In the fall of 2020, Christo will wrap the Arc de Triomphe in Paris in silvery fabric for 16 days, returning to his signature style – after realizing The Floating Piers in Italy, the London Mastaba, and a quarter of a century after he and Jeanne-Claude wrapped the Reichstag building in Berlin. As a prelude, a major exhibition at PalaisPopulaire in the German capital will celebrate this 25-year anniversary in the spring of 2020. At the same time, the Pompidou Center will pay tribute to Christo and Jeanne-Claude by staging The Pont Neuf Wrapped Documentary exhibition as well as a comprehensive show highlighting their early years in Paris.
To accompany these events, Matthias Koddenberg, art historian and long-time friend of both Christo and his wife Jeanne-Claude, who was the other half of the artistic duo until her death in 2009, has edited an elaborate collection of interviews. The book is composed of many conversations held between Koddenberg and Christo in the artist’s New York studio over the last few years.
With rare frankness, Christo describes how he fled from Bulgaria and made his way into the Western world. He talks about his time in Vienna and Geneva, his vibrant life in Paris that was full of hardship, and the fateful moment when he met Jeanne-Claude.
This publication provides an exceptional inside view, uniting texts and numerous archival images and photographs, many of which have never been published before, or depict early works by Christo that have only recently been rediscovered.
Switzerland is well-known for its host of remarkable collections of 18th century European porcelain. Exemplary representatives include renowned collectors such as Dr Albert Kocher and Dr Marcel Nyffeler. A number of these magnificent collections can be found today – as a result of endowments or gifts – in Switzerland’s renowned institutions. Today, the ‘white gold’ from Saxony still fascinates Swiss connoisseurs: this publication is dedicated to their passion for collecting and for exceptional treasures, and is enriched with articles by renowned art historians and porcelain experts. An impressive overview of the gems from the most sumptuous Meissen porcelain of the early period.
Zhu Pei’s Jingdezhen Imperial Kiln Museum recalls a time of glory of the once “Millenium Porcelain Capital” city, Jingdezhen, and extends these memories to the present. Inspired by the perception of Jingdezhen’s specific regional culture (porcelain) and the survival wisdom of the locals, the museum is a symbol of the past and future. The contemporary architecture magnificently resonates the ages: the building form is reminiscent of ancient traditional brick kilns, and its landscape — with mirror pools, bamboo groves, kiln ruins, and courtyards — recreates an impression of Jingdezhen’s vibrant porcelain past. As an “Architecture of Nature,” that evokes both contemporaneity and ancient vibes, the museum subverts typical perceptions of modern-day museums. Colored photos, drawings, essays, and interviews provide detailed insights on the conception of the museum — from design concept to environmental strategies, to construction techniques and construction materials — as well as the architect’s personal perspectives on the overall concept and intention of the museum. The pages also feature commentaries on the museum by well-known architects, including Fan Di’an, Kenneth Frampton, Steven Holl, Arata Isozaki, Rem Koolhaas, Thomas Krens, Mohsen Mostafavi, Wang Mingxian.
Arte Vetraria Muranese (AVEM) emerged from the liquidation of Successori Andrea Rioda in November 1931. The new factory placed a very personal accent on contemporary artistic glass production on Murano: while designs prior to the Second World War were generally still the responsibility of master glassblowers themselves, after the war designers and freelance artists increasingly determined production.
Giulio Radi began experimenting in 1940, obtaining the company’s signature chromatic effects by superimposing mould-blown layers of glass, often opaque and transparent in alternation, and inlaying them with gold and silver foil. This latest volume of Marc Heireman’s ongoing Murano manufactory books features over 800 design drawings, numerous archive images and new photos of AVEM masterpieces, making this anthology of the company’s history indispensable for all Murano glass lovers.
Embossing, punching and guilloché engraving are techniques that have almost faded into oblivion. Today they are experiencing a new lease of life in contemporary jewelry. The Manufactory-Style Jewelry Design project fosters the passing down of experiential knowledge through the collaboration of artisans and designers from three generations. The book presents an excerpt of this success story by means of archive material and interviews with former masters, explains how the machines work, and illustrates contemporary examples.
