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“It is an exhaustive overview of LeCompte’s work and is chock-full of expertly photographed images.” — Princeton Herald

“The book is a magnificent volume. It is as comprehensive as one could hope.” — Anglican and Episcopal History

Rowan LeCompte (1925-2014) was a world-renowned stained-glass artist best known for his work in Washington National Cathedral that spanned an unprecedented 70 years of artistic commission. Rowan LeCompte: Master of Stained Glass celebrates LeCompte’s artistic inspiration, distinctive technique, and unique perspective on a medieval decorative art, which he transformed into a fine art for modern times. The book traces his fascinating trajectory, from a determined teenager to a charming octogenarian with a clear vision of what stained glass can do within and beyond cathedral walls. More than an artist biography, this book illuminates the essence of human nature and its balance of light and darkness.  

Growing up in Baltimore, young Rowan LeCompte was fascinated by color and light, collecting colored glass fragments that his older brother – Stuart, a scientist – had discarded from his lab at Johns Hopkins. A visit to the Washington National Cathedral at age 14 would prove transformative for LeCompte, who later described the day as his “second birthday.” At age 15, LeCompte knew what he wanted to do for the rest of his life: combine his love of architecture and painting through the study of stained glass. Just a year later, he earned his first commission in the National Cathedral: the very place that forged his destiny. Rowan LeCompte’s seven decades of work not only fulfilled his teen ambition beyond expectations – it changed the art of stained glass itself. 

Rowan LeCompte: Master of Stained Glass takes readers behind-the-scenes of LeCompte’s process, hearing from the artist first-hand about his unexpected inspirations – and rejected ideas – for color and design, and illustrating his work from the first ‘cartoon’ storyboards of windows, to painting the finishing touches on some of his best-known work. This beautiful 4-color photo art book tells of the complete history of Rowan’s life, incorporating brilliant full-color photos of many of the windows which highlight the details of the imagination and innovation of this modern artist working in an ancient medium. It was his single-minded determination to create works that make the world a more beautiful place that will mark Rowan LeCompte as a great master for years to come. 

Rowan LeCompte: Master of Stained Glass is a companion to Peter Swanson’s two films about Rowan. One of these films, Let There Be Light, documented LeCompte’s final commission for the Washington National Cathedral’s centennial celebration. The film won the Best of Festival award at Washington, D.C.’s Independent Film Festival.

“Eating less meat, but better quality: that is the future of traditional craft butchery. Dierendonck today stands for craft, terroir and passion. With this book I want to pay tribute to all farmers who raise their animals with respect for nature, and to everyone working in the butchery trade, working day and night in cold rooms, surrounding by four walls.”Hendrik Dierendonck

Hendrik and his father Raymond Dierendonck have grown in recent years into the benchmark for everything to do with meat. They supply only the highest quality and are followed by any number of top chefs. Dierendonck is one of the pioneers of the international ‘nose-to-tail’ philosophy, in which literally every part of the slaughtered animal is utilized. He has specialized particularly in the processing and maturing of exceptional meat, including from the Belgian Red cattle breed from West Flanders.

Enjoy the most delicious classic cuts from the butcher’s counter; wonder at the craft and skill of the butcher; and learn to process and prepare meat in the Dierendonck style from the dozens of adventurous and timeless recipes in this book. The Butcher’s Book has grown into a true cult publication in recent years and has now been supplemented with more than 20 achievable, refined recipes from his starred restaurant Carcasse.

With text contributions from Hendrik Dierendonck, René Sépul, Marijke Libert and Stijn Vanderhaeghe, and high-class photographs by Thomas Sweertvaegher, Piet De Kersgieter and Stephan Vanfleteren.

The term ‘craftsmanship’ is associated with individuality, uniqueness, decorative potential, artistic quality, attention to material and to process. But what does craftsmanship mean today? This exhibition catalog of nearly 600 pages explores the meaning of craftsmanship in the context of the outstanding collection of the Museum Angewandte Kunst (Frankfurt, Germany) in a monumental survey of 700 items dating from 1945 to the present. Scale reproductions of plates, furniture, cutlery, jewelry and vases highlight their surprising variety of form. In their essays, the ten authors take diverse approaches to the broad terrain of craftsmanship: from the relationship between East Asia and Western ceramics, via the handicrafts of the Romantic period, to the adventure that is arts and crafts today. The title plays on the perceived parallel between the ability of the cactus to survive and thrive in adverse conditions, and the future of the hand-made object in an industrial world.

