Aerial photography is prohibited in India. It can only be done with permission from various government agencies. It is for this reason that there are hardly any substantial books on India from the air. For the first time, Nicolas Chorier achieves this feat by using the fascinating technique of kite photography (taking aerial pictures by using a kite to lift the camera).

This book showcases the finest work of the French photographer, who has been shooting in India for many years. Seen here are unique and spectacular views of the wonders of India; jewels such as Amber Fort, Mehrangarh Fort, Nagaur Fort, Pushkar, Chittorgarh, Taj Mahal, Hampi, Mamallapuram and the beaches and backwaters of Kerala. Accompanying the pictures is the photographer’s anecdotal take on his India odyssey. For anyone who loves India and its rich heritage, this lavish book is a sumptuous treat for the eyes.

For over 20 years, an extremely lively and outstanding architectural scene has been thriving in South Tyrol. Gerd Bergmeister and Michaela Wolf have been one of its main protagonists from the very beginning. Their buildings are surprising, imaginative solutions that sound out the entire spectrum of architecture: the formation of space, shaping, construction, materialization and integration into the Alpine context. 

Text in English and German.

For over 20 years, an extremely lively and outstanding architectural scene has been thriving in South Tyrol. Gerd Bergmeister and Michaela Wolf have been one of its main protagonists from the very beginning. Their buildings are surprising, imaginative solutions that sound out the entire spectrum of architecture: the formation of space, shaping, construction, materialization and integration into the Alpine context. 

Text in Italian and German.

It is 1994, the year of the OJ Simpson saga, Tony Blair’s rise to the leadership of the Labour Party, and South Africa’s first fully multi-racial elections. Nola Marks is a London nightclub hostess with an art history degree and itchy feet. Suddenly her world changes. She begins a new career with a fledgling publishing company, meets Lucian Freud, and finds herself adopted as his latest muse. Over the course of the following seven months, her professional and emotional worlds are turned upside down, as external forces impact in unexpected ways. Set ten years on from Tableaux, the author’s debut novel, the narrative cuts between divergent national cultures and different social tribes. With photographs by Jamie Noise, Nightingales combines art and storytelling in a compelling hybrid form.

Every year, the 100 Beste Plakate e. V. association awards prizes to the creators of the most innovative and groundbreaking poster designs from Germany, Austria, and Switzerland. The yearbook, which is developed by different graphic designers and design studios each year, presents all the winners and their designs in detail. It has become the key indicator of trends for creatives and advertisers alike.

Studio lindhorst-emme+hinrichs has designed the current yearbook as an ever-changing, unique volume. Ten different colored papers are used in different combinations: as a result, the cover as well as the front and back endpapers never have the same color, and each copy is unique.

The central focus of the book is on the poster designs for the art and culture center Neubad in Lucerne, some of which have reached an iconic status. Over the years, the Swiss province has become a hotbed of avant-garde design. More than 80 graphic designers have created around 550 posters for the Neubad to date; 23 of them have received awards in recent years, being ranked among the 100 best posters.

Concept and Design: studio lindhorst-emme+hinrichs

Yumi Katsura could be the greatest fashion designer you’ve never heard of. One of the world’s bestselling luxury wedding-dress designers, as well as a celebrated couturier, she was venerated in her native Japan as a cultural icon and an inspirational business leader. Among her most celebrated pieces are a paper ‘washi mode’ dress housed in the Metropolitan Museum of Art, a vestment worn by Pope John Paul II and a diamond-laden wedding gown ranked among the most expensive of all time.

This beautifully illustrated biography tells the story of the woman who single-handedly created Japan’s modern wedding industry, turning centuries of tradition on its head. From Katsura’s childhood in the ruins of wartime Tokyo to her stellar international career, her life is an example to anyone who dreams of living for their passion. Written by Cori Coppola – producer of the acclaimed documentary House of Cardin – with co-author Kristin Coppola, this lavish fashion biography is a must-have for critics, connoisseurs and couture fans.

“Sue Flood is one of the elite wildlife photographers working today. Just turn over a few pages of this breath-taking book and you will see what I mean.” – Michael Palin

Penguins are beloved creatures. Witness the success of the 2005 Academy Award-winning documentary, March of the Penguins; or the now famous penguin selfie viewed on YouTube by hundreds of thousands; or the news-making discovery by satellite of a new colony of 1.5 million penguins on an island off the coast of Antarctica.

Emperor: The Perfect Penguin is a celebration of one of the world’s most charismatic creatures. In temperatures that can reach -50°C with 150km/h winds, the emperor penguins’ ability to survive and thrive is nothing short of astounding. Over the past nine years, award-winning photographer Sue Flood has journeyed to remote Antarctic penguin colonies to capture the birds in their native home.

