The Language of Home offers a unique glimpse into the creative partnership of Will Meyer and Gray Davis, cofounders of the globally recognized architecture and design firm known for shaping award-winning residential and hospitality spaces. This curated selection of Meyer Davis’s residential projects spans city penthouses, lakeside retreats, coastal sanctuaries, a Mexican villa, and a luxury yacht—each one reflecting intimacy, elegance, and individuality. The narrative explores the art of design, the joy of collaboration, and the ways personal context shapes the work. As each project unfolds, readers are invited into the world of Meyer Davis, where bold gestures are tempered by careful refinement, revealing a rhythm inherent to the practice: layered, collaborative, and alive. Richly illustrated with photography, sketches, and material boards, The Language of Home is both a showcase of design excellence and an inside perspective into the work of two of today’s most influential voices in contemporary architecture.
Presented as a non-linear work where viewers are invited to explore the pages through live indexing, Liminalism offers a collection of thought-provoking visual pairings that document Based Upon’s exploration in global landscapes and the epic sculptural works that result from its process. It includes an introduction by Meagan Kelly Horsman, the Managing Director of Christie’s Middle East.
Becoming a philosophical treatise, Liminalism illustrates that truth exists not only in those things which can be named, but in the apparent space between them. Readers are invited to allow the images to act as edges between which a connective tissue can be found. In bringing awareness to the liminal space between these pairings, each viewer creates their own exhibition, while the artist offers a poetic reflection on life as a creator.
In the 1970s and ’80s, the Cannes Film Festival was more than a red carpet — it was a spectacle of freedom, fame, and excess. Photographer Ole Christiansen was there, camera in hand, capturing a time when the world’s biggest stars mingled with dreamers, directors, and the beautiful chaos of the Côte d’Azur.
Cannes unfolds a visual story from an era when the festival was still intimate, wild, and gloriously unfiltered. Christiansen’s lens brings us close to icons like Grace Jones, Sean Connery, Harrison Ford, Clint Eastwood, and many others — not as distant celebrities, but as part of a living, breathing scene of glamor, sun, and seduction. Through rare, candid, and often daring photographs, the book celebrates a time when film, fame, and freedom collided — when the nights were long, the parties endless, and the line between cinema and life seemed to disappear in the glow of the Riviera.
Radilicious 2 is a luxurious coffee table book that brings together Europe’s most visionary vegetable chefs. Twenty top restaurants open their doors and stories, sharing 100 signature dishes that elevate vegetables, fruit, herbs and flowers to gastronomic heights.
This second edition is more than a sequel: it is to be a unique reference work on pure plant gastronomy at the highest level. Compelling texts by Mieke De Vylder and breathtaking photography by Wim Demessemaekers make this book a source of inspiration for the cuisine of tomorrow and a collector’s item that should not be missing from any quality bookshop.
Few architectural works have moved us – both emotionally and intellectually – as deeply as Frank Lloyd Wright’s Fallingwater. Nestled in the mountains of southwestern Pennsylvania, this weekend retreat was designed for the Kaufmann family of Pittsburgh. Even 90 years after its construction, the house continues to captivate visitors. Fallingwater stands as as a true work of art – a harmonious fusion of modern innovation, creative vision, and the natural world. Frank Lloyd Wright’s Fallingwater Coloring Book gives the observer an opportunity to learn more about the site’s story history while engaging with the structures and rhythms of Lloyd’s architecture through imaginative color.
Three and a half years after the international success of World’s Finest Homes comes World’s Finest Homes II – a new journey through 29 extraordinary residences that redefine contemporary living across the globe. Bound in natural linen and crafted with the same care as the homes it celebrates, this second volume offers an intimate looks into architecture and interior design at their most refined – where luxury speaks softly and beauty endures.
From the urban sophistication of penthouse in Miami to the serene elegance of a beach-side retreat in Maui, each home tells a story of places, personality, and purpose. Throughout the book, readers will discover homes in Toronto, Los Angeles, Sydney, São Paulo, Sun Valley, Austin, Dubai, The Hamptons, Ireland, and beyond – each designed by some of today’s most inspiring architects and interior designers.
