Forgotten in Thailand’s troubled Deep South, stands a dilapidated wooden palace once home to a Malay ruler, the last of his dynasty. Locals call it the “House of the Raja,” a place suffused with loss and solitude, laden with the region’s glorious past and tragic present. Intrigued by this demonized, little-known borderland, photographer Xavier Comas chanced upon this mysterious house and felt compelled to delve into its past. The caretaker, a Muslim shaman who held rituals inside, invited the author to stay and initiated him into its hidden dimensions. As Comas builds a bond of trust with the inhabitants of the house, the missing pieces of its history gently fall into place, revealing an ancient culture long hidden and the building’s ties to the centuries-old struggles in this contested region.
 
Comas’ evocative black-and-white photographs take us into a realm of hauntings, mystic powers and fading memories. His first-hand account enthralls the reader with vivid descriptions in which the real and the magical entwine. The House of the Raja provides a missing key to controversial issues of legacy, belief and identity in Thailand’s Muslim South.

Manfred Bischoff (1947–2015) was one of the most innovative jewelry artists of our time. He designed items of jewelry that tell stories and enriched his language of forms through references to contemporary art, quotations from art history and philosophy, and inspiration from his bountiful world of ideas. Through this, he developed his own particular way of mounting his jewelry pieces on drawings, on which messages and titles appear in his own characteristic hand.

In this book, his work is showcased in its entirety for the very first time, including early works, which attracted little attention in previous publications. The publication is oriented on the sequence of places that each had a major influence on his works: first Berlin, followed by further locations in Italy. The book not only documents Manfred Bischoff’s multifaceted oeuvre with numerous illustrations and preliminary sketches; it also provides insights, via additional private photos and notes, into a remarkable artistic universe.

Text in English and German.

Ring Redux presents more than a hundred avant-garde rings by renowned international artists who explore this age-old jewelry form with great vitality and relevance to society today. In the essay “Riffs on Rings“, Ursula Ilse-Neuman provides valuable insights into the astonishing variations on one of the most intimate and enduring forms of body adornment, revealing the profound and subtle differences in how these artists evoke the ring’s potential to express ideas that extend beyond its ornamental role. The skill and audacity infused in these intimate sculptural forms is captured in stunning new color photographs. In the “Artists’ Voices” section, the jewelers provide valuable perspectives on the conception and execution of their works. The collection of rings presented here has been acquired over five decades by Susan Grant Lewin and will be exhibited at the SCAD Museum of Art, Savannah, Georgia.

“It is fortunate that a scholar with Professor Abbi’s tenacity, as well as her scientific credentials, was available and willing to conduct this work… The volume is a superb introduction for the layperson to the wonderful world that Professor Abbi has opened up for us.” – Bernard Comrie, Santa Barbara, California.

“For two decades now, Abbi has marshalled the full intellectual and strategic weight of her training, disciplinary expertise and socio-cultural capital to document, preserve and share with the world the voices, songs, stories and laughter of the Great Andamanese.” – Mark Turin, University of British Columbia, Vancouver.

The Andaman Islands — Great Andaman, Little Andaman, and North Sentinel Islands have been home for milleniums to four tribes: the Great Andamanese, Onge, Jarawa, and Sentinelese. Their languages are known by the same name as that of the tribes. ‘Great Andamanese’ is a generic term representing ten languages among a family of languages that were once spoken by ten different tribes living in the north, south, and middle of the Great Andaman Islands. These languages were mutually intelligible like a link in a chain.

However, today, Great Andamanese is a moribund language of the only-surviving pre-Neolithic tribe, breathing its last breath. When a language is on the verge of extinction, its history, culture, ecological base, knowledge of the biodiversity, ethno-linguistic practices, and the identity of its community — everything is endangered. This is what prompted Prof. Anvita Abbi to conduct a research study to give life to the lost oral heritage of the vanishing world of the Great Andamanese.

Voices from the Lost Horizon is a collection of a number of folk tales and songs of the Great Andamanese. These stories and songs represent the first-ever collection rendered to the Prof. Abbi and her team by the Great Andamanese people in local settings. The compilation comes with audio and video recordings of the stories and songs to retain the originality and orality of the narratives. 