The term ‘craftsmanship’ is associated with individuality, uniqueness, decorative potential, artistic quality, attention to material and to process. But what does craftsmanship mean today? This exhibition catalog of nearly 600 pages explores the meaning of craftsmanship in the context of the outstanding collection of the Museum Angewandte Kunst (Frankfurt, Germany) in a monumental survey of 700 items dating from 1945 to the present. Scale reproductions of plates, furniture, cutlery, jewelry and vases highlight their surprising variety of form. In their essays, the ten authors take diverse approaches to the broad terrain of craftsmanship: from the relationship between East Asia and Western ceramics, via the handicrafts of the Romantic period, to the adventure that is arts and crafts today. The title plays on the perceived parallel between the ability of the cactus to survive and thrive in adverse conditions, and the future of the hand-made object in an industrial world.

Text in German.

Suzanis, the exquisite hand-embroidered panels from Central Asia, have captured the hearts and minds of collectors and decorators for many years. Joyful and exuberant, they are a bridge to a past way of life in which textiles permeated every facet of existence. While today they adorn the walls of museums and can be spotted in homes designed by interior designers such as Robert Kime and Beata Heuman, not much is known about their history. This book sets out to change that.

Through the lens of one of the best collections of suzanis in the world, we delve into the history of Central Asia and understand more about the women who painstakingly stitched these works of art. A true delight for all who have experienced the magic of the suzani, this publication pairs beautiful visuals with engaging new research.

“…it’s the colorful photographs (over 500!) of one-of-a-kind Hopi and Moroccan-inspired mosaic pieces featured in her memoir, out in October, that truly command attention, from ammonite fossils and ivory animal renderings to stunning lapis, coral, and turquoise designs.” Natural Diamonds

North African-born Eveli Sabatie had a long-time fascination with Native American culture and history. As a young woman, she left her home in Paris in 1968 to move to San Francisco, hoping to learn more. A chance encounter with a Hopi traditionalist led to an invitation to Arizona, where she apprenticed with a master Native American jewelry-maker. For her, this was the beginning of a new world.

Art can never be fully divided from the artist’s voice, nor the natural world. When Eveli encountered red jasper while roaming the Arizona mountains, she knew she had to incorporate her local geology into her work. Yet raw materials are just one of many ways in which the world around Eveli shapes her art. This book is a direct and personal exploration of Eveli’s work, following her arc of growth, challenges and internal workings.

Eveli’s jewelry is entirely created by her, from gathering material to fabricating the body of the piece, doing the lapidary work and finally adding stone settings and finishings. She works in a rustic, ancient environment, often choosing to use rudimentary and home-made tools over commercial techniques. This book explores her creative process through five sections: THE JOURNEY, a biographical overview of her time at the Hopi reservation in Northern Arizona, where she apprenticed under Charles Loloma; CLOUDS AND RAIN, exploring the influence of the Hopi and the desert on her work; BEING HOME, which talks in greater detail about Eveli’s relationship with the environment; BEING HUMAN, a philosophical study of humanity through jewelry; and BRANCHING OUT, which features Eveli’s other artworks, which are sought after by collectors from around the world.

This is a profound reflection on the earth, through the medium of jewelry.

‘All new technology is accompanied with great expectations on the one hand and great fear on the other. Thierry Geerts reduces the digital revolution to its true proportions and shows that we control the impact of technology ourselves: technology becomes what we make of it. Few are better placed than the author to clearly define the potential, the tasks, and the responsibility that awaits each and every one of us.’ Caroline Pauwels, rector of the VUB

‘After Digitalis drew up the contours of the new digital world, Homo digitalis now describes how we can appropriate it so that digitalisation will benefit humanity. But instead of trying to convince at all costs, Thierry Geerts puts things in perspective. With great expertise, he guides us through numerous groundbreaking initiatives that start-ups and companies in Europe have often developed.‘Alain Gerlache, journalist

‘This book couldn’t have come out at a better time. Change can be scary for many, but above all, it brings many opportunities. Thierry Geerts fantastically explains how Digitalis can be an inclusive place where social mobility and equality are self-evident. Now it’s up to our entrepreneurs, policymakers, and each of us as individuals to gear up and resolutely opt for the digital future.’Yasmien Naciri, entrepreneur and marketer