Golden Memories by Lee Shulman is a deeply poetic exploration of forgotten moments, uplifted through precious material transformation. For over eight years the artist has rescued anonymous color slides — snapshots of lives once lived — and, in this series, he prints them on sheets of gold leaf. The gold, with its sacred and eternal connotations, elevates ordinary domestic scenes, holiday poses and candid glances into the realm of memory’s shrine. On these fragile surfaces, light moves, image and gold merge, and the photograph becomes a meditation on impermanence and presence. The project invites us to stop before the ordinary, to bear witness to lives we do not know and yet somehow recognize. With this book, Shulman expands his ongoing mission to restore dignity to forgotten photographs and asks what it means to remember in an age of fading analog material. Golden Memories is at once elegy, tribute and icon — a quiet invitation to honor the visual traces of our collective past.
KAMI is a meditative visual elegy by Japanese photographer Hitoshi Fugo, unfolding across nearly three decades of reflection on impermanence and renewal. The work interlaces two temporal and emotional landscapes: the aftermath of the 1995 Great Hanshin Earthquake in Kobe, and a series of intimate studies of a scorched industrial paper roll found outside a burned printing factory in Tokyo. In both, Fugo traces the fragile line between destruction and transformation, revealing form within ruin and spirit within residue. The Japanese word kami means both “god” and “paper,” and this duality anchors the project’s philosophical depth — where the divine and the material, the sacred and the ordinary, dissolve into one another. Through images stripped of narrative yet charged with presence, KAMI becomes a quiet act of reparation: an offering to what survives, and to the poetic stillness left after loss.
Legendary. The man behind 500 Lui and Playboy covers offers his complete work. For 28 years, Jean-Pierre Bourgeois photographed the world’s most beautiful women for Lui magazine, in dream palaces on the Riviera or on the tropical beaches of the Seychelles, the Bahamas, the Philippines, and Santo Domingo. Photographs of these superb models of multiple nationalities have graced the covers and inside pages of the biggest international photography magazines. Today, prints of Jean-Pierre Bourgeois’s photos are sold at auction, in the contemporary art section, and are exhibited in Parisian and London galleries.
Text in English and French.
From the bay of Saint-Tropez to the remote waters of Antarctica, a new generation of superyachts is reshaping the culture of contemporary seafaring. Whether maritime retreat or architectural statement, these incredible yachts are extending the frontiers of design, luxury and engineering.
Superyacht takes you on a rare, immersive journey inside the most exceptional vessels on the water today – boats that embody the highest expression of form, materiality and innovation. Through sculptural exteriors and meticulously conceived interiors, Superyacht reveals the extraordinary skill and artisanship elevating every element of these floating residences: the cabins and salons, spas and beach clubs, staterooms and terraces.
Unfolding through sumptuous photography, the story is told through in-depth interviews with the world’s leading design studios, including Nuvolari Lenard, Winch Design, Sinot, Liaigre and Reymond Langton; interior designers such as Bryan O’Sullivan and M2atelier; and master shipyards including the Ferretti Group, Feadship, Tankoa, Sanlorenzo, Damen, Admiral and Lürssen.
A beautifully produced edition with over 300 large-format images, Superyacht is the definitive survey of the aesthetics and ambitions driving the new era of luxury yacht design.
Dana Meyer’s South Pacific Expedition provides a fascinating insight into the world of entomological collecting, driven by the human urge for discovery and adventure. Featuring numerous illustrations and 12 letters, this book tells not only of the passion of an insect collector but also of a perilous journey to the South Seas at the turn of the century.
Published in this form for the first time, this collection is a fascinating and at the same time unsettling art project that blurs the boundaries between authenticity and fiction. The finely crafted sculptures are cold-formed from thin sheet steel and presented in preserving jars. The creatures appear deceptively real and at the same time their strange appearance is astonishing.
Meyer’s South Pacific Expedition offers the viewer the opportunity to imagine an exploration expedition 100 years ago and at the same time this series of works defies exact classification; the boundaries between nature, literature and art, reality and fantasy become blurred.
Text in English and German.
It is a perilous time for the Roman Republic. Victory over her nemesis Hannibal in the Second Punic War and the subsequent conquest of Greece have led to widespread debauchery and mayhem on the Italian peninsula. Into the breach steps Spurius Postumius Albinus, Consul of Rome in 186 BC, who turns detective to investigate a series of crimes attributed to the cult of the wine god Bacchus that, he argues, threaten the very heart of the State.