Sue Flood’s respect for her subjects emanates from every page. From the poignant sight of an egg abandoned on the sea ice, to majestic shots of emperor penguins returning from the sea and heart-warming photos of chicks clustering together for warmth, every shot explores a new angle of life in this remote and ice-crusted world.

As well as following the difficult journey of the penguins across the sea ice, Emperor: The Perfect Penguin narrates the hardships that must be endured to catch the perfect photograph. Sue’s behind-the-scenes experiences prove that it is only with patience, endurance, and several thermal layers that one can capture magical moments on Earth’s most inhospitable continent.

I’m Showing How Big the Sky Is is Martina Bacigalupo’s tribute to her former nanny, Chiou Taur Wu, a Taiwanese woman who lived over three decades in Italy. Despite a harsh life—from working in fields and factories to managing her husband’s gambling debts — Chiou remained resilient. At almost 70, she returned to Taiwan, resumed her studies, took dance classes, and began traveling.

Through hundreds of photos from Chiou during ten years of correspondence, Bacigalupo presents a story of extraordinary resilience. Told in the first person, with Chiou’s images and words, the book is a celebration of freedom, humor, and poetry.

“The most exciting travel guide I’ve read in years.” – Huffington Post

This classic guidebook, full of the little-known treasures of the Île de France, is now fully updated and revised, with two new chapters.

Discover half-hidden chateaux and artists’ country houses; walk, boat or dance by the river; explore old towns and country footpaths; and eat in small family-run cafés and restaurants with 1950s décor. Based on 30 years’ experience of exploring the Paris countryside by train, each visit includes the essential historical context and practical information to help you discover places unknown to many Parisians.

Written with humor and a flair for the unusual and authentic, the text is illustrated with original photos and local maps. It includes a unique guide to using the excellent local train network.

Birmingham (UK) born and based Ben Sadler’s colorful painted portraits of imaginary people are full of personality, eclectic states of mind, and varying degrees of intrigue. They are also sometimes evocative, emotive, and amusing. The publication features two bodies of work: You and I (2024) and Exclamations! (2023), both of which present small paintings corresponding to each letter of the alphabet (though the letters U and I are curiously missing from the series You and I). The starting point was the idea of visitors to an imaginary exhibition––who are they, what kinds of people are they, and what thoughts are going through their minds? Such questions are explored in celebrated Birmingham-based author Catherine O’Flynn’s text commissioned for the publication, along with a foreword by Deborah Kermode, Chief Executive and Artistic Director of Midlands Arts Centre (MAC), Birmingham, and an interview by London-based creative coach, podcaster, and public speaker Ceri Hand.

“The pleasure and insight here is that it refocuses our attention and makes the world we move through larger and more complicated, more detailed, and full of identity, which is a joy.” — Hyperallergic

Manhattan Project is a collection of photographs that capture the evolving landscape of Manhattan’s West Side over the past decade. Exploiting the revelatory power of photography, these images explore a city’s architectural transformation.

While Jan Staller’s earlier work focused on industrial decay, these new photographs explore the rise of high-rise construction. By isolating and zooming in on building materials, Staller elevates the ordinary to the extraordinary. The resulting images, reminiscent of drawings or abstract paintings, reveal the hidden beauty and formal qualities of these often-overlooked elements.

This project reimagines the city not as a monolithic entity, but as a composition of intricate details. It celebrates the interplay of light, form and texture, inviting viewers to rethink the familiar and discover the artistic potential of the urban environment.

Text in English and French.

Edinburgh is rightly celebrated for its famous historical and cultural attractions. But for the discerning visitor it has much more to offer away from the well-worn tourist trail. This book takes you to hidden corners and secret sights in this city of contrasts, exploring fascinating locations unknown even to most residents, and revealing unexpected aspects of some familiar local landmarks. Marvel at a unique underground temple hewn out of the living rock; learn how a world-famous illusionist came to be buried here – with his dog; find out why the city council once commissioned an enormous electric blanket; look out for the ordinary Edinburgh post box with an explosive history. Discover the human stories behind a wide range of places, both exceptional and commonplace, bringing to life the greatly varied cityscape where people have been leaving their mark for at least 5,000 years.

“The collection is an extraordinary one, and the catalog will be of interest to Johnsonians as well as book collectors.” —The Johnsonian News Letter

“It is elegantly and humanely presented and handsomely produced, and will enrich the field of 18th-century studies.” — The Book Collector

“…it presents a cornucopia of information that creates a conversation between its numerous entries.”— The Colophon Bookshop

The Age of Johnson: The Library of Loren and Frances Rothschild brings together the most comprehensive collection of rare books and autograph works in private hands of the 18th-century literary giant Samuel Johnson, together with extensive collections of the works of the other principal authors of the period long-known as the Age of Johnson— including James Boswell, Edmund Burke, Frances Burney, Oliver Goldsmith, Hester (Thrale) Piozzi, Alexander Pope, and Jonathan Swift.

