This publication is a definitive tribute to the vanishing architectural soul of one of Iran’s most historic districts, the Sang-e-Siah neighborhood in Shiraz. Author Salman Goorangi and coordinator Hamid Kooros document the transition of traditional decorative arts across the Zand, Qajar, and Pahlavi eras. Central to the work is the mastery of Shiraz seven-color (Haft Rang) tiles, detailing specialized molding, firing, and traditional dye-making techniques. The book provides a rare technical record of endangered decorative ceiling craft techniques such as Parvaz-bandi and Marjuvak-kari, in addition to a biography of Master Mirza Abdol Razzoq. Introduced by a moving foreword recounting a familial design inheritance, this publication bridges personal memory and scholarly preservation. It is an essential resource for collectors and historians dedicated to the enduring legacy of Persian craftsmanship and culture.

Silicon Valley has become the Mesopotamia of the Digital Age, built on cycles of innovation and disruption, monstrous ambition, and a steady supply of labour and capital. Yet for all that’s known about companies like Apple, Google, and Facebook – and the personas behind those companies – the culture of Silicon Valley remains elusive and contradictory, even to many locals. This unique guidebook, written by longtime local Floriana Petersen, takes you on an insider’s tour of 111 cool, offbeat, and very compelling places that offer insight into the evolving character of Silicon Valley.

Visit the Cantor Arts Center at Stanford to see drawings done by Leland Jr. Stanford, after whom the university was named after his death at age 15 in 1884. Sit at the Rosewood Hotel bar to witness the mating habits of venture capitalists. Go to the Music@Menlo Festival to listen some of the best chamber music to be found anywhere in the country. Enjoy the Stanford Powwow, a festival to celebrate some of the great American Indian tribes of Northern California. Visit Steve Jobs’ final resting place, or spend an afternoon at the Hakone Japanese gardens. Explore the Filoli Estate, a living testimony to the wealthy families who used the Gold Rush to build the infrastructure that has become Silicon Valley.

The hidden art of London is for the ever-curious roamer of both the back streets and the familiar places you never quite see – churches, gardens, graveyards, pubs. What little garden finds the poet John Keats sitting in the corner of a bench? Which abandoned building tells the story of a great Roman Road?
There are always marvels hidden in plain view – the back corner of a museum containing great sculptures by Rodin or the naked, street-corner golden boy, who marks where the Great Fire of London finally petered out. A famous literary cat or a painting by Hogarth on the bend of a stairs in an ancient hospital.
This guidebook takes you exploring London beyond its most famous sights to find the art we have never quite noticed before: the hidden statues, paintings, and murals that have escaped from the official museums, and often live unnoticed lives in tucked away places.

“I try to create a parallel world where my own aesthetics are there, but with traditional garments.” — Mous Lamrabat in The Guardian

“If there was a trifecta of Mous’s personal passions and pillars to his practice, it would be the power of women, the senselessness of racism, and the beauty of Africa.” — Vogue Arabia

Mousganistan is the first book of the acclaimed Moroccan-born, Belgium-raised artist Mous Lamrabat, encompassing a body of work that has been more than five years in the making. Mousganistan is a celebration of love and freedom, an in-between territory in which opposites collide and create beauty and abundance, new connections and dialogues in a visually thought-provoking and at times confronting way. Encompassing his iconic fashion imagery and personal work, Mousganistan is a journey into the artist’s diasporic life, a joyous and yet intensely sharp portrait of the contact space between cultures, symbols, religions, capitalism and survival. By challenging our expectations of what cultures are, and how they should be portrayed, his images create a space for love, compassion and understanding – allowing us to imagine a possible, different world.

Following on from the success of her large book, Tasting Georgia: A Food and Wine Journey in the Caucasus, award winning food, wine and travel writer and photographer Carla Capalbo is launching a new series of pocketbooks on Georgian food, wine and culture. The first in the collection, Khachapuri and Filled Breads, focuses on this popular mainstay of Georgian cuisine, giving the recipes for 10 of the country’s most delicious regional breads. In addition to the many versions of cheese-filled khachapuri, the fully illustrated book will include breads filled with greens, meats and potatoes.

