This book will accompany the first major solo exhibition of Douglas Gordon’s work in Scotland since he presented his now celebrated work, 24 Hour Psycho at Tramway in Glasgow in 1993. Gordon is one of a number of Glasgow-trained artists who came to prominence in the 1990s. He has gone on to achieve huge international recognition, marked by major awards, including the Turner Prize in 1996, and by exhibitions in museums in Europe and America. Gordon works with film, video, photographs, objects and texts, examining issues such as memory and identity, good and evil, life and death. He makes great play with the doubling of images often in positive and negative or in mirrored form. This book will show all the important aspects of Gordon’s work, both past and present. In addition, it will be specially tailored to bring out the particularly Scottish nature of Gordon’s ideas and practice. The exhibition book will contain essays by the exhibition curator, Keith Hartley, senior curator at the Scottish National Gallery of Modern Art, Edinburgh; Dr Holger Broeker, Kunstmuseum; Dr Jaroslav Andel of the Museum of Contemporary Art, Prague and an essay by the renowned Scottish author, Ian Rankin.
It is Cadell’s zest for life and the diversity of his subjects that makes him unique in the group of artists popularly known as the Scottish Colourists. Influenced by direct contact with the European avant-garde movements taking place at the turn of the century and with early knowledge of the work of Matisse and the Fauves, Cadell’s paintings are confident and rich with colour. Celebrated for his stylish portraits of Edinburgh New Town interiors and his vibrantly colored, daringly simple still lifes of the 1920s, exceptional in Bristish art of this period, he also captured the beauty of nature, especially in the evocative works portraying his beloved Iona. Contents: Birth of an Artist A Colourist Emerges Private Cadell Ainslie Place The Later Years and Cadell’s Legacy Cadell and Iona
Established following the 125th anniversary of the Chair of Fine Art at the University of Edinburgh and named after the painter Sir John Watson Gordon, the Watson Gordon Lectures typify the long-standing positive collaboration between the University of Edinburgh and the National Galleries of Scotland: two partners in the Visual Arts Research Institute in Edinburgh. The fifth lecture was given by Hal Foster of Princeton University. Professor Foster is an acknowledged expert on modernist art and architecture, and has a particular fascination with Pop art. His wide-ranging lecture on Roy Lichtenstein is a gripping engagement with the multiple aspects of the artist’s work: the conjunctions of art and technology, the satirical playing with previous modernist styles, and the sinister background of the military-industrial complex. Also available in the series:
Roger Fry’s Journal: From the Primitives to the Post-Impressionists: Watson Gordon Lecture 2006 9781906270117 Sound, Silence, and Modernity in Dutch Pictures of Manners: Watson Gordon Lecture 2007 9781906270254 Picasso’s ‘Toys for Adults’: Cubism as Surrealism: Watson Gordon Lecture 2008 9781906270261
This is the first study of a fascinating, international phenomenon in the art of the past century. Naked portraiture is an original hybrid of the traditional genres of the nude and portrait, and has been created by an astonishing range of major artists, in many different media and in a variety of major artistic centres. Martin Hammer’s ground-breaking book compares work by painters such as Egon Schiele, Paula Modersohn-Becker, Pierre Bonnard, Stanley Spencer, Lucian Freud, Tracey Emin and Jenny Saville. The analysis encompasses a rich tradition of naked portraiture using photographic media, produced by figures such as Alfred Stieglitz, Richard Avedon, Diane Arbus, Boris Mikhailov, Nan Goldin, Gary Schneider and Melanie Manchot. The subjects are men and woman, old and young, black and white, healthy and disabled. They might be lovers, close relatives or friends, with their nakedness suggesting the intimacy and tenderness existing between artist and subject. Conversely, the artist might not know them beyond the circumstance of making the pictures. Many of the images represent the artists themselves, with nudity carrying connotations of self-exploration, vulnerability, playfulness or fantasy. Martin Hammer’s innovative study seeks to explain naked portraiture as a symptom of wider currents in modern culture, a visual parallel to various other manifestations of an impulse to reveal what is hidden, profound, or authentic, beneath the surface facade. The book also opens up for consideration the wider issue of how and why the genre of portraiture has been radically extended and reinvented, in so many different ways, within the art of the last hundred years.
