Refuge is the sixth book by Lara Gasparotto and spans four years of daily photographic practice, in the artist’s immediate environment but also much further away, as far as Guyana, via Quebec and Louisiana.

More than a practice, it is rather a way of looking at the world that drives Lara Gasparotto. A world of outdoors, of flora, fauna, rain, sun, lakes, trees, and her family.

Gasparotto spent a winter and a spring working on the selection for this book. In the end, Refuge delivers a subtle narration without chapters, without page numbers, and where the rhythm is changing.

On the cover is an illustration by her sister Lissa Gasparotto and inside a poetic text by Eva Mancuso. The 200 images are a little more than strictly photography: intuitive and nourished by painting, Gasparotto seeks with pastel, gouache, sometimes even oil, tenuous elements of her photos that she modifies, enhances, underlines and then rephotographs to finally, very subtly, move the image from the mechanical and the chemical to the fleeting expressiveness of the living.

Text in French.

“In Los Angeles, everyone is a star.” – Denzel Washington

For more than a century, seekers of sun and celebrity from around the world have flocked to this sprawling metropolis on the Pacific, which Dorothy Parker once described as “72 suburbs in search of a city.” But beyond the red-carpet reputation and Tinseltown trappings is a west coast wonderland teeming with unexpected cultural experiences, iconic architecture, gorgeous open spaces, quirky museums, hidden vistas, unconventional art, and obscure stories about the starlets, moguls, personalities, and players who have made Los Angeles their playground. This unusual guidebook explores 111 of the city’s most interesting and unknown places and experiences: wander a serpentine path in a spiritual quest of your own making; channel your inner cowboy at a tried and true honky tonk bar; pay homage to the Dude at the bungalow where the big Lebowski lived; turn your car tires into musical instruments on the country’s only ‘musical’ road; sleep with the ghosts of Marilyn Monroe and Charlie Chaplin; view a constellation of stars more vivid than anything Hollywood has to offer. From the San Gabriel Mountains to the Pacific Ocean, Angelenos and visitors will fall in love with the real Los Angeles. Adventures beckon. Surprises await. Just imagine how much more scintillating your dinner-party storytelling will be.

Wounded landscapes, crumbling buildings, old dusty wigs still displayed in deserted storefront windows. These plats and parcels represent the history of a built environment and its ongoing discourse with nature. There is a strong sense of passage and decline.

Yet along with the photographs of blighted and neglected landscapes is a glimmer of hope and the possibility of transformation. In one picture, a sliver of light scrapes across a backyard lawn casting tangled shadows that land on the clapboard siding of a neighborhood house. In another, the surfaces of the sun-soaked brick and concrete are rendered so precisely as to elevate their significance by pure photographic description. Of course, there are twists and turns all along the way and a multitude of signs that present our world as more complex than any single feeling or photograph.

Almost Home, the third book that Gary Green has created with L’Artiere, continues the photographer’s exploration of the medium’s possibilities through the poetic landscape of the photobook. The book is printed in tritone on uncoated paper in an edition of 500. 

The number of ice creams bought along Bournemouth’s seafront each year: 750,000. The number of deckchairs hired out on a busy weekend: 3,000. The number of trees standing proud in the town: 47,000. Having long since shrugged off its reputation as God’s waiting room, Bournemouth and its surrounding areas have a boundless number of places to discover, explore and relish.

Whether you’re a curious local, a seasoned traveler or a one-time visitor, these 111 places will surprise, delight and astonish you. Amble over the bridge that won World War II, get whisked off on an Asian adventure, learn about Charlie Chaplin’s connection to the town, visit Florence Nightingale’s grave, order a Żubrówka, gaze into the real Alice in Wonderland’s mirror, make friends with an Egyptian mummy, stand beneath the lamppost AFC Bournemouth was formed under, and walk in the footsteps of the Fab Four, as well as the woman who brought the British government to its knees.

As you explore, take your time, take photos and take advantage of everything this extraordinary, astounding, fascinating area has to offer. The number of times you’ll gasp as you discover something new: countless.

Step away from the traditional highlights of the city of innovators, great benefactors, artists, presidents and hucksters to discover innumerable interesting and unknown sites, artifacts and other treats in Washington, DC. Visit places hiding in plain sight, that may go unnoticed or simply be unknown to long-time residents and visitors alike. Play a round of miniature golf among the cherry trees. Buy original art works out of a vintage cigarette machine. Catch a show at one of the refurbished theaters where Louis Armstrong and Duke Ellington used to gig. Commune with the Godfather of Go-Go music in his memorial park. Get away from the tourists and peace out by walking a labyrinth alongside the Potomac River. Try a salad made of indigenous root vegetables at a Native American café.