‘Think about the reasons for technology. That is the challenge that Thierry Geerts takes on with gusto and enthusiasm in this fascinating book.’Laurent Hublet, co-founder and CEO of BeCentral, the largest digitalis campus in Europe

In Homo digitalis, Thierry Geerts, CEO of Google Belgium and Luxembourg, looks at the dangers and opportunities of the digital revolution. Without taboos and with an eye to the future, he offers thoughtful examples of how digitalization affects us as people and as a society. His conclusion is clear: technology is neutral, and it’s up to people to use it consciously and confidently. If we do that, digitalization will make us happier, with more time for creativity, personal development, healthcare, and the things that really matter. Then we’ll become more human and we homo sapiens will turn into homo digitalis.

“We are living history right now. I believe we need to do more to document this unique moment in America, and who better to convey what we all are feeling than our country’s greatest artists? It is my hope that in 50 years, art history classes will pull this book off the shelf and understand the deep emotion of this time.”William Weinaug

Around the world, many individuals and families have faced isolation due to COVID-19. Our lives have been changed as we face a historical crisis of unprecedented scale. But beauty has also come from this hardship. The Great American Paint In® was birthed to allow artists to paint their emotions during the pandemic, capturing this period of history in a unique way — through art.

This book curates the products of the Paint In️®, revealing the responses of over 50 artists from across the continent. Artists share their experiences, their losses, and their hopes for the future. In doing so, they demonstrate the real grit and backbone of the American pandemic story. Like so many enduring these difficult times, they discovered a whole new world and a brand “new normal” that allows them to live, work, survive — and, most importantly, create.

These stories have been shared by Wekiva Island online, at Gallery CERO, and around the country in several traveling art exhibits. Now, for the first time, they are being brought together in a single volume.

Select artists include: Hai-Ou Hou, Olena Babek, Barbara Fox, Jill Stefani Wagner, Paul Schulenburg, Morgan Samuel Price, Kyle Stanley, Raymond Bonilla, Kathleen Dunphy, Jennfer Miller, Michelle Held, David Arsenault, John S Caggiano, Tony D’Amico, Karen Blackwood, Jeanne Rosier Smith, Justin T Worrell, Thomas Kegler, Shawn Krueger, Erik Koeppel, Ken Salaz, Hillary Scott, Thomas Adkins, Michael Orwick, Kim VanDerHoek, Cindy House, George Van Hook, Kim Lordier, Marc R Hansen, Sergio Roffo, Sam Vokey, Mary Erickson, Tom LaRock, Josh Clare, Howard B Friendland, Marc Dalessio, Andrew Orr, Kari Ganoung Ruiz, Charles Muench, Jim McVicker, Trish Coonrod, Joseph Daily, Jeffrey Hayes, Mitch Kolbe, Dogulas Wiltraut, Ray Howard, Nick Patten, Brett Scheifflee, Jeff Gola, Eleinne Basa, Bill Farnsworth, Garin J Baker, and Mary Jane Volkmann.

First exhibited at the Exposition Universelle (Paris, 1900) Louis XIII has embodied sophistication for over a century. Each bottle is a unique work of art, from the decanter – each of which requires eleven craftsmen to blow the crystal, apply the ornamentation and wrap the 20-K gold collar around its slender neck – to the cognac itself. Composed of up to 1200 eaux-de-vie from the first cru of the Cognac region, Grande Champagne, Louis XIII balances notes of myrrh, honey, dried roses, plum, honeysuckle, cigar boxes, leather, figs and passion fruit in an unmatched, ambrosial blend.

This book is an ode to the cognac, sung by some of its earliest and most vibrant devotees. We delve into the diaries and letters of two passionate travelers aboard the America-bound cruiser Normandie, 1935; the agenda of King George VI and his wife Queen Elizabeth on their visit to Versailles in 1938; and the first-hand account of a young millionaire who, while on a trip to Constantinople in 1928, requested that the Orient-Express stop so that the surface of his brandy might lie still.

Tracing the history of the iconic decanter from the pewter flask found after the Battle of Jarnac to the inspired glass vessels that captivated the royal courts of Europe, Louis XIII Cognac – The Thesaurus promises an elegant and entertaining glimpse into this prestigious cognac and the characters who drank it.

