Over the course of 60-plus years, Erwin Hauer has created modular sculptures that feature penetrations and prominent interior voids yet, remarkably, are bonded by continuous surfaces. The modules of these sculptures contain the seeds of infinity: what Hauer calls ‘continua’. Still Facing Infinity covers the full scope of Hauer’s artistic oeuvre, from early two-dimensional works that double as room dividers to three-dimensional, space-filling sculptures that are conceptually similar to innovative architecture and engineering (works by Antoni Gaudi, Félix Candela, and Frei Otto) as well as advanced mathematical concepts (triply periodic infinite surfaces without self-intersections). Hauer offers detailed presentations in writings as well as in abundant photographs of a number of significant works, including Jerusalem Tower and Infinite Surface I-WP, the basis for numerous tabletop and large-scale sculptures as well as for two independent series that explore multiple iterations of the infinite surface concept.

In the middle of Tivoli Gardens, beneath a canopy of lanterns and reflections from the lake, stands one of Copenhagen’s most iconic buildings — The Japanese Pagoda. Once a symbol of amusement and light, it has in recent years become a beacon of culinary excellence. Over the past five years, twenty-five Michelin-starred restaurants and chefs from all over the world have brought their artistry to The Pagoda — each for a shorter period, each re-imagining the space through their own vision of fine dining.

The Pagoda tells this story through text, photography, recipes, and behind-the-scenes insights, capturing how chefs transform architecture and atmosphere into edible experience. Alongside menu creation, craftsmanship, and the history of Tivoli’s gastronomy, the book unfolds a dialogue between past and present — between playful nostalgia and modern precision. A tribute to creativity, collaboration, and culinary ambition, The Pagoda celebrates the meeting of taste and tradition in the most magical corner of Copenhagen.

Using the formalist conventions of an ironic heritage, William Ludwig Lutgens attains the expression of something sincere. Like the philosophical idiot who did his utmost best to unlearn all the fallacies he was acquitted with since birth and now only knows he knows nothing, the artist made the world into his own theater wherein he can stomp around like a bull in a china shop with the grace of a prima ballerina. Forcing a pathway to possible exits by presenting us with the alloy of his observations, imagination and scattershot references. Not merely asking questions, which seems to be the hype in contemporary art nowadays, he is unraveling the framework wherein these questions originate. The image deconstructed by the story of its creation, alternating between the power and impotence of the theatrical madness at the end of the world as we know it. William Ludwig Lutgens presents with his Comedy of Humours the dysfunctional family of man.

Text in English and Dutch.

From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.

After 20 years working for Mario Botta, Davide Macullo founded his own office in Lugano in 2000. His architecture is the result of dialogue with the location and is characterized by intuition, openness and emotionality. His aim is to use architecture to improve the quality of life and charge locations sensorially. This monograph structures the work of the Ticino-based architect – comprising over 400 projects, including master plans, international hotels, furniture design and art consulting – into three main chapters. The focus lies on ten of his most definitive buildings, such as the WAP Art Space (2017) in Seoul, which combines art and housing in a single spatial structure that is bathed in light, while also oscillating between openness and withdrawal; as well as the SCI Club Frott in Rossa, Grisons, which was built in 2021. This polygonal wooden structure serves as a cultural meeting place, while providing a contemporary response to the Alpine building tradition and integrating itself harmoniously into the Val Calanca.

The global porcelain scene is celebrating the 40th anniversary of the International Ceramics Fair and Seminar, which was founded by Brian Haughton and his wife, Anna, in London in 1982. That was just the beginning: further fairs and accompanying symposia on design, jewelry, and antiques in New York and Dubai were to follow, becoming important venues of exchange, not just for trade but for the academic world too.
To mark this anniversary, more than 40 renowned scholars were asked to write about selected European ceramics that had been traded in Brian Haughton’s gallery and that he had been particularly passionate about.
This publication is a wonderful kaleidoscope of unique ceramics from the 18th and 19th centuries, released as a homage to Brian Haughton, The Man with the Butterfly Tie.

A visionary leader and a charming diplomat, this catalog unveils a largely private collection of objects belonging to His Highness the late Sultan Qaboos bin Said of Oman. The 50 artifacts from the Renaissance collection, currently held in the National Museum of Oman, have been chosen to offer an intimate portrait of the Sultan’s 50-year reign. The collection showcases treasures – many seen here for the first time – received from friends and rulers worldwide as well as symbolic objects that reflect the early years of Oman’s independence. Through 50 significant objects and the elegant integration of the Sultan’s own inspiring quotes as calligraphy, this beautifully illustrated book provides a unique and personal perspective on a transformative era.