Revealing an alternative story of modern Scottish art, A New Era examines the most experimental work of Scottish artists during the first half of the 20th century. It challenges the accepted view of the dominance of the Scottish Colourists and uncovers the hitherto little-known progressive Scottish art world. Through these works, we can see the commitment of Scottish artists to the progress of art through their engagement and interpretation of the great movements of European modern art, from Fauvism and Expressionism, to Cubism, Art Deco, abstraction and Surrealism, among others. Looking at the most advanced work of high-profile artists such as William Gillies and Stanley Cursiter, and lesser-known talents, like Tom Pow and Edwin G. Lucas, A New Era takes its name from the group established in Edinburgh in 1939 to show surreal and abstract work by its members.
Considered to be one of Scotland’s leading figurative painters, Moyna Flannigan is known for her wry and penetrating observations on society. Her portrait miniatures reflect the styles, manners and culture of contemporary life. In this book Keith Hartley examines Flannigan’s paintings and discusses the artistic and social influences on her work. The illustrations are accompanied by poetic prose by award-winning Scottish writer Dilys Rose, which sets up an imaginative dialog with the miniatures. ‘Dilys Rose is one of the most versatile writers in Scotland, as well as one of the best‘ – Douglas Dunn
Established following the 125th anniversary of the foundation of the Chair of Fine Art at the University of Edinburgh and named after the painter Sir John Watson Gordon, the Watson Gordon Lectures typify the longstanding and positive collaboration between the University of Edinburgh and the National Galleries of Scotland: two partners in the Visual Arts Research Institute in Edinburgh. This lecture was given by Neil Cox of the University of Essex, one of Britain’s leading scholars of Cubism and Surrealism, and a particular authority on Picasso, approaching the Spaniard’s work from intriguing angles. He concentrates on a single work, Picasso’s Head of 1913, and in doing so demonstrates how scrupulous focus can open out challenging perspectives in the work of a great master. Also Available:
Roger Fry’s Journey ISBN: 9781906270117 Sound, Silence, and Modernity in Dutch Pictures of Manners ISBN: 9781906270254
This book reveals the wealth of British and European miniatures preserved in Scottish private collections, most of which are not normally on show to the public. Some of these intimate and private works are new discoveries, published here for the first time. These works are drawn from some of the notable private collections in Scotland, led by the most famous of all, that of the Duke of Buccleuch & Queensberry. The protagonists of the Stuart cause are well represented in portraits of Prince James and his sons Prince Charles Edward and Prince Henry Benedict, taken from the collection of one of the most significant Jacobite families, that of the Dukes of Perth. The book illustrates some of the most personal portraits of the leading figures among the great families of Scotland from the early seventeenth to the mid-nineteenth century. Twenty of the key works are illustrated in colour, with extended captions, and a complete catalogue of the collection is also included.
British realist art of the 1920s and 1930s is visually stunning – strong, seductive and demonstrating extraordinary technical skill. Despite this, it is often overshadowed by abstract art. This book presents the very first overview of British realist painting of the period, showcasing outstanding works from private and public collections across the UK. Of the forty artists featured in the show, many were major figures in the 1920s and 1930s but later passed out of fashion as abstraction and Pop Art became the dominant trends in the post-war years. In the last decade their work has re-emerged and interest in them has grown. Interwar realist art embraces a number of different styles, but is characterized by fine drawing, meticulous craftsmanship, a tendency towards classicism and an aversion to impressionism and visible brushwork. Artists such as Gerald Leslie Brockhurst, Meredith Frampton, James Cowie and Winifred Knights combine fastidious Old Master detail with 1920s modernity. Stanley Spencer spans various camps while Lucian Freud’s early work can be seen as a realist coda which continued into the 1940s and beyond. Featuring many Scottish and women artists, this book promises a fascinating insight into this captivating period of British art. Contents: Introductory essay: About British Realist Painting Main essay entitled “What sort of Truth?” British Realist Painting between the Wars Urban and Rural Society/War Domestic Leisure/Play/Spectacle Still Life Artists’ biographies Bibliography
“The most important portraits to me are the ones of people who have enriched my own thinking or awareness. Areas of philosophy, religion, psychological perspectives, poetry, music, art history, women’s roles and the inner life are important issues for me – and all have been nurtured by these people whom I have met through portraiture.” – Victoria Crowe. Victoria Crowe is one of Britain’s most vital and original figurative painters. Here, Duncan Macmillan explores the exceptional skill of this remarkable artist’s portraits and Victoria Crowe, herself, contributes many insightful accounts of her own thoughts and perceptions as each work developed. This book also tells Crowe’s own story – both professional and personal – through her art. She has developed an approach to portraiture that seeks to do more than record the outward appearance of a person: she aims to represent something of the inner life. With 80 illustrations, the portraits include the artist’s family, composer Ronald Stevenson, pioneer medical scientist Dame Janet Vaughan, poet Kathleen Raine, actor Graham Crowden, psychiatrist Professor Sir Peter Higgs and many others.
