No country, apart from India, is as closely allied with the Buddha’s travels as Sri Lanka, which was visited thrice by the Buddha and received corporal relics and a branch of the bodhi tree after his death. Today the Buddha’s eye-tooth is venerated daily by thousands in Kandy and regarded as a priceless relic.
Buddhism is not the only religion to have influence the island, as another major pilgrimage spot is Kataragama, a site devoted to a Hindu God, while Christianity and Islam are also part of the mix. From Europe, the Portuguese, Dutch, and English added new spiritual layers in a colonial period that stretched nearly three centuries. As a result, understanding the country, through the lens of sacred sites provides a special glimpse into this unique civilisation.
Golden Glass: Verre Églomisé brings the reader into the glittering world of Miriam Ellner, the foremost practitioner of verre églomisé, the ancient process of gilding precious metals on the reverse side of glass, etching in a design, and setting it off with color. While it was first developed in 200 BC, Ellner is one its acknowledged modern masters. These seductive materials coalesce to enliven the surface of glass with luminous reflections creating moving glass paintings. She is one of few experts in this rare art form, making it fresh and relevant in the 21st century. Her work enhances private collections and design projects around the world.
Beginning her career as a dancer, Ellner brings energy, dynamism, and sense of motion to her art. This book offers stunning views into both Ellner’s process, her personal work, and the way she has worked on commissions with many leading interior designers and architects to create pieces that transform their rooms and bridge the worlds of art, craft, and design.
Golden Glass: Verre Églomisé contains reflections from her collaborators, coupled with hundreds of incredible photographs, as well as Ellner’s own insights into her decades-long practice, journeying into the ethereal world of illumination, reflection, and color.
“…jaw-dropping photos of Australia, from east to west.” — CNN
Revealing the patterns and palettes of the Australian landscape, photographer Lisa Michele Burns captures the vast continent as you’ve never seen it before.
From the moment the sun rises on the east coast of Australia, a vivid color palette is revealed, hour by hour, across the country. Ocean blues merge with white sandy shores that connect with green forests, rocky grey ridges and red desert plains. Across the vast and varied landscapes of Australia, the sightlines and the spectacles feel endless and infinite. The horizon stretches and extends; colors collide and combine; patterns compress and expand; and light constantly changes how we perceive and experience a landscape.
In Sightlines: The Patterns + Palettes of the Australian Landscape, award-winning photographer Lisa Michele Burns expertly captures the beauty, artistry and splendor of the Australian landscape. From the rainbow of sandstone hues at Gantheaume Point and ancient monolith of Uluṟu to the dazzling colors and patterns at the Great Barrier Reef and misty rainforests of Tasmania’s Western Wilds, Burns is inspired by the magnificence and fragility of nature and takes the time to observe, research, and learn about each location, its history and formation.
This collection of images, photographed over two years, captures some of the indescribable magic of Australia, its vibrant and varied palette and patterns, and the sightlines that stretch across a seemingly never-ending landscape.
This unique guide explores the broad arc of terrain that flanks the city of Edinburgh – the three old counties of East Lothian, Midlothian and West Lothian, plus the district of Falkirk, ancient hub of Central Scotland. It’s a rolling landscape dotted with multifarious sites of every era, concealed amidst its characterful towns, picturesque waterways, urban sprawl and quiet green spaces. Brooding castles, palatial mansions, poignant monuments and sacred ancient landmarks stand cheek-by-jowl with stark relics of industrial heritage and world-beating wonders of modern engineering. You can trace the proud vestiges of Rome’s final frontier, marvel at the fruitiness of a giant Georgian folly, walk into the secret birthplace of the Industrial Revolution and roam the coast that inspired an early environmental pioneer.
Myth mingles with reality in the hidden histories of this realm. You’ll encounter royal A-listers Mary, Queen of Scots and Bonnie Prince Charlie, plus a king from Arthurian legend, to say nothing of industrious goblins, enigmatic crusaders, tragic witches, elusive extra-terrestrials and a curious character covered in prickly plants.
Join Gillian Tait as she reveals 111 destinations with a difference around this diverse and fascinating region.
This monograph’s title, The Hand of Others/La Main des Autres, could not be more appropriate, as it aptly summarizes Emmanuel Babled’s work and essence. The French designer, who now operates his studio in Lisbon after stints in Paris, Milan, and Amsterdam, initially graduated as an industrial designer. However, early in his career, inspired by the great Ettore Sottsass, he realized that his true passion did not lie in the mass production of plastic objects, but rather in creating distinctive, precious functional pieces through close collaboration with master craftspeople. These artisans are situated in specific production centers where age-old traditions and highly skilled craftsmanship continue to produce magic today, albeit increasingly challenged by the signs of our times.