“This book takes in his introduction to wine – at the age of three! – through his continued travels and championing of New World wines when they were less fashionable.” – Matthew Nugent, The Irish Sun

“You can feel Oz Clarke’s expansive, chatty presence in every sentence” – Telegraph

“Reading Clarke may be the closest we’ll come to sharing a glass of sack with the Bard himself.” —David McIntyre, Washington Post
“Frankly, it’s the best and most entertaining wine read I’ve had in years.” —Tom Doorley, The Irish Mail

“You can never have too much of his captivating enthusiasm and rich knowledge and this is him at his best.” — Waitrose magazine

“A rollicking good read.” — Sommelier India

There have never been so many delicious and original wines in the world, and to discover them, all you need is a glass in your hand and Oz Clarke – the ideal wine companion. With his inimitable sense of adventure and fun, Oz explains how his fascination with flavor led him to abandon a promising acting career and follow his heart from Chablis to ‘the lost Himalayan valleys of Yunnan’ in pursuit new taste experiences and wine thrills. He found them! Oz Clarke On Wine takes us on a fast-paced, witty romp around the grape varieties key to the world’s major wine styles, then explores the vineyards and regions where a vast trove of wine treasure lies waiting for discovery. Oz’s passion for sharing, his deep wine knowledge, and his ability to conjure up the wine world’s most beautiful landscapes, make this book the most unputdownable wine read this century.

Includes:

• How Oz fell in love with wine: from his first dramatic encounter on a river-bank (aged three), to his post-performance tasting tales (after ‘governing Argentina’ as General Perón in the hit show Evita
• Oz explains how global warming affects what we drink today, and the new styles we can expect ‘tomorrow’
• Organic and Biodynamic wines, Oz’s favorite fizz
• The world’s best-tasting wines, from Aconcagua to Okanagan, from Patagonia to east Yorkshire…, and wines to enjoy, from budget to blue chip… For sipping and savoring now. Or to age and enjoy in 10, 20, 30-years’ time…

In this unique study of wine through the ages, journalist and World War I frontline reporter, Hubert Warner Allen (1881–1968) casts an observant eye over the way wine appears in literature, from the words of the Roman connoisseurs to the excesses of Chaucer’s Canterbury Tales heroes, taking in the debatable wisdom of the 18th-century epicurean Jean Anthelme Brillat-Savarin and the sagacity of the legendary Edwardian wine-writer, George Saintsbury – and many more. Warner Allen’s observations are both fascinating and highly entertaining. As Harry Eyres, who introduces this book, says: “Literary, historical, discursive, personal: this is very much the opposite of modern wine writing, and presents another era seen through a glass darkly.”

The Classic Editions breathe new life into some of the finest wine-related titles written in the English language over the last 150 years. Although these books are very much products of their time – a time when the world of fine wine was confined mostly to the frontiers of France and the Iberian Peninsula and a First Growth Bordeaux or Grand Cru Burgundy wouldn’t be beyond the average purse – together they recapture a world of convivial, enthusiastic amateurs and larger-than-life characters whose love of fine vintages mirrored that of life itself.  

Whisky is a story. Whisky is many stories. This book brings together the most surprising anecdotes from the world of whisky and is therefore the perfect addition to other books on distilling, tasting and travelling. Enjoy heart-warming tales about secret recipes, haunted castles, hidden distilleries, generous drunks and the first whisky tourist, and discover aspects about whisky that you’ll never find in any other book. For almost 40 years, whisky enthusiast Fernand Dacquin has been traveling through this wonderful world of whisky, in search of the most striking stories and images. Now he turns those experiences into 111 stories, in his own tongue-in-cheek style. The result is a wonderfully unusual book, published in a practical format that leaves one hand free for a good glass of whisky.

“It is an exhaustive overview of LeCompte’s work and is chock-full of expertly photographed images.” — Princeton Herald

“The book is a magnificent volume. It is as comprehensive as one could hope.” — Anglican and Episcopal History

Rowan LeCompte (1925-2014) was a world-renowned stained-glass artist best known for his work in Washington National Cathedral that spanned an unprecedented 70 years of artistic commission. Rowan LeCompte: Master of Stained Glass celebrates LeCompte’s artistic inspiration, distinctive technique, and unique perspective on a medieval decorative art, which he transformed into a fine art for modern times. The book traces his fascinating trajectory, from a determined teenager to a charming octogenarian with a clear vision of what stained glass can do within and beyond cathedral walls. More than an artist biography, this book illuminates the essence of human nature and its balance of light and darkness.  

