José Bedia: Inner Circle Journey 1976 – 2026 is a rich exploration of the career and work of Cuban artist – José Bedia. From being a formative member of the “Volumen Uno” Cuban art renaissance, Bedia’s international outreach continually grew from the 1980’s onward, reaching worldwide acclaim – spanning from his participation in the monumental exhibit Magiciens de la Terre in 1989 to winning First Prize at the Beijing Biennale in 2010. His unique artistic craft focuses on organic elements, tribal symbology, and shamanism from diverse cultures. Bedia’s work and artistic creations are deeply informed by living and past ancestral communities everywhere and his personal interactions with them, while simultaneously using a “field work” approach of an ethnographer or anthropologist to create his paintings, drawings, sculptures, and installations. Anchored by his 5-decade retrospective at the MARCO Museum of Monterrey, and also accompanied by text from various art scholars, this book will look at his trajectory focusing on his different styles and periods throughout the years, as well as images from his personal travels, and tribal collection, that directly impact his artistic output.
Text in English and French.
For more than 4,500 years people have been drawn to a windswept plain at the heart of southern England where a circle of vast upright stones topped with massive lintels stands. Yet Stonehenge – probably the most famous prehistoric monument in the world – remains mysterious.
Today, nearly one and a half million people a year come from across the world to see for themselves this silent icon of the ancient past. But what do we really know about the people who built it, why they did so, and what they did here among the stones? In the 18th century stories of Druids, of sacrifices and pagan worship emerged in the silence. How has our understanding of this complex site changed since then?
Through spectacular new photography, historic images, artworks and a remarkable new reconstruction drawing, Susan Greaney tells the story of Stonehenge, its builders and the people whose lives have been touched by this awe-inspiring monument from earliest times to the present day.
The Letting Go is a long-standing, performative, and participatory practice by artist Natascha Stellmach. It explores themes of vulnerability and empowerment. Following a meditation and in response to the question, “What would you like to let go of?”, the practice involves identifying, naming, embodying, and experiencing healing and impermanence through the body. Its method includes ritual tattooing without ink (a bloodline tattoo) to address a personal obstacle and initiate an intimate enquiry.
Over a period of almost 10 years, Stellmach performed more than 120 sessions with individuals in galleries and privately, including herself. Through evocative photography, academic research, and participant-contributed selfies and reflections, the publication invites readers to embrace “the wonder in our wounds” and offers a deeply human portrait of what it means to let go.
The book includes a foreword by acclaimed actor Sandra Hüller, as well as essays by curator and arts writer Kelly Gellatly and psychiatrist and psychoanalyst Dr. Matthew McArdle.
The photo book Beyond Binary invites readers on a journey into a utopia of gender diversity, transcending the conventional male/female gender norm. It showcases the visibility, self-determination, and empowerment of people with (trans*) non-binary gender identities across several generations.
The people featured in Beyond Binary are aged between 15 and 72 years. They reveal that gender is an infinite spectrum, where “male” and “female” are merely two poles. In addition to their portraits, the individuals provide us with deep personal and unfiltered insights into their various lived experiences and emotional states through handwritten letters. These insights cover not only gender diversity, but also topics such as neurodiversity, ableism, racism, polyamorous family structures, parenthood, ageing, trauma, and discrimination —along with questions of freedom and autonomy.
Text in English and German.
The publication Ueli Zbinden Architekt is more than just a monograph of his work. It is an inventory of 30 years of teaching and building activity, reflecting the Zurich-based architect’s modern understanding of architecture, derived not from a radical break with tradition, but from a further development of historical, social and cultural continuity. His wide-ranging work reflects the fact that architecture should not only meet design requirements, but also fulfill a social mandate – from social concerns to climate issues – going beyond its purely practical value. This volume highlights that approach, covering projects ranging from the housing estate in Seon (1985–1989) to the design of the town center for Dietikon (1992–2007).
Text in English and German.
These three volumes describe and illustrate the trilogy of projects that Craig Hamilton has designed at Old Parkland, Dallas, an office campus developed by Crow Holdings. The architecture and sculpture, together with the spaces between buildings, aim to create a working environment inspired by the humanist ideas of the Renaissance. Hamilton’s work there comprises an office building and a bell tower or Campanile on the existing West Campus, together with the entirely new East Campus which occupies a complete city block and comprises of extensive new office accommodation, an orangery restaurant and a small theater. All three projects are rich in architectural and sculptural symbolism.
