Published in conjunction with the exhibition Histories of a Collection. Modern and Contemporary Art from the CAM, this catalog follows various stories relating to the creation of the CAM Collection CAM Collection (Centro de Arta Moderna Gulbenkian), from the first acquisitions by the Foundation in the 1950s to the present day, as well as offering an in-depth account of the opening of the CAM building in 1983.

The catalog contains seven previously unpublished essays, written by curators Ana Vasconcelos, Leonor Nazaré, Patrícia Rosas and Rita Fabiana, architect Rita Albergaria and independent curator, Antonia Gaeta, outlining some of the key moments in the Collection’s history.

These essays analyze the first acquisitions, made in the context of artist grants awarded by the Foundation and as a result of traveling exhibitions organized in Portugal and abroad, and the development of the section of British art, in close collaboration with the British Council.

The catalog also delves into the construction of the CAM building and the controversy that accompanied the entire process, as well as reflecting on the acquisitions made from the banker and collector Jorge de Brito, which contributed to greatly strengthening the collection in the months leading up to the opening.

The catalog also charts the contribution of the last three CAM directors, Jorge Molder, Isabel Carlos and Penelope Curtis, explaining their priorities in the selection of works and the acquisition policies each of them implemented.

It also reproduces almost all the works on display, organized according to the sections of the exhibition and highlighting seven key works, all acquired during the 1960s, by some of the most renowned Portuguese and British artists featured in the collection: Amadeo de Souza-Cardoso, David Hockney, João Cutileiro, José de Almada Negreiros, Maria Helena Vieira da Silva, Paula Rego and Philip King.

Remembering Tigers is the ninth book in the Remembering Wildlife fundraising series, which has so far raised more than USD $1.5 million for conservation.
The aim of the creators is to make the most beautiful book ever seen on a species and use that to raise awareness of the plight facing that animal and funds to protect it. Each book is full of images generously donated by many of the world’s top wildlife photographers.
All profits from the sale of this book will be donated to projects working to protect tigers.

Remembering African Wild Dogs is the sixth book in the Remembering Wildlife fundraising series, which has so far raised more than USD $1.5 million for conservation.

The aim of the creators is to make the most beautiful book ever seen on a species and use that to raise awareness of the plight facing that animal and funds to protect it. Each book is full of images generously donated by many of the world’s top wildlife photographers and also gives an overview of the species, its distribution and the challenges it faces.

All profits from the sale of this book will be donated to projects working to protect wild dogs in Africa.

Reality Check shows an overview of a decade of Dutch realism in painting, photography, video, sculpture, installations, drawings and graphics. On the basis of over 50 artists – young and old, established and recently graduated – Sito Rozema – curator at Museum MORE – outlines the latest developments in realism in the Netherlands. What is it in our time that prompts the contemporary artist increasingly opt for a figurative visual language to explore reality? The catalogue, the participating artists themselves have their say: what does realism mean to them?

Text in English and Dutch.

On the occasion of its 15th anniversary this coffee-table book reveals the work of A-tipica, an events agency which is a pioneer in wedding planning in Spain.

Thanks to the experience it has amassed over 15 years, A-tipica stands out for its capacity to support and advise couples during their wedding preparations. Its slogan is ‘we’re your accomplice’ because they adapt to each client’s taste while managing to allocate their budget in a balanced fashion.

They design, produce and coordinate magical events with sophistication, taking care of even the tiniest details and giving each wedding a unique style. Everything is planned, from the venue to the flowers, so that the future married couple can enjoy themselves and relax in the most unforgettable moment in their lives.

This book offers an overview of A-tipica’s legacy, a photographic survey of countless weddings where elegance, sophistication and savoir-faire reign.

New initiatives, ideas and products change the way we relate to one another and to our environment, as well as the way we define and fulfil our needs. They create opportunities for experimenting and learning, which can help our societies transition towards greater sustainability. But how can we implement transition in a useful way? This book examines the ways in which urban transition initiatives work, how they influence each other, and how they can make our cities thrive in a sustainable manner. Among others, it puts forward a view on the conditions that can aid accelerating change towards a sustainable low-carbon society, on possibilities for policy change, and on adaptive mechanisms that will improve decision making.

