This publication, accompanying the 17th Silver Triennial, presents the current world of international silversmithing and metal design. A rich repertoire of handcrafted everyday objects illustrates current worldwide approaches that have emerged over the last two years: from coffee and tea pots, via large and small bowls, to candlesticks, vases, salt and pepper casters, cutlery or small table accessories.

Every three years renowned designers and emerging young artists from the world of silversmithing participate in the competition. A top-class jury: Dr. Barbara Grotkamp-Schepers, Klingenmuseum Solingen (DE); David Huycke, metal artist and professor in Hasselt (BE); Rosemarie Jäger, Galerie im Kelterhaus Hochheim (DE) selects the best of the best.

The competition has been held since 1965 to promote international contemporary silversmithing. It is a joint project by the Gesellschaft für Goldschmiedekunst e.V. [Association for Goldsmiths Art] and the Deutsches Goldschmiedehaus Hanau [German Goldsmiths House], and is one of the most significant events of its kind world-wide.

Text in English & German.

Kifwebe masks are ceremonial objects used by the Songye and Luba societies (Democratic Republic of Congo), where they are worn with costumes consisting of a long robe and a long beard made of plant fibres. As in other central African cultures, the same mask can be used in either magical and religious or festive ceremonies. In order to understand Kifwebe masks, it is essential to consider them within the cosmogony of the python rainbow, metalworking in the forge, and other plant and animal signs. Among the Songye, benevolent female masks reveal what is hidden and balance white and red energy associated with two subsequent initiations, the bukishi. Aggressive male masks were originally involved in social control and had a kind of policing role, carried out in accordance with the instructions of village elders. These two male and female forces acted in a balanced way to reinforce harmony within the village. Among the Luba, the masked figures are also benevolent and appear at the new moon, their role being to enhance fertility. Although the male and female masks fulfil functions that do not wholly overlap, they do have features in common: a frontal crest, round and excessively protruding eyes, flaring nostrils, a cube-shaped mouth and lips, stripes, and colours. Art historians and anthropologists have taken increasing interest in Kifwebe masks in recent years.

Sicilian cuisine is known as curtigghiu – of the courtyard – with recipes passed from door to door and from generation to generation by word of mouth. Influenced by the endless crossing of cultures that is Sicily’s history, its food is as rich in tradition as it is in taste. Here this mingling of Europe, Italy, the Middle East and North Africa is celebrated in 30 recipes chosen by Maite and Marie and photographed – both landscapes and finished dishes – by Mau.

For almost 15 years, the architectural couple Pascal Fournier and Sandra Maccagnan have been working in the Unterwallis region to produce a remarkable oeuvre. The individual buildings consciously react to their developed, usually rural environments and are able to clarify them, thereby achieving a more beautiful, complete whole.

Text in English and German.

Peter Märkli has been one of the most striking protagonists of German-Swiss architecture since the founding of the movement in the early 1980s. However, his impressive buildings resist classification; they do not fit any particular scheme or style, as each structure is developed on an intensely intimate level. This results in wholly unique edifices, which provoke questions about humanity’s use of architecture as a means of expressing timelessness, rigidity, and permanence. This volume presents 17 buildings erected by Märkli over the past 15 years. Each is analysed thoroughly with texts, plans and images. The presented works are complemented by enlightening essays by Florian Beigel, Philip Christou, Franz Wanner and Ellis Woodman. An exciting interview with Peter Märkli himself rounds off this impressive monographic collection, conducted by Elena Kossovskaja.

Text in English, with a booklet containing essays in German.

Aerial photography is prohibited in India. It can only be done with permission from various government agencies. It is for this reason that there are hardly any substantial books on India from the air. For the first time, Nicolas Chorier achieves this feat by using the fascinating technique of kite photography (taking aerial pictures by using a kite to lift the camera).