“Nicholson’s Scottish paintings encapsulate her concerns with light, radiance and harmony which she expressed through flowers and the lyricism of the natural landscape.” – The Independent
Throughout her long and varied career, Winifred Nicholson (1893-1981) was concerned with light, color and radiance. Best known for her sensitive and joyful flower paintings, she married Ben Nicholson in 1920 and their mutually influential artistic relationship lasted, despite separation, until Winifred’s death. In the late 1940s and early 1950s, she made regular working trips to Scotland, often accompanied by the poet, Kathleen Raine. Frequently staying on the islands of Eigg and Canna and in Sandaig on the mainland, Winifred felt a deep affinity with the Scottish landscape and marvelled at the quality of light and the effects created by the ever-changing weather conditions. Her last painting expedition was to Eigg in 1980. Winifred Nicholson in Scotland is based on personal correspondence and the recollections of relatives, friends and painting companions. The book examines Winifred Nicholson’s love for Scotland and illustrates her Scottish paintings.
Kashmir is a distinct region that has yet to be fully explored. The authors ‘tell’ human stories visually, against an awe inspiring natural backdrop. Their compelling and magical pictorial journey ushers the reader through the Valley, celebrating the ethereal beauty and the cultural diversity of this exotic land, as well as marking the shades of change and transition. It is a book painted with the lesser known colors, embracing the layers and textures which lie beyond the known dimensions of Kashmir. Breathtaking photographs in varying shades and angles, supported by well-researched relevant text, are the tools to communicate to the reader the sense of a classical Kashmir. This is a land with an inherent rich culture, and Alluring Kashmir sets its exotic landscapes against unfamiliar facts and fables, and the intimate aspects of daily life. The reader becomes part of a thriving society, which is waiting to match steps with the rest of the world despite huge challenges.
Chai: The Experience of Indian Tea is a journey into the heartlands of tea production, across the length and breadth of India, offering a glimpse into the history and culture of the people who cultivate it, the process of growing, the diversely beautiful landscapes, the rich traditions and the ceremony. This intriguing volume is a visual treat, that traces leaf to cup, covering the entire spectrum of the tea industry through wonderfully descriptive text and stunning photography; put the kettle on, put your feet up and enjoy! Contents: Preface; Chai the Indian Way; Ever Popular Chai; How Tea Came to India; Contemporary World of Indian Tea; Into the Heartlands of Tea; Picturesque Tea Tourism; Bounty of Assam; Divine Boon of Darjeeling; Bonanza of South India; Bouquet of Regional Teas; From the Leaf to the Sip; Plucking the Leaf; The Planter’s Life; From Nature to Man; The Tea Taster’s Verdict; Tea the Universal Brew; The Saga of Tea; Choices for the Tea Lover; A Cupful of Health; Recipes with Tea; Finally the Perfect Cup of Tea; Author Note: Rajan’s Vision / Rekha’s Musing; Acknowledgements; Photo Credits; Select Bibliography; Glossary; Index
Burst! Abstract Painting After 1945 looks at the close, but previously unexplored relationship between Abstract Expressionism and Art Informel. Through texts and close to 100 illustrations, the book describes a vital creative exchange across the Atlantic that would entirely redefine painting. Big, expansive, paint-splattered surfaces; spontaneous actions captured on canvas; new ideas of freedom. A story of post-war recovery and Transatlantic dialogue. On both sides of the ocean, society was reacting to the horrors of the Second World War, the Holocaust and the coming of the atom bomb. The book shows how artists searched for new ways to deal with these shattering events. With works by Jean Dubuffet, Natalia Dumitresco, Helen Frankenthaler, Asger Jorn, Lee Krasner, Jackson Pollock, Mark Rothko, Sam Francis, Joan Mitchell, Ernst Wilhelm Nay, Barnett Newman, Georges Mathieu, Hedda Sterne and Clyfford Still, and more.
