Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius’ treaty on architecture, and the examples of modern architects like Donato Bramante.
This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.
November 19, 1479: a dynastic alliance, two noble scions, a regal wedding, short-lived and with an unhappy ending. These pages reconstruct the story of the magnificent bas relief in the Acton Collection (Villa La Pietra, Florence), commissioned to celebrate the marriage between Antonio Basso Della Rovere, nephew of Pope Sixtus IV, and Caterina Marzano d’Aragona, the niece of King Ferdinand I of Naples. The heraldic symbols of the three coats of arms leave no doubt about the identities of the characters and events surrounding its creation, and lead us to the original location of the work, born as the overdoor to the main portal of the Basso Della Rovere Palace in piazza della Maddalena in Savona. Through close examination of the Della Rovere in Rome, this study highlights some previously unknown facts about the family’s origins and returns to Savona and its role as a political, cultural, and artistic protagonist in late 15th-century Italy.
1941. War is raging in Europe and now sweeps through Southeast Asia.
In Bangkok, Kate Fallon, an American nurse, who came to Thailand to leave her past of poverty and a broken heart behind, and Lawrence Gallet, a wealthy English journalist, are trapped in the chaos of conflict, believing their love can overcome their differences before being torn apart.
Lawrence flees to China to escape the advancing Japanese army, while the net closes slowly around Kate, who has remained behind, increasingly threatened and forced to hide her identity.
A sweeping saga moving from a Thailand uneasily poised between Japan and the west to the ravaged battlegrounds of Burma and India, from the charity ward of the Bangkok hospital to bombed airfields, from the Thai domestic resistance movement to the deadly jungles of the Arakan, Bangkok in Times of Love and War is the story of life and death, passion, loyalty and loss, and of a man and a woman caught up in the upheaval of history.
Delhi Then and Now comprises two masterful essays that trace the story of Delhi from the days when it was known by other names Indraprastha, Firozabad, Dinpanah to its reincarnation as New Delhi. Historian Narayani Gupta takes us through the city of Sultans, Mughal emperors and viceroys, while journalist Dilip Bobb shows us the face of New Delhi as it is now. A rich portfolio of archival photographs and illustrations, together with vibrant new pictures, edited by Pramod Kapoor, capture Delhi in all its glory past and present.
Delhi Then – A city of empires and dynasties, Delhi through the ages has evoked nostalgia of its history written on the red sandstone walls. From Quila Rai Pithora to the palace on Raisina Hill, the changing face of Delhi is remarkably discernible in these photographs – a special collection that give words to the spoken and unspoken history of this city. Delhi Now – A city of dreams and desires, Delhi’s urban landscape is incomplete without the stones of seven ancient cities which give it a distinct meaning, a distinct outlook. A modern city on the move, the colors and digital vibrancy of the photographs capturing Delhi in all moods and moments, is as imposing as the grand old structures of yesteryears. A twin city of old-world charm and new extravagance, Delhi has evolved through the ages and is looking forward to an era that will be remembered down the ages.
In the fall of 2020, Christo will wrap the Arc de Triomphe in Paris in silvery fabric for 16 days, returning to his signature style – after realizing The Floating Piers in Italy, the London Mastaba, and a quarter of a century after he and Jeanne-Claude wrapped the Reichstag building in Berlin. As a prelude, a major exhibition at PalaisPopulaire in the German capital will celebrate this 25-year anniversary in the spring of 2020. At the same time, the Pompidou Center will pay tribute to Christo and Jeanne-Claude by staging The Pont Neuf Wrapped Documentary exhibition as well as a comprehensive show highlighting their early years in Paris.
To accompany these events, Matthias Koddenberg, art historian and long-time friend of both Christo and his wife Jeanne-Claude, who was the other half of the artistic duo until her death in 2009, has edited an elaborate collection of interviews. The book is composed of many conversations held between Koddenberg and Christo in the artist’s New York studio over the last few years.
With rare frankness, Christo describes how he fled from Bulgaria and made his way into the Western world. He talks about his time in Vienna and Geneva, his vibrant life in Paris that was full of hardship, and the fateful moment when he met Jeanne-Claude.
This publication provides an exceptional inside view, uniting texts and numerous archival images and photographs, many of which have never been published before, or depict early works by Christo that have only recently been rediscovered.