Babled’s objects encapsulate the collective knowledge of master craftspeople, his design talent, and his ability to collaborate with masters worldwide. His unparalleled talent for integrating out-of-the-box design thinking with cutting-edge technology culminates in limited editions that contain intangible world heritage. Precious traditions, local history, and groundbreaking innovation converge in Babled’s work, breathing new life into ancient crafts and precious materials such as marble.
Within this monograph, we gain a behind-the-scenes look at the creation of Babled’s limited editions, delving into the spirit of the designer as he celebrates a successful career spanning over 30 years. Through him as an intermediary, we are initiated into the rare craft of highly skilled craftspeople in places inaccessible to the public, where secrets are passed down from generation to generation.
The book captures the essence of Babled’s career: he transcends the role of an individual designer and instead utilizes his brand to represent an entire industry and culture deeply rooted in tradition and local knowledge. He achieves this through an impressive multidisciplinary use of contemporary design and technological applications, propelling ancient tradition into the 21st century.
In this manner, Babled surpasses his own ego and individual signature, embodying the idea that a designer is not a solitary entity but rather a collective enterprise, beautifully illustrated in this unique monograph.
Text in English and French.
Wu Changshuo is one of China’s most celebrated calligraphers and painters. On the 180th anniversary of his birth, the Shanghai Wu Changshuo Art Museum has put together this anthology of selected writings alongside over 130 works from the museum’s collection to accompany a year-long series of exhibitions of this celebrated artist. With each piece written from a different perspective, this fascinating book is an appreciation of the resolute character and accomplishments of this great Chinese calligrapher, painter, seal engraver and poet.
Born in 1844 in the late Qing period, Wu Changshuo went from impoverished farm worker to celebrated artist. Leading the Xiling Seal Art Society, Wu would go on to become part of the avant-garde Shanghai School with its unique ‘East meets West’ culture. A great believer and practitioner in studying the ancient masters and their techniques in order to create a solid foundation and expert knowledge of the arts, Wu went on to create his own school of thought which combined this ancient wisdom with his own innovative interpretations.
Master printmaker Liu Chunjie is renowned for his beautiful woodcut art. Born to land reclamation workers in Heilongjiang Province’s 856 Farm, Lui began life in a remote part of China that was deemed to be a place of cultural exile. But it is here that a vibrant chapter in the history of contemporary Chinese printmaking, known as Beidahuang Prints, was born.
Living and breathing woodcut art, Liu takes the reader on a personal journey through his life’s work. Written in beautiful poetic prose, Liu describes how his art and the techniques he uses have developed over time, culminating in a stunning body of work that has made him the celebrated artist he is today.
Having experimented with colored ink, installation art and mixed-media painting, it is the spirit of woodcut that remains the foundation of Liu’s art. Using ancient tools and materials, he creates works that embody modern concepts, elevating the essence of woodcut art to a new level.
Psilocybin. LSD. Ketamine. MDMA. These are the drugs that will change mental health treatment forever. We’re on the cusp of a psychedelic revolution. But how did we get here? And if the drugs are so great, why aren’t they legalized already?
This book examines the long, turbulent history of psychedelics, from their ancient and spiritual significance to their astonishing medical potential, from Ancient India to 1960s San Francisco to the labs of today and tomorrow. It explores how they might prompt spiritual revelation, reveals their long cultural legacy and traces the development of psychedelic medicine, ultimately asking the question: how can these mind-altering substances alter the world for good?
Kawanabe Kyōsai (pen name Kawanabe Tôiku) is a globally celebrated 19th century Japanese artist with an astonishing repertoire of styles and artistic themes. His woodcut print picture book on falconry, Ehon Taka Kagami (The Mirror of Hawking), first published in 1863, remains relatively unknown among his modern admirers. Nonetheless, An Illustrated Mirror of Hawking is an invaluable record of an ancient art. Kyōsai was commissioned by a retired daimyo (feudal lord) to create studies depicting traditional Japanese falconry, which may have inspired the illustrated plates of the An Illustrated Mirror of Hawking. He added explanatory script to caption most plates, as well as stories, poems, and songs chronicling falconry and celebrating nature. This edition provides the first proper translation of the Ehon Taka Kagami, revealing the meaning of the words accompanying each plate to non-Japanese readers. In addition to fully reprinting the original images and texts, this edition includes contextual essays and reference images that provide important background information about Kyōsai, the history of Japanese falconry, and the origins of this unique publication.