Issam Kourbaj was born and grew up in Syria before settling in Cambridge in 1990. Following the uprising in Syria in 2011, Kourbaj has been a constant creative witness to the continuing conflict in his home country, his art increasingly addressing the endemic pain and suffering that accompanies displacement and forced migration everywhere. Published to accompany two substantial solo exhibitions at Kettle’s Yard, University of Cambridge and The Heong Gallery, Downing College, Cambridge, Issam Kourbaj explores the life and work of an artist characterized by collaboration and endless curiosity. Kourbaj’s art is expressive and alive, suggesting even in the darkest hours the potential for change and renewal.

“How can we grasp the remarkable artistic breadth of Issam Kourbaj? Here is an art so full of invention and purpose that its images and ideas reverberate well beyond the walls of any gallery. Kourbaj’s achievement is to make us look, pause and imagine. Engaging with his acute and powerful work makes us consider our responsibility for the conditions of others on our shared planet” – Andrew Nairne, Director of Kettle’s Yard

Giovanni Morelli changed the way we look at art. Before Morelli (1816-1891), the attribution of a painting to a particular artist or school was often based on overall impression, hearsay, even gut feeling. But Morelli, having trained as a medical doctor to look closely at anatomical detail, applied scientific rigor to understanding the works of masters such as Titian, Leonardo, and Raphael, and of other Renaissance and Baroque painters. By closely scrutinising, analysing and comparing details overlooked by most other collectors, critics, and curators, his radical ‘Morellian method’ became the basis of modern art connoisseurship. A proud Italian of Swiss Protestant heritage, Morelli was also a staunch patriot. He risked his life in the Italian Wars of Independence, and was elected four times to the parliament of the newly unified nation. In 1873 he was nominated senator for life. As a statesman he fought for his homeland’s cultural patrimony: at a time when many of Italy’s great art collections were being snapped up by foreign collectors and museums, he introduced some of the world’s first legislation to prevent their loss to the nation. The Life of Giovanni Morelli in Risorgimento Italy is the first full biography of this important figure, including his romantic friendships with remarkable women such as Clementina Frizzoni, Laura Acton Minghetti (wife of the Italian prime minister), and Princess Victoria (daughter of Queen Victoria and subsequently empress of Germany). At his death he bequeathed his art collection to the Accademia Carrara in Bergamo, the birthplace of his mother, a city he loved.

This 15 year retrospective on the contemporary South Korean artist Soo Kyoung Lee presents paintings, installations and drawings from both public and private collections dating from 2007 to the present. The work is presented chronologically, and is punctuated by the critical writings of Romain Mathieu, Fanny Drugeon, Eun-lok Shim and Jeong Hyeun. As the artist notes, “The idea is to trace this experience so as to share it, but also, through this synthesis of 15 years of painting, to take stock by looking back, in order to better move forward.” 

According to New York based interior designer, life coach and meditation teacher Joshua Smith, “When your home is your sanctuary, there’s a big exhale when you walk through that front door. It nourishes your spirit, inspires your mind, and enhances your connection to yourself, your loved ones and the divine, however you might define that” (in Homes & Gardens, January 2023).

For Shelby Deering, designer of the tranquil spaces of The Well (with locations in New York City, Washington, Miami, Costa Rica and Mexico), “Over the last few years, our homes have become more important than ever. Throughout the pandemic, we saw them function as offices, gyms, schools, restaurants — and, of course, our own little corners of the world where we were able to find relief from daily pressures and anxiety. Because of this shift, it’s no wonder that people have made efforts to refresh their living quarters to focus more on health, wellness and self-care. After all, when the environment around you feels like a calming refuge, those peaceful vibes can directly impact how you feel.”