Based on events recorded by the Roman historian Livy and confirmed by a surviving bronze plaque in Vienna’s Kunsthistorisches Museum, Spurius is at once an ancient political whodunit and the first major treatment of a cataclysmic event in Roman history: according to Livy, some 3,500 Romans perished in the witch hunts resulting from Spurius’ investigation. In its finely balanced examination of freedom of belief and expression, and the manipulation of truth in times of national emergency, the novel has great relevance to today’s troubled world.
Kulturalis’s edition of Spurius gives the novel a striking and luxurious new treatment. Renowned Argentinian-born illustrator Jorge González’s vivid images – including full-page and double-page illustrations within the text and an arresting slipcase design – brings the graphic events of the novel to life. Based in Madrid, González previously illustrated the edition of William Golding’s Lord of the Flies published by Los Libros del Zorro Rojo and The Folio Society’s edition of Carlos Ruíz Zafón’s The Shadow of the Wind. Working hand-in-glove with González through Maria Cardelli’s IllustrationZone is award-winning hand-lettering artist Ruth Rowland who has designed album covers for Elton John, Kate Bush and Cliff Richard.
For 66 years now, Cartoonfestival Knokke-Heist in Belgium, the oldest in its kind in the world, has been calling on the international cartoon community to submit their best work for the international cartoon contest Golden Hat. Successfully so, because each year the call results in a wealth of cartoons. Some are hilariously funny, others cleverly sharp.
Cartoons 2026/2027 collects the hundred best cartoons of the past contest in one book. It is the accompaniment to the yearly Cartoonfestival during the months of March, April and May, in Knokke-Heist in Belgium. Cartoons 2026/2027 is a sought-after book for avid cartoon fans and the mix of styles and themes will appeal to anyone with a love of the genre. This year, the cartoon book was given a new look, so that it can face the future all refreshed.
More than 40 years ago, two friends, united by a passion for the decorative arts, embarked on an exploration of the unique jewels of India. They were motivated by the everyday jewels of the people in the villages—to discover the sources of their inspiration and to unravel the complex ritual of adornment that resulted in ornaments being fabricated for every part of the body, from the top of the head to the toes. The result was the creation of the Amrapali Collection of Indian Jewellery, one of the largest collections of pastoral silver jewellery in the world.
The manifold communities that this collection represents come from different religions, with linguistic differences and diverse cultural sensibilities, but the land that the jewels encompass is geographically contiguous. They exhibit the amazing technical expertise of simple gold- and silversmiths. This volume presents the jewels in all their glory, and as a visual language communicating design, aesthetics, tradition and, above all, the artistic expression of adorning the body.
Since 1970, the collection of Panini stickers has accompanied every FIFA World Cup™, which takes place every four years. The collection is not only a practical guide to the final tournament, but also provides a valuable visual archive of all the teams and their memorable matches.
Through the faces of its protagonists, the book tells the story of the FIFA World Cup™ from hosts Mexico in 1970, to Canada, Mexico and the United States in 2026. Famous and less famous champions, loved and less loved, who shared the desire to raise the most coveted football award to the sky.
Includes 1,104 pages of stickers, stadiums, scores, formations, rankings, summary tables and results that have made the history of the FIFA World Cup™.
For lovers of statistics and curiosities, the albums – always published before the competitions and shown in their original format – are completed by graphs and tables of the results of the final phase of the tournament and, starting from South Africa 2010, by an insert with stickers of substitutions.
Text in English, Spanish, French, German, Dutch and Italian.
An History of Richmondshire (1819–23) is the only part to be published of the largest commission ever received by Turner. Originally intended to count 120 drawings for a General History of the County of York by the well-known historian Thomas Dunham Whitaker, it was cut short owing to the death of the author and the spiralling costs. Nevertheless, Turner produced some of his finest work for the project, and the finished engravings demonstrate how his topographical art took landscape painting and illustration to new heights, and guaranteed his popular fame.
All 20 prints are reproduced here, at approximately three-quarters of the size of the originals. This is the first time they have been published together since the 19th century.
The first monograph by the renowned French interior architecture firm Atelier Giffon. Sixteen recent projects showcasing the pinnacle of contemporary Alpine Living in Courchevel (1850, Village, and Le Praz), Méribel, and Megève, as well as one hotel/restaurant.
Text in English and French.
In the 19th century, photography and colonial ethnography were tools of British governance on the subcontinent. Colonial officers were asked to submit photographs on various subjects across India. Images of people, place and space was seen as useful surveillance documentation to observe, understand and control native communities. Eugene Clutterbuck Impey (1830-1904) arrived in India in 1851 and lived there until his retirement in 1878. He served as political agent at different posts across the country. The Eastern Art archives include over 250 negatives and photographs of Impey’s images of people, architectural sites, and landscapes.