Master printmaker Liu Chunjie is renowned for his beautiful woodcut art. Born to land reclamation workers in Heilongjiang Province’s 856 Farm, Lui began life in a remote part of China that was deemed to be a place of cultural exile. But it is here that a vibrant chapter in the history of contemporary Chinese printmaking, known as Beidahuang Prints, was born.
Living and breathing woodcut art, Liu takes the reader on a personal journey through his life’s work. Written in beautiful poetic prose, Liu describes how his art and the techniques he uses have developed over time, culminating in a stunning body of work that has made him the celebrated artist he is today.
Having experimented with colored ink, installation art and mixed-media painting, it is the spirit of woodcut that remains the foundation of Liu’s art. Using ancient tools and materials, he creates works that embody modern concepts, elevating the essence of woodcut art to a new level.
It is a means for transportation, a useful companion, a status symbol, and an object of desire. It is available in countless styles and for the most diverse of occasion, be it for shopping or traveling, work or sport. No other object is kept so readily to hand while carrying everything we need on the go: Die Tasche (The Bag). This multifaceted publication delves into the European cultural history of the bag as an everyday object, fashion item, and luxury good used across the globe. And our choice of bag reveals a great deal, in that it reflects individual requirements, style, and personality. Social developments, technical advances, and changing fashion trends have shaped the design over centuries to the present day. Over two hundred exhibits from three millennia – from ancient Egyptian leather pouches to Middle Age belt bags, the first traveling cases from the 19th century to practical backpacks, elegant handbags, and models by renowned designer labels such as Hermès, Louis Vuitton, and Gucci – tell of one of humankind’s oldest accessories.
Text in German.
Fishing is the inaugural volume in Worlds of Wisdom: The Art of Living, One Insight at a Time, a beautifully illustrated series that delves into timeless wisdom and ancient practices. Curated by Asher Erskine, this volume explores the serene art of fishing through a collection of proverbs, quotes, and reflections, inviting readers to immerse themselves in its contemplative nature. Each page is paired with bespoke illustrations, thoughtfully designed to evoke a deeper connection to the practice, whether you are a seasoned angler or a newcomer to the art. Through these reflections, Fishing offers an inspiring journey into patience, mindfulness, and the profound wisdom that lies beneath the surface of everyday life.
This first volume sets the stage for a series that will explore life’s timeless practices—starting with fishing, followed by volumes on design and walking in the coming years.
The monumental complex of St Agnes is located on the Via Nomentana in the north-east of Rome. The site consists of an underground cemetery (catacombs), the remains of the ancient circiform sepulchral basilica, commissioned by the imperial family of emperor Constantine, the mausoleum dedicated to St Constance and the basilica of St Agnes Outside the Walls, built by Pope Honorius I (625-638) on the small room with an altar, venerated as the burial place of the martyr Agnes.
The mausoleum dedicated to St Constance, which houses the remains of the imperial princess Constantine, is a splendid example of late antique architecture. The deambulatory is covered by a sumptuous mosaic decoration with Hellenised geometric motifs and cosmic-seasonal phytomorphic and zoomorphic elements, symbolic scenes such as the harvest and portraits of historical figures.
The basilica of St Agnes, until the beginning of the 17th century, was below ground and to reach the ground floor a staircase was used. The basilica still retains many elements unchanged from the time of Pope Honorius: the splendid reused roman columns, the famous mosaic showing Agnes between Honorius I and Pope Symmachus, and the Proconnesian marble and porphyry facing of the apse… Above the high altar is the statue of St. Agnes, made by Nicolas Cordier from gilded metal, using an ancient oriental alabaster for the bust.
Cornwall is known for its spectacular scenery, tiny fishing harbors, sandy beaches and surfing. Outside the tourist hot spots it has an intricate landscape full of life, where the ancient meets the modern. This guide takes you deep into this landscape, to old forgotten places and new exciting venues, from Land’s End to the Rame Peninsula, from Lizard Point to Bude.
Come with us from the old – to where Excalibur was thrown into the lake hundreds of years ago – to the modern – to the settings for the Poldark TV series. Come with us from the tiny – the tombstone of Alfred Wallis – to the huge – the intricate folded rocks on Millook beach. Join us from the noisy – Trevithick’s Puffing Devil – to the quiet – the tranquil Japanese garden.
Cornwall has changed. It is an intriguing mix of modern gastronomy, mining heritage, ancient ruins, literary festivals, traditional dances and brand-new technology. This guide is a personal selection of the best places, a mix to cover all tastes; please join us on our journey.