An introduction to each of these authors provides information placing the author in his or her historical and literary context, and the descriptive entries for each of the over 900 individual manuscripts, letters, and rare books records bibliographical information, significant facts, and critical information about the work recorded.    

The individual entries, when viewed in the aggregate, survey and illuminate the breadth and depth of the literary and intellectual canon of the authors of the Age of Johnson, illuminate their relationships and their works to one another. The text taken as a whole demonstrates why Samuel Johnson, as an individual and as an author, defined the era long named for him.

Six-year-old Dom drew what most children do – animals and people, cars and boats. His father, Tom, eventually had a wonderful idea: he transformed the children’s drawings into lifelike images using Photoshop.

What started as a small fun project between father and sons has since evolved into something much, much bigger. The Instagram page with the same name has amassed a following of over 900,000 people from around the world since its first post seven years ago.

With the world’s first memo game, we can now playfully explore this wonderful world with our children and friends. Match the ‘real’ creature to each drawing.

For a large part of his life, Jackie Kurltjunyintja Giles Tjapaltjarri (ca 1935-2010) led a nomadic existence, traveling across large tracts of and later spending time in small communities in Australia’s vast Western Desert region.

Jackie Giles was renowned as a man of great erudition and a powerful healer, Maparnjarra in his native Ngaanyatjarra language. The powers of these traditional healers include the gift of seeing into the bodies and even the spirits of others. In the 1990s, Jackie Giles started painting with acrylic on canvas. Mr Giles, as he was often called, combined an intimate knowledge of his land with his own oneiric visions to build what became a significant personal oeuvre. These paintings celebrate the Tjukurpa (Dreaming), which pervades the land and is a cornerstone of its identity.

Built around labyrinthine patterns and monumental shapes, these dynamic, rhythmical compositions allude to the esoteric, sacred subject matter of the Dreaming. The intense, striking works that make up this awe-inspiring oeuvre manage to link two dimensions: Ngaanyatjarra cosmology and the rapidly changing modern world.

Text in English and French.

“The book is a tribute to a unique, taste-forming textile art that has lost none of its appeal to this day. ” — Preetorius Foundation 

“If Chintz seems rather too ‘Miss Marple-y’ or old hat, this magnificently produced book, CHINTZ: Indian cotton textiles from the Karun Thakar collection, is set to change your mind, and your decor.” — Embroidery Magazine

Chintz explores the historic importance of Indian printed and painted cotton textiles, drawing on the Karun Thakar Collection. Assembled over thirty years, the collection comprises over two hundred examples, many of which have featured in significant museum exhibitions. With contributions from leading scholars and curators, including from the Victoria and Albert Museum and the Metropolitan Museum of Art, this book examines the historical significance of Indian printed cottons and their influence on global trade from the 14th century onward, and includes examples found in Sri Lanka, Japan and throughout Europe. The book provides insights into the artistry of Indian designers and the enduring legacy of this textile tradition, making it a valuable resource for those with an interest in art history, textile design and global cultural exchange.

Kawase Hasui (1883–1957) was one of the most important and prolific Japanese printmakers of the 20th century. He was one of the main creators of the shin hanga (‘new prints’) movement, whose artists depicted traditional subjects in a style influenced by Western painting. Shin hanga prints are harmoniously balanced designs, printed on the highest quality paper using the finest pigments, and in small editions. They are the fruit of a traditional yet successful collaboration between artist, publisher, block cutter and printer and have become increasingly popular among collectors of Japanese prints in the last decade. Hasui began his artistic career studying Japanese painting. However, soon after seeing Shinsui’s Eight Views of Lake Biwa series, Hasui turned to woodblock printing in 1919. Shozaburo Watanabe was the first to recognize his artistic genius, and Hasui Kawase soon became the most popular artist working for this prestigious publisher. He produced nearly a thousand woodcuts in a career that spanned almost forty years. Towards the end of his life, the Japanese government recognized him as a ‘Living National Treasure’ for his contribution to Japanese culture.

This lavishly illustrated book, the third and final volume in the series Orchha, Datia, Panna: Miniatures from the Royal Courts of Bundelkhand, deals with the third, fourth, and fifth periods of Bundelkhand painting, which spans the years 1635 through 1840. It begins with the Mughalizing painting styles that predominated in Datia after the disintegration of Orchha in 1635 and the rise of Datia as an independent principality and major cultural center. It also addresses the development of Bundelkhand painting after 1675, when Raja Chhatrasal established Panna as the capital of his Bundela kingdom. Bundelkhand painting ceased with the raja’s death in 1731, and it was only after a long interruption that it experienced an Indian summer at the court of Datia during the period of British suzerainty in the 19th century. However, the style of the latter era no longer bore a resemblance to the Datia and Orchha schools of the 17th century, but was rather an offshoot of the prevailing Mighal-Rajput style developed by painters who had left Delhi in the second half of the 18th century. 

