The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on Chicago, the Classicist No. 16 explores the city’s rich architectural history as well as contemporary examples of classical design through professional and student portfolios as well as academic articles authored by leaders within the field. Contributors include Guest Editors Stuart Cohen and Julie Hacker of Cohen & Hacker Architects; Ann Lorenz Van Zanten, the first Curator of Architecture at the Chicago Historical Society; Jeanne Sylvester, founder of Sylvester Historic Consultants, LLC; Rolf Achilles, architectural historian and member of the board of the Richard H. Driehaus Museum and the Hegeler Carus Mansion; David Van Zanten, professor emeritus at Northerwestern University; Edward Keegan, architect and writer; and Aric Lasher, president and director of design at HBRA Architects.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on Florida, the Classicist No. 17 explores the city’s rich architectural history as well as contemporary examples of classical design through professional and student portfolios as well as academic articles authored by leaders within the field. Contributors include Guest Editor Elizabeth Plater-Zyberk; Leslee F. Keys, Director of Historic Preservation and Assistant Professor of History at Flagler College; Bruce Stephenson, professor at Rollins College; Wayne Wood, O.D., Hon. AIA, Historian-at-Large for the Jacksonville Historical Society; Beth Dunlop, writer and editor specializing in architecture; Michael Mesko and William Rutledge; and Andres Duany, founding principal of DPZ CoDesign.
The Classicist is an annual peer-reviewed journal dedicated to advancing the mission of the Institute of Classical Architecture & Art by providing a venue for scholarship related to the classical tradition in architecture and the allied arts, a forum for current classical practice, and a source of information and inspiration for students, practitioners, teachers, patrons, and lovers of classical art and architecture. Volume 11 will feature scholarly essays dealing with historical practice, international portfolios of current work by professionals and students, and book reviews. The content ranges from urban design to individual buildings, to decorative arts and gardens. The journal is extensively illustrated, with many images in color, and will appeal to specialists and non-specialists alike. Contents:The Classicist at Large (editorial); Essays; Professional Portfolio; Academic Portfolio; Book Reviews
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on Northern California, the Classicist No. 21 explores the region’s rich architectural history; contemporary examples of classical design through professional and student portfolios; and academic articles authored by leaders within the field. Contributing authors include Daniel Gregory, architectural historian and editor; Laura Ackley, author of San Francisco’s Jewel City: The Panama-Pacific International Exposition of 1915; Lucia Howard, Partner at Ace Architects and Piraneseum; Therese Poletti, author of Art Deco San Francisco: The Architecture of Timothy Pflueger and journalist at MarketWatch; and Andrew Shanken, Professor of Architecture at UC Berkeley College of Environmental Design.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on New England, the Classicist No. 20 explores the region’s rich architectural history; contemporary examples of classical design through professional and student portfolios; and academic articles authored by leaders within the field. Contributors include Michael J. Lewis, Professor at Williams College and architecture critic for the Wall Street Journal; Kenneth Hafertepe, Professor at Baylor University; Aaron M. Helfand, Architect at Knight Architecture in New Haven; Sarah Allaback, author and architectural historian; Mark Alan Hewitt, architect, preservationist, and architectural historian; Keith N. Morgan, architectural historian and Professor Emeritus at Boston University; Kyle Dugdale, architect, historian, and Senior Critic at Yale University; and John Tittmann, founding partner at Albert Righter Tittman Architects, alongside submissions to the professional and academic portfolio.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on the state of Texas, the Classicist No. 19 explores the state’s rich architectural history as well as contemporary examples of classical design through professional and student portfolios as well as academic articles authored by leaders within the field. Contributors include architectural historian Stephen Fox; Anna Nau of Ford, Powell & Carson Architects; Tara Dudley of the University of Texas at Austin School of Architecture; Kenneth Hafertepe of Baylor University; and architectural author James Wright Steely; alongside submissions to the professional and academic portfolio.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on the United States’ Washington Mid-Atlantic region, the Classicist No. 18 explores the city’s rich architectural history as well as contemporary examples of classical design through professional and student portfolios as well as academic articles authored by leaders within the field. Contributors include Guest Editor W. Barksdale Maynard, architectural author; Witold Rybczynski, Martin and Margy Meerson Professor Emeritus of Urbanism at the University of Pennsylvania; David Frazer Lewis, Associate Professor of Architectural History at the University of Oxford; and Bryan Clark Green, Director of Historic Preservation for Commonwealth Architects in Richmond.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on Ohio, the Classicist No. 22 explores the region’s rich architectural history; contemporary examples of classical design through professional and student portfolios; and academic articles authored by leaders within the field.
