Living Buildings celebrates the 60th Anniversary of Donald Insall Associates, the Practice founded by distinguished British architect Donald Insall, a leading exponent in the field of Architectural Conservation. Probably best known for the restoration of Windsor Castle after a devastating fire in 1992, the team s dedicated work has ensured the longevity of many of Britain s national treasures. This book presents a detailed examination of a painstaking approach to architectural conservation, comprehensively illustrated by case-studies, drawings, plans and in-depth descriptions. It is designed for a wide readership among all those who love and care for old buildings and appreciate good new design in sensitive areas.
This new monograph celebrates the creative accomplishments of one of the world’s most influential architects, Cesar Pelli. The book surveys this extraordinary body of work in terms of the AIA’s Gold Medalist’s design, architecture, and planning, tracing Pelli’s motivation as a leading designer and teacher, and the evolution of his work over the span of half a century. More than 50 projects from around the globe – museums, theaters, offices, laboratories, airports, cultural centers, civic works, master plans – are presented in rich full color with insights from Pelli that delve into the design and construction of these landmarks from a practice that has thrived for nearly 40 years.
Sir Edwin Lutyens is widely regarded as one of Britain’s greatest architects. In a career of over 50 years, spanning the Victorian, Edwardian and modern eras of architecture, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous World War I memorials across Europe and Britain, and his magnum opus designs for New Delhi built during the 1920s and 1930s. Despite such diversity of building types across his long career, Lutyens’s most celebrated works remain his country houses, which first established his reputation during the 1890s. As Lutyens’s practice flourished his work became widely promoted in publications such as Country Life magazine, and his houses, particularly those designed in the vernacular manner, would subsequently give rise to an entire genre of the English country house that became known, as it is to this day, as a ‘Lutyens-style’ house. Sir Edwin Lutyens: The Arts and Crafts Houses brings together in new, wide-format, full-colour photography a definitive collection of 45 of Lutyens’s great Arts and Crafts houses, in which he ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features 575 all-new current photographs of the houses, inside and outside, together with a selection of floor plans of the houses, and a fresh interpretation of Lutyens’s enduring architectural genius.
Moshe Safdie explains that probably more than half of his lifetime design work is unbuilt, and he considers his unbuilt work to be some of his most significant work. In this richly illustrated book, replete with detailed diagrams, sketches, models and studies, Moshe Safdie explains that for those who design in order to build, not succeeding in building is never a failure (there are many reasons why a project might not be built) because these designs are part of the evolution of an architect’s work. This volume is a fascinating journey through Safdie’s thoughts and career, and also a historical reference of the social and political forces at play at the time. Not only a treatise on Safdie’s unrealized concepts, this book is also a wonderful affirmation that there is valuable heritage in the unbuilt.
Includes a number of significant projects from around the globe, including the following:
Habitat Original Proposal, Montreal, Québec, Canada 1964; Habitat New York II, New York, New York, United States 1967; San Francisco State, College Student Union, San Francisco, California, United States 1967; Pompidou Centre, Paris, France 1971; Western Wall Precinct, Jerusalem, Israel 1972; Supreme Court of Israel, Jerusalem, Israel 1985; Columbus Center, New York, New York, United States 1985; Ballet Opera House, Toronto, Ontario, Canada 1987; Museum of Contemporary Art, Stuttgart, Germany 1990; Superconducting Super Collider Laboratory, Waxahachie, Texas, United States 1993; Incheon Airport, Incheon, Korea 2011; Jumeirah Gateway Mosque, Dubai, UAE 2007; National Art Museum of China, Beijing, China 2012.
Inspired by the book Made in Tokyo, Shanghai architectural scholar Li Xiangning and his team worked closely with its author, Yoshiharu Tsukamoto, to edit this book about the features of Shanghai city and its architecture. This book is a celebration of the particular elements of the architecture and urban design of Shanghai, and brings together 54 places that contribute to the unique DNA of the city. The photography, detailed drawings, and written pieces reveal Shanghai as it is to its residents. Whilst including well-known architectural features of Shanghai, the book also explores the less well-known elements that make Shanghai the city that it is.
“These photos are stunning, bittersweet visions of a past shared by all of us.“ – Tom Hanks.
