“Any man that loves Bond will love to get this amazing book in their life.” – Men’s Journal

“A great coffee table book filled with amazing photos of everyone’s favourite spy.” – Tom Lorenzo, Men’s Journal

“No fan of 007 will want to miss this coffee-table album…” – Michael Dirda, The Washington Post

“Shy, lascivious, self-confident or sometimes completely private – O’Neill always knows. The photographs are all very aesthetic, somehow magical and an absolute must for all Bond fans.” – Lovely Books Germany

Terry O’Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O’Neill’s association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O’Neill who captured gritty and roguish pictures of Connery on set, and it was O’Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O’Neill’s casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world’s most recognizable spy.

Terry O’Neill opens his archive to give readers – and viewers – the chance to enter the dazzling world of James Bond. Lavish color and black and white images are complemented by insights from O’Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O’Neill’s photographs.

The Bargue-Gérôme Drawing Course is a complete reprint of a famous, late nineteenth-century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature. Consequently it is a book that will interest artists, art students, art historians, and lovers and collectors of drawings. It also introduces us to the work and life of a hitherto neglected master: Charles Bargue.

The Drawing Course consists of three sections. The first comprises of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting, with lithographs after exemplary drawings by Renaissance and modern masters. The third part contains almost 60 académies, or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature.

Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects. By working with Gérôme, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, and color schemes that unified his composition in exquisite tonal harmonies. The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.

From the smoky backstage dressing rooms of New York and Chicago’s pioneering jazz clubs to the acclaimed Jazz festivals that flourished to enthral legions of fans, Ted Williams’ camera captured the intimacy and the wizardry of Jazz’s greats as they perfected their art over more than three decades from the 1940s-1970s. From his unique access and perspective, Williams diligently accumulated a unique and largely unseen archive that documented some of the greatest musicians of the 20th century, the jazz and blues musicians who themselves not only inspired the greats such as Frank Sinatra but fired the aspirations and tastes of a new generation; The Beatles, The Rolling Stones, Bob Dylan and Eric Clapton among them. Williams caught them in the act of exploring and defining their careers and music – while ensuring impassioned audiences and atmospheric venues remained inseparable from the iconic history he was chronicling. From Miles Davis to Duke Ellington, Dizzy Gillespie to Stan Getz and Sarah Vaughan, Williams’ camera witnessed genius at work, rest and play, with an honesty and clarity that few photographers could replicate. When Williams died in 2009 at the age of 84, he left nearly 100,000 prints and negatives behind – many of which have never been seen before.

Jazz, the first book dedicated to the jazz photography of Ted Williams, will highlight hundreds of these unseen jazz images and will be captioned throughout by his own memories along with commentary from some of the leading jazz historians and journalists working today. Artists include Dizzy Gillespie, Miles Davis, John Coltrane, Ray Charles, Charlie Parker, Sarah Vaughan, Thelonious Monk, Dinah Washington, Duke Ellington, Count Bassie, Billie Holiday, Ella Fitzgerald, Louis Armstrong, Tony Bennett, Mahalia Jackson, Buddy Rich, Julian “Cannonball” Adderly, Art Blakey, Benny Goodman, Charles Mingus, Quincy Jones, Sonny Rollins, Muddy Waters, Max Roach, Woody Herman and Wynton Marsalis

Based on the industrial manufacturing history of Shanghai over the past 100 years, this book introduces the development of Chinese design throughout the different eras of the People’s Republic of China, from the planned economy stage to the later economic reforms and the opening up of the country to trade. We detail industrial-product design, packaging design, poster design, and other related subjects. The characteristics of each era are discussed in the following five sections: daily life, national image, transmission and reception, export trade, and communication and transportation. We approach each design from numerous perspectives, exploring its development as well as how it altered tastes and trends. These products were not just a symptom of change; they also answered social needs and spurred development, keeping China apace with production methods in Europe and giving ordinary citizens access to mass-produced luxuries like TVs, radios and cosmetics. The work of Shanghai designers was fundamental in turning China into the thriving economy we see today.

This new title in the highly successful Design Series features the design work of the acclaimed artist Peter Blake. Best known of the British pop artists, Peter Blake came to fame in the late 1950s and early 1960s with iconic works like On the Balcony and First Real Target both now in the Tate Gallery. Tate held an exhibition of his works in 1983 as well as a more recent retrospective at Tate Liverpool in 2007. His famous works for album covers, such as The Beatles, Sgt. Pepper’s Lonely Hearts Club Band the Band Aid single Do They Know Its Christmas, the Oasis greatest hits album Stop the Clocks and Paul Weller’s Stanley Road brought him to a wider audience. This stunningly designed book celebrates the brilliant creative talent of a unique British artist. Also avaliable: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

London teemed with top-rated singers and musicians during the ’60s and ’70s, whether they were squatting, playing gigs or investing in multi-million pound mansions. Follow McCartney and co. to the quiet flat on Green Street that was their refuge before the Beatlemaniacs sought them out. Wind back time to when Loog Oldham locked Mick and Keith in their flat and demanded they compose a song. From the zany to the tragic – it was in St Mary Abbot’s Hospital, Kensington where Jimi Hendrix was pronounced dead – this is a guidebook like no other, a pilgrimage dedicated to the rock ‘n’ roll greats. Also in the series: Vinyl London ISBN 9781788840156, Art London ISBN 9781788840385, and London Peculiars ISBN 9781851499182.

A new title in the Design series and an excellent introduction to the life and work of this versatile Russian artist. Alexander Mikhailovich Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko’s radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko’s graphic work in the form of book jackets, posters and advertising. Also avaliable: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Abram Games ISBN: 9781851496778

As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world’s greatest rock ‘n’ roll band, Wyman continued his hobby. When he didn’t have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From traveling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones. Limited to just 300 copies, this slipcased edition is accompanied by a print.