This book showcases the finest work of the French photographer, who has been shooting in India for many years. Seen here are unique and spectacular views of the wonders of India; jewels such as Amber Fort, Mehrangarh Fort, Nagaur Fort, Pushkar, Chittorgarh, Taj Mahal, Hampi, Mamallapuram and the beaches and backwaters of Kerala. Accompanying the pictures is the photographer’s anecdotal take on his India odyssey. For anyone who loves India and its rich heritage, this lavish book is a sumptuous treat for the eyes.

This is a richly illustrated monograph revealing William T. Baker’s masterful detailing and superior craftsmanship of magnificent family residences. Showcasing 14 classically inspired homes of grace and beauty, each property reflects an astute comprehension of life as it is lived in the 21st century, with deliberate nods to historical aesthetics that coexist harmoniously with the architectural language of natural light, passive design themes, voluminous space, and fabulous comfort. Inspired by the bounty of classical architecture found in the grand homes of the southern United States, particularly the state of Georgia, the hallmarks of William T. Baker’s architecture are extraordinary attention to details of craftsmanship and construction, and a keen eye for scale and proportion. His work clearly reflects the aspirations of the American Dream. This beautifully photographed monograph of William T. Baker’s work is the third volume in IMAGES’ successful New Classicist series, and showcases the exquisitely designed homes of the modern family, who entrusted Baker with their dreams and visions, and whose trust has been rewarded with classically inspired homes of grace and beauty. His work contributes greatly to some of the most aesthetically pleasing residences being built in the United States today.

New Orleans, like Venice, is built in a location that at first sight seems curious in the extreme. How could it be that these cities, built so precariously in the face of a watery threat, were to become among the great cities of the world? How could a site below sea level, at a swampy curve in the River Mississippi become one of the most visited cities in the United States, and possess a unique kind of magic that separates it from other cities?

Geoffrey H. Baker’s gem of an architectural guide answers these burning questions. Inside these richly illustrated pages he explains how the urban design works for this city’s plight, which is frequently handicapped by nature’s capacity to destroy in the form of hurricanes. Timothy’s beautiful photography showcases the unique topography and architectural fabric of New Orleans, and Geoffrey’s insight illuminates the city’s inimitable spirit that’s born of its constant battle for survival.

Robin Grierson’s photography book, Steam Rally is published by Lost Press and has an introduction by the esteemed journalist and author, Ian Jack. It consists of 72 high quality color photographs that explore steam rallies in England over the past 30 years. The images record the engine men, their restored traction engines, and the lively steam heritage scene, which draws thousands to its events around the country every summer.

Having grown up around his father’s bus garage in County Durham and spent much of his formative years tinkering with engines, Grierson found himself instinctively drawn to the steam people and their beloved vintage machines. This collection of thoughtfully composed images, include respectful portraits, close up details of people and their machines, and wider views of the steam rally within the rural landscape. Grierson pays particular attention to the work-worn textures, stained surfaces, and subtle colors of the working steam environment.
“The genuine tone of this work derives undoubtedly from the photographer’s long acquaintance with tough working men and the tools and sounds of busy engineering yard’s” – Ag magazine  

In 2001, Pascal Müller and Peter Sigrist, who died in 2012, founded their architectural office in Zurich. Their dynamism led them to construct two exceptional buildings in 2006 and 2007, which were highly regarded by experts: the municipal administration centre in Affoltern am Albis and the festival cabin in Amriswil, a concentric structure that fittingly reflects the atmosphere of a festive tent. Since then, several residential developments have followed, such as the coherent Frohheim estate in Zurich-Affoltern and the widely regarded Kalkbreite in Zurich, which was developed over a tram garage and was the result of a new cooperative concept. Public buildings such as the Kunstfreilager Dreispitz in Basel and the Volketswil community centre also attracted attention.

This volume presents in detail 18 buildings and projects from the past 16 years, including texts, plans and images. A further 21 buildings are described with texts and one or two images in the list of works. The exciting presentation of works is complemented by illuminating essays by Sabine von Fischer (with interview sections), Ariel Huber and Kornel Ringli.