This one-of-a-kind guide takes you to New York’s best-kept secrets, like vintage shops packed with unique collector’s items, opulent spots for high tea, the best places to grab a drink before or after the theater, the best stretches for running, and the coolest sneaker stores. This guide reveals hundreds of addresses, as well as good-to-know facts and interesting information, like the best ways to mingle with New Yorkers, the sports that you absolutely have to see, and 5 things that New Yorkers just know. The 500 Hidden Secrets of New York is the perfect book for those who want to discover the city, but avoid all the usual tourist haunts, as well as for residents who are keen to track down the city’s best-kept secrets.

Discover the series at the500hiddensecrets.com

“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Havana to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.” The Independent

The perfect book for those who wish to discover the locals’ favorite spots in Venice, one of the most popular tourist destinations in Europe. Avoiding the usual tourist haunts, this affectionate guide provides a fresh perspective on the must-visit spots and introduces you to Venice’s best-kept secrets, such as 5 restaurants that most tourists will never find, 5 cozy markets in the open air, the 5 most beautiful buildings by architect Carlo Scarpa, 5 convents where you can spend the night, the 5 nicest bookshops for kids and much more.

Zhang Lian is a struggling potato farmer who turned to poetry to describe the harsh beauty of his environment and his daily struggle to eke out an existence. In 2000 he borrowed money from friends to print and hand-sell his first book of poems; by 2012 he had been chosen as one of the “Ten Best Rural Poets” by the Chinese Writers Association and published his eighth collection. Zhang’s work has appeared in more than one hundred anthologies and been translated into several languages, now including English. For this volume, noted translator Keming Liu selected one hundred poems, chiefly representing Zhang’s multifaceted perceptions of his world at dusk, when farmer and shepherd are blessed with a moment to daydream. Although Zhang’s work follows a pastoral tradition, the authenticity of his voice comes from real experience. His poems capture both the hopelessness and hopefulness of his austere world, and a deep belief in the redemptive power of words.

Walter Irvine’s account places his personal experiences against the political and cultural changes that surrounded the Lao and Cambodian revolutions of the 1970s and 80s, giving particular attention to refugee movements and the impact. Irvine’s professional involvement as teacher in Laos, social anthropologist in Thailand and UNHCR official in Argentina gives him an insiders understanding of the specificity of culture, the dynamics of political change, the realities of forced exile, and the challenges of refugee work. His description of revisiting Indochina in 2016 puts the account of the early period into perspective.

“New book gives fans a look at never-before-seen photos of Brigitte Bardot.” — Yahoo
“Rare photographs of the French actress Brigitte Bardot, from the archives of Douglas Kirkland and Terry O’Neill, are featured in a new book, Being Bardot.” — The Times
“Being Bardot, the new archival photography book from ACC Art Books and Iconic Images, honors the French starlet’s legacy, offering an inside look into her highly photographed world.” — CR Fashion Book

“What stands out most is Bardot’s liberated persona, her strength of character and je ne sais quoi. A stunning portfolio.” — The Lady

Brigitte Bardot is arguably the most familiar face in French cinema and one of the most loved stars of the 20th century. She is recognized the world over for her work in film, as a singer, and as an animal rights activist. The photographers Douglas Kirkland and Terry O’Neill both worked with Brigitte Bardot at the peak of her fame in the 1960s and early 1970s, photographing the star on set and behind the scenes on films including The Legend of Frenchie King aka Les Petroleuses, Shalako and Viva Maria.

ACC Art Books and Iconic Images are proud to present the work of these two acclaimed photographers with many stunning images taken from their archives to reveal iconic and never-before-seen images of the star. From on-set to off, playful moments to candid captures, Being Bardot includes more than 150 photos in color and black and white, contact sheets and revealing, first-hand memories. Being Bardot is a must for all fans of cinema, photography and Brigitte Bardot.

The work of Esther Brinkmann is characterized by the meaning she bestows on the ring, its relationship to the hand and, perhaps most surprisingly, to its case. The Swiss artist prefers processed and textured materials, which now also include new component forms, techniques, and substances since her time living in China and India.

She established a further education training program in jewelry design — a unique undertaking in Switzerland — at the Haute École d’Art et de Design (HEAD) in Geneva. Here, her knowledge and autonomy in her work have already shaped several other artistic careers.