The 15 private residences presented in this beautiful book can all be called “sanctuaries” because they all seek to support and protect the well-being of their owners, families and guests. 

Everyone needs a happy place, a space to relax, unwind, and let the worries of everyday life melt away. Some may dream of white-sand beaches, while others may prefer cozy mountain chalets, or a meditative, decluttered wabi sabi interior in a cosmopolitan setting.

Whether in Brazil, Sweden, Mexico, Crete, St. Barts, Spain or in Belgium – all over the world, people are searching for the ultimate comfort, safety and happiness in their own cocoon, their own protective environment.

Japan was isolated almost completely from the West for more than two hundred years, from 1641 to 1854. One of the first Westerners to penetrate that barrier and reveal fundamental information about the country – and the Far East in general – was Philipp Franz von Siebold (1796-1866), a doctor from Würzburg in Germany. He spent the period 1823 to 1829 on the small island of Dejima, a Dutch trading post in Nagasaki that was then the only point of contact between Japan and the West. Full of ambition, Siebold was sent from the Dutch East Indies to Japan with the task of gathering as much information as possible about the country, its geography, its people, religion, customs and traditional costumes. The ultimate aim was to use this information to boost Dutch trade. Working with Japanese artists including Kawahara Keiga and Hokusai, Siebold embarked on an unprecedented visual and scientific project, culminating in the book Nippon. In this publication of Nippon, we give Siebold’s work a new lease of life that lets us understand the Japan he saw. This edition includes all the original prints, with a commentary on the most compelling images. The introduction discusses the unique relationship between Japan and the Netherlands, Siebold’s life, his work on Dejima and the historical significance of Nippon. The thematic essays and image keys point out striking details and interesting stories, all with a view to achieving once again what Siebold sought to do all those years ago: let readers marvel at the incredible beauty of Japan.

Wedding floristry has always been one of the most important fields of interest for florists all over the world. Time and again floral designers manage to redefine wedding bouquets, churches and table decorations. Florever Wherever presents around 15 complete wedding stories from 15 different countries. All weddings are decorated by world famous, top-class florists, all of them being spokespersons for the floral wedding traditions of their country. This magnificent publication will show every aspect of this unforgettable day: the bridal bouquet, corsages, bridesmaids, car decoration, church/venue decoration, table arrangements and the wedding party. A book that will have you lost in sweet reveries, a romantic feast for the eyes or a source of inspiration and a fountain of ideas for couples dreaming of chiming wedding bells. Featured Florists:
Moniek Vanden Berghe (BE), Daniel Santamaría I Pueyo (ES), Markus Donati (D), Jouni Seppänen (FIN), Robert Koene (GR), Kristin Voreland (N), Damien Koh (SGP), Giordano Simonelli (I), Mark Pampling (AU) and David Beahm (US).

In 1498, with Europe trembling before an Ottoman assault and mortally afraid of what the ominous year 1500 might bring, Albrecht Dürer published his Apocalypse with Pictures, a hallucinatory exploration of the Revelation of St John. Dürer’s woodcut technique has never been equalled, and the Apocalypse remains one of the summits of Western art. This edition reproduces all 15 images together with their Bible texts, as well as the frontispiece Dürer added to the second edition.

Hikobae is a book collection of comic works on the border between the genres of sociological comics and comics with a poetic value on the theme of everyday life in Japan. The project is a follow-up to the comic book Iogi (2022), in which the same team focused on ordinary life in Tokyo’s Suginami district. Iogi was presented at related exhibitions in Japan and the Czech Republic and won several prestigious awards (a bronze medal in the Japan International Manga Award, the Muriel Award for Best Screenplay, Art Award of the City of Pilsen).

In the loose sequel entitled Hikobae, each story focuses on a different region of Japan: from the northern island of Hokkaido to Shimane Prefecture in the southwest of the archipelago, from the mountain peaks of Gunma Prefecture to the seashore of Shikoku Island. The stories deal with the theme of everyday life, far from the stereotypical ideas of the Land of the Rising Sun. The key focus of the book is on the tradition and its transmission: some comics deal with contemporary forms of traditional Japanese crafts, customs or ceremonies (pottery, fishing, the tea ceremony, blueprinting, the traditional saké bio-production).