Hamilton’s understanding and deep respect for both the wider western and American classical traditions of architecture have been a source of inspiration for the work that has been undertaken at Old Parkland.
The volumes include over 150 hand drawings by Craig Hamilton; sketches, models and sculpture by Professor Alexander Stoddart, Sculptor in Ordinary to HM The King in Scotland; photography by Paul Highnam; words by Clive Aslet, visiting professor of Architecture at the University of Cambridge.
Giant Panda presents over 80 extraordinary images of this most rare and charismatic of animals that has become China’s national treasure. Having survived on Earth for over eight million years, the giant panda is among the most significant global symbols of nature conservation. This book offers a visual and factual guide to China’s accomplished journey in panda conservation through a meticulously curated collection of photographs and texts drawn from interviews with experts, philanthropists and international partners.
With an entire chapter devoted to heartwarming stories of individual pandas, this endearing creature is brought to life with descriptions of their unique personalities, the important and challenging work of the conservationists, and the incredible accomplishments they achieve when pandas are returned to the wild.
Giant Panda is a fascinating and beautiful overview of a gentle giant that can teach us some important lessons in how we must safeguard our precious planet and everything living on it.
At its essence, Ayurveda – the traditional science of life – is
the art of aligning with nature. Whether it is the human body, changing seasons or the circadian rhythms that guide our days, Ayurvedic living is about respecting the intelligence of the universe and finding harmony with its cycles. This makes Ayurveda both layered and deeply personal. There is never one sweeping solution; rather, it is an individualized approach that honors each person’s unique body type. It is about eating, moving, and resting in rhythm with our natural tendencies, and rediscovering balance so that we may live not just longer, but better, with vitality, clarity and grace.
This book is intended to be a bridge between tradition and contemporary living. It is an attempt to democratize the wisdom of classical Ayurvedic texts – profound and intricate – and make them relevant to lives shaped by late nights, rushed meals, and overstimulation from constant screen time. Though we may be far removed from the slower pace of ancient life, it is precisely through Ayurveda that we can access some of the most practical and transformative tools for modern wellbeing.
If Ayurveda teaches us anything, it is that that health is not merely the absence of illness, but the presence of harmony, which looks different for each of us. The practices and recipes within are meant to be explored, adapted, and made your own. Because Ayurveda isn’t about restriction, but expansion and guiding you through life with resilience and joy.
Created over three years in Pond Inlet, Iqaluit, and Qikiqtarjuaq (Qik), this latest book by photographer Guadalupe Laiz focuses on the Arctic dogs, the guardians and partners to the Inuit, on Baffin Island. Stationed farthest from town, left alone on the ice to camp and watch for bears, these individuals are largely unseen and rarely photographed. They live in prolonged isolation, tethered to the sea ice on the edges of Inuit communities.
Guadalupe’s stark and evocative black-and-white photographs and select color images are simple and direct, without drama or embellishment. Throughout the book, short poetic texts are written from both the artist’s perspective and imagined points of view of the dogs themselves—voices that reflect endurance, patience, labor, and presence.
Echoes of the Pack brings visibility to a remote and complex subject, shining a light on the Arctic dog—among the strongest and hardiest animals on the planet—who endure one of the harshest environments on Earth. It does so without judgment, and with respect for Inuit culture and leadership, fully acknowledging the history, hardship, and resilience of Inuit communities.
King of river fish, it is a portentous animal born in fresh waters and then driven far out toward the cold seas and deep oceans that will host it until the instinct to reproduce becomes dominant. At that moment, this extraordinary migrant begins its inexorable return journey, retracing the currents that lead it back to its place of origin. To survive such an undertaking is rare; whether male or female, each will die where it once received life and, in turn, gives life. A phenomenal example of courage and determination, salmon has held a prominent place in the vast realm of gastronomy since ancient times. Indeed, historical evidence related to its processing—such as smoking or marinating—traces the evolution of a foodstuff that spans millennia and connects cultures and traditions far removed from one another. A food of remarkable nutritional value, with meat characterized by a rich, slightly sweet, and brackish flavor, salmon has, however, been increasingly mistreated in recent years.
