Unique publication accompanying the astonishing exhibition on nature in the works of Arcimboldo, Bruegel, and Bassano
How did people in the Renaissance perceive nature and time? How were these relationships visualized in art? And what role did the fascinating cycles of seasons and months – expressed in ever-new and diverse forms – play in this context?
These are some of the central questions explored in this volume. Masterpieces by Pieter Bruegel the Elder, Giuseppe Arcimboldo, Jacopo and Leandro Bassano, and many others are examined not only from an art historical perspective but also in terms of their content and original purpose for the patrons who commissioned them.
In addition to paintings, sculptures, and tapestries, the book presents clocks, globes, scientific instruments, and calendars, along with manuscripts and printed works related to the theme. Together, these objects illustrate how humanity oriented itself in the world and sought to find its place within it.
Edinburgh is rightly celebrated for its famous historical and cultural attractions. But for the discerning visitor it has much more to offer away from the well-worn tourist trail. This book takes you to hidden corners and secret sights in this city of contrasts, exploring fascinating locations unknown even to most residents, and revealing unexpected aspects of some familiar local landmarks. Marvel at a unique underground temple hewn out of the living rock; learn how a world-famous illusionist came to be buried here – with his dog; find out why the city council once commissioned an enormous electric blanket; look out for the ordinary Edinburgh post box with an explosive history. Discover the human stories behind a wide range of places, both exceptional and commonplace, bringing to life the greatly varied cityscape where people have been leaving their mark for at least 5,000 years.
“The collection is an extraordinary one, and the catalog will be of interest to Johnsonians as well as book collectors.” —The Johnsonian News Letter
“It is elegantly and humanely presented and handsomely produced, and will enrich the field of 18th-century studies.” — The Book Collector
“…it presents a cornucopia of information that creates a conversation between its numerous entries.”— The Colophon Bookshop
The Age of Johnson: The Library of Loren and Frances Rothschild brings together the most comprehensive collection of rare books and autograph works in private hands of the 18th-century literary giant Samuel Johnson, together with extensive collections of the works of the other principal authors of the period long-known as the Age of Johnson— including James Boswell, Edmund Burke, Frances Burney, Oliver Goldsmith, Hester (Thrale) Piozzi, Alexander Pope, and Jonathan Swift.
An introduction to each of these authors provides information placing the author in his or her historical and literary context, and the descriptive entries for each of the over 900 individual manuscripts, letters, and rare books records bibliographical information, significant facts, and critical information about the work recorded.
The individual entries, when viewed in the aggregate, survey and illuminate the breadth and depth of the literary and intellectual canon of the authors of the Age of Johnson, illuminate their relationships and their works to one another. The text taken as a whole demonstrates why Samuel Johnson, as an individual and as an author, defined the era long named for him.
For a large part of his life, Jackie Kurltjunyintja Giles Tjapaltjarri (ca 1935-2010) led a nomadic existence, traveling across large tracts of and later spending time in small communities in Australia’s vast Western Desert region.
Jackie Giles was renowned as a man of great erudition and a powerful healer, Maparnjarra in his native Ngaanyatjarra language. The powers of these traditional healers include the gift of seeing into the bodies and even the spirits of others. In the 1990s, Jackie Giles started painting with acrylic on canvas. Mr Giles, as he was often called, combined an intimate knowledge of his land with his own oneiric visions to build what became a significant personal oeuvre. These paintings celebrate the Tjukurpa (Dreaming), which pervades the land and is a cornerstone of its identity.
Built around labyrinthine patterns and monumental shapes, these dynamic, rhythmical compositions allude to the esoteric, sacred subject matter of the Dreaming. The intense, striking works that make up this awe-inspiring oeuvre manage to link two dimensions: Ngaanyatjarra cosmology and the rapidly changing modern world.
Text in English and French.