The Sansevero Chapel, located in the heart of historic Naples, is a treasure chest of baroque beauty, fascination, and mystery. There are 28 statues in the chapel, including The Veiled Christ
(1753), a masterpiece of translucent drapery and emotive power by Giuseppe Sanmartino, which was much admired by Canova. This book presents the chapel’s statues, crypts, and paintings in all-new photography. There is a chapter devoted entirely to The Veiled Christ, which goes deeply into the history of this important and moving work.
Text in English and Italian.
Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children.
Contents:
Collage Over the Centuries, an introductory essay by Patrick Elliott; Collage Before Modernism by Freya Gowrley; On Edge: Exploring Collage Tactics and Terminology by Yuval Etgar; catalogue of exhibition works; a Chronology of Collage.
This book investigates a particular kind of architecture that thrived in the 1950s in Cadaqués, a small Spanish fishing village on the Costa Brava. It explores a number of holiday houses built between the mid-1950s and 1960s by a group of architects who shared bonds of friendship and architectural affinities, as well as connections with the international Modern movement (including José Antonio Coderch, Lluís Clotet, Federico Correa, Alfonso Milá, Oscar Tusquets, and Manuel Valls). Observations on the common threads that link eight case studies are enriched by a photographic essay by David Grandorge and by detailed architectural drawings on a number of significant projects of the time. An interview with the authors Stephen Bates (Sergison Bates architects, London) and Fernando Villavecchia (Liebman Villavecchia Arquitectos, Barcelona) provides a background to their shared fascination with Cadaqués. A timeline contextualizes the projects against the backdrop of historical events and the milestone in the lives of the clients and architects who made the village a unique locus in the history of architecture.
Text in English and German (German in an inserted booklet).
In 1946 (after a stint as a World War II military hospital), quintessential American decorator Dorothy Draper was brought in to restore the Greenbrier hotel. She created a signature look – described at the time as ‘Romance and Rhododendrons’ – that has influenced and delighted not only designers and decorators but also travelers, weary of the gray and beige color schemes that permeate most hospitality properties even now. Draper transformed the interiors with bold colors, classical influences and modern touches.
When Carleton Varney arrived in Mrs. Draper’s office in 1961 to work as an assistant in the design department, one of his first tasks was to accompany the design icon by train to one of her most well-known and publicised projects. Since that time, he has been involved with every aspect of the hotel’s design, maintaining and continuing the look that Draper designed, as well as modernizing, upgrading and putting his own stamp on it. Working with his experienced and innovative team, Varney has turned the historic hotel into a resort for the 21st century.
Bombay is a city always on the move. Driven by multiple impulses, it has been the site for a Buddhist ethos, a safe haven for refugees from Persia, a hub of maritime trade and a melting pot of European and Eastern influences. Enriched with in-depth historical research and exclusive photographs, Bombay: Then documents the transformation of the once ‘insignificant cluster of islets’ into one of the most exciting spots for cultural exchange in South Asia. Among other views, the book illustrates the Mankeshwar temple and the Rajabai Clock Tower wrapped in scaffolding; the construction of Victoria Dock and the opening of its massive underwater gates; a lush and sparsely populated Malabar Hill; a rare view of the interior of a Parsi fire temple; factory scenes inside the Royal Mint and the Times of India units; what the stock exchange looked like nearly a century ago; and many breathtaking aerial shots of this beautiful island-city. A sheer visual treat through extraordinary historical photographs, Bombay: Then is for keeps. Mumbai has always been a city of dreams – shiny, colorful, nebulous dreams that melt away the moment you try to grasp them. Yet it beckons and the charm of the mirage is too seductive to let pass. Mumbai has moved from being Bombay to Bambai to Mumbai in four centuries and yet it is all three: encompassing all manner of paradoxical realities within its moist borders. Mumbai is restless, transient but the pulse of its past still runs through its streets. The fifteen million souls that inhabit this great island-city belong to all walks of life, numerous ethnic and religious backgrounds, and manage to communicate through the Babel-like confusion of different tongues and diverse histories. Mumbai: Now brings this shape-shifting, elusive city to you – from the stories of the first Goan migrants to the lives of native Koli fishermen; from the tradition of dabbawalas to that of ‘cutting’ chai; and from the potters in Dharavi to the pink flamingos in Sewri – in a series of beautiful, moving pictures that capture the many moods and faces of Mumbai.