Text in English and Italian
The volume Erté accompanies the exhibition of the same name at the Labirinto della Masone and presents the figure of the artist Erté. Renowned for his extraordinary versatility, Erté designed theatrical sets and costumes, created jewelry, illustrated for world‑famous magazines, and worked as a fashion designer in Paris during the 1910s. More than fifty years after the first volume that Franco Maria Ricci dedicated to Erté, this new publication offers an extensive selection of the artist’s works, with particular emphasis on those from the 1910s, 1920s, and 1930s. Texts by Valerio Terraroli, curator of the exhibition, and Alessandra Tiddia trace the production of an artist capable of capturing—always with taste and irony—the shifting fashions and their most dazzling, luxurious inventions, poised between modernity and exoticism. In these works, impossible elegances—bordering on the precious—and the sharp, feral allure of the femme fatale take shape, equally suited to the worlds of cinema and choreography.
Text in English and Italian
The volume Erté accompanies the exhibition of the same name at the Labirinto della Masone and presents the figure of the artist Erté. Renowned for his extraordinary versatility, Erté designed theatrical sets and costumes, created jewelry, illustrated for world‑famous magazines, and worked as a fashion designer in Paris during the 1910s. More than fifty years after the first precious volume that Franco Maria Ricci dedicated to Erté, this new publication offers an extensive selection of the artist’s works, with particular emphasis on those from the 1910s, 1920s, and 1930s. Texts by Valerio Terraroli, curator of the exhibition, and Alessandra Tiddia trace the production of an artist capable of capturing—always with taste and irony—the shifting fashions and their most dazzling, luxurious inventions, poised between modernity and exoticism. In these works, impossible elegances—bordering on the precious—and the sharp, feral allure of the femme fatale take shape, equally suited to the worlds of cinema and choreography.
Text in English and French
Georges Jouve (1910–1964) was a major postwar decorative-arts figure who liberated ceramics from academic rules. Nicknamed “Apollo,” he tirelessly explored relationships between form, material, and light, combining utility and ornament, rigor and play. His wide stylistic range—from realism to abstraction—and his signature black glaze quickly set him apart.
This illustrated book traces his career from Nyons and Dieulefit to Aix-en-Provence, highlighting iconic pieces such as cylindrical vases and his collaborations with Janette Laverrière, Étienne Noël, and Mathieu Matégot, including La Saladière and the hotel La Résidence in Saint-Louis, Senegal. Present in the major Salons of his time, Jouve emerged as an agent of modernity and, encouraged by Charlotte Perriand, joined the Steph Simon gallery. Equally at ease with small or monumental formats, he produced vases, fountains, tables, and sculptures, using zoomorphic, anthropomorphic, and abstract forms to make ceramics a vibrant, experimental, and timeless modern art, with lasting appeal worldwide today.
Text in English and French.
Miró – Loeb. Correspondence 1926–1936 reveals the exceptional relationship between Joan Miró and Pierre Loeb, his gallerist and close friend in Paris. Through previously unpublished letters, richly illustrated with Miró’s works and facsimiles, the book traces a decade of exchanges during which exhibitions, collaborations, and new visions of modern art took shape. This vivid and illuminating correspondence captures the daily life of an artist and a dealer at the heart of the cultural ferment of the interwar years. It offers a glimpse into the realities of the gallery world, the networks of friendship, and the evolving dialogue between artistic creation and its dissemination in a time of profound transformation. The volume is accompanied by texts by Albert and Sonia Loeb, which place these exchanges within their human and historical context, offering a sensitive perspective on a relationship that proved decisive for both modern art and the life of Parisian galleries in the twentieth century.
Text in English and French.