Growing up in Baltimore, young Rowan LeCompte was fascinated by color and light, collecting colored glass fragments that his older brother – Stuart, a scientist – had discarded from his lab at Johns Hopkins. A visit to the Washington National Cathedral at age 14 would prove transformative for LeCompte, who later described the day as his “second birthday.” At age 15, LeCompte knew what he wanted to do for the rest of his life: combine his love of architecture and painting through the study of stained glass. Just a year later, he earned his first commission in the National Cathedral: the very place that forged his destiny. Rowan LeCompte’s seven decades of work not only fulfilled his teen ambition beyond expectations – it changed the art of stained glass itself. 

Rowan LeCompte: Master of Stained Glass takes readers behind-the-scenes of LeCompte’s process, hearing from the artist first-hand about his unexpected inspirations – and rejected ideas – for color and design, and illustrating his work from the first ‘cartoon’ storyboards of windows, to painting the finishing touches on some of his best-known work. This beautiful 4-color photo art book tells of the complete history of Rowan’s life, incorporating brilliant full-color photos of many of the windows which highlight the details of the imagination and innovation of this modern artist working in an ancient medium. It was his single-minded determination to create works that make the world a more beautiful place that will mark Rowan LeCompte as a great master for years to come. 

Rowan LeCompte: Master of Stained Glass is a companion to Peter Swanson’s two films about Rowan. One of these films, Let There Be Light, documented LeCompte’s final commission for the Washington National Cathedral’s centennial celebration. The film won the Best of Festival award at Washington, D.C.’s Independent Film Festival.

“Eating less meat, but better quality: that is the future of traditional craft butchery. Dierendonck today stands for craft, terroir and passion. With this book I want to pay tribute to all farmers who raise their animals with respect for nature, and to everyone working in the butchery trade, working day and night in cold rooms, surrounding by four walls.” – Hendrik Dierendonck

Hendrik and his father Raymond Dierendonck have grown in recent years into the benchmark for everything to do with meat. They supply only the highest quality and are followed by any number of top chefs. Dierendonck is one of the pioneers of the international ‘nose-to-tail’ philosophy, in which literally every part of the slaughtered animal is utilized. He has specialized particularly in the processing and maturing of exceptional meat, including from the Belgian Red cattle breed from West Flanders.

Enjoy the most delicious classic cuts from the butcher’s counter; wonder at the craft and skill of the butcher; and learn to process and prepare meat in the Dierendonck style from the dozens of adventurous and timeless recipes in this book. The Butcher’s Book has grown into a true cult publication in recent years and has now been supplemented with more than 20 achievable, refined recipes from his starred restaurant Carcasse.

With text contributions from Hendrik Dierendonck, René Sépul, Marijke Libert and Stijn Vanderhaeghe, and high-class photographs by Thomas Sweertvaegher, Piet De Kersgieter and Stephan Vanfleteren.

The term ‘craftsmanship’ is associated with individuality, uniqueness, decorative potential, artistic quality, attention to material and to process. But what does craftsmanship mean today? This exhibition catalog of nearly 600 pages explores the meaning of craftsmanship in the context of the outstanding collection of the Museum Angewandte Kunst (Frankfurt, Germany) in a monumental survey of 700 items dating from 1945 to the present. Scale reproductions of plates, furniture, cutlery, jewelry and vases highlight their surprising variety of form. In their essays, the ten authors take diverse approaches to the broad terrain of craftsmanship: from the relationship between East Asia and Western ceramics, via the handicrafts of the Romantic period, to the adventure that is arts and crafts today. The title plays on the perceived parallel between the ability of the cactus to survive and thrive in adverse conditions, and the future of the hand-made object in an industrial world.

The term ‘craftsmanship’ is associated with individuality, uniqueness, decorative potential, artistic quality, attention to material and to process. But what does craftsmanship mean today? This exhibition catalog of nearly 600 pages explores the meaning of craftsmanship in the context of the outstanding collection of the Museum Angewandte Kunst (Frankfurt, Germany) in a monumental survey of 700 items dating from 1945 to the present. Scale reproductions of plates, furniture, cutlery, jewelry and vases highlight their surprising variety of form. In their essays, the ten authors take diverse approaches to the broad terrain of craftsmanship: from the relationship between East Asia and Western ceramics, via the handicrafts of the Romantic period, to the adventure that is arts and crafts today. The title plays on the perceived parallel between the ability of the cactus to survive and thrive in adverse conditions, and the future of the hand-made object in an industrial world.