Text in English and German.
WK has proved himself to be one of the truly original and innovative street artists in his ability to marry the movement of the street to the dynamism imbued in his work. WK Act 4 explores 25 years of WK’s work on the street, producing everything from small scale stencil work and throw ups to huge wall paintings and murals – featuring graffiti graphics, illustration, art objects and supplies – all beautifully complementing the perpetual motion of urban life. The book features an extensive collection of some of the artist’s most famous works including his 17-painting installation at the Colette Gallery in Paris, the iconic decorations of building facades in downtown Manhattan and Project Brave, a moving 9/11 memorial at the World Trade Center. Complete with an in-depth introduction and biography with contributions from several contemporaries, the book presents a fascinating journey into the world of WK. “WK Interact’s iconic black and white street art – human figures engaged in some type of extreme motion or emotion, running, jumping, screaming, struggling to escape – has forever pierced our memory of the Lower East Side and SOHO streets.” Isabel Kirsch continues to write in the introduction, “the impermanent, multi-dimensional surfaces of the ever-hustling and bustling inner city are the ideal backdrop to bring his images to life.”
Since taking the helm of the National Galleries of Scotland in 1984, Sir Timothy Clifford has overseen the acquisition of some of the finest, and best-loved works in the national collection. This book chronicles the development of the collection under his directorship and casts light upon the wide range of acquisitions, including the fascinating stories behind their purchase. Lavishly illustrated, highlights of the book include The Virgin Adoring the Sleeping Christ Child by Botticelli, The Three Graces by Canova (purchased jointly with the Victoria and Albert Museum, London), and the most recent major acquisition, Venus Anadyomene by Titian. Works from the Scottish National Gallery of Modern Art’s internationally renowned Surrealist collection are also featured, as well as paintings from the Scottish National Portrait Gallery.
In the last twenty-five years contemporary art in Scotland has grown from a tiny and tightly knit community to a globally recognized center of artistic innovation and experiment. This book provides the first comprehensive and fully illustrated guide to the art of the period. Featuring the work of more than eighty contemporary artists who first made their careers in Scotland including Turner Prize winners Douglas Gordon, Simon Starling and Martin Boyce. An accessible introduction for new audiences and a handy reference guide to the art of this period.
5000 Years of Indian Art demystifies the story of Indian art spread over the millennia. This visually stunning book offers a panoramic view of Indian art from pre-historic times to the contemporary period. The absorbing narrative links different predominant artistic genres (like prehistoric art, ancient Indian art of Vedic and Buddhist traditions, temple art, Mughal miniature painting, colonial art, modern Indian art, and contemporary art) that were prevalent in different eras, instead of following formally demarcated historical periods.
The illustrated tale encompasses the entire gamut from the earliest primitive markings on stones, caves, and frescoes to exquisite paintings, sculptures, modern photography, finely crafted artefacts, media-inspired work, popular installations, and other forms of contemporary art. The book displays around 200 select masterpieces of art from museums, galleries, and private collections around India and the world. The history of Indian art is as old as the civilization itself and every major period of history has given it newer modes of expression. This book successfully captures all the myriad influences that have enriched Indian art over the years.
Features works from the following museums: American Museum of Natural History, New York, Archaeological Museum, Sarnath, Ashmolean Museum of Art and Archaeology, University of Oxford British Museum, London, Brooklyn Museum, New York, The Cleveland Museum of Art, Cleveland, Gujral Art Museum, New Delhi, Harvard Art Museum/Arthur M. Sackler Museum, Cambridge, Kabul Museum, Kabul, Kiran Nadar Museum of Art, New Delhi, Indian Museum, Kolkata, Islamabad Museum, Islamabad, Lahore Museum, Lahore, Los Angeles County Museum of Art, Los Angeles, Mathura Museum, Mathura, Metropolitan Museum of Art, New York, Museum of Fine Arts, Boston, Musée Guimet, Paris, Museum für Indische Kunst, Berlin, Museum of the History of Science, Oxford, National Museum of Pakistan, Karachi, National Museum, New Delhi, The Nelson-Atkins Museum of Art, Kansas City, Norton Simon Museum, Pasadena, Patna Museum, Bihar, Philadelphia Museum of Art, Philadelphia, San Antonio Museum of Art, San Antonio, Sarnath Site Museum, Uttar Pradesh, Seattle Art Museum, Washington, Staaliche Museum of Berlin: 91, V & A Images/Victoria and Albert Museum, London Trustees of the British Museum, London .