Through stylistic analyses and interpretations of more than 90 paintings from his collection, many of them published here for the first time, the author provides a rich insight into the many and varied developments of later Bundekhand painting.  

The Swiss family-owned banking group CBH Compagnie Bancaire Helvétique SA has been putting together its own art collection for over fifteen years. Modern and contemporary African art is one of its major themes.

The works in this catalogue (paintings, sculptures, photographs) span about a century (1929-2025). All were created by artists who were born, or spent part of their lives, in sub-Saharan Africa. The growing success of the African artists of today undoubtedly stems from the artistic legacy of their ancestors, whose dazzling colors reflect a profoundly original worldview that addresses social and environmental themes. Missionaries and a few colonial administrators with an eye for art identified a number of interesting artists in the 1920s.

Although African art – in the Congo, Kenya, and South Africa in particular – developed throughout the 20th century, recognition only came in the 1960s. The creation of art schools in the continent’s major cities promoted cultural re-appropriation through new types of expression based on an encounter between traditional African forms and modern aesthetic sensibilities emerging in the new conurbations. Artistic movements burgeoning at the turn of the millennium confirmed and reinforced the vitality of this art. It was a period that saw dynamic figures come to the fore on the global art scene. Contemporary artists turned their attention to the “Black Atlantic” and the African-American communities it explored. Africa is now able to send its own message to the world. As a result, nearly 80 artists are represented in the “Au-delà des Apparences” (More than Meets the Eye) exhibition at the Musée Rath.

This book presents a comprehensive collection of works from the first academic years of the Architecture course at the ETH Zurich – including simple spatial interventions, functional analyses and conceptual studies on an urban-planning level. The training focuses not only on teaching fundamental aspects, but also on engaging with space, light, material, structure and scale – as well as discovering one’s own design approach.

The compendium compiles projects that are exemplary of the creative potential and diversity of architectural stances at the starting point of the students’ training, as well as providing insight into the ETH teaching methods; it is not least an appeal for architectural teaching that regards thinking, perceiving and designing as an inextricable unity.

Text in German.

Ammi’s Kitchen: Heirloom Recipes from Rampur is a tribute to all grandmothers who have been the torchbearers of saving and passing on the legacy of classic traditional family recipes. Pernia Qureshi’s grandmother, Mussharaf-ul-Nissa Begum, originally from Chandausi in the United Provinces, was married at a young age into the princely state of Rampur. With the influence of her hometown, now combined with the newfound exposure to Rampur’s more modern and eclectic cuisine, she created a food language that was uniquely her own.

This book is a collection of recipes she mastered over the years, which still carry the aromas of the treasures of history.

Japan was isolated almost completely from the West for more than two hundred years, from 1641 to 1854. One of the first Westerners to penetrate that barrier and reveal fundamental information about the country – and the Far East in general – was Philipp Franz von Siebold (1796-1866), a doctor from Würzburg in Germany. He spent the period 1823 to 1829 on the small island of Dejima, a Dutch trading post in Nagasaki that was then the only point of contact between Japan and the West. Full of ambition, Siebold was sent from the Dutch East Indies to Japan with the task of gathering as much information as possible about the country, its geography, its people, religion, customs and traditional costumes. The ultimate aim was to use this information to boost Dutch trade. Working with Japanese artists including Kawahara Keiga and Hokusai, Siebold embarked on an unprecedented visual and scientific project, culminating in the book Nippon. In this publication of Nippon, we give Siebold’s work a new lease of life that lets us understand the Japan he saw. This edition includes all the original prints, with a commentary on the most compelling images. The introduction discusses the unique relationship between Japan and the Netherlands, Siebold’s life, his work on Dejima and the historical significance of Nippon. The thematic essays and image keys point out striking details and interesting stories, all with a view to achieving once again what Siebold sought to do all those years ago: let readers marvel at the incredible beauty of Japan.

After 20 years working for Mario Botta, Davide Macullo founded his own office in Lugano in 2000. His architecture is the result of dialogue with the location and is characterized by intuition, openness and emotionality. His aim is to use architecture to improve the quality of life and charge locations sensorially. This monograph structures the work of the Ticino-based architect – comprising over 400 projects, including master plans, international hotels, furniture design and art consulting – into three main chapters. The focus lies on ten of his most definitive buildings, such as the WAP Art Space (2017) in Seoul, which combines art and housing in a single spatial structure that is bathed in light, while also oscillating between openness and withdrawal; as well as the SCI Club Frott in Rossa, Grisons, which was built in 2021. This polygonal wooden structure serves as a cultural meeting place, while providing a contemporary response to the Alpine building tradition and integrating itself harmoniously into the Val Calanca.