Tigers are symbolic of the Indian wilderness and the mesmerizing stripes have long captured popular imagination. A Decade with Tigers is a photographer’s take on the dramatic rise in the popularity of tigers in the past decade. Powered by social media and an increasing number of photographers interested in documenting the various moods and behaviors of tigers in forests across the country, tigers have been anthropomorphized, with some of them becoming the ‘tiger icons’ of India. A Decade with Tigers is a unique tribute to the tigers who have played a vital role as ‘brand ambassadors’ of Indian wildlife. The volume chronicles legendary tiger mothers and male tigers of the past decade, as well as their tales of survival, complemented by exquisite images by wildlife photographer Shivang Mehta, who has spent thousands of hours on the field. Also showcased is the singular diversity of Indian wildlife through spectacular images of the myriad species that share their home with tigers, photographed in terrains ranging from montane forests to the plains of Central India. The book also delves into the changing landscape of tiger photography in India, and contains expert opinions by leading nature photographers on the need for creativity and innovation in the photography and portrayal of India’s magnificent national animal.
Affectionately known as ‘Bacha’ Khan or ‘Badshah’ Khan amongst his people, Khan Abdul Ghaffar’s life was dedicated to the social reform of the Pukhtuns, who traditionally adhere to a strict code of life called ‘Pukhtunwali’, which is governed by rather rigid tribal norms. Bacha Khan is an acknowledged leader in the hearts of the Pukhtuns across the world, due to his life long struggle to modernize Pukhtun society and his teachings of non-violence, adopted by his Khudai Khidmatgar (Servants of God) party, during the struggle for independence against the British. He stands tall in the pantheon of leaders of the movement for independence. A close associate of Mahatma Gandhi, his success in mobilizing the Pukhtuns of the North-West Frontier Province and the Tribal Areas through a non-violent struggle, had significant bearing on this movement, in which the Khudai Khidmatgar allied with the Indian National Congress.
The Pushto edition of Bacha Khan’s autobiography was first published in 1983 in Afghanistan, when he was 93 years old. Nearly four decades later the book has been translated and published for the first time in English. This translation was painstakingly done by Sahibzada at the request of Shandana Humayun Khan, to whom he has dedicated the book. Shandana’s maternal great-grandfather was Qazi Ataullah, a close lieutenant of Bacha Khan’s and a key figure in the Khudai Khidmatgar movement. Before the translation process started, Sahibzada and Shandana visited several members of Bacha Khan’s family including his grandsons Nasir Ali Khan, Asfandayar Wali Khan and Saleem Jan. The translator shared a close friendship with Bacha Khan’s son, Abdul Ghani Khan, the greatest Pukhtun poet of the century.
The book is a result of the participation of several members of his family and those who have spent their lives studying Bacha Khan’s philosophy. For the first time Bacha Khan’s thoughts on Pukhtun society, his vision for a more equitable world achieved along the lines of non-violence have been researched, translated and made available for the world in his own words.