In the town once known as Ten Swamps, twelve-year-old Ellie walks a precarious line between her warring parents, each armed with their own version of the truth. Her father’s house is a minefield, with each step potentially dangerous. Her mother’s home stands empty of the brother who vanished without explanation. And the ancient woods that surround them all hold mysteries that have been lurking beneath the surface for generations. When Ellie forms an unexpected friendship with Larry, a peculiar classmate who seems to understand her in ways no one else can, they create a sanctuary in the threatened woods behind her house. But as strange signals call from the trees and unexplained red dots flicker across her television screen, Ellie begins to wonder if the forest is trying to tell her something—something about the town’s forgotten history, or perhaps about Edward, the brother who either escaped or was taken. Nancy Doyne’s Ten Swamps masterfully captures the raw confusion of adolescence, the ache of fractured families, and the magic of discovering a friend who sees the world the way you do. With unforgettable characters and a setting rich in atmosphere, this novel is a poignant exploration of memory, myth, and the choices that define us.

“… a must-read for the consummate jewelry and design enthusiast.” — Duly Noted

“Lavishly illustrated with stories, archival sketches and photographs, it is as bold as the jewellery itself.” — Country Life Magazine

Elizabeth Gage MBE has enjoyed a glittering career as the brilliant mind behind some of the greatest jewelry designs of the past 60 years. Her work is revered for combining historical references with a modern aesthetic and marrying strong design concepts with sublime craftsmanship. Telling the story of her rise to become one of London’s most celebrated jewelers, this stunning monograph showcases Elizabeth Gage’s finest handmade creations, including gold rings, necklaces and earrings, bracelets shaped like autumn leaves, tourmaline cabochons engraved with trees, diamond-studded fish carrying pearls in their tails and Roman coins set in agate coat pins.

Featured in the permanent collection of the V&A and exhibited around the world, her pieces have been worn by the likes of Jackie Kennedy and Lauren Bacall and treasured, according to The New York Times, by those seeking greater ‘strength, originality, storytelling.’

Winner of multiple prestigious awards, Elizabeth’s love for her craft shines brightly on each page, making this a must-have for jewelry and art lovers everywhere.

Britain is blooming. From sprawling stately homes to tropical hothouses, wildflower meadows to urban nature reserves, this guide is your shortcut to the best gardens across England, Scotland and Wales – all open to explore. You don’t have to be green-fingered to enjoy them: these are places for quiet reflection and inspiration, living symbols of care and vital havens for biodiversity. With practical tips on when to visit, this is your essential companion for restorative days out. 

From Brooklyn brownstones to Bauhaus blocks, Art Deco icons to towering skyscrapers – New York’s ever-evolving skyline spans all architectural styles, tracing the history of this modern metropolis. From famous icons like the Flatiron Building to hidden architectural gems, the guide features more than 50 must-see buildings spanning all architectural styles. Whether you’re a seasoned New Yorker or a curious visitor, this is your boldly opinionated guide to the most arresting buildings in The Big Apple. 

San Diego: it’s a coastal paradise with year-round perfect weather, palm trees swaying in the breeze, and a laid-back vibe that will instantly put a smile on your face. It’s not only sunshine and perfect waves, though. This SoCal spot is rich in history. It is a mecca of delicious food and drink. And its proximity to Mexico makes for a breathtaking border culture that is seen, felt, and tasted everywhere you go. 

From exploring haunted mansions to channeling your inner bookworm at a queer-owned feminist bookshop, going on a guided mezcal adventure to shopping for doll house construction materials, or fraternizing with friendly ungulates to wading in mineral-rich hot springs, there’s no shortage of fun to be had in San Diego County. 

So, whether you’re a San Diego native, a visitor, or just considering a sunny vacation, this book will give you 111 ideas for a really good time. Go on, what are you waiting for? 

Step away from the traditional highlights of the city of innovators, great benefactors, artists, presidents and hucksters to discover innumerable interesting and unknown sites, artifacts and other treats in Washington, DC. Visit places hiding in plain sight, that may go unnoticed or simply be unknown to long-time residents and visitors alike. Play a round of miniature golf among the cherry trees. Buy original art works out of a vintage cigarette machine. Catch a show at one of the refurbished theaters where Louis Armstrong and Duke Ellington used to gig. Commune with the Godfather of Go-Go music in his memorial park. Get away from the tourists and peace out by walking a labyrinth alongside the Potomac River. Try a salad made of indigenous root vegetables at a Native American café.