The scholarly journal produced by the Institute of Classical Architecture & Art (ICAA) is now in its tenth issue and continues to serve as an inspiration for professionals, academics, and enthusiasts alike. This volume is richly illustrated with drawings, photographs, renderings, watercolors, and details in full color. Essays include contributions by Jana Vandergoot on the traditions of ‘urban food’ in Rome and Paul Gunther on the stunning work produced by the ICAA’s Beaux-Arts Atelier and Grand Central Academy of Art. The work of other schools is also represented through student portfolios from the University of Bologna, Notre Dame, Yale, Judson, Miami, the American College of Building Arts, and The Prince’s Foundation for Building Community. A wide range of professional work from across the country is featured in the “From the Offices” portfolio, reflecting regional application of traditional and classical forms. Also available: The Classicist No.9 ISBN: 9780964260139
A painter of figures, landscapes, architectural subjects, and still lifes, David Ligare (born 1945), expands the realist tradition through the very unreality of his art. Since the late 1970s, he has used his considerable technical skills and historical knowledge to create perfectly ordered Classical paintings influenced and informed by the ancient Greeks. At a time when few artists shared these interests or concerns, Ligare sought to make the ideas of antiquity relevant in today’s world, hoping to spark a renewed desire for knowledge and offering paradigms of moral choice. Setting subjects within the specifics of California – and the Monterey Peninsula region in particular – he bathes them in the pure and wondrous light of the coast. This publication, David Ligare: California Classicist, released in conjunction with the exhibition organized by the Crocker Art Museum in Sacramento, evinces Ligare s admiration for the ancients and his love of California through revelatory essays, a chronology, and more than 200 reproductions and photographs. Contents: Foreword: Donald Kuspit Singular Perfection: David Ligare’s Figuration Acknowledgments: Scott A. Shields and Lial A. Jones Introduction: Scott A. Shields David Ligare and Recurrent Classicism Chapter 1: Scott A. Shields – California Classicist Chapter 2: David Stuart Rodes – The Literate Picture Chapter 3: Patricia Junker – Vie Coye/Life Stilled Chronology: Scott A. Shields Selected Bibliography Index
Ruudt Peters (b. 1950) is a pioneering conceptual jewelry artist who challenges traditional definitions of adornment by pushing the boundaries of context, wearability, material and presentation. On the occasion of his retrospective exhibition he gives a first complete overview of his forty-four-year oeuvre. All series of his work are comprehensively presented in texts and photographs of objects and portraits. Many previously unpublished views of installations and exhibitions as well as numerous drawings and sketches enhance the review, all complemented by video clips that can be accessed via QR codes, which provide the reader with short movies featuring background information about Peters’s work, and those who wear his pieces and the art of jewelry. The last chapter of the catalogue will be dedicated to Peter’s latest, hitherto unpublished series.
This book accompanies an exhibition, to be held at the CODA Museum, Apeldoorn (NL), 12.11.2017 – 28.1.2018; followed by venues in Huangzhou (CN), Tallinn (EE) and Vincenza (IT) (dates not yet confirmed)
www.ruudtpeters.nl
active on Facebook: https://www.facebook.com/ruudt.peters?fref=ts
Classic, refined, and alluring are just some of the ways to describe Sarah Blank Design Studio’s timeless kitchen designs. Sarah Blank’s vast expertize in the classicist language spanning many decades and her creative vision for contemporary elegance form the basis of her understanding that a beautiful and functional kitchen is not only an integral part of the architecture of the house, but the very heart of the home. She incorporates a set of rules and principles in her work that are imperative to beautiful and functional design, mastering some of the finest kitchens ever developed for a new generation of happy homeowners. This beautifully photographed volume presents a stunning selection of award-winning projects, each showcasing exquisite beauty, attention to detail, and technical prowess.
This is a richly illustrated monograph revealing William T. Baker’s masterful detailing and superior craftsmanship of magnificent family residences. Showcasing 14 classically inspired homes of grace and beauty, each property reflects an astute comprehension of life as it is lived in the 21st century, with deliberate nods to historical aesthetics that coexist harmoniously with the architectural language of natural light, passive design themes, voluminous space, and fabulous comfort. Inspired by the bounty of classical architecture found in the grand homes of the southern United States, particularly the state of Georgia, the hallmarks of William T. Baker’s architecture are extraordinary attention to details of craftsmanship and construction, and a keen eye for scale and proportion. His work clearly reflects the aspirations of the American Dream. This beautifully photographed monograph of William T. Baker’s work is the third volume in IMAGES’ successful New Classicist series, and showcases the exquisitely designed homes of the modern family, who entrusted Baker with their dreams and visions, and whose trust has been rewarded with classically inspired homes of grace and beauty. His work contributes greatly to some of the most aesthetically pleasing residences being built in the United States today.
Richard Manion Architecture creates distinctive residences and estates with a respect for traditional forms and historic imagery adapted to modern living. The curated selection of rarely published projects in this second volume of RMA’s work, Streamlined, demonstrates the firm’s signature classicist style, which draws upon traditional and streamlined classical, regional, and contemporary influences to reflect authentic details, proportions, and a sophisticated sense of place for the 21st century.
In this book, the firm’s focus is on the integration of modernism within an overall framework of simplicity and restraint, discretion and harmony. Academic studies of European modernism, with its visionary approach and embodiment of the machine age, have come back to inspire, but with the understanding that many of its roots can be traced back to the heritage of classical design principles. This exquisite, fully illustrated volume showcases RMA’s goal to unite ideas about tradition, history, and modernity in a synergy and explores the meaning of shared architectural imagery and heritage for our time.