Terry O’Neill (1938-2019) was one of the world’s most celebrated and collected photographers, with work displayed and exhibited at first-class museums and fine-art galleries worldwide. His iconic images of Frank Sinatra, The Beatles, Brigitte Bardot, Faye Dunaway, and David Bowie – to name but a few – are instantly recognizable across the globe.

Now, for the first time, O’Neill selects a range of images from his extensive archive of “vintage prints”, which will surprise and delight collectors and photography lovers alike. Long before the age of digital, photographers would send physical prints to the papers and magazines. These prints were passed around, handled by many, stamped on the back, and often times captioned. After use, the prints were either filed away, thrown out or – for the lucky few – sent back to the photographer or their photo agencies.

At the dawn of the 1960s, when O’Neill’s career began, physical prints were the norm. Terry kept as many as he could that were sent back to him. “I just kept everything,” he says. “I don’t know why. Back then, there wasn’t really a reason to keep them. Photos were used straight away and then I just moved on to the next assignment. No one was thinking these would be worth anything down the line, let alone fifty years later.”

This book collects hundreds of these rare images, a true must for Terry’s fans and photography collectors.

“Terry was everywhere in the 60s – he knew everything and everyone that was happening” Keith Richards

“Terry O’Neill rates rightly as one of the best photographers in the world. He captures something special” Sir Michael Caine

“When it comes to photographic legends there can be few more prolific or revered than Terry O’Neill, the man who shot the greats.” VOGUE

“This sumptuous collection of portraits, taken over six decades, represents the best of his memorable career and should grace every coffee table in the land” The Daily Mail

“I’ve been repeatedly asked to write my autobiography – I have seen an awful lot of famous people at their best and worst – but I’m not interested in making money trading their secrets or mine. I want my pictures to tell a story not sell a story.” Terry O’Neill

Terry O’Neill is one of the world’s most celebrated and collected photographers. No one has captured the frontline of fame so broadly – and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history.

Now, for the first time, an exhaustive cataloging of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years. Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious – from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O’ Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives.

Add to that the magazine covers, album sleeves, film poster and fashion shoots of 1,000 stars, and Terry O’Neill – comprises the most compelling and epic catalog of the age of celebrity. Terry O’Neill has worked for the most prestigious magazines in the world including Time, Newsweek, Stern, Bunte, Figaro, The Sunday Times, Vanity Fair, People, Parade, Vogue and many others. And his award launched to showcase the work of young emerging photographers is now one of the most highly prized global competitions in art. The Royal Society of Arts has honored him with the rare Centenary Medal for his lifetime achievement. Only a dozen have ever been awarded in recognition of ‘outstanding contributions to the art and science of photography.’

London’s record shop scene is at its most vital and buoyant point since the 1990s, following a resurgence of interest in vinyl over recent years. Tom Greig, who has immersed himself in the world of London’s record shops for close to two decades, profiles and tells the story of 60 distinctive independent record stores, selling both new and used vinyl. Vinyl London is at once a practical guide, featuring maps, addresses, opening times and stock information, and an attractive visual celebration of London’s record shops. The book is organized geographically, and contains the following chapters; Soho; North; East; South; West; Suburbs; Markets; Vinyl Cafes. Also in the series: Art London ISBN 9781788840385 London Peculiars ISBN 9781851499182

“When one is tired of London, one is tired of life.” – Samuel Johnson London has long been a center of the literary world. From Shakespeare to Amis, Byron to Blake, Plath, Thomas, Christie and Rowling; many of the greatest names in literature have made this metropolis their home. Writers’ London guides the reader through homes, bookshops, pubs and cemeteries, in search of where literary greats loved and lost, drank and died. Discover the Islington building where Joe Orton was murdered by his lover, the Soho pub where Dylan Thomas left his manuscript, the Chelsea hotel where Oscar Wilde was arrested, and the Bank of England where Kenneth Graham was shot at (and missed) three times. Gathering hundreds of famous and less-well-known anecdotes, this meticulously researched volume will entertain any lover of literature. Also in the series: Vinyl London ISBN 9781788840156 Rock ‘n’ Roll London ISBN 9781788840163 Art London ISBN 9781788840385 London Peculiars ISBN 9781851499182

“I was impressed by The Stones. They were dressed casually, had mischief in them and were different to other bands.” Terry O Neill

In July 1962, a group of young men played a gig at The Marquee Club on Oxford Street, London. They called themselves ‘The Rollin’ Stones’ and little did they know they would soon be making music history.

This brilliant new book captures the youth, the times and the spirit of The Stones’ formative early years. And documenting 1963-1965 were two young photographers just starting out in their careers. Terry O’Neill, aged just 25, had a few years’ experience photographing musicians and knew that this group had the same magic as another British phenomenon that just recently started to chart, The Beatles. As the band was starting to record and tour, Gered Mankowitz came along. His first shoot, the now famous Mason’s Yard session, was so fruitful, Gered was asked to tag along on tour to America. Gered was a mere 19 when he picked-up his camera and joined the band on stage in 1965. Between these two legendary photographers, they document the band’s beginnings and these indelible images are forever placed in music’s consciousness. The photography throughout this book is embellished with various memoires and interviews, celebrating the early days and giving an insight into what it must have felt like to go from a small club in Soho with no record deal to touring the world a few years later with a number one record. Terry O’Neill and Gered Mankowitz, two of the most respected, collected and exhibited photographers in the world were sitting in the front-row.

In 2016, London’s Saatchi Gallery hosted the first ever major exhibition dedicated to the band: Exhibitionism, a career-spanning, museum-style display of Stones artifacts and memorabilia. The publication of this book coincided with the opening of this ground-breaking exhibition.