This publication presents Esther Brinkman’s oeuvre from the past 30 years and highlights for the first time the remarkable strength and the freedom that distinguish the artist’s rich career.

Text in English and French.

A hundred years after the fall of the Ottoman Empire, the Museum Fünf Kontinente is showing the special exhibition In trockenen Tüchern! Gewebtes und Besticktes aus dem Osmanischen Reich [A Stitch in Time! Woven and Embroidered Textiles from the Ottoman Empire]. The accompanying publication provides an insight into the different aspects of inhabitants’ life during the Late Ottoman Empire, based on selected textiles and everyday items from the collections of the Museum Fünf Kontinente as well as the private collections of Ther and Middendorf. Together with their rural counterparts featuring woven red and blue patterns, the napkins and hand towels from the 18th to 20th century, artistically embroidered with blossom, fruits, or architectural elements, accompanied people from cradle to grave and bear impressive witness to their craftsmanship. Today these textile objects are a significant part of the cultural legacy of Turkey.

Text in German with partial Turkish translation.

This publication was designed to celebrate the 50th anniversary of the discovery of the Riace Bronzes. In it, Luigi Spina’s photographic research dialogs with the texts written by Carmelo Malacrino.

The photographer here develops a continued narrative, offering a direct comparison between the two sculptures, identified as A and B, exploring interpretations of the physicality of the two subjects as well as the three-dimensional quality of the bronze bodies, often concealed by the two-dimensional appearance of photographic images.

Carmelo Malacrino analyzes these famous 5th century BC masterpieces from two points of view: as ancient works of art on the one hand, and considering their significance for contemporary culture on the other. He retraces the story of the Bronzes beginning with their discovery in August, 1972, exploring the circumstances of their unearthing, the restoration they underwent, the exhibitions in which they were shown, as well as the impact they have had on the public, both nationally and internationally. Equally relevant is the reinterpretation of these two statues, beginning with their contextualization in the sphere of ancient Greek art, the related stylistic issues, and the reflection upon the practices and the knowledge possessed by Classical sculpture workshops.

This volume will be a pleasant surprise for those of you who love Classical sculpture, for archaeology enthusiasts, and for all those who aren’t satisfied with a quick glance when it comes to admiring a work of art.

Head chef Marcelo Ballardin of the restaurant Oak in Ghent delights all the senses with his first book. With a Michelin star and a 16 out of 20 Gault Millau score, Marcelo Ballardin is one of Belgium’s top fusion culinary talents. Here he shares recipes for amazing dishes you can prepare at home. His food is simple, but powerful in taste, with striking combinations that use recognizable ingredients.

“The Brazilian/Italian blood of Marcelo Ballardin, his travel experiences and the international appearance of the kitchen team determine the DNA of OAK. The kitchen is detailed and well thought out. The interplay of textures and flavors is subtle. There is a lot of reflection behind the amazing taste associations.” – MICHELIN Guide.

“With exciting, personal creations that draw on both South American and Asian culinary traditions, Marcelo Ballardin has made his small restaurant a special place. We remain fans of his unusual combinations and technical finesse.” – Gault&Millau

This issue of Metaphysical Art – The de Chirico Journals no. 21/22 (2022), centers around Giorgio de Chirico’s correspondence with his friend Fritz Gartz (1909–1911), which has been transcribed and translated into English. A related essay by Simonetta Antellini discusses de Chirico’s writing style and use of the German language. Other essays include Fabio Benzi’s examination of Florence’s cultural milieu in the years 1910–1911, which analyzes the musical, artistic, literary, and philosophical context in which Metaphysics was born. Elena Pontiggia presents a large and previously unpublished collection of letters written by de Chirico to his mother Gemma Cervetto, which has recently been acquired by the Foundation. Riccardo Dottori’s article offers a new interpretation of the painting Serenata (1910), based on a fresh literary source: On the Cave of the Nymphs by the ancient Neoplatonic philosopher Porphyry. Completing this volume is a narrative essay by Italo Calvino entitled Cities of Thought (1983), translated into English and introduced by Anne Greeley, which was published alongside a major Paris retrospective of de Chirico’s metaphysical works.