In today’s fast-paced and complex workplaces, managers must deliver results while fostering inclusive collaboration. Consensusmanagement offers a practical, research-based framework to navigate hidden disagreements, diverse viewpoints, and group decision-making. The Consensus Management Framework helps leaders explore, measure, and optimize alignment within teams, organizations, and networks. Based on years of consulting and academic research, it provides clear guidance for building stronger, more cohesive teams.
In 2023 Soma Surovi Jannat (b.1990), one of the most exciting emerging artists working in South Asia, became the Ashmolean’s first artist-in-residence from Bangladesh. Jannat’s art practice arises from a profound connection with nature. Inspired by the Ashmolean collection, her recent works weave together motifs to create new imaginary worlds of forests, bodies of water, animal and human forms. The exhibition will capture the ways in which Jannat explores the climate crisis, natural disasters, and the disproportionate impact on marginalized communities and ecosystems. An artist of exceptional talent and versatility, this would be Jannat’s first solo exhibition in the UK focusing on her engagement with the Ashmolean collections and the works created between 2023 and 2026. The exhibition and book provide the Museum an opportunity to engage wider diverse audiences, while also presenting the works of a contemporary multidisciplinary artist who reflects and draws strength from our collections.
Richard Dadd (1817–1886) constructed fairytale worlds and other highly original works of art. After making his name as an exceptional student at the Royal Academy in the late 1830s, he traveled to the Eastern Mediterranean, where he developed a psychotic illness that led to the killing of his father. Dadd spent the rest of his life in London’s Bethlem Royal Hospital and then Broadmoor Hospital in Berkshire, in both of which he was encouraged to paint.
Dadd’s output encompasses much more than the fairy paintings for which he is renowned. There are also highly detailed sketches evocative of his Eastern Mediterranean travels, remarkable characterizations of the human passions, and perceptive portraits of his doctors. Profusely illustrated throughout, this new account of his life and art by Nicholas Tromans and other leading scholars re-examines the legacy of one of the most fascinating figures in the visual arts of the Victorian era.
Patricia Urquiola (Oviedo, 1961) is a globally acclaimed architect, art director, and industrial designer, celebrated for her innovative work with leading brands such as Flos, Cassina, Kettal, Kvadrat, BMW, Boeing, Louis Vuitton, and Missoni. Her designs are imaginative, eclectic, playful, and often experimental, with a strong commitment to sustainability. The exhibition Meta-Morphosa at CID Grand-Hornu, part of Europalia Espana, highlights Studio Patricia Urquiola’s research from the past five years. In a world increasingly shaped by climate change and artificial intelligence, the exhibition explores transformation—how materials, aesthetics, and perceptions of beauty evolve. Featuring functional objects, visionary projects, and experiments with innovative materials and unexpected combinations, Meta-Morphosa presents a new aesthetic characterized by formal and cultural mutation. The exhibition invites visitors to embrace change, celebrating creativity, adaptability, and the beauty of transformation, reflecting Urquiola’s boundless imagination and her commitment to shaping design for a rapidly changing world.
Text in English and French.
For millennia, horses have captivated humans with their beauty, strength and majesty. From Türkiye to Japan, civilizations have elaborately costumed these prized animals. A magnificent selection of saddle blankets, horse covers and other equestrian textiles from the past 1,300 years communicates the significance and status of horses and their riders.
Old Westbury Gardens: Days of Grace on Long Island honors the life and legacy of the house that Jay Phipps built to woo his English love, Dita Grace. In his efforts to secure her hand in marriage, he promised to recreate the world of elegance, gardens, and dogs that she had known in Sussex. She said “Yes”—and the rest is Westbury.
Designed in 1906 by English connoisseur and family friend George Crawley, the house was furnished with British antiques and craftsmanship, with gardens planted under Dita’s discerning eye. Of the hundreds of mansions built on Long Island around the turn of the twentieth century, Old Westbury Gardens is now unique—the only one preserved in its original condition.
In 1959, Peggie Phipps Boegner generously placed Old Westbury Gardens in trust, in memory of her mother, Dita, so that the public could enjoy the place where she herself had been so happy. Maintained to the highest standards of authenticity, it is now a showcase of architecture, horticulture, and the decorative arts.