Text in German.

Suzanis, the exquisite hand-embroidered panels from Central Asia, have captured the hearts and minds of collectors and decorators for many years. Joyful and exuberant, they are a bridge to a past way of life in which textiles permeated every facet of existence. While today they adorn the walls of museums and can be spotted in homes designed by interior designers such as Robert Kime and Beata Heuman, not much is known about their history. This book sets out to change that.

Through the lens of one of the best collections of suzanis in the world, we delve into the history of Central Asia and understand more about the women who painstakingly stitched these works of art. A true delight for all who have experienced the magic of the suzani, this publication pairs beautiful visuals with engaging new research.

“…it’s the colorful photographs (over 500!) of one-of-a-kind Hopi and Moroccan-inspired mosaic pieces featured in her memoir, out in October, that truly command attention, from ammonite fossils and ivory animal renderings to stunning lapis, coral, and turquoise designs.” — Natural Diamonds

North African-born Eveli Sabatie had a long-time fascination with Native American culture and history. As a young woman, she left her home in Paris in 1968 to move to San Francisco, hoping to learn more. A chance encounter with a Hopi traditionalist led to an invitation to Arizona, where she apprenticed with a master Native American jewelry-maker. For her, this was the beginning of a new world.

Art can never be fully divided from the artist’s voice, nor the natural world. When Eveli encountered red jasper while roaming the Arizona mountains, she knew she had to incorporate her local geology into her work. Yet raw materials are just one of many ways in which the world around Eveli shapes her art. This book is a direct and personal exploration of Eveli’s work, following her arc of growth, challenges and internal workings.

Eveli’s jewelry is entirely created by her, from gathering material to fabricating the body of the piece, doing the lapidary work and finally adding stone settings and finishings. She works in a rustic, ancient environment, often choosing to use rudimentary and home-made tools over commercial techniques. This book explores her creative process through five sections: THE JOURNEY, a biographical overview of her time at the Hopi reservation in Northern Arizona, where she apprenticed under Charles Loloma; CLOUDS AND RAIN, exploring the influence of the Hopi and the desert on her work; BEING HOME, which talks in greater detail about Eveli’s relationship with the environment; BEING HUMAN, a philosophical study of humanity through jewelry; and BRANCHING OUT, which features Eveli’s other artworks, which are sought after by collectors from around the world.

This is a profound reflection on the earth, through the medium of jewelry.

‘All new technology is accompanied with great expectations on the one hand and great fear on the other. Thierry Geerts reduces the digital revolution to its true proportions and shows that we control the impact of technology ourselves: technology becomes what we make of it. Few are better placed than the author to clearly define the potential, the tasks, and the responsibility that awaits each and every one of us.’ – Caroline Pauwels, rector of the VUB

‘After Digitalis drew up the contours of the new digital world, Homo digitalis now describes how we can appropriate it so that digitalisation will benefit humanity. But instead of trying to convince at all costs, Thierry Geerts puts things in perspective. With great expertise, he guides us through numerous groundbreaking initiatives that start-ups and companies in Europe have often developed.‘– Alain Gerlache, journalist

‘This book couldn’t have come out at a better time. Change can be scary for many, but above all, it brings many opportunities. Thierry Geerts fantastically explains how Digitalis can be an inclusive place where social mobility and equality are self-evident. Now it’s up to our entrepreneurs, policymakers, and each of us as individuals to gear up and resolutely opt for the digital future.’ – Yasmien Naciri, entrepreneur and marketer

‘Think about the reasons for technology. That is the challenge that Thierry Geerts takes on with gusto and enthusiasm in this fascinating book.’ – Laurent Hublet, co-founder and CEO of BeCentral, the largest digitalis campus in Europe

In Homo digitalis, Thierry Geerts, CEO of Google Belgium and Luxembourg, looks at the dangers and opportunities of the digital revolution. Without taboos and with an eye to the future, he offers thoughtful examples of how digitalization affects us as people and as a society. His conclusion is clear: technology is neutral, and it’s up to people to use it consciously and confidently. If we do that, digitalization will make us happier, with more time for creativity, personal development, healthcare, and the things that really matter. Then we’ll become more human and we homo sapiens will turn into homo digitalis.