Hikobae is a result of an exceptional collaboration between the author of the script, Jean-Gaspard Páleníček, who brings the perspective of his experience with life in Japan, and students of the Ladislav Sutnar Faculty of Design and Art of the University of West Bohemia in Pilsen under the supervision of Václav Šlajch. The afterword was written by Pavel Kořínek, an acclaimed comic expert and researcher at the Centre for Comics Studies of the CAS.

Remembering Bears is the seventh book in the Remembering Wildlife fundraising series, which has so far raised more than USD $1.5 million for conservation.

For the 7th book in the much-lauded Remembering Wildlife series, the organizers have chosen for the first time to leave Africa and to feature bears. There are eight species of bear: American black bears, Andean bears, Asiatic black bears, brown bears, giant pandas, polar bears, sloth bears and sun bears. There are fascinating differences between them, which have implications for their behavior, evolution and conservation. Their habitats range from forests to woodland, grasslands to sea ice and their behaviors reflect that too. From climbing to swimming, fishing to hibernation, their differences are intriguing and captivating and through stunning imagery this book will show that and also bring attention to the threats they face. Like all of the species we’ve previously featured in our series, the challenges bears face are all sadly, once again man-made. From climate change to habitat loss; and from hunting to the illegal trade in body parts, including the Asiatic bear bile trade, our impact threatens their very future on this planet. Remembering Bears will feature images from more than 80 of the world’s best wildlife photographers, showing bears in their natural habitats from China to Peru, Alaska to Borneo.

Manuelle Gautrand Architecture is a Parisian-based architecture firm founded by Manuelle Gautrand in 1991, sited in the Bastille neighborhood of this exquisite European city. The firm’s key aim is to ‘re-enchant the city’ of Paris by evoking emotion, reinventing spaces, and garnering renewal and innovation – to be bold and definitive. At the core of Gautrand’s creativity lies the approach to each new project through the spirit of a blank canvas, with no à priori. Yet, each of the project that this firm produces expresses a specific relationship to the site: a desire to revive it and enchant; a deep commitment to working on programs entrusted to the firm; ensure efficiency, flexibility and surprise. Each project is a unique and symbolic encounter. Fuelled by shared ideas and prominent for its breadth of practice, this book documents the comprehensive collection of Manuelle Gautrand Architecture’s design solutions. It celebrates the intuitive and stunning designs, and the firm’s commitment to beauty, revival, boldness and precision.

The work of Alejandra Cisneros marks a significant departure from the tropical ‘Bali-style’ villa design popularised in the past two decades and is a refreshing antidote to the anodyne villas invading Bali’s centuries-old rice terraces. In Seen | Unseen, Alej shares her insights on reimagining traditional homes for 21st-century lifestyles in today’s fragile environments. She reveals the thinking behind her designs, and her heart-centred process of co-creation a “conspiracy of client, joglo, land, Balinese craftsmanship, and culture.” She also acknowledges the influence of Tri Hita Karana, the Balinese concept of cosmological balance that governs their relationship with people, the environment and the Creator. This beautifully illustrated book focuses on her whimsical, exciting homes – fanciful yet practical, designed for potters and poets, artists and entrepreneurs alike hailing from North and South America, Europe and Asia. Crafted almost entirely from antique teakwood, traditional materials, and showcasing joyful design ideas, each home merges seamlessly with the landscape. Alej curates unique, mould-breaking homes that create a new way of living that is at one with nature in the tropics. Her canvas is the Bali landscape; her paints are Java’s traditional teakwood joglos and Indonesia’s myriad natural materials; her brushes are the Balinese craftspeople that bring her vision to reality.