“The book is a tribute to a unique, taste-forming textile art that has lost none of its appeal to this day. ” — Preetorius Foundation
“If Chintz seems rather too ‘Miss Marple-y’ or old hat, this magnificently produced book, CHINTZ: Indian cotton textiles from the Karun Thakar collection, is set to change your mind, and your decor.” — Embroidery Magazine
Chintz explores the historic importance of Indian printed and painted cotton textiles, drawing on the Karun Thakar Collection. Assembled over thirty years, the collection comprises over two hundred examples, many of which have featured in significant museum exhibitions. With contributions from leading scholars and curators, including from the Victoria and Albert Museum and the Metropolitan Museum of Art, this book examines the historical significance of Indian printed cottons and their influence on global trade from the 14th century onward, and includes examples found in Sri Lanka, Japan and throughout Europe. The book provides insights into the artistry of Indian designers and the enduring legacy of this textile tradition, making it a valuable resource for those with an interest in art history, textile design and global cultural exchange.
Kawase Hasui (1883–1957) was one of the most important and prolific Japanese printmakers of the 20th century. He was one of the main creators of the shin hanga (‘new prints’) movement, whose artists depicted traditional subjects in a style influenced by Western painting. Shin hanga prints are harmoniously balanced designs, printed on the highest quality paper using the finest pigments, and in small editions. They are the fruit of a traditional yet successful collaboration between artist, publisher, block cutter and printer and have become increasingly popular among collectors of Japanese prints in the last decade. Hasui began his artistic career studying Japanese painting. However, soon after seeing Shinsui’s Eight Views of Lake Biwa series, Hasui turned to woodblock printing in 1919. Shozaburo Watanabe was the first to recognize his artistic genius, and Hasui Kawase soon became the most popular artist working for this prestigious publisher. He produced nearly a thousand woodcuts in a career that spanned almost forty years. Towards the end of his life, the Japanese government recognized him as a ‘Living National Treasure’ for his contribution to Japanese culture.
The American design firm Simplehuman invites a multitude of global voices to celebrate 25 years of excellence and innovation in the functional home goods sector. Narrating the secret lives of their iconic homewares – from touch-free trash cans to shaving mirrors, shower caddies and laundry hampers, this playful compendium revels in the human stories that unfold from behind the brand’s polished facade. Featuring a deep-dive into design and production processes from Los Angeles to Taipei, alongside sensitive portraits of Simplehuman’s friends and design world family, this 200-page tome showcases the intricacies of industrial design alongside the deeply human side of our day-to-day domestic realities.
The Swiss family-owned banking group CBH Compagnie Bancaire Helvétique SA has been putting together its own art collection for over fifteen years. Modern and contemporary African art is one of its major themes.
The works in this catalogue (paintings, sculptures, photographs) span about a century (1929-2025). All were created by artists who were born, or spent part of their lives, in sub-Saharan Africa. The growing success of the African artists of today undoubtedly stems from the artistic legacy of their ancestors, whose dazzling colors reflect a profoundly original worldview that addresses social and environmental themes. Missionaries and a few colonial administrators with an eye for art identified a number of interesting artists in the 1920s.
Although African art – in the Congo, Kenya, and South Africa in particular – developed throughout the 20th century, recognition only came in the 1960s. The creation of art schools in the continent’s major cities promoted cultural re-appropriation through new types of expression based on an encounter between traditional African forms and modern aesthetic sensibilities emerging in the new conurbations. Artistic movements burgeoning at the turn of the millennium confirmed and reinforced the vitality of this art. It was a period that saw dynamic figures come to the fore on the global art scene. Contemporary artists turned their attention to the “Black Atlantic” and the African-American communities it explored. Africa is now able to send its own message to the world. As a result, nearly 80 artists are represented in the “Au-delà des Apparences” (More than Meets the Eye) exhibition at the Musée Rath.