“We are living history right now. I believe we need to do more to document this unique moment in America, and who better to convey what we all are feeling than our country’s greatest artists? It is my hope that in 50 years, art history classes will pull this book off the shelf and understand the deep emotion of this time.” — William Weinaug

Around the world, many individuals and families have faced isolation due to COVID-19. Our lives have been changed as we face a historical crisis of unprecedented scale. But beauty has also come from this hardship. The Great American Paint In® was birthed to allow artists to paint their emotions during the pandemic, capturing this period of history in a unique way — through art.

This book curates the products of the Paint In️®, revealing the responses of over 50 artists from across the continent. Artists share their experiences, their losses, and their hopes for the future. In doing so, they demonstrate the real grit and backbone of the American pandemic story. Like so many enduring these difficult times, they discovered a whole new world and a brand “new normal” that allows them to live, work, survive — and, most importantly, create.

These stories have been shared by Wekiva Island online, at Gallery CERO, and around the country in several traveling art exhibits. Now, for the first time, they are being brought together in a single volume.

Select artists include: Hai-Ou Hou, Olena Babek, Barbara Fox, Jill Stefani Wagner, Paul Schulenburg, Morgan Samuel Price, Kyle Stanley, Raymond Bonilla, Kathleen Dunphy, Jennfer Miller, Michelle Held, David Arsenault, John S Caggiano, Tony D’Amico, Karen Blackwood, Jeanne Rosier Smith, Justin T Worrell, Thomas Kegler, Shawn Krueger, Erik Koeppel, Ken Salaz, Hillary Scott, Thomas Adkins, Michael Orwick, Kim VanDerHoek, Cindy House, George Van Hook, Kim Lordier, Marc R Hansen, Sergio Roffo, Sam Vokey, Mary Erickson, Tom LaRock, Josh Clare, Howard B Friendland, Marc Dalessio, Andrew Orr, Kari Ganoung Ruiz, Charles Muench, Jim McVicker, Trish Coonrod, Joseph Daily, Jeffrey Hayes, Mitch Kolbe, Dogulas Wiltraut, Ray Howard, Nick Patten, Brett Scheifflee, Jeff Gola, Eleinne Basa, Bill Farnsworth, Garin J Baker, and Mary Jane Volkmann.

This one-of-a-kind guide takes you to New York’s best-kept secrets, like vintage shops packed with unique collector’s items, opulent spots for high tea, the best places to grab a drink before or after the theater, the best stretches for running, and the coolest sneaker stores. This guide reveals hundreds of addresses, as well as good-to-know facts and interesting information, like the best ways to mingle with New Yorkers, the sports that you absolutely have to see, and 5 things that New Yorkers just know. The 500 Hidden Secrets of New York is the perfect book for those who want to discover the city, but avoid all the usual tourist haunts, as well as for residents who are keen to track down the city’s best-kept secrets.

Discover the series at the500hiddensecrets.com

“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Havana to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.” – The Independent

The perfect book for those who wish to discover the locals’ favorite spots in Venice, one of the most popular tourist destinations in Europe. Avoiding the usual tourist haunts, this affectionate guide provides a fresh perspective on the must-visit spots and introduces you to Venice’s best-kept secrets, such as 5 restaurants that most tourists will never find, 5 cozy markets in the open air, the 5 most beautiful buildings by architect Carlo Scarpa, 5 convents where you can spend the night, the 5 nicest bookshops for kids and much more.

Zhang Lian is a struggling potato farmer who turned to poetry to describe the harsh beauty of his environment and his daily struggle to eke out an existence. In 2000 he borrowed money from friends to print and hand-sell his first book of poems; by 2012 he had been chosen as one of the “Ten Best Rural Poets” by the Chinese Writers Association and published his eighth collection. Zhang’s work has appeared in more than one hundred anthologies and been translated into several languages, now including English. For this volume, noted translator Keming Liu selected one hundred poems, chiefly representing Zhang’s multifaceted perceptions of his world at dusk, when farmer and shepherd are blessed with a moment to daydream. Although Zhang’s work follows a pastoral tradition, the authenticity of his voice comes from real experience. His poems capture both the hopelessness and hopefulness of his austere world, and a deep belief in the redemptive power of words.