In the iF ranking, Loewe is among the top 10 German companies awarded for exceptional design performances. This is a good reason to take a close look at the design history of the company on the occasion of its 100-year anniversary. The design historian Kilian Steiner distinguishes three historical phases: The first phase (1923 to 1945) marks the build-up and destruction of the Loewe brand. In the second phase (1945 to 1985), the focus was on the rebuilding of Loewe and overcoming numerous changes. The third period from 1985 onwards saw the rise of Loewe to an internationally renowned design brand. For the first time, the creative minds in product and communication design who contributed to the development of the brand are named and previously unknown details of the Loewe corporate history are revealed. From its foundation in 1923 to the invention of the electronic television in 1931, Loewe has evolved into a globally operating design brand. A unique combination of German engineering, excellence, exclusive design and sustainability have shaped the brand culture.
Text in English and German.
The 25th anniversary of the UN Convention on the Rights of the Child is a good reason to put the topic emphatically into the public focus. UNICEF Germany and GEO – with the support of the world’s best photographers and Edition Lammerhuber – do exactly that in this joint pro-bono project. In 40 photographic reports from 15 years, a selection of particularly striking pictures from the UNICEF Photo of the Year competition forms a fervent appeal to respect the rights of the child and to guarantee every girl and boy in the world a childhood in dignity. The volume is edited by Jürgen Heraeus, the Chairman of the German Committee of UNICEF, and Peter-Matthias Gaede, long-serving Editor-in-Chief of GEO. We the Children draws attention to the suffering and hardships, but also to the wishes and dreams of today’s children. We the Children is a book full of hope for a child-oriented world. Text in English and German.
This A3-format title brings together a selection of 50 exhibition posters designed by Werner Jeker (Les Ateliers du Nord, Lausanne) presented at the Collection de l’Art Brut between 1976 and 2026. This renowned Lausanne-based German-Swiss graphic artist has worked with the museum since it opened and is also responsible for the layout of this publication. The Collection de l’Art Brut would like to take advantage of this project to show its appreciation of this fruitful collaboration spanning five decades.
Text in English and French.
For forty years, Inez van Lamsweerde and Vinoodh Matadin have redefined the boundaries of photography. This iconic duo, hailed worldwide for their fearless fusion of art, fashion, and portraiture, has created a body of work that is as visually seductive as it is intellectually disruptive.
To this day, Inez & Vinoodh continue to collaborate with leading designers and luxury brands such as Louis Vuitton, Chloé, and Chanel, while also producing striking covers and editorials for acclaimed publications including Vogue, Rolling Stone, W Magazine, and Time. Their images are a delicate balancing act, meticulously composed yet deeply provocative, where elegance collides with the grotesque and traditional notions of gender melt into fluidity. Acting as both mirror and magnifying glass, their photography not only draws from popular culture but also critiques it, uncovering complex layers of beauty, resistance, and desire.
As they mark four decades of creative partnership, this stunning volume asks the central question behind their vision: Can love truly be captured in a photograph?
Published to accompany the exhibition of the same name at Kunstmuseum Den Haag, opening March 20, 2026.
