This 15 year retrospective on the contemporary South Korean artist Soo Kyoung Lee presents paintings, installations and drawings from both public and private collections dating from 2007 to the present. The work is presented chronologically, and is punctuated by the critical writings of Romain Mathieu, Fanny Drugeon, Eun-lok Shim and Jeong Hyeun. As the artist notes, “The idea is to trace this experience so as to share it, but also, through this synthesis of 15 years of painting, to take stock by looking back, in order to better move forward.”
Painter, engraver, illustrator, writer and art critic, Félix Vallotton (1865-1925) is known for the impact of his compositions, a combination of his decorative instincts and graphic wit. His revival of the woodcut in the 1890s quickly established him in the art and literary circles of Paris, and his talent as a prolific illustrator, especially for the press, spread his fame throughout Europe and as far afield as the United States. He illustrated bestsellers such as Poil de Carotte, by Jules Renard, and contributed to the most fashionable avant-garde periodicals of the time: including, La Revue Blanche, Le Rire, Le Cri de Paris, L’Assiette au Beurre, and Le Canard Sauvage, in Paris, Jugend and Die Insel, in Munich and Berlin, The Studio, in London, The Century Illustrated Monthly Magazine, in New York, among others.
This book assembles a number of critical essays and a selection of around 250 reproductions to explore this little-known aspect of Vallotton’s work. It is being brought out to coincide with the online publication of Félix Vallotton illustrateur. Catalogue raisonné (volume 32 in the Catalogues raisonnés d’artistes suisses series, created by Fondation Félix Vallotton, Lausanne, and Institut suisse pour l’étude de l’art, Lausanne/Zurich (SIK-ISEA).
Text in French.
Images:
Bleus d’aujourd’hui, dessin de Félix Vallotton en couverture du Rire, 1er décembre 1894
Que les chiens sont heureux !, dessin de Félix Vallotton en couverture de Nib, 15 février 1895
Portrait of Stéphane Mallarmé, dessin de Félix Vallotton, The Chap-Book, 15 août 1895
From a Parisian trunk maker founded in 1854 to one of the world’s most influential luxury maisons, Louis Vuitton has become synonymous with innovation, craftsmanship, and the art of travel. Its instantly recognizable designs, pioneering spirit, and collaborations with leading artists and designers have made the brand a global icon that extends far beyond fashion.
Louis Vuitton Édition is a beautifully designed visual journey through the remarkable history and creative universe of the House of Louis Vuitton. Richly illustrated with stunning photography, iconic creations, archival moments, and exquisite details, the book explores the maison’s heritage, legendary luggage, leather goods, fashion, jewellery, watches, fragrances, collaborations, and enduring influence on luxury and contemporary culture. Created for fashion lovers, collectors, and admirers of exceptional design, this elegant volume is both an inspiring source of knowledge and a sophisticated object in its own right. Whether displayed on a coffee table or enjoyed page by page, Louis Vuitton Édition celebrates a house whose legacy continues to define the very meaning of modern luxury.
Fifteen Lectures on Modern Furniture Design Methods takes an authoritative look at the representative works, methodologies, and expansive legacies of some of the world’s most influential creatives in modern furniture design. Richly illustrated with close to 400 full-color images, each of the essays profiles practitioners who have integrated an interdisciplinary mindset with outstanding craftsmanship. The authors, both experts in the field of modern furniture design, technology, and innovation, present a comprehensive collection of works by 32 luminaries, such as Alvar Aalto, Jacques Bisson, Le Corbusier, Ray and Charles Eames, Shiro Kuramata, André Masson, Alessandro Mendini, Mies van der Rohe, Gerrit Rietveld, Eero Saarinen, Ettore Sottsass, Philippe Starck, Ilmari Tapiovaara, and many others.
“It’s an incredible book, absolutely astonishing…” — Eurythmics Podcast
“These were images that did not attempt to construct an image, but rather honestly portray a rock band on its way to world domination. This makes the images raw, candid and strikingly timeless.” — HOOM Magazine
Gered Mankowitz is among the most important, prolific and hard-working photographers of the last century. Timed for release on the eve of his 80th birthday, Photographs is his most comprehensive book yet, encompassing 65 years of an illustrious career from 1960-2025, with classic, rare and never-before-seen imagery. Mankowitz made a name for himself in London’s burgeoning Swinging Sixties scene. A session with Marianne Faithfull led to him working with The Rolling Stones as their official photographer throughout the mid-60s, and he went on to capture music legends from Jimi Hendrix and The Yardbirds to Elton John and Kate Bush. Mankowitz never stopped growing as an artist, taking promotional shots of movie stars such as Elizabeth Taylor and Richard Burton, creating prize-winning advertising imagery for clients from Heineken to British Rail, shooting emerging artists, and publishing numerous books of his work. With accompanying text from the photographer, a natural storyteller, Gered Mankowitz: Photographs reveals an artist in constant conversation with his medium, adapting his craft and remaining relevant in an ever-evolving industry.