“Brian Hamill is best known as a still photographer and a photojournalist. But I’ve always regarded him – first and foremost – as a master portraitist. And this book bears that out – capturing as it does, the many-faceted phenomenon that was John and Yoko – artists, lovers, cultural comrades and – most elusively – business partners. Behind his camera, Hamill is something of a phenomenon himself.” – Richard Price
Renowned celebrity photojournalist Brian Hamill delivers his own insider view of this Beatles icon, through intense, intimate photographic portraits and insightful text. Whether Lennon is dominating the stage, posing on the roof of the Dakota building, or relaxing with Yoko Ono, Hamill’s photography takes this quasi-mythical figure from the world of Rock ‘n’ Roll and shows him as the man he really was.
“Brian looked at the John Lennon who had become an icon and saw instead a familiar face. He saw a working-class hero like those that built the City of New York. And so when John Lennon came to live in New York, Brian captured him as a New Yorker, in the joyous images that you will find in this book.” – Pete Hamill
“Lennon, one of the most famous men in human history, wanted to live as one among many. Of course, he hit it off with Hamill. The guy that flew so high needed some oxygen. Hamill is fresh air. His folio of Lennon images shows Lennon focused, present, but edgy, never relaxed.” – Alec Baldwin
Documents on Contemporary Crafts
is a book series published by Norwegian Crafts in collaboration with Arnoldsche Art Publishers. The series provides a critical reflection of contemporary crafts in a wider context and in doing so asks questions about the ties between contemporary craft, fine art and design, thus helping to redefine the concept of crafts as such. The five volumes discuss such topics as skills, materiality, curating, collecting, perception and New Materialism. The more than thirty contributors range from leading craft theorists, such as Jorunn Veiteberg, Glenn Adamson and Liesbeth den Besten, via academics outside the craft tradition, such as Roger L. Kneebone, professor of surgical education, Trevor Marchand, professor of social anthropology, and Margaret Wasz, consultant psychological therapist, to emerging voices like Sarah R. Gilbert, Marianne Zamecznik and Stephen Knott.
No. 1: Museum for Skills. Skills are essential to the crafts discourse. Yet in an art world that for the last 50 years has become increasingly focused on conceptual strategies, we have seen the tendencies of deskilling and outsourcing. In Museum for Skills, the contributors analyze the current situation for skills by drawing on experience from the fields of brain research, surgery and anthropology.
No. 2: Materiality Matters. If materiality is a quality-related concept in both contemporary crafts and contemporary art, are we talking about the same notion? Or is there a fundamental difference between, on one hand, a maker’s confidence in his or her materials, and on the other, a contemporary artist’s use and adaption of a given material?
No. 3: Crafting Exhibitions. Curatorial discourse has been an increasingly important aspect of contemporary art. The curator took on a new role as the ‘author’ of the exhibition. Crafting Exhibitions introduces some of the processes that go into making an exhibition, from developing concepts to the physical realization. The contributors offer different approaches to exhibitions.
No. 4: On Collecting. Collections make up an important part of the contemporary arts and crafts infrastructure. Collectors and museums help improve the financial situation of artists. Additionally, to be included in the ‘right’ collection or museum can give an artist a high level of recognition and preserves the art works for the future. On Collecting offers insights into collecting from different perspectives and sheds light on some of the structures that determine the ‘collectability’ of works of art.
No. 5: Material Perceptions. Contemporary craft objects can be perceived for instance, as works of art in ceramics, glass, textile, metal and wood, or as functional, handmade and everyday objects. Material Perceptions investigates contemporary crafts as representations of reality that do not rely on the concept of autonomy, unravelling the dualism between aesthetic objects and everyday things.
Norwegian Crafts is a non-profit organisation founded by the Norwegian Association for Arts and Crafts in 2012. Norwegian Crafts initiates and produces exhibitions in collaboration with Norwegian and international institutions, curators and artists. The aim is to strengthen the position of contemporary craft from Norway internationally, contribute to the development of the artists’ careers and stimulate further exchange across national borders in the field of crafts.