British Portuguese Paula Rego (1935–2022) carved out her place in international art history with a self-possessed, uncompromising expression and a burning commitment to fighting oppression and lack of freedom. She grew up in Portugal under António de Oliveira Salazar’s dictatorship, which imposed strong constraints, especially on women’s freedom, and throughout her long career Rego dissected the relationship between gender, the body and power in a dark, fantastical visual language. At a time when authoritarian forces are on the rise across the world and women’s right to control their own bodies is under pressure, her images feel more relevant than ever. The exhibition Paula Rego – Dance Among Thorns presents Rego’s powerful and unsettling body of work in its full breadth. The catalog includes all works on display and a collection of new texts by the exhibition’s curator Kari J. Brandtzæg as well as by Catarina Alfaro, Isabel Freire and Jennifer Higgie. Together, they sketch an intense and nuanced portrait of an artist who never ceased to challenge – whether aesthetically or politically.
Carolyn Bessette Kennedy was far more than a style icon. In an age of visual excess, she stood for a new kind of elegance: restrained, precise, and uncompromising. Her style was quiet yet unmistakable—and continues to resonate to this day.
This Callwey book traces her journey from her early years to the very centre of the fashion world, revealing how a minimalist code emerged at Calvin Klein that shaped her entire appearance. Iconic street-style images, rare private photographs, and selected editorials illustrate how colour, cut, material, and attitude merged into a timeless aesthetic.
Alongside key garment silhouettes, accessories, and materials, the book also explores the role of privacy and distance as part of her public image. Featuring around 150 carefully curated photographs, it offers a precise portrait of a woman whose style never sought to be a trend—and is therefore still inspiring today.
The Italianate villa, Chakrabongse House was built almost 120 years ago on the east bank of the Chao Phraya River with magnificent views to Wat Kalaya, the Wichai Prasit fort and Wat Arun. It was commissioned by Prince Chakrabongse and his wife Katya as a private retreat from their main residence Paruskavan Palace. Designed by Turin-born architect Mario Tamagno, the tall villa with its beautiful teak staircase and panelling has accumulated paintings and works of art from three generations of the Chakrabongse family. Prince Chula who inherited the house after the sudden death of his father in 1920 never lived here full time. Educated in England, the prince’s plans to spend more time in Bangkok were foiled by the Second World War. Instead he lived in Cornwall, while the house in Bangkok was well maintained but somewhat unloved. It was only when Narisa, who inherited the house on the death of her parents, that creating a home full of antiques, paintings and memories began.
In A House by the River Narisa takes the reader through her home, pointing out some important features and the precious items it contains. She also recounts the stories, happy and sad, of the people who stayed here – Prince Chakrabongse, Prince Chula, Lisba and now Narisa and Gee. She also explains why she started her publishing company and opened the boutique hotel, Chakrabongse Villas.
New York, New York – a crazy quilt of evolving neighborhoods, trends, and tastes, and home to natives and newcomers of every nationality, ethnicity, and outlook. New York City’s history and grand ambitions live in every street, park, and hidden alleyway. This unusual guidebook invites the adventurous and curious to explore a wildly diverse selection of little-known places, including: a trapeze school, a giant Buddha in a former porno theater, a Coney Island sideshow, Louis Armstrong’s home, a Central Park croquet court, a Gatsby-era speakeasy, and a secret balcony where slaves worshiped 200 years ago. Play chess with the masters on a Midtown office-tower wall; have a pint at a legendary prizefighter’s hangout in Soho; whisper messages across a crowded train station. Unexpected and quirky, most of these destinations are so under-the-radar they will astound even longtime New Yorkers who thought they knew it all!
Revised and updated edition.
Step away from the traditional highlights of the city of innovators, great benefactors, artists, presidents and hucksters to discover innumerable interesting and unknown sites, artifacts and other treats in Washington, DC. Visit places hiding in plain sight, that may go unnoticed or simply be unknown to long-time residents and visitors alike. Play a round of miniature golf among the cherry trees. Buy original art works out of a vintage cigarette machine. Catch a show at one of the refurbished theaters where Louis Armstrong and Duke Ellington used to gig. Commune with the Godfather of Go-Go music in his memorial park. Get away from the tourists and peace out by walking a labyrinth alongside the Potomac River. Try a salad made of indigenous root vegetables at a Native American café.
Ann Demeulemeester PRINTS collects a series of carefully selected invitations and prints that have shaped her unique signature over the years.