Tong Jun was an outstanding architect and architectural educator in contemporary China. He was widely considered an all-round talent in theory, creation, writing and painting in Chinese architecture. He had a deep foundation in ancient Chinese literature, and studied Chinese classical poetry since childhood. While studying at the University of Pennsylvania, he won many awards in the national architectural student design competition. He has left behind many works and manuscripts on landscape, architecture, and architecture history, sculpture history, and painting history that have enlightened and educated many generations. However, there are few records about him. This book recollects the last 20 years of his life, and introduces the reader to the very real and vivid practitioner that was Tong Jun.

The images presented in this book take us to the heart of India’s rich folk traditions. The display of paintings accompanied by recited or sung commentary has been a part of that heritage since very early times, as attested by references and legends in Sanskrit sources, such as the Harsacarita, a 7th century work by Banabhatta. Known as ‘patacitras’ (or ‘patas’ for short), these illustrated narratives are painted on rectangular fabric, paper, or scrolls. They are a type of performed art that reaches out to audiences, mostly in India’s rural provinces. They convey the artists’ responses to legends and social themes from varied social and cultural bases. This book focuses on a particularly powerful set of such paintings from the Bengali-speaking region of eastern India, which depict events from the Ramayana in the form of scrolls that can be rolled out as the story unfurls. The vividly colorful images presented in this book occupy a special niche in the history of Indian art. They are remarkable because they are not only aesthetically beautiful, but also act as pictorial translations of a text that has been part of Indian culture for years, often used as their source of moral guidance. Especially astounding is that these ‘patas’ by Bengali folk painters diverge so often from the magisterial Ramayanas of adikavi ‘First Poet’ Valmiki. They leave out important parts, and import into the Rama saga episodes from local narrative caches. Following conventions of both art and storytelling, these portrayals constitute what is now recognized as a tradition of rural counter-Ramayanas, which express alternative alignments of ethical judgment. Contents: Foreword – 9, Preface – 13, Ackowledgements – 15, Introduction – 17, The Narrative Tradition of Indian Painting and the Ramayana – 29, The Bengali Patuas: History, Background & Style – 41, Songs of the Patuas – 51, The Ramayana of the Bengali Patuas – 63, Book I – 70, Book II – 81, Book III – 83, Book IV – 92, Book V – 95, Book VI – 98, Book VII – 116, Summing up – 128, References – 131, Index – 135

Between 1963 and 1970, Lawrence Halprin and Associates realized a quartet of public plazas in Portland, Oregon, that redefined the city and set a bold new precedent for urban landscape architecture. Dubbed the Portland Open Space Sequence and composed of the Lovejoy Fountain, Pettygrove Park, and Forecourt Fountain (later renamed Ira Keller Fountain), plus the lesser known Source Fountain, the plazas were a dynamic collage of striking concrete forms, gushing water, and alpine flora that, in their seamless mix of nature and theater, created a playful metaphorical watershed coursing through the central city. Where the Revolution Began is the story of how these plazas came to be. Born of the creative experimentation and collaboration between Halprin and his wife, pioneering choreographer/ dancer Anna Halprin, the sequence came to life in the unlikely setting of the city’s first scrape-and-rebuild urban renewal project. But Halprin defied the conventions of both American urban renewal and midcentury modernism, designing the kind of inviting, exuberant public space not seen since Renaissance Rome’s Trevi Fountain and Piazza Navonna. For Halprin, the plazas became the first step in a career-long exploration of sequential works of landscape design, from the Haas Promenade in Jerusalem to the Roosevelt Memorial in Washington, D.C. For Portland, Halprin’s work marked the beginning of a tradition of remaking the city around interactive public spaces such as the famed Pioneer Courthouse Square. And for landscape architecture, the plazas offer some of the earliest precedents for the ecologically and socially responsive urbanism ascendant today.

Iron People tells the story of the war in Ukraine through the unique perspective of its railway workers. Since Russia’s full-scale invasion in 2022, the 230,000 men and women working on Ukraine’s railways have played a vital role in the country’s defense and daily survival. Stretching nearly 25,000 kilometers, the railway network has been a frequent target of Russian attacks. More than 1,100 railway workers have been injured, and over 790 have lost their lives. Yet despite the danger, a deep sense of duty—and the will to survive—drives these workers, supported by their families, to keep the trains running. Dutch photographer Jelle Krings has been documenting the lives of these railway workers and their loved ones since the start of the invasion. His work paints a powerful and moving portrait of resilience, courage, and humanity.