India lives in many centuries. Discover the majesty and sweep of India’s rich cultural and historical heritage, replete with the people, events and places that have contributed to the chequered mosaic of India’s past. Featured in this exquisite book are rare and never-seen-before vintage photographs from some of the finest collections across the world – in the section India Then. The vibrant and ever-changing cultural landscape of India is featured in a series of photographs, showcasing the multifaceted, kaleidoscopic present. The timeless past lives amidst fast-paced, cutting-edge change. Modernity and tradition co-exist in the most endearing and surprising of places. India Now is a visual feast of contemporary India.
In Dark & Dystopian Post-Mortem Fairy Tales, Mothmeister pays homage to the muses who have sparked their alienating dream world. From artists worldwide, legendary figures, their collection of taxidermy to lurid places where their figures were born, such as the catacombs of Palermo, Pyramiden or the disaster area around Chernobyl. A special fairy tale world that flirts with the morbid, religious and grotesque and in which stuffed animals are brought back to life in an extraordinary way.
This catalogue for an exhibition at the Bonnefanten Museum in Maastricht features paintings by Pieter Bruegel the Younger and his contemporaries that depict the popular religious subject “Christ Carrying the Cross,” and examines these works for covert critiques of power and politics in Flanders during the 16th and 17th centuries. The show explores how artists incorporated both direct and indirect social and political criticisms into paintings on this theme, and brings together a selection of works from Bruegel the Younger, his predecessors, contemporaries, and followers.
This project began in America, 2013: authors Erika Z. Figabomba and Alessandra Tisato drove from Nevada to the Bay Area, via San Diego, taking over 10,000 photos of beautiful, powerful women and non-binary people. These photographs do not only celebrate beauty in a way that is far from the polished, glossy images of fashion and advertising; they also explore the meaning of nakedness in a society that seems to prioritise superficial entertainment over women/non-binary sexuality and overall body positivity.
B.A.D. Beautiful And Determined, with 224 pages and more than 100 color photographs, is a celebration of beauty, determination and empowerment free from all genders and stereotypes. The book also contains critical texts by Carlotta Cossutta, a researcher in political philosophy, who works on feminism and queer theories in and out of academia and Elle Stanger, a queer person who writes sex education, short stories and advice columns that work to reduce shame and harm related to sexuality and touch.
Tea was introduced to Britain in the 1650s. Its popularity burgeoned over the following two-and-a-half centuries, until it became a defining feature of British culture.
Drawing inspiration from China, British craftsmen worked to display their skills on numerous tea-related objects, which ritualised the process of drinking tea and imbued it with luxury status. Calling on an array of different materials and techniques, they developed a huge variety of canisters and lockable containers for storing and preserving this precious commodity.
Tea chests and caddies were not merely functional items that might lurk at the back of the kitchen – they were intended for display and were an essential accoutrement for fashionable women. As the habit of tea drinking filtered down the social scale, caddies were made in larger numbers and in more affordable forms.
This book brings together a great range of decorative antique tea containers, presenting them alongside detailed historical research conducted into their making and their place in British society across the centuries. It also explores the materials and techniques employed. With historical art showing tea’s integration into British society, examples of old trade cards and original designs, and a wealth of illustrations of the objects themselves, this is a must-buy book for historians, collectors and those interested in the decorative arts.
Klein Dytham architecture: to Tokyo and Beyond celebrates the Tokyo-based studio famous for its playful yet thoughtful approach to design. This vibrant, comprehensive monograph invites readers to explore 76 projects from KDa’s impressive body of award-winning, multidisciplinary work from around the world.
Blending humor, experimentation, and respect for tradition, these projects range from early works, such as Daikanyama T-SITE in Tokyo and Open House in Bangkok, to more recent works, including the Fender flagship store in Tokyo and a Japanese cypress façade for the Cartier boutique in Osaka. This insightful monograph also highlights the studio’s contributions to global cultural phenomena like PechaKucha Night, and how KDa’s innovative ideas intertwine with the cultural, social, and architectural fabric of Japan.
Thought-provoking narratives explore KDa’s creative process and philosophy, while stunning full-color photography captures the bold and vibrant aesthetics emblematic of KDa’s style. From camouflaging 40-story towers in an alpine resort to transforming a commercial building with intricate, openwork cladding, KDa’s designs have a sense of whimsy that brings joy and curiosity to architecture enthusiasts and observers alike.