“Every kid’s dream is captured in the pages of this ACC Art Book depicting more than 60 years of space exploration, from the foundation of NASA in 1958 to the launch of the James Webb telescope in 2021.” — Calibre Magazine
“On almost 300 pages we can marvel at what are probably the greatest milestones in NASA history. This book really shows and honors this work! A great book about space exploration!” — Lovely Books
“The history of space exploration is best presented in this book of NASA photographs, whose images are universally inspirational.” – Commander James Lovell, Apollo 13
NASA has worked at the forefront of space exploration and research since 1958. Their devotion to furthering our understanding of what lies beyond our atmosphere has seen 12 humans walk on the surface of the moon, helped form the International Space Station, and placed numerous rovers on Mars. Voyager 1, launched by NASA on 5 September 1977, is the furthest manmade object from earth, having left our solar system entirely – and the agency’s plans for the future are equally inspiring.
This book celebrates NASA throughout the years, from its inception to its 60th anniversary in 2018, and beyond. A visual tour-de-force, the book collects high resolution NASA photos of historic significance; from rarely seen photos and the words of President John F. Kennedy commanding the space race, to the many triumphs and tragedies of the Apollo Missions, moon landings, the International Space Station, space shuttles, journeys to Mars and explorations of our galaxy’s outer reaches. These breathtaking images are complemented by heartfelt words of hope and imagination for the future, encouraging readers to admire their world from a different perspective. Out of This World: Historic Milestones in NASA’s Human Space Flight is a stunning 300 page book.
Olivier Gagnère appeared on the French design scene in the 1980s. Through his contact with the Memphis group of Ettore Sottsass in Milan, he developed his spirit of fantasy, great formal liberty, all with a touch of humor. In Japan, on the island of Kyushu, he immersed himself in the ancestral craftsmanship of the porcelain makers in the studios of Arita.
He designed his earliest pieces of furniture for Artelano and Pierre Staudenmeyer’s Galerie Néotù. He went on to collaborate with the Galerie Maeght to create works in Murano glass and with the Galerie Edition Limitée for works in earthenware. In 1994, his designs for the interior of the café Marly, in the Louvre, brought him great renown and have led to many collaborations with crystal works Saint-Louis, porcelain manufacturer Bernardaud, En attendant les Barbares… With Olivier Gagnère’s artful mastery of every material, he is just as at ease working with porcelain as with iron, crystal, wood, leather or bronze. He blends simple and timeless forms with carefully sized volumes, in a range of bright contrasting colors. Steeped in the most classical traditions, he marks every one of his creations with a gesture, a demeanor that is a signature of his times.
Text in English and French.
Bencharong, a unique class of Chinese export ware, was made exclusively for Thai royalty and the ruling elite in the late 18th and 19th centuries. Enamelled porcelain containers and dishes for the table and boudoir are resplendent in kaleidoscopic colors inspired by verdant, tropical vegetation. Lai Nam Thong (‘gold-washed’), a variant, takes the opulence of this ware to a pinnacle by adding gold as an embellishment. Although Bencharong belongs both in place and time to the broader tradition of Chinese export art for the European and American markets, it is distinctively Thai in style and aesthetics. A wealth of lavish illustrations, many never before published, are visual revelations of Bencharong’s splendor.
The author traces the history of Bencharong from the renowned kilns of Jingdezhen to enamelling centres at coastal ports in southern China and its final destination – Ayutthaya and Bangkok.
First book in the exciting Discover Thai Art seriesAn accessible yet authoritative guide to these collectible and beautiful porcelainsExamines the shapes, motifs and origins of each pieceExquisite items from previously unseen private collections Bencharong, a unique class of Chinese export ware, was made exclusively for Thai royalty and the ruling elite in the late 18th and 19th centuries. Enamelled porcelain containers and dishes for the table and boudoir are resplendent in kaleidoscopic colors inspired by verdant, tropical vegetation. Lai Nam Thong (‘gold-washed’), a variant, takes the opulence of this ware to a pinnacle by adding gold as an embellishment. Although Bencharong belongs both in place and time to the broader tradition of Chinese export art for the European and American markets, it is distinctively Thai in style and aesthetics. A wealth of lavish illustrations, many never before published, are visual revelations of Bencharong’s splendor.