Brigantinas by Nicola Lo Calzo is a poetic and political journey through Sardinia’s landscapes of resistance. The book weaves together photography, archival research, and historical reflection to uncover a genealogy of struggles—from 19th-century peasant revolts to contemporary feminist and environmental movements. Lo Calzo approaches the island not as a postcard of identity, but as a living archive of dissent and re-appropriation. Through his lens, Sardinian women—peasants, activists, mythic figures—emerge as central protagonists of an alternative narrative, where land, body, and memory intersect. Both critical and lyrical, Brigantinas questions the mechanisms through which tradition and power shape representation, while celebrating collective resilience and the subaltern imagination. The result is a powerful counter-history of Sardinia—rooted in its past, urgent in its present, and universal in its call for dignity and self-determination.
Text in English and Italian.
Pierre Bonnard and His Dogs offers a fresh perspective on the painter’s work through the central place his dogs held within it. Present in his photographs, drawings, and paintings—from his Nabi beginnings to his final years in Le Cannet—they accompanied both his artistic journey and his private life. Drawing on rare sources, Stéphane Guégan shows how these companions shaped Bonnard’s vision: they animate his compositions, disrupt perspective, and bring movement, tenderness, and moral reflection.
The book traces this relationship from the joyful decorative scenes of his early years to the later works marked by solitude shared with Marthe. As the fourth title in the Amigos Forever series, it sheds new light on one of the most sensitive painters of the twentieth century and reveals how, through his dogs, Bonnard reflected on creation, freedom, and the vital connection uniting all living beings.
Silicon Valley has become the Mesopotamia of the Digital Age, built on cycles of innovation and disruption, monstrous ambition, and a steady supply of labour and capital. Yet for all that’s known about companies like Apple, Google, and Facebook – and the personas behind those companies – the culture of Silicon Valley remains elusive and contradictory, even to many locals. This unique guidebook, written by longtime local Floriana Petersen, takes you on an insider’s tour of 111 cool, offbeat, and very compelling places that offer insight into the evolving character of Silicon Valley. Visit the Cantor Arts Center at Stanford to see drawings done by Leland Jr. Stanford, after whom the university was named after his death at age 15 in 1884. Sit at the Rosewood Hotel bar to witness the mating habits of venture capitalists. Go to the Music@Menlo Festival to listen some of the best chamber music to be found anywhere in the country. Enjoy the Stanford Powwow, a festival to celebrate some of the great American Indian tribes of Northern California. Visit Steve Jobs’ final resting place, or spend an afternoon at the Hakone Japanese gardens. Explore the Filoli Estate, a living testimony to the wealthy families who used the Gold Rush to build the infrastructure that has become Silicon Valley.
Jeff Bark’s Drunk Dad is a deeply intimate monograph in which he presents unbridled addiction. Not as spectacle, but as a beautiful escape. Shaped by memory and longing, and by a learned idea of masculinity that resists softness while quietly demanding it. Working alone, the photographer transformed his backyard garage into a filmic, Lynchian stage, hand building masterfully lit sets and unflinching still lives. The wonderment of Disney and the loneliness of Hopper inform the photos shot on location in and around his hometown in northern Minnesota. Each image feels like a fragment of a story – at once painfully honest and hauntingly ambiguous – inviting viewers to piece together the emotional landscape of a father’s unraveling. The implosion of the American dream is palpable in almost every image.
Women Photographers are Dangerous celebrates more than 60 women photographers who have long deserved greater recognition for their extraordinary work.
Many of these pioneers, innovators and artists have ventured into war zones, politics, feminist activism and more. All have taken risks and freed themselves from established frameworks, simply by being who they are and doing what they do.
Ever since Louis Daguerre introduced the first camera to the world in 1838, women photographers have been present and excelled in every field, from art and the sciences to journalism and advertising. Yet all too often, they are denied the spotlight they deserve. Written and compiled by renowned historians Laure Adler and Clara Bouveresse, these pages set the record straight.