The Lake District delights its visitors with a series of superlatives: England’s largest national park, highest mountain, deepest lakes and now a new World Heritage status. One of Britain’s best-loved and most visited locations unveils its secrets. This unusual guidebook explores 111 of the area’s most interesting places, it leaves the well-trodden paths to find the unknown: marvel at a stained glass window which inspired the American flag, let others flock to Hill Top while you explore Beatrix Potter’s holiday home, walk through ancient forest to talk to fairies and swim with immortal fish. Pause to wonder at a stunning lake where a President proposed, view a constellation of stars like nowhere else, find out why exotic spices are used in local cuisine.
This beautiful book of her wartime fashion work addresses Lee Miller’s contribution to the fashion industry in these years and her significant service to the survival of British Vogue magazine.
Audrey Withers, Lee Miller’s editor at British Vogue, in 1941 wrote ‘she [Lee Miller] has borne the whole weight of our studio production through the most difficult period in Brogue’s [British Vogue’s] history’.
Containing over 130 images, with the majority printed full page this book also contains accompanying text by Ami Bouhassane, Lee Miller’s granddaughter and Co-Director of the Lee Miller Archives, who provides insights into Lee Miller’s work process. In two additional essays, fashion historian Amber Butchart writes on the fashion of the period and Robin Muir, contributing editor to British Vogue, discusses Lee Miller’s work for Vogue.
This book presents a comprehensive collection of works from the first academic years of the Architecture course at the ETH Zurich – including simple spatial interventions, functional analyses and conceptual studies on an urban-planning level. The training focuses not only on teaching fundamental aspects, but also on engaging with space, light, material, structure and scale – as well as discovering one’s own design approach.
The compendium compiles projects that are exemplary of the creative potential and diversity of architectural stances at the starting point of the students’ training, as well as providing insight into the ETH teaching methods; it is not least an appeal for architectural teaching that regards thinking, perceiving and designing as an inextricable unity.
Text in German.
Ammi’s Kitchen: Heirloom Recipes from Rampur is a tribute to all grandmothers who have been the torchbearers of saving and passing on the legacy of classic traditional family recipes. Pernia Qureshi’s grandmother, Mussharaf-ul-Nissa Begum, originally from Chandausi in the United Provinces, was married at a young age into the princely state of Rampur. With the influence of her hometown, now combined with the newfound exposure to Rampur’s more modern and eclectic cuisine, she created a food language that was uniquely her own.
This book is a collection of recipes she mastered over the years, which still carry the aromas of the treasures of history.
Japan was isolated almost completely from the West for more than two hundred years, from 1641 to 1854. One of the first Westerners to penetrate that barrier and reveal fundamental information about the country – and the Far East in general – was Philipp Franz von Siebold (1796-1866), a doctor from Würzburg in Germany. He spent the period 1823 to 1829 on the small island of Dejima, a Dutch trading post in Nagasaki that was then the only point of contact between Japan and the West. Full of ambition, Siebold was sent from the Dutch East Indies to Japan with the task of gathering as much information as possible about the country, its geography, its people, religion, customs and traditional costumes. The ultimate aim was to use this information to boost Dutch trade. Working with Japanese artists including Kawahara Keiga and Hokusai, Siebold embarked on an unprecedented visual and scientific project, culminating in the book Nippon. In this publication of Nippon, we give Siebold’s work a new lease of life that lets us understand the Japan he saw. This edition includes all the original prints, with a commentary on the most compelling images. The introduction discusses the unique relationship between Japan and the Netherlands, Siebold’s life, his work on Dejima and the historical significance of Nippon. The thematic essays and image keys point out striking details and interesting stories, all with a view to achieving once again what Siebold sought to do all those years ago: let readers marvel at the incredible beauty of Japan.
After 20 years working for Mario Botta, Davide Macullo founded his own office in Lugano in 2000. His architecture is the result of dialogue with the location and is characterized by intuition, openness and emotionality. His aim is to use architecture to improve the quality of life and charge locations sensorially. This monograph structures the work of the Ticino-based architect – comprising over 400 projects, including master plans, international hotels, furniture design and art consulting – into three main chapters. The focus lies on ten of his most definitive buildings, such as the WAP Art Space (2017) in Seoul, which combines art and housing in a single spatial structure that is bathed in light, while also oscillating between openness and withdrawal; as well as the SCI Club Frott in Rossa, Grisons, which was built in 2021. This polygonal wooden structure serves as a cultural meeting place, while providing a contemporary response to the Alpine building tradition and integrating itself harmoniously into the Val Calanca.