‘Sofreh’ is Persian for ‘spread’ – referring to the colorful arrangements of flowers, condiments and objects of spiritual or cultural importance that are displayed at Persian ceremonies. As the title promises, this book is a visual feast. Flush with lavish historical illustrations and contemporary photography, it documents Persian marriage and New Year celebrations in rich detail. Sofreh pays homage to ancient traditions, discussing the symbiosis of symbolism and culture. Despite their ancestral roots, the featured ceremonies are infused with life and creativity. Modern fabrics are welcomed alongside refined antique textiles, creative floral designs, unconventional pieces of furniture, and unexpected objects. References to Persian poetry, literature, art and folklore stimulate the imagination, and the text is illuminated with exquisitely detailed extracts from old manuscripts, antique woven textiles and embroideries. Each volume centres around a series of original and at times highly elaborate sofreh creations. Together they comprise an extensive project, involving research into Persian ceremonies and sofreh history by an eminent scholar, and the design and creation of stunning compositions. Book One is about the Persian New Year (Nowruz), which is celebrated on the first day of Spring. Book Two explores Persian marriage and wedding customs, and the elaborate settings for marriage ceremonies (Aqd). These two lavishly illustrated volumes, which make an enduring gift, are devoted to showcasing sofreh compositions in all of their glory. Never before have the splendour and beauty of the sofreh been presented in such an intricate and novel fashion.

The Vessantara Jataka is the tale of Buddha’s last life, before he was reborn as the historical Buddha 2,500 years ago. In this earlier existence as Prince Vessantara he demonstrated evidence of the highest virtue that constitutes an enlightened man: generosity. Vessantara gave away everything dear to him – in the climactic scene of the story, even his wife and children. In North-East Thailand the Vessantara tale is celebrated annually as Bun Phra Wet. Pha Phra Wet – ‘Vessantara cloths’ – form the visual framework for this festival; they are hand-painted scrolls, which can reach lengths of up to one hundred meters.

Devotion presents, for the very first time, a selection of six full-length Vessantara scrolls and explores a contemporary multimedia celebration of an ancient Buddhist text.

The skilful works of Yasuhisa Kohyama are inspired by ancient Japanese Shigaraki, Jomon and Yayoi ceramics. Using special Shigaraki clay and the fire of an anagama wood kiln, in the fusion of traditional technique and a modern language of form he creates vessels and sculptures that are not only powerful and innovative but also timelessly beautiful. Characteristic for Kohyama’s asymmetric objects is their rough surface – a haptic quality rarely found in contemporary ceramics – as well as an exciting interplay of color, which is created without glaze and solely by the movement of the ash and the position of the object within the kiln.

Contents:
Foreword – Jack Lenor Larsen
Tradition and Innovation in the Work of Yasuhisa Kohyama – Susan Jefferies
Kohyama-san and Japanese Ceramic History: Notes on “Suemono” – Michael R. Cunningham
Yasuhisa Kohyama: The Art of Ceramics – Yoshiaki Inui
Catalog of works
Appendix

The largest surviving portion of the first major collection of Classical antiquities in Britain – the sculptures and inscriptions collected in the early 17th century by Thomas Howard, Earl of Arundel for his London house and garden – is in the Antiquities Department of the Ashmolean Museum. This handbook tracks their eventful history.

The book presents a significantly curated cross-section of the textile treasures offered by Varanasi. It combines the past and the present, linking them to different moments in the city’s history, and makes a powerful case for rediscovering, preserving and patronizing these textile treasures that are inextricably bound to the ancient aura of the city. Jaya Jaitly, emphasizes the need to acknowledge the beauty of Varanasi’s textiles emerging out of age-old traditions and techniques. She highlights the danger of the loss of livelihoods and highly sophisticated skills. She expresses concern over erosion of identity and importance in the wake of machine-made imitations being produced in other parts of the world that has already begun.

In 1778 Pierre Henri De Valenciennes, a young landscape painter from Toulouse, found himself in Rome with many other foreign artists intent on studying not only the ancient monuments and the works of the modern masters, but also to encounter Italy’s light and landscape. Contrary to most of his companions, Valenciennes rarely copied ancient or modern works of art, but instead he chose to sketch views of Rome, ‘a mix of antique and of modern, an assemblage of irregularity and symmetry’. The 96 pages of the sketchbook, reproduced in their actual size and accompanied by a commentary, guide us through Rome, from the river port of Ripa Grande to the basilica of St. John Lateran, from the Ponte Salario bridge to the Vatican, from Piazza Barberini to the Villa Borghese and along the banks of the river Tiber. An advocate of en plein air painting, Valenciennes’ sketches use two or three tints of the same colour to trace the landscape of an ideal Rome, and to achieve this goal he did not hesitate to modify or move the surrounding architecture.