The author traces the history of Bencharong from the renowned kilns of Jingdezhen to enamelling centres at coastal ports in southern China and its final destination – Ayutthaya and Bangkok.
The works in porcelain and colorful shades of stoneware by Doris Banks might be modest and reduced in form, color, and decoration yet they still possess a remarkable impact and presence. All the objects are one-offs – modeled, formed, pressed, folded, glazed, and decorated by hand. As a result, the natural character of the material remains vivid. With a minimalist aesthetic beholden to Asia, the ceramic artist’s works are characterized by a virtuoso play of form and surface that allows a tactile experience of textures on the exterior surface. This monograph is an in-depth appraisal not only of these works but also of an artist who despite her early death achieved remarkable things in studio ceramics.
Text in English and German.
The catalogue Tunnel presents works from 2018 to 2023 by ceramicist Johannes Nagel (*1979). The majority of the objects were formed by the artist’s hands digging into sand to form cavities, negative spaces, which were then molded and revealed using liquid porcelain. By doing this, says co-author Esther Niebel, the artist imprints his own presence in to the objects. In addition to the extraordinary shapes thus created, expressive colors and the painting of the objects play a central role in Nagel’s work. Accompanied by essays, the excavated and cast pieces are presented in full-page photographs in a staccato portrayal of objects and ideas.
Text in English and German.
Korean Ceramics: The Scholar’s Vision, The Photographer’s Eye has at its core a dialog between Yangmo Chung —expert scholar and former director of the Korean National Museum—and contemporary artist Bohnchang Koo. Their subject is Joseon-dynasty white and blue-and-white porcelain. These masterpieces, now in museums across the world, captivate with their stark minimalism. Bohnchang Koo’s sensitive portraits of the vessels meet Yangmo Chung’s commentary to provide a unique perspective on Korean ceramics.
International interest in Korean art and culture has boomed in the past decade, but literature on traditional Korean art forms in English remains scarce. This book is a timely resource for an English-speaking audience. In its pages, art-historical expertise combines with aesthetic interpretation, exploring the contemporary meaning of a classical porcelain tradition that blossomed for over five centuries.
Scenes of gardens and of love, idyllic hunting parties, picturesque farms, and lifelike animal figurines in porcelain were popular motifs in table decoration from the Baroque to the beginning of the 19th century. These ‘worlds in miniature’ were intended to initiate conversation among the table guests – and of course attest to the discerning taste of the hosts. The decorative pieces were, for all intents and purposes, part of the furnishing scheme and finished off the room’s interior as a total work of art down to the last detail. Central to this was the artisanal sophistication and the perfect mastery of the latest techniques, which breathed new life into the miniatures.
Following on from Courtly Companions: Pugs and Other Dogs in Porcelain and Faience, now Courtly Pleasures presents the most beautiful table decorations produced by a variety of manufacturers, all from the abundant treasures of a southwest German private collection.
Text in English and German.
A Sino-Chinese family find their destiny is inseparably entangled with that of the country they have adopted as a home. Not long before the Communist revolution, Tong, sent by his peasant-parents in impoverished rural China to work with a relative in Siam, has risen to become a rice-trading tycoon in Bangkok’s Chinatown, married a former palace cook and built a large family in the town of Pad Riew. Haunted by the dream of returning to his true home in China, Tong, along with his wife and their five children, are swept along by the torrents of history as World War II breakout and China turns red, while the military strongman in Thailand act out the interminable cycle of power struggle, rebellion and coup d’état.
Memories of the Memories of the Black Rose Cat, the award-winning second novel by Veerapon Nitiprapha, is a generations-spanning family saga that explores the roots of the Chinese diaspora in Siam and how the tragedy of ruined love, maternal betrayal and futile ambition shape the lives of Tong’s clan members, each of them hounded by their own ghosts and burdened by their own sins. All of this is played out against the backdrop of Siam’s mid-century social and political history, the most chaotic period the formation of the nation.
“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.