Text in English and German.

For over 20 years, an extremely lively and outstanding architectural scene has been thriving in South Tyrol. Gerd Bergmeister and Michaela Wolf have been one of its main protagonists from the very beginning. Their buildings are surprising, imaginative solutions that sound out the entire spectrum of architecture: the formation of space, shaping, construction, materialization and integration into the Alpine context. 

Text in English and German.

“Terry was everywhere in the ’60s – he knew everything and everyone that was happening” – Keith Richards

Terry O’Neill (1938-2019) was one of the world’s most celebrated and collected photographers. No one captured the front line of fame so broadly – and for so long. Terry O’Neill’s Rock ‘n’ Roll Album contains some of the most famous and powerful music photographs of all time. At the same time, the book includes many intimate personal photos taken ‘behind the scenes’ and at private functions.

Terry O’Neill photographed the giants of the music world – both on and off-stage. For more than fifty years he captured those on the front line of fame in public and in private. David Bowie, Elton John, Led Zeppelin, Amy Winehouse, Dean Martin, The Who, Janis Joplin, AC/DC, Eric Clapton, Sammy Davis Jnr., The Rolling Stones, Bruce Springsteen, Chuck Berry and The Beatles – to name only a few. O’Neill spent more than 30 years photographing Frank Sinatra as his personal photographer, with unprecedented access to the star. He took some of the earliest known photographs of The Beatles, and then forged a lifetime relationship with members of the band that allowed him to photograph their weddings and other private moments. It is this contrast between public and private that makes Terry O’Neill’s Rock ‘n’ Roll Album such a powerful document.

Without a doubt, Terry O’Neill’s work comprises a vital chronicle of rock ‘n’ roll history. To any fan of music or photography, this book will be a must-buy.

“Trusted by the stars to make them look good, O’Neill has captured the icons of music for over half a century… Terry O’Neill’s Rock ‘N’ Roll Album, collects a wealth of private moments and memories captured for eternity, with the likes of David Bowie, Bryan Ferry, Dolly Parton, Diana Ross, Bruce Springsteen, Led Zeppelin, Amy Winehouse and even Elvis Presley all the subject of O’Neill’s immaculately placed lens. A life in pictures, a legacy in print. Pay heed to history!” – Simon Harper, Clash Magazine

Modern Painting in Egypt is an invitation to journey through the Egyptian art scene of the 20th century, spotlighting many of its major painters and their role in shaping Egypt’s cultural heritage. This two-volume edition revives the book by Aimé Azar, a noted specialist of modern Egyptian art, first published in 1961 by Éditions Nouvelles and long out of print. Expanded and enriched, it gives readers a comprehensive understanding of this period in art history through texts and imagery of exceptional quality. The book is divided into seven chapters, followed by more than 90 biographies of Egyptian and foreign artists, presented chronologically in volume 2 and spanning 40 years of modern Egyptian art. A corpus of more than 600 paintings and drawings illustrates the book, allowing readers to grasp the essence of Egyptian painting and the full range of its nuances. Translated and reprinted in Arabic in 2006, it is now published in English to give the subject international reach.

Gilbert & George created Dark Shadow in 1974 as a ‘living sculpture book,’ the ‘result of our past three years of earnest daily thoughts, shadows, deeds, cares, and pleasures.’ Hurtwood’s limited re-edition of 2,000 marks its fiftieth anniversary.

Featuring original text and artwork by Gilbert & George, the publication offers an unparalleled perspective on the early career of one of the twentieth century’s most significant artistic duos. Like their art, Gilbert & George’s writing is irreverent, rebellious, often funny, and deeply poetic. The book includes a letter to their readers and photographs by the artists of themselves, their home in East London, and their pictures.