Nineteenth-Century European Painting: From Barbizon to Belle Époque represents a comprehensive guide to the range of stylistically diverse genres of nineteenth-century European painting. Accessible and insightful, this exquisitely illustrated volume presents the historical context behind the century’s essential artistic movements including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting, Academic Painting, and Impressionist Painting. Influenced by an overwhelming wave of political, military and social change, nineteenth-century Europe represented an era more diverse in painterly subjects and styles than any before it. Indeed, it was a period that saw many European painters moving away from the strictures of the academy system, choosing instead to use their training to develop new techniques and traditions. A collection of independent stories, this book also outlines the unique progression between the different movements, exciting and enlightening the reader about the most magnificent period of art the world has ever known. Contents: Foreword; Dr. Vern G. Swanson; Introduction; Author’s Note; STYLES: The Barbizon School; Romantic Painting; Orientalist Painting; The Pre-Raphaelite Brotherhood; Realist Painting; Academic Painting; Impressionist Painting; The Newlyn School; Post-Impressionist Painting; SUBJECTS: Landscape Painting; Venetian View Painting; Maritime Painting; Sporting Painting; Animal Painting; Genre Painting; Cardinal Painting; Costume Painting; British Neoclassical Revival Painting; Belle Époque Painting; Conclusion; Endnotes; Bibliography. Featured works from museums and collections including: Louvre, Paris, Yale University Art Gallery, New Haven, Wallace Collection, London, Fine Art Museum of San Francisco, The Tate Gallery, London, The Schaeffer Collection, New South Wales, The Royal Collection, The Royal Academy of Arts, England, The Musée D Orsay Paris, Henri de Toulouse-Lautrec, The Metropolitan Museum of Art, New York (Catherine Lorillard Wolfe Collection), The J. Paul Getty Museum, Los Angeles, The Hermitage, Saint Petersburg, Russia, Russell-Cotes Art Gallery and Museum, Bournemouth, England, Rijksmuseum, Amsterdam, Plymouth City Museum and Art Gallery, Stanhope Forbes, Philadelphia Museum of Art, Pennsylvania, PA, USA, Paisnel Gallery, London, National Gallery, London, National Gallery of Victoria, Melbourne, Museum of Fine Arts, Boston, Museo e Gallerie Nazionale di Capodimonte, Naples, Italy, Museo de Arte, Ponte, Puerto Rico, Musée Marmottan, Paris, Musée D Orsay, Paris, Auguste Renoir, Metropolitan Museum of Art, New York, among many others.
Shafik Gabr started his collection of Orientalist art in 1993 by acquiring a painting by Ludwig Deutsch entitled Egyptian Priest Entering a Temple. His collection is today amongst the very few in the world to count such a large number of works by the famed Austrian artist as well as some of the finest examples of the greatest masters of Orientalism such as Jean-Léon Gérôme, Frederick Arthur Bridgman, Gustav Bauernfeind and many others. Important for both scholars and art lovers, the Shafik Gabr Collection impresses us with its richness and variety. It includes masterpieces by some of the major nineteenth and twentieth century Orientalists found in private hands today and demonstrates the owner’s appreciation of differences as well as similarities in European visions of the versatile and diverse Orient. The selection of paintings in this collection illustrates the owner’s evolving taste, his relationship with the world of Orientalism and his interest in its European expression. This Orientalist collection is a harmonious “kaleidoscope” of genres, presenting the Orient through a variety of forms, styles and techniques, and revealing to the European viewer the mysterious East with its bright colors, its exotic and leisurely lifestyle. Over the years, it has become one of the most complete and magnificent tributes dedicated to the world of Orientalism and as such some of the most renowned experts in this field have contributed to this book in order to mark its importance in the art world. Lavishly illustrated, Masterpieces of Orientalist Art: The Shafik Gabr Collection also includes essays by distinguished Orientalist scholars.
A portrait of an eminent jewelry artist and her unique creations!
Inspired by the Arte Povera movement, the Italian jewelry artist Annamaria Zanella (b. 1966) uses base materials, which only gain meaning through their context. Corroded metal or found objects convey statements that can be both political and personal in nature. Zanella wants to bring the soul of the material to light through the work of her own hands.
The color used is intended to evoke feelings and reactions. To this end Zanella studied the history of colors and their production, especially that of her unmistakable blue. She produced a blue pigment according to a recipe from the fourteenth century, invoking in its modern use pioneering artists such as Giotto, Wassily Kandinsky and Yves Klein.
Annamaria Zanella is represented in numerous museums, including Musée des Arts Décoratifs, Paris (FR); Kunstgewerbemuseum Berlin (DE); Die Neue Sammlung The Design Museum, Munich (DE); Museum of Arts and Design, New York (US); Schmuckmuseum Pforzheim (DE); Museo degli Argenti, Florence (IT); Victoria and Albert Museum, London (GB); Palazzo Fortuny, Venice (IT); Cooper Hewitt, Smithsonian Design Museum, New York (US); Swiss National Museum, Zurich (CH).
Text in English and Italian.