The Razmnama or The Book of War is the Persian translation of one of the great Hindu epics of India, the Mahabharata. The Mughal emperor Akbar took a personal interest in the translation project and a lavishly illustrated copy was prepared for his personal use. Out of the three copies made, the three-volume Razmnama in the Birla Academy of Art and Culture, Kolkata is the only copy that is complete with 81 miniatures that bear the name of the scribe and the date of completion, 1605. The paintings combine the finest elements of the Mughal court style with the narrative style of storytelling.

‘Festive and cosy Christmas living room decor ideas.’ — The Spruce

“There is no need to buy expensive ornaments or visit exclusive florists… Her guide focuses on using pinecones, dried branches, dried flowers and fewer, but quality, Christmas decorations — in a wonderful mix of old and new, inherited, eclectic, bought and homemade.” — HGTV

“Inspirational and poetic, this Nordic collection is sure to spark your imagination… “ — Aspire

The Christmas Season is an essential guide to Scandinavian-style Christmas perfection.

Taking the core tenets of Scandinavian design and applying them to the festive season, this book reimagines the midwinter holiday as a time for tasteful restraint and creature comforts.

Blending minimalism, clean lines and functionality with ‘hygge’, a uniquely Danish concept of cosiness, Scandi interiors are some of the most sought-after and recognizable in the world. This inspirational and poetic collection of Nordic designs is sure to spark your imagination. Combining traditional Scandinavian Christmas customs with clever DIY ideas and recipes for the whole family to enjoy, this book invites you to redesign Christmas within your own home.

Supercars is a celebration of the world’s most beautiful and iconic motorcars, ranging from icons like the Ferrari F40 to modern classics such as the Bugatti Veyron. Belgian photographer Rudolf van der Ven captures the essence of each car in this stunning 224-page coffee table book through his photography and unique stories. Foreword by Tim ‘Shmee150’ Burton.

This pocket sized picture book is an artwork to itself telling the story of the famous trio and their art over the last 12 years. From the most human moments to their wacky adventures to the gigantic murals they have birthed – the Sool Boomb Book will transport you into the colorful world of this prolific Italian art crew.

Even though knowledge about identity, sociocultural diversity, and popular media culture in society and academia has increased, many students, scholars, and engaged citizens are seeking out information and academic insights to being better equipped to talk and think about these themes. For instance, some may have a basic understanding of what ‘woke’ means but lack a historical awareness of the transformation of the term. Similarly, some may desire to understand why some television programs have been argued to be ‘heteronormative’ or ‘ableist.’ The aim of this book is to provide readers with comprehensible, tangible, and nuanced explanations about the way popular media culture has dealt with sociocultural diversity in Western societies. To do so, this book’s approach is threefold. First, starting from the belief that historical insights are essential to better grasp contemporary debates and practices vis-à-vis sociocultural diversity and popular media culture, the book provides insight into a selection of historical contexts and milestones. The historical sections will pay attention to changes in media representations of certain minority groups and to the way research into sociocultural diversity in media and popular culture developed. Second, the book explores a selection of key theoretical concepts, developed by scholars from communication sciences, media and cultural studies, and social theory, which help better understand the diverse ways sociocultural diversity has been engaged with in popular media culture, particularly in relation to aspects of production and representation. Third, the book offers reflections on contemporary trends, transformations, and challenges.

Founded by François Frey and Valentine Chamay Frey, the Geneva-based practice frey architectes takes a modern, minimalist approach. It focuses on the new construction and conversion of villas in the Geneva region. Completed in 2004, Villa F in Vésenaz is a good example of the practice’s rational style, harmonizing the construction system and the architectural expression.

Text in English and German.

Since 2012, the two Locarno architects Matteo Inches and Nastasja Geleta have been designing a number of exquisite buildings, each developed entirely out of the atmosphere of the location and the nearby surroundings. With an exceptional affinity to construction and spatial expression, the impressive structures are concisely integrated into the continuum of the context. Text in English and German.

Wounded landscapes, crumbling buildings, old dusty wigs still displayed in deserted storefront windows. These plats and parcels represent the history of a built environment and its ongoing discourse with nature. There is a strong sense of passage and decline.