Dark Shadow is structured into eight chapters, which elaborate on the inspirations behind Gilbert & George’s work, such as London life and British culture, including, of course, Gordon’s Gin. As is emblazoned on the cover, Dark Shadow is a continuation of their lifelong agenda ‘Art for All’, and each book is a piece of art in itself, uniquely bound in the UK with hand-marbled cloth.

It is 1994, the year of the OJ Simpson saga, Tony Blair’s rise to the leadership of the Labour Party, and South Africa’s first fully multi-racial elections. Nola Marks is a London nightclub hostess with an art history degree and itchy feet. Suddenly her world changes. She begins a new career with a fledgling publishing company, meets Lucian Freud, and finds herself adopted as his latest muse. Over the course of the following seven months, her professional and emotional worlds are turned upside down, as external forces impact in unexpected ways. Set ten years on from Tableaux, the author’s debut novel, the narrative cuts between divergent national cultures and different social tribes. With photographs by Jamie Noise, Nightingales combines art and storytelling in a compelling hybrid form.

Every year, the 100 Beste Plakate e. V. association awards prizes to the creators of the most innovative and groundbreaking poster designs from Germany, Austria, and Switzerland. The yearbook, which is developed by different graphic designers and design studios each year, presents all the winners and their designs in detail. It has become the key indicator of trends for creatives and advertisers alike.

Studio lindhorst-emme+hinrichs has designed the current yearbook as an ever-changing, unique volume. Ten different colored papers are used in different combinations: as a result, the cover as well as the front and back endpapers never have the same color, and each copy is unique.

The central focus of the book is on the poster designs for the art and culture center Neubad in Lucerne, some of which have reached an iconic status. Over the years, the Swiss province has become a hotbed of avant-garde design. More than 80 graphic designers have created around 550 posters for the Neubad to date; 23 of them have received awards in recent years, being ranked among the 100 best posters.

Concept and Design: studio lindhorst-emme+hinrichs

Yumi Katsura could be the greatest fashion designer you’ve never heard of. One of the world’s bestselling luxury wedding-dress designers, as well as a celebrated couturier, she was venerated in her native Japan as a cultural icon and an inspirational business leader. Among her most celebrated pieces are a paper ‘washi mode’ dress housed in the Metropolitan Museum of Art, a vestment worn by Pope John Paul II and a diamond-laden wedding gown ranked among the most expensive of all time.

This beautifully illustrated biography tells the story of the woman who single-handedly created Japan’s modern wedding industry, turning centuries of tradition on its head. From Katsura’s childhood in the ruins of wartime Tokyo to her stellar international career, her life is an example to anyone who dreams of living for their passion. Written by Cori Coppola – producer of the acclaimed documentary House of Cardin – with co-author Kristin Coppola, this lavish fashion biography is a must-have for critics, connoisseurs and couture fans.

“Sue Flood is one of the elite wildlife photographers working today. Just turn over a few pages of this breath-taking book and you will see what I mean.” – Michael Palin

Penguins are beloved creatures. Witness the success of the 2005 Academy Award-winning documentary, March of the Penguins; or the now famous penguin selfie viewed on YouTube by hundreds of thousands; or the news-making discovery by satellite of a new colony of 1.5 million penguins on an island off the coast of Antarctica.

Emperor: The Perfect Penguin is a celebration of one of the world’s most charismatic creatures. In temperatures that can reach -50°C with 150km/h winds, the emperor penguins’ ability to survive and thrive is nothing short of astounding. Over the past nine years, award-winning photographer Sue Flood has journeyed to remote Antarctic penguin colonies to capture the birds in their native home.

Sue Flood’s respect for her subjects emanates from every page. From the poignant sight of an egg abandoned on the sea ice, to majestic shots of emperor penguins returning from the sea and heart-warming photos of chicks clustering together for warmth, every shot explores a new angle of life in this remote and ice-crusted world.

As well as following the difficult journey of the penguins across the sea ice, Emperor: The Perfect Penguin narrates the hardships that must be endured to catch the perfect photograph. Sue’s behind-the-scenes experiences prove that it is only with patience, endurance, and several thermal layers that one can capture magical moments on Earth’s most inhospitable continent.