“… a wonderfully kinetic, joyful, and gorgeous tribute to Kirk’s work for just about every edition of Vogue” — Vogue.com

Neil Kirk in Vogue: The Supermodel Years is a unique retrospective of 1980s and ’90s fashion, as captured by one of the most exceptional photographers of the era. 

A prominent and prolific fashion photographer for over four decades, Neil Kirk’s sensational body of work has left a lasting impression on designers, editors and catwalk models across the fashion industry. A frequent contributor to Vogue US, British, Italia and Deutsch throughout the ’80s and ’90s, his photographs helped propel some of the biggest fashion names into the public sphere during an era when supermodels were becoming A-list celebrities and fashion designers were pioneering an innovative take on modern luxury.

With a foreword by Bryan Ferry and contributions from Helena Christensen, Claudia Schiffer, Manolo Blahnik, Sam McKnight, Stephen Jones, Yasmin Le Bon, Christian Lacroix and Jasper Conran among others, this is every fashion lover’s dream in one beautifully illustrated, must-have volume.

Featuring Salma Hayek, Carla Bruni, Cindy Crawford, Yasmeen Ghauri, Valentino Garavani, Vivienne Westwood, Malcom McLaren, Ewan McGregor, Kate Winslet, Jerry Hall, Linda Evangelista, Rachel Williams, Jonathan Rhys Meyers, Robin Wright and many, many more.

In this new book, Frank Ames concludes a trilogy of works, in which his sharp and revealing studies of the origins of the Sikh Kashmir shawl patterns under Maharaja Ranjit Singh not only remind us of their uniqueness and originality, but also, through their striking visuals, transport us through previously unknown ethereal and mystical dimensions of time and space.

From the tumultuous history of Punjab, the Sikhs rose to great power, commanding enough influence to draw the attention of the mighty British Raj. Ames guides us through the political, cultural, religious, and artistic events of the Punjab that gave rise to these transformative Sikh designs.

Pashmina Jewels emerges from the shared dedication of collector, Dr. Parvinderjit Singh Khanuja, and the author, both driven by a single purpose: to bring to light an art form long neglected by Indian historians.

The art of Caspar David Friedrich (1774-1840), mysterious and spiritual as it was, depended on an intense engagement with nature. On the long hikes that he took through his native north Germany, and further south in the Bohemian mountains, he drew landscapes, buildings, people and, most intently of all perhaps, trees. Half of Friedrich’s surviving drawings come from the sketchbooks that he compiled on his journeys and referred to during the whole of his career. A handful of these sketchbooks survive intact. The one known as The Oslo Sketchbook of 1807 was used for just two months, from April to June of that year. Its 23 pages of drawings record, with almost hallucinatory simplicity and clarity, trees that Friedrich would use in his paintings for years to come.

The Nordic people are often said to be hard-working, dutiful, open to innovation and equality, and trend-sensitive, with a ‘less is more’ attitude when it comes to clothes, furniture and interior design. Nordic histories and cultures have been intertwined for centuries, but what created their distinctive character? Was it the experience of Northern Europe’s four seasons, with cold, harsh dark winters, unreliable springs, bright summers when the sun never sets and beautiful autumns?
In this book we meet 32 individuals, neither kings nor queens, but real people whose life stories give insights into historical events and everyday life in the Nordic countries over 500 years. Nordic Stories reveals much about the lives, beliefs and customs of Nordic people from the 16th century to the present day. It is based on diaries, letters and other personal testimony, illustrated with objects from Nordiska museet’s astonishing collection. 

Showcasing an extensive range of photographs from India’s princely states, The Unforgettable Maharajas opens a window into the private lives of the maharajas. Featuring the jewelry, interiors, portraiture and many more aspects of the lives of these majestic families, this luxurious book is a documentation in photographs, of the maharajas of India: undoubtedly one of the greatest anachronisms of the 20th century. Among them were enlightened rulers and profligate princes, saints and scoundrels, heroes and cowards, sadists and boors, charmers and eccentrics. In the eyes of their people, however, they had the divine right to rule and they left the stamp of an unmistakable aura of majesty.

A comprehensive collection of historical photographs from princely India, this is also the largest selection of royal pictures in any one book.