The publication explores a spectrum of contemporary Indian creativity classical inspired, tribal, folk and popular arts, reflective of the rootedness and innovation within traditions, as well as new media work in varied manifestations and genres. It features several especially commissioned works and seminal essays by experts framed within the context of the history, philosophy and ideology of the culture, the art stems from. It examines the connection between art and spiritual ideologies and living traditions as they continue to be practiced and celebrated or questioned by hundreds of artists, in a multi faith context. The artists’ biographical sketches and their photographs, the bibliography and other reference material, make it a collectors’ delight and a useful stand-alone resource book, first of its kind, on spiritual and devotional Indian art with its multilayered philosophical, mystical and cultural resonance. Contents: Volume I: Foreword – Karan Sing; Spirituality and Culture: India’s Gifts to the World Martin Gurvich; Acknowledgements – Martin Gurvich and Sushma K. Bahl. Essays: Adi Anadi Anant: Continuum Sushma K. Bahl; Abodes of Devotion George Michell; Imaging Devotional Theologies Kenneth R. Valpey; Devotion in Art, Craft and Textiles Jaya Jaitly; Popular Expressions of Devotion Devdutt Pattanaik; Collection A to M; Artists; Glossary; Bibliography; Index. Volume II: Foreword – Prof. Lokesh Chandra; Essays: Dashavatara:The Ten Incarnations of Vishnu Steven J. Rosen; Archetypal Imagery in Neo-Tantric Painting Madhu Khanna; Syncretic Culture and Islam Mushirul Hasan; Vernacular Art: Work, Leisure and Devotion in Rurban India Annapurna Garimella; Methods and Materials of Traditional Painting Desmond Lazaro; Iti-iti: Multiple Contemporaries in Sacred Indian Art Sushma K. Bahl; Collection N to Z; Artists; Cartographic Overview: Select Devotional Art and Cultural Centres in India; Credits; Index.
Moshe Safdie explains that probably more than half of his lifetime design work is unbuilt, and he considers his unbuilt work to be some of his most significant work. In this richly illustrated book, replete with detailed diagrams, sketches, models and studies, Moshe Safdie explains that for those who design in order to build, not succeeding in building is never a failure (there are many reasons why a project might not be built) because these designs are part of the evolution of an architect’s work. This volume is a fascinating journey through Safdie’s thoughts and career, and also a historical reference of the social and political forces at play at the time. Not only a treatise on Safdie’s unrealized concepts, this book is also a wonderful affirmation that there is valuable heritage in the unbuilt.
Includes a number of significant projects from around the globe, including the following:
Habitat Original Proposal, Montreal, Québec, Canada 1964; Habitat New York II, New York, New York, United States 1967; San Francisco State, College Student Union, San Francisco, California, United States 1967; Pompidou Centre, Paris, France 1971; Western Wall Precinct, Jerusalem, Israel 1972; Supreme Court of Israel, Jerusalem, Israel 1985; Columbus Center, New York, New York, United States 1985; Ballet Opera House, Toronto, Ontario, Canada 1987; Museum of Contemporary Art, Stuttgart, Germany 1990; Superconducting Super Collider Laboratory, Waxahachie, Texas, United States 1993; Incheon Airport, Incheon, Korea 2011; Jumeirah Gateway Mosque, Dubai, UAE 2007; National Art Museum of China, Beijing, China 2012.
Today’s tea aficionado is looking to imbibe tea within a meaningful space, be it at home or in a tea shop. Customers of tea shops enjoy the idea of “tea” as being “an experience”, inclusive of art, cultural themes, and strong design aesthetics. Better still if these motifs are found within a tea-shop that aligns with the shop’s branding and is able to mix modern tea products with new interior design styles, further increasing the customer’s sense of enjoyment of the entire shopping experience. Coupled with tea consumption needs across the world gradually increasing and the tea market expanding at higher rates than previously, the tea industry’s retail environment faces fierce competition. There’s a strong trend toward marrying a better awareness of the importance of effective interior design of a tea shop while striving to express a complete brand image and providing efficient service. In this magnificently illustrated book, a lead designer and tea brand consultant analyses the new design trends and brand management styles of a carefully selected group of tea shops from around the world.
This book explores close to fifty fashionable tea shops that are successful in the experimentation of mixing brand-new products with unique space experiences and providing excellent customer-focused interior designs. An excellent volume for those looking to enrich the retail environment of this diverse and fast-evolving industry.
Mark English Architects believes every home is a prototype, developed in collaboration with the client, landscape, topography, climate, and cultural considerations. in Situ: Unique Homes Crafted for California Living provides an inspiring glimpse into seven residences designed by Mark English, along with a close examination of the firm’s design approach.