Featuring over 100 outstanding photographic works by women photographers including Eve Arnold with her famous Marilyn Monroe portraits; Vivian Maier, whose photos were discovered only after death; and Anne Atkins, who is believed by some to have created the first ever photographic image.
Photographers include: Anna Atkins, Julia Margaret Cameron, Virginia De Castiglione, Christina Broom, Frances Benjamin Johnston, Alice Austen, Olive Edis, Laure Albin Guillot, Imogen Cunningham, Claude Cahun, Dorothea Lange, Tina Modotti, Berenice Abbott, Anita Conti, Lisette Model, Margaret Bourke-White, Grete Stern, Dora Maar, Julia Pirotte, Lee Miller, Edith Tudor-Hart, Gerda Taro, Eve Arnold, Helen Levitt, Janine Niépce, Diane Arbus, Lisetta Carmi, Vivian Maier, Agnès Varda, Claudia Andujar, Claude Batho, Letizia Battaglia, Marianne Wex, Martine Franck, Sarah Moon, Sandra Eleta, Abigail Heyman, Graciela Iturbide, Paz Errázuriz, Catherine Leroy, Christine Spengler, Paola Agosti, Ishiuchi Miyako, Susan Meiselas, Sophie Ristelhueber, Erica Lennard, Donna Gottschalk, Alix Cléo Roubaud, Sophie Calle, Nan Goldin, Anne Noble, Cindy Sherman, Pushpamala N., Ouka Leele, Shirin Neshat, Francesca Woodman, Lorna Simpson, Angèle Etoundi, Essamba, Désirée Dolron, Géraldine Lay, Zanele Muholi, Sara Bennett, Shadi Ghadirian, Tarrah Krajnak, Gohar Dashti, Laia Abril, Bieke Depoorter, Maya Inès Touam.
The photo book Beyond Binary invites readers on a journey into a utopia of gender diversity, transcending the conventional male/female gender norm. It showcases the visibility, self-determination, and empowerment of people with (trans*) non-binary gender identities across several generations.
The people featured in Beyond Binary are aged between 15 and 72 years. They reveal that gender is an infinite spectrum, where “male” and “female” are merely two poles. In addition to their portraits, the individuals provide us with deep personal and unfiltered insights into their various lived experiences and emotional states through handwritten letters. These insights cover not only gender diversity, but also topics such as neurodiversity, ableism, racism, polyamorous family structures, parenthood, ageing, trauma, and discrimination —along with questions of freedom and autonomy.
Text in English and German.
John Russell Pope is one of America’s most famous architects, responsible for many major works, including the Jefferson Memorial, the House of the Temple and the West Building of the National Gallery of Art. This book, The Architecture of John Russell Pope, Selected Works: Houses is the first volume of a two-part monograph, to be followed by a volume on public buildings.
Made in association with the ICAA (the Institute of Classical Architecture & Art), this is a lavishly illustrated study of Pope’s extraordinary house designs, often inspired by classical European architecture, standing proudly among his achievements as the crown jewels in many of the USA’s most vaunted ZIP codes. Originally published during the 1920s, Pope’s exquisite floorplans and sketches accompany period photographs and the original commentary by art historian and traditionalist Royal Cortissoz to create a comprehensive and visually stunning account of a true titan of American design.
Houses include: the residence of Ogden Mills, Woodbury, Long Island; Moses and Edith Taylor’s Glen Manor House, Portsmouth, Rhode Island; Charlcote House, built for James Swan Frick in the suburbs of Baltimore; the now lost Oak Hill mansion, Jericho, Long Island; and Brodhead-Bell-Morton Mansion (aka Morton House) in the exclusive Logan Circle area of Washington DC.
Georges Jouve (1910–1964) was a major postwar decorative-arts figure who liberated ceramics from academic rules. Nicknamed “Apollo,” he tirelessly explored relationships between form, material, and light, combining utility and ornament, rigor and play. His wide stylistic range—from realism to abstraction—and his signature black glaze quickly set him apart.