In spring 2026, the Musée des Arts Décoratifs will present a unique exhibition on clothing at the Thai court, tracing the relationship between local textile traditions and haute couture, as well as the advent of fashion as a marker of Thai culture internationally and its essential role in the kingdom’s diplomacy. This exhibition will be presented in celebration of the 170th anniversary of diplomatic relations between Thailand and France, and the 340th anniversary of the first official contact between Siam and France. The catalog published at this occasion highlights the figure of Queen Sirikit, a national icon who recently passed away. Passionate about fashion, she played a central role in modernizing court attire, presenting her creations during official trips with King Rama IX. From the 1960s onwards, Queen Sirikit maintained close relations with leading French and European fashion houses.
By collaborating for more than thirty years with Pierre Balmain and then with Erik Mortensen, his successor at the head of the fashion house, she reinvented Thai royal elegance, preserving its heritage while ensuring its international appeal. Committed to preserving traditions, she also worked tirelessly to safeguard her country’s textile arts and crafts. The book brings together nearly two hundred outfits, accessories, royal objects, photographs, fabric samples, and embroidery (from Lesage and Princess Sirivannavari), and offers a unique glimpse into Thailand’s rich tradition of craftsmanship in textiles, jewelry, and accessories. It highlights the use of fashion as a form of cultural diplomacy that works through image, craftsmanship, and materials.
This is the the exhibition catalog of the Fondation Louis Vuitton’s exhibition starting September 2026 dedicated to Gustave Fayet as an artist and a collector. First major reference work devoted to the creative activity of Gustave Fayet in decorative arts, this book brings together leading specialists across multiple media, including stoneware, stained glass, drawing, textiles, wallpaper, carpets, and books. It explores a largely overlooked field and restores attention to a figure well known to experts yet long forgotten. Neither aligned with Art Nouveau nor Art Deco, Fayet remains deeply rooted in his time, collaborating with major artists such as Louis Süe, André Mare, and Paul Poiret. His friendship with Odilon Redon encouraged his artistic development. Combining art and business, he founded decorative arts enterprises in the 1920s. His sudden death, just five years later, was followed by a successful posthumous exhibition in 1926 at the Pavillon de Marsan in Paris, where his carpets were displayed alongside Redon’s works.
Li Qiang: The Negative Sent to Future is a collection of photographic works by artist Li Qiang, taken between the 1980s and 2020s. It includes three series: Northern Homeland, Distant Memories, and City Encounter. Li Qiang’s photographs are predominantly black and white, capturing portraits, cityscapes, rural society, and plateau landscapes against specific cultural and historical backdrops. In his photographic language, Li Qiang maintains an existentialist style: profound yet not oppressive, as if the subjects themselves are speaking, seemingly saying everything, yet saying nothing at all. The Northern Homeland series takes us back to the countryside and wilderness of Northwest China, back to the existential realm of solitary wandering in the wilderness; the Distant Memories series records life under the pure sky of the Southwest Plateau, mostly indistinct silhouettes, as if embraced by the heavens while maintaining an impressionistic distance from them; while the City Encounter series transforms the commonplace things of the city into fresh experiences for the soul, as if the reader themselves has just arrived from the distant countryside, only having caught a fleeting glimpse of the dazzling lights of the big city. The three themes intertwine, leading readers back and forth between the city of real life and the distant spiritual homeland.
Photographs taken during Grierson’s wanderings in Mexico and Guatemala in the late Eighties, and Nineties. While continuing his preoccupations, from where he’d left off several years earlier (his RCA work), Grierson was now met with a different reality, and a fresh challenge. Would the post modernist, formalist playfulness, in his earlier work, continue within this new third world environment? We are always ultimately shaped by our environment, but within the work, the environment is also shaped by both the photographer’s own subjectivity and the medium itself. ‘Grierson indeed is a particular kind of witness and his work is as much about the medium as the world’, (Gerry Badger).
Putting away his flash gun (which had characterized much of his earlier work), in respect for the indigenous people, he wanders through Central America, recording his interactions on b/w film. The resulting emotive images, have a strong sence of humanity, but they are never sentimental, and their power still owes much to Grierson’s formalist eye, and the subtle, yet visceral connections between the objects and people, within each frame.