Helen Williams Drutt English is an American gallerist, collector, mediator, and promoter of contemporary art jewelry. In homage to this grand dame of international studio jewelry and her 60 years of collecting, the publication presents selected works by American and German artists in a combination never before seen. Representing the diversity of American art jewelry are 140 examples from the last 70 years, from modernist minimalist or narrative works to objects with a strong sociopolitical message. The display of almost 100 works by German jewelry artists impressively documents the various developments in contemporary jewelry in both countries, as well as mutual influences and commonalities. The works testify to Helen Williams Drutt English’s great devotion to and engagement with art jewelry. Moreover, they represent her friendship with artists from both the USA and Germany and, not least, the close cultural and artistic connection between these two countries.

Text in English and German.

“…packed with superb colour photographs… This book is a wonderful companion to cathedral-crawling, not least in helping the crawlers work out what is, and what isn’t, worth seeing” – Simon Heffer, Telegraph“

A beautifully illustrated guide” — Premier Christianity

“[The] thrilling tale of the medium’s continuity… is set forth by Janet Gough, the erstwhile director of Cathedrals and Church buildings at the C of E, in her latest book, Divine Light” — World of Interiors

“I would recommend that you visit some of these cathedrals, book in hand.” — The Methodist Recorder

The stained-glass windows of England’s cathedrals illuminate interior spaces, communicate religious and other messages, and – perhaps – offer us a glimpse of heaven. This book tells the remarkable story of these much-loved works of art.

Divine Light features glass from every Church of England cathedral. It spans 900 years, beginning with the windows installed at Canterbury Cathedral following the murder of Thomas Becket in 1170 and representing every subsequent century in the history of English stained glass. Divine Light encompasses the Middle Ages, the Reformation, the hugely productive ‘long 19th century’, the Pre-Raphaelites, the Arts and Crafts movement, the creative commissions of the 20th century, and the innovative glass being commissioned by cathedrals today.

The book establishes the connections between the artistic beauty of stained glass, its effectiveness as a narrative medium, and the various technical developments that have shaped the work of practitioners over the centuries. The refraction of light through colored glass emerges as an early form of mass communications that retains its power to move and inspire today.  

The Francis Bacon Collection is the result of an extraordinarily lengthy discovery and authentication process of previously unpublished works by Francis Bacon. This stunning volume includes the nearly 700 drawings, pastels, and collages in possession of Italian journalist Cristiano Lovatelli Ravarino. All the works have been photographed in ultra-high gigapixel, captured exclusively for the book. Commentaries and essays especially written for this edition are by noted art historians Edward Lucie-Smith and Fernando Casto Florez, together with an authentication report by Ambra Draghetti, the graphological consultant to the Court of Bologna for the authentication process. This elegantly produced edition presents new scholarship by Professor Umberto Guarini, who defended the legal authentication of the works at the Court of Bologna; Dino Cura, the President of The Francis Bacon Collection; and by Professor Maurizio Saracini, who pioneered the use of multi-spectrum diagnostic imaging and applied his technique to the drawings providing fascinating new details for the first time.

Text in English and Italian. 

“The way we eat Indian food in this country changed forever the day The Cinnamon Club opened its doors, and we should all be, as I am, eternally grateful.” Giles Coren The Times
“The Cinnamon Club has always been more than a restaurant … Vivek Singh has established its place in the hospitality pantheon over a remarkable quarter of a century.” James Stagg The Caterer
Marking twenty five years of culinary brilliance, Spirit & Spice celebrates the extraordinary journey of chef Vivek Singh and his acclaimed restaurants. From the grandeur of The Cinnamon Club within the historic Old Westminster Library, to Cinnamon Kitchen, where the spices of the subcontinent meet the finest British ingredients, through to Cinnamon Bazaar, inspired by the bustling markets of the Old World, Vivek Singh’s fusion of Indian flavors with Western techniques has come to define modern Indian dining in London.
Photography by Jean Cazals accompanies signature recipes from the restaurants’ most popular dishes – many appearing in print for the very first time – interwoven with stories from the kitchen and reflections on 25 years in an ever-changing restaurant landscape. Spirit & Spice is a landmark celebration of one of Britain’s most influential restaurateurs, and the people, places, and plates that have shaped a gastronomic legacy.