Changes of materials and concepts used in modern furniture design are closely related to ancient Chinese furniture design. This book expounds the content that has to do with “Chinoiserie” in the history of furniture. “Chinoiserie” here refers to the form, function and design principle of traditional Chinese furniture. By sorting out the part of modern furniture design related to Chinoiserie, it is concluded that the Chinese furniture system is one of the two major systems in the development of the global furniture system, and the emergence and maturity of the Chinese furniture system was almost independent, and completely dominated by social functionalism.
This book systematically discusses the decorative feature, beauty in form and development of traditional Chinese furniture, and elaborates on the modern design theory contained in traditional Chinese furniture, its influence on Western design and the development of furniture in the world.
It is a perilous time for the Roman Republic. Victory over her nemesis Hannibal in the Second Punic War and the subsequent conquest of Greece have led to widespread debauchery and mayhem on the Italian peninsula. Into the breach steps Spurius Postumius Albinus, Consul of Rome in 186 BC, who turns detective to investigate a series of crimes attributed to the cult of the wine god Bacchus that, he argues, threaten the very heart of the State.
Based on events recorded by the Roman historian Livy and confirmed by a surviving bronze plaque in Vienna’s Kunsthistorisches Museum, Spurius is at once an ancient political whodunit and the first major treatment of a cataclysmic event in Roman history: according to Livy, some 3,500 Romans perished in the witch hunts resulting from Spurius’ investigation. In its finely balanced examination of freedom of belief and expression, and the manipulation of truth in times of national emergency, the novel has great relevance to today’s troubled world.
Kulturalis’s edition of David László Conhaim’s Spurius gives the novel a striking and luxurious new treatment. Renowned Argentinian-born illustrator Jorge González’s vivid images – including full-page and double-page illustrations within the text and an arresting slipcase design – brings the graphic events of the novel to life. Based in Madrid, González previously illustrated the edition of William Golding’s Lord of the Flies published by Los Libros del Zorro Rojo and The Folio Society’s edition of Carlos Ruíz Zafón’s The Shadow of the Wind. Working hand-in-glove with González through Maria Cardelli’s IllustrationZone is award-winning hand-lettering artist Ruth Rowland who has designed album covers for Elton John, Kate Bush and Cliff Richard.
Harmony: Essential Ayurveda for All is a celebration of India’s timeless wisdom offering an insight into India’s ancient traditions and practices for holistic well-being. Delving into Ayurveda, yoga and mindful living, Gita Ramesh introduces readers to the art of incorporating mindfulness, gratitude and self-awareness to enhance overall life quality.
The book will not only enlighten readers about time-honored practices but also offer practical tips to cultivating well-being in today’s fast-paced world.
100 Masterpieces of Chinese Painting presents a curated journey through two millennia of China’s artistic legacy, featuring iconic works from ancient lacquer paintings to modern ink masterpieces. Each of the 100 selections is paired with expert commentary from Chinese Modern Contemporary Art Document (CCAD) scholars, offering fresh insights into technical brilliance and cultural context. Designed for portability with gallery-quality reproductions, this compact volume invites art lovers and curious minds alike to explore the evolution of Chinese aesthetics—one timeless brushstroke at a time.
Robert Baines (b. 1949) is a master of his craft, a goldsmith whose work transcends time and tradition. Empowered by his extensive research into archaeometallurgy, his work connects the artistry and techniques of ancient Greek and Etruscan goldsmiths with modern-day innovation. His creations, infused with his wry humor and unparalleled technical brilliance, challenge our perceptions as much as they captivate the eye.
In Plenitude, Baines invites readers into his world, where ancient techniques are revived and reimagined and where mythology is both respected and playfully deconstructed. This is not just a book; it is a glimpse into the mind of a goldsmith who sees history not as a relic but as a living, breathing source of endless inspiration.
This scholarly volume explores the evolution and artistic significance of human figures and faces in historical and prehistorical Chinese jade. The fruit of an extraordinary collection of artifacts, assembled over several decades, Jade People: The Human Figure and Faces in Chinese Jade over More Than 7,000 Years showcases Chinese jade working dating back millennia, focusing on representations of the human figure in 3D, in relief and in cutout silhouette form. Portrayals of the human form have featured among the principal drivers of artistic expression throughout history, with China being no exception to this shared spirit of sculptural exploration, as the amazing historical development of Chinese jade-working skills makes clear in these pages.
The well-preserved jade artifacts presented here include prehistoric works from before the Shang Dynasty and are accurately dated thanks to carbon dating of buried organic matter and skeletal remains, providing us with a continuous timeline from ancient times to the present. From leading expert Angus Forsyth, this is an important guide to the history of human images in China’s jade artifacts.