This illustrated book traces his career from Nyons and Dieulefit to Aix-en-Provence, highlighting iconic pieces such as cylindrical vases and his collaborations with Janette Laverrière, Étienne Noël, and Mathieu Matégot, including La Saladière and the hotel La Résidence in Saint-Louis, Senegal. Present in the major Salons of his time, Jouve emerged as an agent of modernity and, encouraged by Charlotte Perriand, joined the Steph Simon gallery. Equally at ease with small or monumental formats, he produced vases, fountains, tables, and sculptures, using zoomorphic, anthropomorphic, and abstract forms to make ceramics a vibrant, experimental, and timeless modern art, with lasting appeal worldwide today.
Text in English and French.
This elegantly designed book features works by pioneering British photographer Garry Fabian Miller (b. 1957, Bristol) in dialog with one of his key artistic influences, Samuel Palmer (1805-81). Since the mid-1980s, Miller has created photographs without a camera to explore the possibilities of light as both medium and subject. Experimenting with photographic materials and exposure time, his photographs feature intensely saturated colors, not seen before in conventional photography. For this book, which accompanies an exhibition at the Ashmolean Museum Oxford, Miller has chosen works on paper by Palmer from the Ashmolean’s rarely displayed collections to juxtapose them with his own images. Miller compares Palmer’s pioneering use of materials with his own practice, pushing the limits of photography in the dark room. Edited by Dr Lena Fritsch, this book features high quality images and new texts by Sean Borodale, Fritsch, Alexandra Harris, Colin Harrison, Lydia Heeley, and Marina Warner.
In the 1910s and 1920s the unique landscape of the chalk downs of southern England began to exert a new fascination on writers, historians, archaeologists and artists. Modernists such as Paul and John Nash, Eric Ravilious and William Nicholson immersed themselves in exploring these enigmatic, ancient places. The stark, rolling forms of the downs suited the modern aesthetic, offering a place where prehistory and modernity could converge.
With the growing political tensions of the 1930s, this modern engagement with ancient landscape took on a symbolism that still resonates. Images of Britain evolved as the downs became both symbols of wartime vulnerability and resilience and the site of machine gun emplacements and crashed aeroplanes.
Ancient Landscape, Modern Times investigates this extraordinary collision of ancient and modern, idea and place, and the network of artists who worked and lived on the chalk. Ninety-nine plates of paintings, watercolors, prints and photographs are accompanied by texts written by leading art historians James Russell and Chris Stephens.
This is the exhibition catalog of the Fondation Louis Vuitton’s exhibition starting September 2026 dedicated to Gustave Fayet as an artist and a collector. This book focuses on his collection: he bought works to resell them at a profit, allowing him to acquire new, even more remarkable pieces. His collection included over 200 works by Gauguin and the ‘Gauguin Room’ in his Parisian apartment was legendary among the Parisian elite of the time. He was also a very close friend of Odilon Redon, and he acquired works by famous artists such as Matisse, Bonnard, Degas, Monet, Matisse, Renoir, Cézanne, Rodin and Van Gogh among others. Following his death in 1925, the collection was sold by his family. However, these works can now be found in the world’s most prestigious museums, and are reunited during the exhibition.
Between 2008 and 2016, Magnum photographer Bieke Depoorter traveled through Russia, the United States, and Egypt, asking random people if she could spend the night in their homes. Day after day, different people prepared a bed for her – on air mattresses, couches, carpets, on the ground, in living rooms, or kitchens. A decade later, she happened upon the hundreds of images she had taken of these beds, which were never intended for publication, and wondered if she had been collecting evidence. This book is the compelling result.
McMillen: 100 Years of American Decorating is a sweeping two-volume history of America’s oldest and longest-running full-service interior design firm, McMillen Inc.. Written by McMillen President Ann Pyne, the book traces the evolution of the legendary firm from its founding in 1924 by Eleanor McMillen Brown through a century of cultural, architectural, and aesthetic change.
Richly illustrated with photographs accompanying every chapter, the volumes chronicle McMillen’s pioneering role in shaping American interior decoration through periods of prosperity, depression, war, postwar expansion, and modern transformation. Beginning with the firm’s “Successful Beginnings” in the 1920s, the narrative follows Eleanor McMillen Brown’s conviction that decorating was both an art and a science—grounded in scholarship, craftsmanship, historical understanding, and exacting standards rather than passing fashion.
Across chapters exploring experimentation during the 1930s, wartime adaptation, the celebrated “Glory Years” of the 1950s and 1960s, and the firm’s evolution into the partnership era, the book reveals how McMillen cultivated some of the most influential figures in American design, including Albert Hadley and Mark Hampton. It also examines the firm’s work for distinguished private clients and historic residences.