Step into the world of Aphrodite, the Greek goddess of love, beauty, and desire – later worshiped by the Romans as Venus. Today she is thought of as a symbol of passion and beauty, but her story is far older and more complex. This catalogue explores Aphrodite’s beginnings on the island of Cyprus, where she was worshiped as an all-powerful goddess over 3,000 years ago, and traces her journey through the Greek and into the Roman world, where she became Venus.

This book reveals how, over the centuries, Aphrodite evolved into an iconic figure symbolizing love and beauty as her myths and images flourished – inspiring art, literature, and imagination from the Renaissance to the present day. Illustrated with more than 200 extraordinary objects – from sculpture and bronzes to gems and terracottas from Cyprus, Greece, and Italy, dating back from around 1400 BCE to the 21st century – this catalogue uncovers the making of a goddess whose legacy still shapes our ideas of love and beauty today.

During her 40-year career, Margit Koppendorfer has designed costumes for the greats of theater history: characters from Shakespeare, Brecht, and Handke, directed by Berghaus, Peymann, and Tabori, performed in Vienna, Zurich, and Berlin.  Margit Koppendorfer: Costume Designs presents Koppendorfer’s often life-sized mixed-media design sketches on transparent paper and reveals through these unique illustrations how the costume designer accords identity to the characters. By alienating the real in a visionary way, a latent truth emerges. While author Elfriede Jelinek and actress Maria Happel emphasize in their texts the masterful embodiment of the costumes, and of their characters, Margit Koppendorfer herself says of her work, “I dance into the set with my characters.”

Text in English and German.

Published to accompany the once-in-a-lifetime Rembrandt exhibition at the Kunsthistorisches Museum Vienna. Rembrandt’s powerful art left a lasting impression on his gifted pupil Samuel van Hoogstraten. The fascinating interplay between Rembrandt and Hoogstraten is on display in a unique way – you have never seen Rembrandt like this before.

This book delves into the depths of color and illusion, exploring the powerful techniques employed by the master artists Rembrandt and Hoogstraten to create virtual realities on canvas. Through insightful analysis and breathtaking visuals, this in-depth examination reveals the secrets behind the magnificent illusionist effects that have captivated audiences for centuries. Rembrandt-Hoogstraten offers a profound exploration of the transformative power of color and technique in the hands of two of history’s greatest painters.

Image © The Royal Caste, Warsaw – photo Andrzej Ring, Lech Sandzewicz

Unique publication accompanying the astonishing exhibition on nature in the works of Arcimboldo, Bruegel, and Bassano

How did people in the Renaissance perceive nature and time? How were these relationships visualized in art? And what role did the fascinating cycles of seasons and months – expressed in ever-new and diverse forms – play in this context?

These are some of the central questions explored in this volume. Masterpieces by Pieter Bruegel the Elder, Giuseppe Arcimboldo, Jacopo and Leandro Bassano, and many others are examined not only from an art historical perspective but also in terms of their content and original purpose for the patrons who commissioned them.

In addition to paintings, sculptures, and tapestries, the book presents clocks, globes, scientific instruments, and calendars, along with manuscripts and printed works related to the theme. Together, these objects illustrate how humanity oriented itself in the world and sought to find its place within it.

“…it should be noted that the outstanding quality of Wautier’s paintings is well served not only by the exhibition itself but also by the design of the catalogue, in particular the superb quality of its numerous colour illustrations and the many well-chosen details.” — Burlington Magazine

Michaelina Wautier (1604–1689) is a name unfamiliar even to connoisseurs of Old Master painting. This handsome book seeks to correct that, by exploring the surviving portraits, history paintings, genre scenes and still-lifes that can be identified as hers. Born at Mons, Wautier pursued a successful career in Brussels, which was then ruled by Archduke Leopold Wilhelm, Governor of the Habsburg Netherlands, whose collection ended up at the Kunsthistorisches Museum, Vienna. This handsome book, produced by the Kunsthistorisches Museum in collaboration with the Royal Academy, brings together all the latest scholarship on the artist, alongside several exciting new attributions.

This book brings together over 500 extraordinary objects from the MAK Collection (Vienna) with the artistry of Van Cleef & Arpels, celebrating the Maison’s 120-year history. This stunning catalogue presents a dialogue between medieval textiles, Wiener Werkstätte designs, and iconic creations such as the transformative “Zip” necklaces, the brilliant “Mystery Set” gemstones, and the historic Varuna yacht model. Featuring insights from MAK curators, Van Cleef & Arpels experts.

Text in English and German.