I’m Showing How Big the Sky Is is Martina Bacigalupo’s tribute to her former nanny, Chiou Taur Wu, a Taiwanese woman who lived over three decades in Italy. Despite a harsh life—from working in fields and factories to managing her husband’s gambling debts — Chiou remained resilient. At almost 70, she returned to Taiwan, resumed her studies, took dance classes, and began traveling.

Through hundreds of photos from Chiou during ten years of correspondence, Bacigalupo presents a story of extraordinary resilience. Told in the first person, with Chiou’s images and words, the book is a celebration of freedom, humor, and poetry.

“The most exciting travel guide I’ve read in years.” – Huffington Post

This classic guidebook, full of the little-known treasures of the Île de France, is now fully updated and revised, with two new chapters.

Discover half-hidden chateaux and artists’ country houses; walk, boat or dance by the river; explore old towns and country footpaths; and eat in small family-run cafés and restaurants with 1950s décor. Based on 30 years’ experience of exploring the Paris countryside by train, each visit includes the essential historical context and practical information to help you discover places unknown to many Parisians.

Written with humor and a flair for the unusual and authentic, the text is illustrated with original photos and local maps. It includes a unique guide to using the excellent local train network.

From Nigel Grierson, (photographer/sleeve designer and joint creator of the 4AD visual identity), and with an essay by esteemed photography writer, Gerry Badger, comes the first volume of his street photography from the early 1980s – created while studying at The Royal College of Art in London. Here ‘the decisive moment’ combined with Grierson’s uniquely minimalist eye, are employed to create images of great power, humor and poignancy. Pioneering ‘flash in daylight’ within British documentary photography from the late 1970s, onward (‘a time when natural light was almost a creed’ – Badger), this award winning work, is finally published. In his brief introduction, Grierson speaks of his fascination for the ‘paradoxical’ nature of the medium, being both documentation and self expression simultaneously. He states, ‘It seemed to me, that through photography and observation, there was the possibility, for the two great arcs of life; one of the outer world of reality / documentation, and the other of the inner world of fiction and dream, to come together with the single click of a shutter’.

Birmingham (UK) born and based Ben Sadler’s colorful painted portraits of imaginary people are full of personality, eclectic states of mind, and varying degrees of intrigue. They are also sometimes evocative, emotive, and amusing. The publication features two bodies of work: You and I (2024) and Exclamations! (2023), both of which present small paintings corresponding to each letter of the alphabet (though the letters U and I are curiously missing from the series You and I). The starting point was the idea of visitors to an imaginary exhibition––who are they, what kinds of people are they, and what thoughts are going through their minds? Such questions are explored in celebrated Birmingham-based author Catherine O’Flynn’s text commissioned for the publication, along with a foreword by Deborah Kermode, Chief Executive and Artistic Director of Midlands Arts Centre (MAC), Birmingham, and an interview by London-based creative coach, podcaster, and public speaker Ceri Hand.

“The pleasure and insight here is that it refocuses our attention and makes the world we move through larger and more complicated, more detailed, and full of identity, which is a joy.” — Hyperallergic

Manhattan Project is a collection of photographs that capture the evolving landscape of Manhattan’s West Side over the past decade. Exploiting the revelatory power of photography, these images explore a city’s architectural transformation.

While Jan Staller’s earlier work focused on industrial decay, these new photographs explore the rise of high-rise construction. By isolating and zooming in on building materials, Staller elevates the ordinary to the extraordinary. The resulting images, reminiscent of drawings or abstract paintings, reveal the hidden beauty and formal qualities of these often-overlooked elements.

This project reimagines the city not as a monolithic entity, but as a composition of intricate details. It celebrates the interplay of light, form and texture, inviting viewers to rethink the familiar and discover the artistic potential of the urban environment.

Text in English and French.