Walter Irvine’s account places his personal experiences against the political and cultural changes that surrounded the Lao and Cambodian revolutions of the 1970s and 80s, giving particular attention to refugee movements and the impact. Irvine’s professional involvement as teacher in Laos, social anthropologist in Thailand and UNHCR official in Argentina gives him an insiders understanding of the specificity of culture, the dynamics of political change, the realities of forced exile, and the challenges of refugee work. His description of revisiting Indochina in 2016 puts the account of the early period into perspective.

“New book gives fans a look at never-before-seen photos of Brigitte Bardot.” — Yahoo
“Rare photographs of the French actress Brigitte Bardot, from the archives of Douglas Kirkland and Terry O’Neill, are featured in a new book, Being Bardot.” — The Times
“Being Bardot, the new archival photography book from ACC Art Books and Iconic Images, honors the French starlet’s legacy, offering an inside look into her highly photographed world.” — CR Fashion Book

“What stands out most is Bardot’s liberated persona, her strength of character and je ne sais quoi. A stunning portfolio.” — The Lady

Brigitte Bardot is arguably the most familiar face in French cinema and one of the most loved stars of the 20^th century. She is recognized the world over for her work in film, as a singer, and as an animal rights activist. The photographers Douglas Kirkland and Terry O’Neill both worked with Brigitte Bardot at the peak of her fame in the 1960s and early 1970s, photographing the star on set and behind the scenes on films including The Legend of Frenchie King aka Les Petroleuses, Shalako and Viva Maria.

ACC Art Books and Iconic Images are proud to present the work of these two acclaimed photographers with many stunning images taken from their archives to reveal iconic and never-before-seen images of the star. From on-set to off, playful moments to candid captures, Being Bardot includes more than 150 photos in color and black and white, contact sheets and revealing, first-hand memories. Being Bardot is a must for all fans of cinema, photography and Brigitte Bardot.

The work of Esther Brinkmann is characterized by the meaning she bestows on the ring, its relationship to the hand and, perhaps most surprisingly, to its case. The Swiss artist prefers processed and textured materials, which now also include new component forms, techniques, and substances since her time living in China and India.

She established a further education training program in jewelry design — a unique undertaking in Switzerland — at the Haute École d’Art et de Design (HEAD) in Geneva. Here, her knowledge and autonomy in her work have already shaped several other artistic careers.

This publication presents Esther Brinkman’s oeuvre from the past 30 years and highlights for the first time the remarkable strength and the freedom that distinguish the artist’s rich career.

Text in English and French.

A hundred years after the fall of the Ottoman Empire, the Museum Fünf Kontinente is showing the special exhibition In trockenen Tüchern! Gewebtes und Besticktes aus dem Osmanischen Reich [A Stitch in Time! Woven and Embroidered Textiles from the Ottoman Empire]. The accompanying publication provides an insight into the different aspects of inhabitants’ life during the Late Ottoman Empire, based on selected textiles and everyday items from the collections of the Museum Fünf Kontinente as well as the private collections of Ther and Middendorf. Together with their rural counterparts featuring woven red and blue patterns, the napkins and hand towels from the 18th to 20th century, artistically embroidered with blossom, fruits, or architectural elements, accompanied people from cradle to grave and bear impressive witness to their craftsmanship. Today these textile objects are a significant part of the cultural legacy of Turkey.

Text in German with partial Turkish translation.

This publication was designed to celebrate the 50th anniversary of the discovery of the Riace Bronzes. In it, Luigi Spina’s photographic research dialogs with the texts written by Carmelo Malacrino.

The photographer here develops a continued narrative, offering a direct comparison between the two sculptures, identified as A and B, exploring interpretations of the physicality of the two subjects as well as the three-dimensional quality of the bronze bodies, often concealed by the two-dimensional appearance of photographic images.

Carmelo Malacrino analyzes these famous 5th century BC masterpieces from two points of view: as ancient works of art on the one hand, and considering their significance for contemporary culture on the other. He retraces the story of the Bronzes beginning with their discovery in August, 1972, exploring the circumstances of their unearthing, the restoration they underwent, the exhibitions in which they were shown, as well as the impact they have had on the public, both nationally and internationally. Equally relevant is the reinterpretation of these two statues, beginning with their contextualization in the sphere of ancient Greek art, the related stylistic issues, and the reflection upon the practices and the knowledge possessed by Classical sculpture workshops.

This volume will be a pleasant surprise for those of you who love Classical sculpture, for archaeology enthusiasts, and for all those who aren’t satisfied with a quick glance when it comes to admiring a work of art.