over the next 30 years. With in-depth analyses and concrete advice, they offer guidance, reveal connections and temper alarmism. The New World Economy in 5 Trends shows how you can surf global megatrends and successfully invest in our changing reality.
New Zealand, also known as Aotearoa, the “Land of the Long White Cloud” in the indigenous language, offers breathtaking scenery. In our mind’s eye we see high snow-capped mountains alternating with green valleys, while the sea holds up a mirror to all of this. Ever since Peter Jackson’s film adaptation of The Lord of the Rings we have come to expect a hobbit or an elf behind every rock. In reality, however, we mostly encounter sheep, although their number is constantly decreasing.
This volume of CURVES focuses on another, lesser-known New Zealand attraction: the incredible roads that can be found across the North and South Islands. Spectacular views are guaranteed here, as the panorama could hardly be more varied. Soulful driving is included! And if you need to reset your head full of impressions, there are numerous picturesque towns ready to recharge your batteries. Join Stefan Bogner on his tour of discovery through New Zealand!
Text in English and German.