Contents: Preface by Xavier Salmon, Director of the Prints and Drawings Department of the Louvre; Introduction; Travel to Italy and meeting with artists; Valenciennes’ Italian Sketchbooks; Description of the organisation of Sketchbook RF 12966; Material Description; Provenance; List of Exhibitions, Bibliography.

Text in French.

Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius’ treaty on architecture, and the examples of modern architects like Donato Bramante.

This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.

For this new edition of the monograph that Gerald M. Ackerman devoted to the life and work of Jean-Léon Gérôme – now a reference book that includes two parts, a critical biography and a catalogue of paintings, prints and sculptures – the author has revised and, if necessary, modified the text whilst updating the catalogue. The study of the artist’s life is based on three ancient monographs, memories of students and friends, a large number of public and private archives, as well as reading the press of his time. The catalogue is the result of more than twenty-five years of research. Some ninety works unknown at the time of the first edition were thus added to those which had already been recorded thanks to ancient sources, contracts with the State, sales catalogues, catalogues of museums and a correspondence with the collectors, as well as ninety others then held for lost. As for the previously known works, the numerous changes of ownership and localization since then have been indicated. The number of illustrations in the catalogue has been considerably increased; many dates have been corrected. The colored plates included in the text illustrate in abundance the works hitherto unknown and, much more numerous than in the first edition, show the great diversity of the master’s work, thus offering us a new image of Gérôme, a new light on his talent, his interests and his masterful inventiveness.

Text in French.

This volume is a continuation of the first instalment of the editorial project Canova | In Four Tempos, ISBN 9788874399215, born in co-edition with the Pallavicino Foundation in Genoa with the goal of collecting in a refined publication the photographic research of Luigi Spina focused on the plaster models by Antonio Canova almost entirely preserved at the plaster cast gallery in Possagno.  

This project accompanying the four-year Canovian celebrations (2019–2022) is structured in four publications, each focused on a specific nucleus of plaster models. Its aim is to give new dignity to Antonio Canova’s creative process while highlighting the fundamental role of the bronze nails (repères) that made the metamorphoses from plaster model to marble sculpture possible. 

The first volume is devoted to the dialogue of Myth and Faith, illustrated by Spina with photographs of Cupid and Psyche, Paolina Borghese Bonaparte, Venus and Mars, the Lying Magdalen, Peace, and the Lamentation of Christ, while this, the second volume, revolves mainly around Myth. The sculptures on which the visual narrative focuses are: Dancer with Finger on Chin, Dedalus and Icarus, Theseus Defeats the Centaur, Naiad, Pius VII Praying, Venus and Adonis, and Sleeping Nymph. 

This book offers a review of Matteo Pugliese’s art over the past 20 years. The figures the Milanese sculptor creates are distinguished by their great power, revealing an inner torment that can no longer be disguised. The men depicted in his sculptures are all trying to break free of the wall that holds them, to throw off their limitations and assert their value as individuals in the hopes of escaping from dull uniformity and social and family expectations. These are people who are attempting to achieve a painful rebirth by struggling against materialized restraint — a wall — that seeks to prevent them expressing themselves, growing and therefore existing. The artist chooses to portray the moment of greatest effort, of supreme tension, the instant when a man regains control of his life and struggles against what is holding him trapped so as to restore a sense of purpose in his life. The carefully studied poses of his figures recall ancient models, in the same way as the material from which they are fashioned is also ancient. Luigi Spina’s lens knowingly lingers on these figures’ troubled birth and enables the reader, admirer, and art historian to acquire an intimate understanding of the sculpture and even to feel a part of the travails and manifest vulnerability that grip all of humanity.

Text in English and Italian.

The volume Nicolas Party | L’Heure Mauve collects a vast visual epic in which Party plays a variety of roles, sometimes impersonating the artist, others the scenographer, the conservator, or the sculptor. His work, and the title of the show, are inspired by L’Heure Mauve, a piece created in 1921 by the Canadian painter Ozlas Leduc that highlights the different interpretations given to the relationship between man and nature throughout the history of art. The result is a constantly changing natural environment: it can be a place full of danger and catastrophe, a territory to be conquered, an expanse disseminated with ancient ruins, or even silences where there are no traces of human presence. Nature finally becomes the theater for the Anthropocene, its connection with humanity by now inextricable, and the passing of time and the finiteness of existence make way for a feeling of melancholy.

Our artist interrogates the world’s image, and he does so by dialoguing very concretely with the spaces and the works belonging to the collection of the Montreal Museum of Fine Arts. The present volume reflects this personal evolution by employing a unique graphic framework and a packaging that is as precious as its contents.

Text in English and French.