Will Ukraine ever be an EU member? Why don’t we have a European army yet? Does crisis make the EU stronger? The European Union has great influence on the lives of its citizens. That situation can prove to be controversial. Decisions made by the EU often lead to misunderstanding and resentment. Aside from these controversies, it is clear that the Union today, is the result of a myriad of choices by policymakers throughout the years. A better understanding of these choices and of the recent history of the EU allows us to better grasp its impact, and offers insight into why certain subjects are harder to place. This revised and updated edition of Why Europe? offers a historical as well as thematical insight into the development of the European Union. Drawing from six questions that put main events, key figures as well as the defining moments of the past 70 years in the foreground, this book lays out the essence of European integration.
City Bridge Foundation is the oldest charity in London still operating under its original purpose. Established over 700 years ago to maintain London Bridge, it now cares for five of the Thames’s great crossings while distributing surplus income to charities across the capital. Worth £1.5 billion, it remains managed by the City of London Corporation. This lively and original book traces the development of the Foundation from its religious origins as the ‘Bridge House,’ through political intrigue, civic evolution and remarkable acts of giving. Written by legal historian Ian Doolittle, it introduces a little-known but extraordinary organization whose assets were built from the donations of ordinary Londoners. The Foundation’s story spans medieval craftsmanship, royal interference, and the complexities of modern governance, all while helping shape the physical and civic landscape of London. It is a story of bridges, certainly, but also of money, power, and purpose.
The Aston Martin Bulldog is a car that should never have existed. A car that was built before its time and became lost in time. A car that never failed to leave those who encountered it mesmerized by its aesthetics and its jaw-dropping capability.
Aston Martin created Bulldog as a concept car in the late 1970s with the hope that it would go into production as the first road car capable of breaking the 200-mph barrier. They missed that speed due to lack of space and the car never entered production. Instead, the sole prototype, designed by William Towns, designer of the DBS and Lagonda, spent the next 40 years bouncing from one owner to another, gradually deteriorating in condition. That is, until 2019. Bought by American collector Phillip Sarofim, Bulldog was about to have one more shot at securing its place in the 200-mph club.
Hundreds of never-seen-before photographs from the Aston Martin Archive, as well as new photography by experienced car photographer Amy Shore, chronicle the lifecycle of this incredible car. Including interviews with the original engineers who were involved in the restoration and speed record, Aston Martin Bulldog follows the full story, from concept and design, through the lost years and on to its recent resurrection, which saw it successfully break the 200-mph threshold in 2022.
“… perfect for fans of Prince and those intrigued by how an artist continues to reinvent themselves throughout the years.”— My Modern Met
Prince. Visionary, multi-instrumentalist and extraordinary showman. One of the most influential and inspiring pop superstars of the 20th century. Now, Prince: Black, White, Color reveals the artist as he’s never been seen before thanks to a unique set of photographs, many published here for the first time, all captured by Prince’s own trusted art director – award-winning photographer Steve Parke. These photos allow readers an extremely rare glimpse of Prince at Paisley Park, at his sun-drenched house in Marbella, and at work in the studio, posing for portraits as well as moments of quiet tenderness with his first wife Mayte Garcia and their beloved dog Mia. A must-have for Prince fans.
With over 570 images, this two-volume special edition showcases a stunning collection of intimate photos, all personally selected by Steve Parke from his own archives. Volume 2 is only available as part of this set.