Landscape and climate play a vital role in every project, with buildings and spaces designed to celebrate their California location, whether it’s the city, coast, or mountains. Each residential design is a sensitive and creative response to the site and environment and reflects the firm’s inherent understanding of the Golden State’s relaxed indoor-outdoor lifestyle. The practice draws on the California vernacular of open-plan living, light-filled spaces, and natural materials to blur the boundaries of inside and outside, and embeds every design with a layer of artistry to create meaningful homes for their residents.
This beautifully illustrated monograph features color photography, renders, plans, drawings, scale models and site photographs that showcase Mark English Architects’ design and construction process and reveal how these unique homes are crafted for California living.
A large bulk of Indian miniature paintings comes from Rajasthan. These miniatures are endowed with warm colors, primitive vigour, directness of expression and all that corresponds to the unique land of Rajasthan. They encompass its fun and festivities, the charming women and heroic men who fought with valour, loved with great zeal and warmth, celebrated each moment of life and died like great heroes. The major schools of miniatures of Rajasthan are Mewar, Bikaner, Jodhpur, Nagaur, Jaipur, Alwar, Bundi, Kotah, Kishangarh and Nathdwara. The Rajasthani painter saw hardly any contradiction in combining romance with religion, or the mundane with the transcendental. Rajasthani Miniatures: The Magic of Strokes and Colours presents, through a detailed narrative and exquisite photographs, a glimpse into this art that has spanned several millenia. It traces the stylistic sources of Rajasthani miniatures, discovering elements that go beyond geography and time to reveal Rajasthani art’s generic growth. The miniatures have varying styles, belong to different schools and have been painted under many succeeding patrons with different tastes and preferences. This book reflects the uniqueness of Rajasthani art, where shades and strokes come together in what almost appears as a divine interplay to create magic.
Between 1978 and 1987, renowned British photographer Derek Ridgers captured London youth culture in all its glory. With skinheads, punks and new romantics, in clubs and on the street, his images have come to define a seminal decade of British subculture.
This completely reimagined edition of 78/87 London Youth showcases a fresh selection of those images from the depths of Ridgers’ exceptional archive – including several previously unseen – beautifully printed and bound in an oversized volume.
Each picture is a tribute to the trials and triumphs of youth, and a precious document of style and culture in 1980s England, from the height of punk to the birth of acid house. Several have been exhibited internationally in cities as far-ranging as Moscow, Adelaide and Beverly Hills, in the National Portrait Gallery, Tate Britain and Somerset House. Ridgers has also collaborated with a number of major fashion houses, including Saint Laurent and Gucci, and his images continue to inspire photographers, artists and fashion designers around the world.
‘As time passes, this kind of observational photography attains a new importance’ – Sean O’Hagan, The Observer
‘Ridgers’ portraits of young boys and girls are weighted with a raw poetry and beauty’ – Cory Reynolds, artbook.com
Restrooms are inescapably important amenities, but something of a grey zone when it comes to design. In a massive effort to make them inconspicuous, public restrooms have been standardized, buried in underground bunkers, hidden behind walls and unmarked doors. At times, it seems our embarrassment with their very existence has led to an inability to provide sound sanitation. This book presents a selection of over forty very diverse public restroom designs, in which toilets enjoy special status as a vehicle for various artistic and cultural expressions, corporate values and the needs of different social groups.
Four experts from different backgrounds and countries have been invited to write on sensitive issues in public restroom design. More than 500 full-color photographs, plans and detailed descriptions illustrate the designs in detail and provide fascinating information to architects, interior designers, students, and so on.
It began with a new camera, a retirement present from the author’s wife. The Kameng area in Arunachal Pradesh, familiar to the author’s family for over six decades, and the Monpa people provided the perfect subjects to indulge his interest in photography. Over time, the idea of a book firmed up, and the photographs coalesced into what was envisioned as a sensitive, not necessarily comprehensive, look at the Monpa way of life and their land, Monyul. The intent was not to be ethnographic or academic, but to portray the rapidly changing world of the Monpas. A meditative travelog in images that transforms into a thoughtful exploration, the book captures the lives of the people and the region. The author’s personal stories, interspersed throughout the book, tell of the Monpas’ hospitality and warmth, providing insight into the everyday lives of a spiritual community.