There are many reasons to plan a visit to The Hague. It is the international city of peace and justice, the only large Dutch city by the sea, one of the greenest cities of the Netherlands, and it boasts a long and rich history.
For this book, Tal Maes listed her 500 favorite places and tips, presenting them in original and interesting lists such as 5 historic houses of famous Dutchmen, 5 fun boat trips, the 5 best spots for Dutch “maatjes” herring, 5 museums around the Binnenhof, the 5 best lifestyle and concept stores, and much more. This guide encourages you to look further than the usual hotspots. Walk to the far end of the beach to find peace and quiet, try a beer from a hidden monastery, discover cutting-edge art in a former power plant. Of the highlights included, lesser-known aspects are revealed.

“A history of cool.” — Airmail

“Without a doubt she is the great reference of photography in the Hip Hop Culture, with photos that are already the history of contemporary culture of the 20th century.” — Staf Magazine

“In over 240 pages, the book encapsulates the spirit of history-making generations and their influence on fashion and wider visual culture.” — The Luupe

Covering four decades of photography, this book serves as a stunning snapshot of Beckman’s significance in the world of art, photojournalism, music, fashion, and popular culture – but most prevalently, it’s a testament to her unique ability to extract beauty from the outliers of society. With written contributions from Beckman’s peers including academia’s Jason King, Chair of NYU’s Clive Davis Institute of Recorded Music & Vivien Goldman Author & Professor at NYU; journalists Vikki Tobak, and co-founder of PAPER, Kim Hastreiter; visual artist Cey Adams; music legends Sting, Run DMC, Paul Weller, Salt-n-Pepa, Belinda Carlisle, and Slick Rick; and fashion’s Dapper Dan, Dior’s Maria Grazia Chiuri, Levi’s Chad Hinson – Rebels: From Punk to Dior showcases Janette Beckman’s influence in her realm.

In addition to publishing five books, Janette Beckman’s work has been exhibited in galleries worldwide and is included in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, and the British National Portrait Gallery. She is represented by the Fahey Klein Gallery.

“Ballet inspires me. Human beings have the capacity to express themselves through many art forms, but when it comes to dance – and especially classical modern ballet – I am always amazed by that unbelievably elevated form of expression. It’s so precise and so incredibly skilled; I admire that enormously.” — Photographer and filmmaker Erwin Olaf

“The fact that the photographer is looking through the camera lens means they have a different perspective from looking directly at the figure. That is voyeuristic. The camera can do something that the audience member can’t: zooming in for a close-up.” — Choreographer Hans van Manen

The grand master of Dutch dance, Hans van Manen, celebrates his 90th birthday this year. That has given rise to international celebrations by leading ballet companies with the Hans van Manen festival from 8 to 29 June 2022, the exclusive publication Dance in Close-Up and the exhibition of the same name in Galerie Ron Mandos in Amsterdam from 19 June to 17 July 2022.

From the 1970s to the 1990s, Hans van Manen was not only one of the world’s leading choreographers, but also an internationally acclaimed photographer. It was during this period that the then very young photographer Erwin Olaf met the famed artist, who immediately took him under his wing and introduced him to the world of the visual arts and studio photography.

This book celebrates their 40 years of friendship, with a photo series in which Van Manen directs moments from his choreographic career, recorded with the utmost precision by Erwin Olaf.

With text contributions from the authors Nina Siegal and Michael James Gardner.

“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” Peter Sheridan, Daily Express

Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.” 

As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. 

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. 

Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. 

With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

El-Gazzar, born in 1925 in Alexandria, is a leading figure in modern Egyptian art of the 20th century. He enrolled in the Faculty of Fine Arts in Cairo in 1944 and then joined the Contemporary Art Group founded by Hussein Youssef Amin, his master. With an innovative and unique expressionist style, it portrays the people of Cairo in a folkloric way. Later, he tried his hand at abstraction by representing industrial machines and their effects on humans.

Recognized during his lifetime, the production of El-Gazzar was exhibited in France from 1949, at the Venice Biennale in 1952 and at the São Paulo Museum in 1953. Today, his works are in private collections in Cairo, Alexandria, Rome, Paris and Brussels, but also in major institutions around the world, such as the Metropolitan Museum of Art in New York or the Mathaf: Arab Museum of Modern Art.

This catalogue raisonné, published in English, comprises two volumes. The first is dedicated to the artist’s paintings and the second to graphic works, archives and photographs. It brings an understanding of the enigmatic work of the artist, but also of modern Egyptian art in general.