Will Ukraine ever be an EU member? Why don’t we have a European army yet? Does crisis make the EU stronger? The European Union has great influence on the lives of its citizens. That situation can prove to be controversial. Decisions made by the EU often lead to misunderstanding and resentment. Aside from these controversies, it is clear that the Union today, is the result of a myriad of choices by policymakers throughout the years. A better understanding of these choices and of the recent history of the EU allows us to better grasp its impact, and offers insight into why certain subjects are harder to place. This revised and updated edition of Why Europe? offers a historical as well as thematical insight into the development of the European Union. Drawing from six questions that put main events, key figures as well as the defining moments of the past 70 years in the foreground, this book lays out the essence of European integration.
This monograph is devoted to Joël Faivre-Chalon (1953–2020), French creator of contemporary jewelry. Trained in Strasbourg and subsequently based in Montpellier, Joël Faivre-Chalon never viewed jewelry as mere ornament: his pieces are the fruit of patient research conducted into form (which, in his hands, tends to be pared down), technique, and materials. His work can be imagined in two broad phases: the first devoted to experiments with color, followed by a second focused on studying volume, drawing on innovative materials such as titanium, slate, laminate, or carbon fiber.
Text in English and French.
After 60 years and with over 150,000 copies sold, J. G. Links’ classic remains for many the best book ever written about Venice. Structured as four walks, it takes the visitors from the grandest campi to the tiniest alleyways, with surprises and unexpected delights at every turn. But as well as a wonderful companion in Venice itself, it is also one of the most evocative accounts of the city in English, by a writer who wore his learning like the finest gossamer. In Jan Morris’s words, “None of Venice’s innumerable chroniclers have portrayed the Serenissima’s character with quite such a combination of the scholarly, the informal and the intimate… Over the years, thousands of readers, starting this book, have been relieved to encounter its famously undemanding approach to the city: ‘Generally the first thing to do in Venice is to sit down and have some coffee’. But by the time they get to the end of it, all the same, they will have learnt virtually everything that an educated stranger needs to know about the place, its art and its history – besides being subtly entertained throughout.“
After 60 years and with over 150,000 copies sold, J. G. Links’ classic remains for many the best book ever written about Venice. Structured as four walks, it takes the visitors from the grandest campi to the tiniest alleyways, with surprises and unexpected delights at every turn. But as well as a wonderful companion in Venice itself, it is also one of the most evocative accounts of the city in English, by a writer who wore his learning like the finest gossamer. In Jan Morris’s words, “None of Venice’s innumerable chroniclers have portrayed the Serenissima’s character with quite such a combination of the scholarly, the informal and the intimate… Over the years, thousands of readers, starting this book, have been relieved to encounter its famously undemanding approach to the city: ‘Generally the first thing to do in Venice is to sit down and have some coffee’. But by the time they get to the end of it, all the same, they will have learnt virtually everything that an educated stranger needs to know about the place, its art and its history – besides being subtly entertained throughout.“
Pierre Bonnard and His Dogs offers a fresh perspective on the painter’s work through the central place his dogs held within it. Present in his photographs, drawings, and paintings—from his Nabi beginnings to his final years in Le Cannet—they accompanied both his artistic journey and his private life. Drawing on rare sources, Stéphane Guégan shows how these companions shaped Bonnard’s vision: they animate his compositions, disrupt perspective, and bring movement, tenderness, and moral reflection.
The book traces this relationship from the joyful decorative scenes of his early years to the later works marked by solitude shared with Marthe. As the fourth title in the Amigos Forever series, it sheds new light on one of the most sensitive painters of the twentieth century and reveals how, through his dogs, Bonnard reflected on creation, freedom, and the vital connection uniting all living beings.
For more than 20 years, photographer Vladimir Rys has been working at the highest level of Formula 1 photography. Constantly pushing himself to raise the bar and remain creatively relevant in one of the world’s most demanding sports, documenting some of the most iconic moments in modern Formula 1 from an insider’s perspective. Echoes of Speed brings together two decades of Rys’s work, revealing not only the intensity and precision of the sport, but the human presence within it. This book is both a celebration of Formula 1 and a portrait of a photographer whose vision has helped shape how the sport is seen.