More than a company history, McMillen: 100 Years of American Decorating is a portrait of American taste, craftsmanship, and domestic life across the twentieth and twenty-first centuries. Through archival material, personal histories, and lavish photography, the book documents the enduring philosophy, artistry, and influence that established McMillen as a defining force in American interior design.
This volume unveils the refined artistry of Jiangnan gardens through an in-depth exploration of Yangzhou’s Ho Family Garden. Featuring captivating photography, delicate sketches, and rare archival images, it traces how the garden’s unique architecture—its layered walkways, wall-backed rockeries, and harmonious synthesis of northern grandeur, southern elegance, and subtle Western influences—emerges from the local cultural heritage and aesthetic traditions. Blending visual richness with scholarly insight, the book rediscovers the often-overlooked cultural values and the profound, place-specific wisdom embedded within this landscape. Organized around the engaging framework of “stories, routes, and appreciation,” it invites readers to wander its pages. Ideal for landscape architects, garden enthusiasts, cultural scholars, and travelers, this journey reveals why Ho Garden is celebrated as a pinnacle of late Qing dynasty garden design and an enduring jewel of Chinese horticultural art.
Text in English and Mandarin.
This volume unlocks the timeless allure of Jiangnan’s classical gardens through an intimate exploration of Wuxi’s Jichang Garden. Featuring evocative photography, historical sketches, and archival imagery, it traces how this five-hundred-year-old masterpiece harmonizes rugged natural landscapes with sophisticated scholarly design. The book investigates the fusion of ancient craftsmanship, imperial legacy, and literary spirit embedded within its layered rockeries and tranquil waters. Structured around the engaging “Story-Route-Appreciation” framework, it invites readers to wander through pivotal eras—from its Ming Dynasty origins to Qing Dynasty grandeur—and examine twenty significant aesthetic vignettes. This scholarly yet accessible volume celebrates Jichang Garden as an enduring symbol of Chinese landscape art, offering profound insights for architects, historians, and travelers seeking to understand the poetic soul of Jiangnan.
Text in English and Mandarin.
This book brings together masterpieces from the collections of the Mauritshuis and the Museo Nacional Thyssen-Bornemisza. Twenty-five paintings from The Hague and twenty-five masterpieces from Madrid enter into dialog, revealing the power and versatility of European painting.
For this publication, twenty Spanish and Dutch writers were invited to respond to the works. From their own backgrounds and perspectives they wrote personal stories and reflections around one universal theme: love. Love between people, love of nature and love of art. Love can connect, move and comfort, but it can also reveal longing, loss and vulnerability. The selected paintings show this richness in a striking way. The result is a book that not only unites artworks, but also stories, emotions and different ways of looking.
Contributors include Karin Amatmoekrim, Hanna Bervoets, Gershwin Bonevacia, Sacha Bronwasser, Radna Fabias, Tobi Lakmaker and Antonio Muñoz Molina.
Gilbert Portanier (1926–2023) is considered one of the most significant proponents of French postwar ceramics. His work was influenced by a harmonious combination of ceramic form and gestural painting, in which his experimental surface techniques and a free vocabulary of forms opened up the possibilities of what studio ceramics could be. Delicate yet powerful illustrations lend the objects and sculptures their very own radiance, which extends far beyond the purely sculptural. Through his oeuvre, created over many decades, he contributed fundamentally to the international recognition of French ceramic art. Gilbert Portanier: When Ceramics Embrace Color offers a very personal insight into the life of the artist. It presents his work to impressive effect in its native environment: the studio-residence the artist created on the French Riviera for him and his wife, Annette.
Text in English and French.
“Any man that loves Bond will love to get this amazing book in their life.” – Men’s Journal
“A great coffee table book filled with amazing photos of everyone’s favourite spy.” – Tom Lorenzo, Men’s Journal
“No fan of 007 will want to miss this coffee-table album…” – Michael Dirda, The Washington Post
“Shy, lascivious, self-confident or sometimes completely private – O’Neill always knows. The photographs are all very aesthetic, somehow magical and an absolute must for all Bond fans.” – Lovely Books Germany
Terry O’Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O’Neill’s association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O’Neill who captured gritty and roguish pictures of Connery on set, and it was O’Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O’Neill’s casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world’s most recognizable spy.
Terry O’Neill opens his archive to give readers – and viewers – the chance to enter the dazzling world of James Bond. Lavish color and black and white images are complemented by insights from O’Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O’Neill’s photographs.