Yet along with the photographs of blighted and neglected landscapes is a glimmer of hope and the possibility of transformation. In one picture, a sliver of light scrapes across a backyard lawn casting tangled shadows that land on the clapboard siding of a neighborhood house. In another, the surfaces of the sun-soaked brick and concrete are rendered so precisely as to elevate their significance by pure photographic description. Of course, there are twists and turns all along the way and a multitude of signs that present our world as more complex than any single feeling or photograph.

Almost Home, the third book that Gary Green has created with L’Artiere, continues the photographer’s exploration of the medium’s possibilities through the poetic landscape of the photobook. The book is printed in tritone on uncoated paper in an edition of 500. 

An old map does not only represent a geographical situation; it also embodies a veritable journey of discovery through world history. In this book, historian Anne-Rieke van Schaik immerses herself in the many stories behind the fascinating maps, prints, atlases, globes and instruments belonging to the Phoebus Foundation’s collection. These objects testify to glorious moments and dark interludes in the history of the Low Countries, from the never-ending battle against water and the Eighty Years War to colonial expansion and the struggle for Belgian independence.
Particular attention is paid to the Southern Netherlands, where pioneers like Gerard Mercator and Abraham Ortelius broke new ground in the sixteenth century. Their maps opened up new paths, both literally and figuratively. Not only were they innovative in their own time, but even today they continue to offer unique panoramas of the past.

With hundreds of beautiful images, Groundbreakers invites you to rediscover and redefine the horizons of your own world.

At DOOR73, Brazilian-Italian star chef Marcelo Ballardin and his Greek right-hand man Eric Ivanidis welcome you into their cosmopolitan kitchen for a journey of flavors in 70 sharing dishes. Be surprised by contemporary interpretations of classics such as vitello tonnato, patatas bravas or hamachi, with chef Ivanidis incorporating influences from Asian and Latin American cuisine in addition to his Greek roots. The dishes are accessible, making it easy to get started yourself.

A remarkable combination of superb artistry, sophisticated design, and a lengthy history of continuous usage sets the masks of the Noh theater of Japan apart from all others. That so little is known outside of Japan about their great beauty and brilliant craftsmanship prompted the author to undertake the two decades of study, research, and writing that has culminated in this work. The result is nearly 800 pages of text and images published in a two-volume boxed edition limited to 1200 copies. Volume 1 consists of an extended treatise on the history of Noh and the evolution of its masks, including mask forms and functions, types and roles, nomenclature and taxonomy, mask carvers and their lineages, signatures, and other markings. It includes plot and character synopses of the plays most often staged as well as others rarely performed, with particulars about the masks used by various troupes for the principal roles. Volume 2 is an album showcasing in full color over 140 of the finest masks of Noh, both ancient and more recent, with detailed information on their creation, character, and significance, as well as photos of their backs showing inscriptions and artists’ signatures. An extensive bibliography, glossary, and index round out this presentation of an exquisite, centuries-old art form. No existing publication on the subject, in either English or in Japanese, remotely compares in scope and depth to the present work.

The pioneering work of Koop and Inada remains an important and fundamental reference for those wishing to master the pronunciation of Japanese names.

Since the early seventeenth century, Taoism – the native religion of China – has been generally regarded by authorities there as base superstition and potentially subversive. The Taoist poetry of medieval China was consequently ignored by Chinese arbiters of taste and, until recently, most Western scholars and translators have accepted this judgment uncritically; a body of beautiful verse, with analogs in the poetry of Christian mysticism, has remained virtually unknown in our time. This book augments the efforts of a few contemporary Western scholars to recover the meaning and value of this literary heritage. The eminent sinologist Edward H. Shafer translated all the surviving verse of the ninth-century poet Ts’ao T’ang, and to the selections published here has added introductory remarks on the source of the poet’s imagery and short essays on his treatment of figures of the Taoist pantheon. Ts’ao T’ang has placed these deities in celestial gardens, sparkling palaces on the summits of sacred mountains, and secret places of rendezvous on magic islands in the eastern sea. The poet creates a world of illusions, in which it is difficult to distinguish vestments from rainbows, castles from crags, birds from spirits, sea-waves from sea-mounts – even lords from ladies. These contrived wonders are all metaphors for a world completely inaccessible to our mortal senses.