A key, a safety pin, a balloon, a propeller, a voltmeter – these unexpected objects in art jewelry rewrite the world of the Norwegian “jewelry engineer” Sigurd Bronger. He carries over his fascination for machines and instruments in humorously constructed jewelry pieces, and transforms natural materials and everyday objects into meticulously executed, complex and ingenious constructions. In his Oslo “Laboratorium Mechanum” Bronger works on his witty “carrying devices” – brooches, pendants, and rings with balloons, sponges, eggs, even his mother’s gallstones, or with medical equipment, which have a greater positive effect on the mind than on the physical well-being. An established feature of his work, which symbolically marks the entrance into Bronger’s world, is the key. This current publication offers such a key; a review of over thirty years of his creative work: from Bronger’s experiments with materials and constructions in the struggle with the avant-garde Dutch art jewelry to his attempts in fathoming out states of expansion and emptiness in jewelry. He revolutionized contemporary creative jewelry work in such a way, not just in Norway, where to this day he still finds new forms of expression at the interface of jewelry, art, design and engineering. With works from the 1980s to the present day, the book will carry you off into the humorous world of the decorative engineering art of Sigurd Bronger, one of the most significant Norwegian jewelry artists today. Text in English, German & Norwegian
HOPSCA, composed of a great number of different functional spaces – hotels, offices, parks, shopping, convention centers and apartments – is a complex which is the periodic product of urban morphology evolution during the rapid process of modernization and urbanization, and has become the inevitable requirement of economic development. A term used to describe integrated developments in urban communities – where people live, work, play and shop in proximity – HOPSCA is emerging as an important piece in China’s urbanization puzzle. It combines urban activities such as office, residence, business, catering, conference, entertainment and so on in an organic way, and forms a complex of multifunction and high efficiency.
This book brings together the excellent design concepts of many well-known design companies in recent years about the HOPSCA all around the world, many projects of which are underway. They will bring new breath and new vitality to urban developments.
Postcards were to people in 1900 what the Internet was to the world in 2000. The world went from a thousand to a billion postcards in a very short span of time, with the finest painters from India, Austria and Japan getting involved. Paper Jewels is the story of postcards during the Raj, and covers India, Pakistan, Sri Lanka and Burma. It is the first book on the subject and features hundreds of professionally-restored images in original format, weaving together the postcard artists, photographers, and publishers who define the rich history of the medium. The author’s research also charts the history and progression of the technological aspects of postcard publishing and its key players. The concluding chapters explore the role postcards played in the Independence struggle, from the First Non-Cooperation Movement through the Dandi March and Partition. It includes some of the earliest cards of Mahatma Gandhi, Mohammed Ali Jinnah and other political figures. Many of the images in the book have not been seen since they were first published nearly a century ago. Published in association with The Alkazi Collection of Photography.
Joan Eardley (1921-1963) is one of Scotland’s most admired artists. During a career that lasted barely fifteen years, she concentrated on two very distinct themes: children in the Townhead area of central Glasgow, and the fishing village of Catterline, just south of Aberdeen, with its leaden skies and wild sea. The contrast between this urban and rural subject matter is self-evident, but the two are not, at heart, so very different. Townhead and Catterline were home to tight-knit communities, living under extreme pressure: Townhead suffered from overcrowding and poverty, and Catterline from depopulation brought about by the declining fishing industry. Eardley was inspired by the humanity she found in both places. These two intertwining strands are the focus of this book, which looks in detail at Eardley’s working processes. Her method can be traced from rough sketches and photographs through to pastel drawings and large oil paintings. Identifying many of Eardley’s subjects and drawing on unpublished letters, archival records and interviews, the authors provide a new and remarkably detailed account of Eardley’s life and art.
This is the first study of a fascinating, international phenomenon in the art of the past century. Naked portraiture is an original hybrid of the traditional genres of the nude and portrait, and has been created by an astonishing range of major artists, in many different media and in a variety of major artistic centres. Martin Hammer’s ground-breaking book compares work by painters such as Egon Schiele, Paula Modersohn-Becker, Pierre Bonnard, Stanley Spencer, Lucian Freud, Tracey Emin and Jenny Saville. The analysis encompasses a rich tradition of naked portraiture using photographic media, produced by figures such as Alfred Stieglitz, Richard Avedon, Diane Arbus, Boris Mikhailov, Nan Goldin, Gary Schneider and Melanie Manchot. The subjects are men and woman, old and young, black and white, healthy and disabled. They might be lovers, close relatives or friends, with their nakedness suggesting the intimacy and tenderness existing between artist and subject. Conversely, the artist might not know them beyond the circumstance of making the pictures. Many of the images represent the artists themselves, with nudity carrying connotations of self-exploration, vulnerability, playfulness or fantasy. Martin Hammer’s innovative study seeks to explain naked portraiture as a symptom of wider currents in modern culture, a visual parallel to various other manifestations of an impulse to reveal what is hidden, profound, or authentic, beneath the surface facade. The book also opens up for consideration the wider issue of how and why the genre of portraiture has been radically extended and reinvented, in so many different ways, within the art of the last hundred years.