For much of the first half of the 20th century, ethnographic literature paid little attention to the sculptural traditions of Nigeria’s many ethnic groups. The study of Nigerian art gained momentum in the 1950s through the pioneering work of William Fagg, whose books and exhibition catalogs focused primarily on the ancient art of Ife and Benin and on the Yoruba of the southwest.
In the late 1960s, numerous wooden sculptures from the Benue Valley emerged, bringing the art of the Igala, Idoma, Jukun, Mumuye and other peoples to international attention. Yet northern Nigeria remained largely unexplored. It was widely assumed that little or no wooden sculpture had survived in its Islamised regions.
This completely revised and expanded second edition presents sculptures in wood, bronze, stone and terracotta, revealing the rich and diverse artistic traditions of Northern Nigeria, from Yelwa in the northwest to Yola in the southeast.
In the valleys of al-ʿUla, in the north-west of the Arabian Peninsula, lie the remains of two remarkable ancient cities. Dadan was a wealthy oasis kingdom on the Incense Road, its name known even to the biblical prophets. A short distance to the north, Hegra, the Petra of Arabia, preserves the monumental rock-cut tombs of the Nabataeans, the caravan traders who commanded this desert crossroads.
In Dadan and Hegra, Jane Taylor traces three thousand years of human life in this extraordinary landscape: from its deep geological origins and the rise of the aromatics trade, through the Dadanite and Lihyanite kingdoms and the Nabataean masterworks at Hegra, to the pilgrimage era and the sites’ rediscovery by Western travelers and modern archaeology. Richly illustrated with photography and maps, it is an authoritative and accessible portrait of a place now recognised as a UNESCO World Heritage Site.
London’s shadowy alleyways and timeworn cobbled streets have tales to tell. In its sewers, Victorian toshers (sewer hunters) would share stories of a Rat Queen who would protect them from drowning. The last of the British giants, Gog and Magog, stand guard at Guildhall and, legend has it, the London Stone – the city’s ‘magical heart’ – will cause the capital to fall if it’s ever moved or destroyed. From the ravens in the Tower to Jimi Hendrix’s green parakeets, this handbook features 100 ancient and modern myths, legends, customs and ceremonies from all areas of London, offering compelling insights into the city’s identity and its rich folklore.
Nineteenth-Century European Painting: From Barbizon to Belle Époque represents a comprehensive guide to the range of stylistically diverse genres of nineteenth-century European painting. Accessible and insightful, this exquisitely illustrated volume presents the historical context behind the century’s essential artistic movements including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting, Academic Painting, and Impressionist Painting. Influenced by an overwhelming wave of political, military and social change, nineteenth-century Europe represented an era more diverse in painterly subjects and styles than any before it. Indeed, it was a period that saw many European painters moving away from the strictures of the academy system, choosing instead to use their training to develop new techniques and traditions. A collection of independent stories, this book also outlines the unique progression between the different movements, exciting and enlightening the reader about the most magnificent period of art the world has ever known. Contents: Foreword; Dr. Vern G. Swanson; Introduction; Author’s Note; STYLES: The Barbizon School; Romantic Painting; Orientalist Painting; The Pre-Raphaelite Brotherhood; Realist Painting; Academic Painting; Impressionist Painting; The Newlyn School; Post-Impressionist Painting; SUBJECTS: Landscape Painting; Venetian View Painting; Maritime Painting; Sporting Painting; Animal Painting; Genre Painting; Cardinal Painting; Costume Painting; British Neoclassical Revival Painting; Belle Époque Painting; Conclusion; Endnotes; Bibliography. Featured works from museums and collections including: Louvre, Paris, Yale University Art Gallery, New Haven, Wallace Collection, London, Fine Art Museum of San Francisco, The Tate Gallery, London, The Schaeffer Collection, New South Wales, The Royal Collection, The Royal Academy of Arts, England, The Musée D Orsay Paris, Henri de Toulouse-Lautrec, The Metropolitan Museum of Art, New York (Catherine Lorillard Wolfe Collection), The J. Paul Getty Museum, Los Angeles, The Hermitage, Saint Petersburg, Russia, Russell-Cotes Art Gallery and Museum, Bournemouth, England, Rijksmuseum, Amsterdam, Plymouth City Museum and Art Gallery, Stanhope Forbes, Philadelphia Museum of Art, Pennsylvania, PA, USA, Paisnel Gallery, London, National Gallery, London, National Gallery of Victoria, Melbourne, Museum of Fine Arts, Boston, Museo e Gallerie Nazionale di Capodimonte, Naples, Italy, Museo de Arte, Ponte, Puerto Rico, Musée Marmottan, Paris, Musée D Orsay, Paris, Auguste Renoir, Metropolitan Museum of Art, New York, among many others.