Architectural exhibition is an important aspect in the study and transmission of architectural culture. The academic thoughts and design styles that influence the trends of global architecture are all established through one or a series of important architectural exhibitions. This book is produced based on the GSD (Harvard Graduate School of Design) autumn exhibition: ‘Towards a Critical Pragmatism: Contemporary Chinese Architecture’. It reveals a unique perspective of contemporary Chinese architecture by showcasing 60 works from 60 contemporary architects within five thematic categories: cultural, residential, regeneration, rural, and digital.
The selected architects attempt to maintain, from the earliest moments of the design process to its finished outcome, a certain level of critical thinking and quality. It is a record of the continuous evolution and growth of contemporary Chinese architecture and hopes to open up a new avenue from which to encourage further conversation regarding both the present and future state of China’s architecture culture.
Manuelle Gautrand Architecture is a Parisian-based architecture firm founded by Manuelle Gautrand in 1991, sited in the Bastille neighborhood of this exquisite European city. The firm’s key aim is to ‘re-enchant the city’ of Paris by evoking emotion, reinventing spaces, and garnering renewal and innovation – to be bold and definitive. At the core of Gautrand’s creativity lies the approach to each new project through the spirit of a blank canvas, with no à priori. Yet, each of the project that this firm produces expresses a specific relationship to the site: a desire to revive it and enchant; a deep commitment to working on programs entrusted to the firm; ensure efficiency, flexibility and surprise. Each project is a unique and symbolic encounter. Fuelled by shared ideas and prominent for its breadth of practice, this book documents the comprehensive collection of Manuelle Gautrand Architecture’s design solutions. It celebrates the intuitive and stunning designs, and the firm’s commitment to beauty, revival, boldness and precision.
This new monograph celebrates the creative accomplishments of one of the world’s most influential architects, Cesar Pelli. The book surveys this extraordinary body of work in terms of the AIA’s Gold Medalist’s design, architecture, and planning, tracing Pelli’s motivation as a leading designer and teacher, and the evolution of his work over the span of half a century. More than 50 projects from around the globe – museums, theaters, offices, laboratories, airports, cultural centers, civic works, master plans – are presented in rich full color with insights from Pelli that delve into the design and construction of these landmarks from a practice that has thrived for nearly 40 years.
Focusing on the leading edge architectural designs with regional characteristics, Architecture China is a journal whose mission is to disseminate the creative works of contemporary Chinese architecture, and to deepen an appreciation of Chinese architectural traditions and trends. This inaugural issue, Building a Future Countryside, will serve as the official catalogue of the Pavilion of China at 16th International Architecture Exhibition, La Biennale di Venezia. Following the six episodes of the exhibition, the catalogue gives an in-depth presentation of exhibited installations and projects with texts, drawings, diagrams, and photos. In addition to that, essays by Li Xiangning, curator of the Pavilion of China, and Hans-Jürgen Commerell, director of Aedes Architecture Forum in Berlin, are also featured in the catalogue.
In the 1930s Grigory Barkhin became particularly interested in theater architecture, and this culminated in the publication in 1947 of a two-volume work, Architecture of the Theatre. This was the most comprehensive and deeply researched study of theater architecture of the time. The first volume follows a historical timeline, from early classical theaters to some of Europe’s national treasures – La Scala, Opéra Garnier, Vienna State Opera – and the development of theater architecture in the Russian Empire. The second half of the book is devoted entirely to Soviet theater architecture of the pre-war period, in particular the five-star design of the Red Army theater in Moscow, and competition projects for theaters in Rostov-on-Don, Sverdlovsk and Minsk, which Barkhin himself designed with his son Mikhail. These projects can be seen as the cornerstone of the development of Soviet architecture of the time. In this remarkable book, published here in English for the first time, Barkhin sets out a blueprint for architecture that combines an understanding of the subject with a bold and uncompromising vision.
Architecture China is a journal focusing on the leading architectural design projects with regional characteristics in contemporary China. This 2018 Fall issue of Architecture China, focusing on how a new culture might be constructed through the action of building, showcases 15 newly-completed museums and galleries with certain characters from contemporary Chinese culture. The four essays by Li Xiangning, David Leatherbarrow, Sun Jiwei and Zhang Ziyue, and Jiang Jiawei respectively provide different viewpoints on the topic, and expose critical thinking on cultural events that relate to contemporary China. Also available: Architecture China: Building a Future Countryside ISBN 9781864708004