For almost 15 years, the architectural couple Pascal Fournier and Sandra Maccagnan has been working in the Unterwallis region to produce a remarkable oeuvre. The individual buildings consciously react to their developed, usually rural environments and are able to clarify them, thereby achieving a more beautiful, complete whole.
Text in French and Italian.
Musicscapes: The Multiple Emotions of Indian Music is a visual diary, comprised of 30 years of photo documentation. It explores Indian music through the lens of the passionate photographer Shobha Deepak Singh. Shobha is a chronicler, dedicated to representing the musical zeitgeist of modern India in pictographic form. Retelling history through evocative black-and-white portraits, she displays the many moods, iconic moments and the ‘rasa’ of Indian music. From the maestros of vocal music, Balasaheb Poonchwale, Kumar Gandharva, Bhimsen Joshi, Kishori Amonkar and Shubha Mudgal; to legendary instrumental musicians, Bismillah Khan, Ravi Shankar, Amjad Ali Khan, Ali Akbar Khan, Vilayat Khan, Hari Prasad Chaurasia, Shiv Kumar Sharma, Ronu Mazumdar and Zakir Hussain; Shobha captures some of the boldest and brightest talents that have emerged from India’s diverse music community. Her unique visual language portrays these artists with a rawness and verve no other photographer’s camera could match.
K.C. Korfmann, author/photographer behind the Beliefs anthology, has returned with another stellar photography book. Korfmann is a new voice in the world of photography. Born and raised in the United States, he moved to Switzerland in 1969, shortly after completing his law studies. He began experimenting with photography in his early teenage years, using various equipment and 35 mm film. In the 1980s, he acquired an 8×10 inch field camera and was individually mentored by a number of established photographers. Among the artists whose work has influenced him stand the classic masters – Eugene Atget, Edward Weston, Ansel Adams and Paul Strand – but also other lesser-well-known content creators, whose projects, like Korfmann’s, display a talent that has yet to be recognized by the mainstream.
This delightful jewel-like book evokes unmistakably Italian landscapes and cityscapes. Anne Desmet’s pen commits every detail to paper, and the small-scale format emphasizes her distinctive flair for capturing the relationship between extreme foreground and distance. This is a unique opportunity to explore Italy, from the Apennines to the Veneto, through the eyes of a meticulous and precise artist.
Located in the Straits of Mackinac between Michigan’s Upper and Lower Peninsulas, Mackinac Island is a magical place, accessible only by ferry, private boat, or small plane. In 1887, Grand Hotel was built on the island to accommodate a new leisure class. Today, horse-drawn carriages (no motorized vehicles are allowed) still bring guests to the 660-foot-long porch to catch the breezes off the Great Lakes. When the Musser family – the owners of the hotel – brought in designer Carleton Varney, a 40-year relationship began, as did an ongoing mission to renovate, update, and create the guest rooms, public spaces, and outer buildings of Grand Hotel. That project continues today. (“The job of decorating is never done,” says the designer.) Varney has developed a vision that brings visitors back year after year to their choice of the 397 rooms – no two of which are alike. In Rooms to Remember, Varney – in his usual colourful and anecdote-filled style – walks the reader through over 200 lavish photographs of the 43 Named Rooms and Suites, providing decorating details, history, and insights. This book is the perfect visual guide for anyone ready to explore the beauty and history the hotel has to offer, and a takeaway memento for those who’ve visited this special place. Come along and join this glorious tour of an iconic American hotel! Contents: Foreword by Dan Musser lll, Introduction by Carleton Varney.
Accented with detailed maps of renowned interior designer Tom Stringer’s extensive travels, this beautifully compiled monograph takes the reader on an immersive journey around the world and back again through the interiors of his eponymous firm’s finest residential projects. Stringer’s design approach is externally inspired and internally driven, largely informed by his great life passion: travel. His love of adventure resonates throughout this book; on each page, one sees how this remarkable designer’s imagination is simultaneously both rooted in the classics and expanded into innovative layers of colors, textures, cultures, and function.
Revealed through his personal history and influences, Stringer shares how he uses magical discoveries made on his global travels to create the most special living environments that are true to his clients own personalities and passions. He describes the design process as a voyage of discovering the distinctive narrative of each client and home, connecting them with a sense of wonder and the communal spirit of their space. Stringer’s unique approach to visual storytelling is encapsulated in the unique interiors of the residential projects highlighted here.