Alpine Elegance invites you to step inside 14 extraordinary chalets that fuse timeless charm with cutting-edge luxury. From the snow-dusted forests of Val d’Isère to the sunlit slopes of Snowmass, from the artistic allure of Courchevel to the tranquil reaches of Crimea, each home tells a unique story of elegance, innovation, and the enduring allure of the mountains.

This exclusive volume unveils a symphony of craftsmanship and natural beauty, where the line between indoors and outdoors blurs to create spaces that are both sanctuaries and works of art. Experience the refined coziness of Étoile du Nord in the heart of the French Alps or marvel at the seamless modernity of Analog House nestled in the Californian woods. Explore a family home in Kitzbühel, where tradition meets sophistication, and the Art Chalet Courchevel, a bold celebration of creativity.

Globalization has forced us to stop thinking that art only exists in the West. The very notion of art was invented by the West and refers to the learned version of its material culture. It was then projected onto other civilizations, particularly Asian ones, and finally onto the preliterate societies of Africa and Oceania.

Whether or not these cultures possess the concept of art is of little importance, because when they honor their gods, they inevitably address what they consider to be the acme of beauty. For a long time, this openness to other aesthetics was based on the arts of the past, until it was finally accepted that there were living creators in these distant lands, and that today’s means of communication have brought them closer to us.

These “others” who appeared in the 1980s are by no means a homogenous group. Without stretching this analysis too far, they can be regarded as falling into two categories: those who have opted for modernity and submit to the demands of the market and Western based institutions, and those who concentrate on giving visual expression to their communities and beliefs, ignoring the demands of the art market. Australian Aboriginal art represents an intermediate situation, since alongside art of a sacred nature, there are works deliberately produced for sale, initially encouraged by missionaries.

Nothing Too Beautiful for the Gods aims to show the variety of works connected with the spiritual impulse, from those used in religious rites to contemporary artworks that refer to them. These hybrid works are often the result of accommodations with modernity. The exhibition and accompanying book bring together altars from Africa, the Caribbean and Asia, works by artists invested with religious responsibilities (Didi, Shiraga), works by religious artists (Ramoun) and others by artists who refer explicitly to religions and spirituality (Sooja Kim, El Anatsui, Vasquez de la Horra, Bedia, Boltanski, Viola).

Text in English and French.

Remembering Leopards is the eighth book in the Remembering Wildlife fundraising series, which has so far raised more than USD $1.5 million for conservation.

The aim of the creators is to make the most beautiful book ever seen on a species and use that to raise awareness of the plight facing that animal and funds to protect it. Each book is full of images generously donated by many of the world’s top wildlife photographers.

All profits from the sale of this book will be donated to projects working to protect leopards.

This book accompanies a major exhibition in the Ashmolean Museum on the early work of internationally acclaimed German artist Anselm Kiefer. It focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation. Anselm Kiefer: Early Works is the first institutional show and publication in the UK dedicated to Kiefer’s early practice. The book introduces themes, subjects and styles that have become signature to Kiefer’s work, while providing a more intimate and complementary context for his large-scale installations that he is best known for today. The early works are accompanied by three recent paintings from the artist’s own collections and White Cube, chosen by the artist himself.

Art historians, artists, curators and experts of Kiefer’s art from Germany, Austria, Belgium, Britain and the US have contributed 46 original texts on individual works, organized in a chronological structure. An illustrated chronology at the end of the book compiled by Stephanie Biron from the Hall Art Foundation provides an overview of the artist’s early practice and life, to contextualize the works.

The book begins with Kiefer’s iconic Occupations and Heroische Sinnbilder series, created in 1969 and 1970, which Kiefer views as his first serious works. Kiefer was among the first generation of German post-war artists to directly confront the country’s troubled past and identity. Full of complex references to German socio-political history but also to culture, literature and his personal life, Kiefer’s early works carry a unique iconography, linking classic ideas of great art with a distinctive understanding of concrete artistic materiality. The landscapes in his watercolors are historically charged; hand-written words on paintings are closely linked with poetry well known to most German viewers; motifs and symbols point at Nazi ideologies and a collective feeling of guilt.

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