“The well-judged employment of classical detail in a new home has an additional significance that cannot be underestimated. It is an expression of an informed personal choice and an evocation of the delight in the human senses. This is true of all the houses featured in this book.” Jeremy Musson
“The architects and craftsmen that Phillip has featured in this wonderful book all have a love for classical detail. The art is alive and well, as can be attested to in these pages.” David Easton
In The Art of Classical Details, Phillip James Dodd takes a close-up look at some of the finest examples of contemporary classical architecture. The book consists of two chapters: The Essays and The Projects. Starting with a foreword by renowned decorator David Easton, The Essays are written by some of today’s most sought after architects, scholars and craftsmen. Accompanied by sumptuous full page photographs and renderings that illustrate a use of fine materials, intricate detailing, and superb artisanship, these insightful texts are essential reading for anyone with an interest in the theory, practice and craft of classical design. The Projects presents an illustrated look at 25 of today’s finest classically-designed homes. Employing the theories prescribed in the writings of the first chapter, this portfolio of contemporary buildings exhibits the work of some of the most recognizable and celebrated architects in Great Britain and the United States. The work featured in within this book demonstrates the timeless beauty of classicism, and delights in the role that superbly crafted details play in creating art.
“The well-judged employment of classical detail in a new home has an additional significance that cannot be underestimated. It is an expression of an informed personal choice and an evocation of the delight in the human senses. This is true of all the houses featured in this book.” Jeremy Musson
“The architects and craftsmen that Phillip has featured in this wonderful book all have a love for classical detail. The art is alive and well, as can be attested to in these pages.” David Easton
In The Art of Classical Details, Phillip James Dodd takes a close-up look at some of the finest examples of contemporary classical architecture. The book consists of two chapters: The Essays and The Projects. Starting with a foreword by renowned decorator David Easton, The Essays are written by some of today’s most sought after architects, scholars and craftsmen. Accompanied by sumptuous full page photographs and renderings that illustrate a use of fine materials, intricate detailing, and superb artisanship, these insightful texts are essential reading for anyone with an interest in the theory, practice and craft of classical design. The Projects presents an illustrated look at 25 of today’s finest classically-designed homes. Employing the theories prescribed in the writings of the first chapter, this portfolio of contemporary buildings exhibits the work of some of the most recognizable and celebrated architects in Great Britain and the United States. The work featured in within this book demonstrates the timeless beauty of classicism, and delights in the role that superbly crafted details play in creating art.
“With his legendary swag, Norman Anderson, aka Normski, hip-hop ambassador in the United Kingdom since its emergence in the 1980s, is the great archivist of these glory days he captured London to Detroit.” — Rolling Stone France
“The difference between Normski’s photograph of me and any other is that it captures my soul.” — Goldie
“He was a larger-than-life character, full of energy and totally motivating. He really was the hip hop photographer of the day in the UK.” — Stereo MC’s
“This book contains a striking catalogue of images, many of which have been exhibited by establishments such as Tate Britain, the V&A, Somerset House and the Smithsonian National Museum of African American History and Culture.” — Marcus Barnes
“On the heels of Hip-Hop’s 50th anniversary, Man with the Golden Shutter is a celebratory record of hip-hop as much as it is a definitive collection of Normski’s incredible photographs.” — GQ Middle East
Normski was a vital witness to the period known as the Golden Age of Rap, when big US artists like Run DMC, LL Cool J and Public Enemy started to play in the UK. At the same time, a British music scene born of Black music and myriad multicultural influence was developing, giving birth to Jungle, Garage and Techno.
The author, who describes himself as having been a “young Black British homeboy photographer”, was in the right place at the right time to document the emergent music, community and social movements of hip hop and rap in the UK. Normski: Man with the Golden Shutter presents Normski’s personal journey through that world from the mid-1980s to early 1990s.
The book includes Normski’s often previously unseen photographs of Public Enemy, N.W.A., Cypress Hill, De La Soul, Goldie, Ice-T, Run DMC, Wu-Tang Clan and many others, alongside the photographer’s stories and anecdotes from the center of what would become a hugely influential cultural movement.
Buying a previously owned watch can be a risky purchase. Fake watches are legion on the internet and unscrupulous vendors are increasingly using this market place to sell their fraudulent products. Few second-hand watch websites call upon true experts and purchases are increasingly made at the buyer’s risk. How to tell a true watch from a fake? That is exactly what you will discover in this volume covering the main luxury watch brands, and above all providing specific documentation on the counterfeit market – which is constantly evolving and perpetually on the lookout for the perfect fake watch. Enhanced knowledge of watchmaking and its flagship brands along with an understanding of the fake market will help you make the right decisions when buying a watch.
“And now David Bowie: Rock ‘n’ Roll With Me is out in the world — perhaps the closest you’ll get to being on tour with Bowie in that era without a time machine and a backstage pass.” — InsideHook
“His photographic memoir reveals untold stories and nearly 150 candid photos.” — The Guardian
“Intimate and full of references so specific you can almost smell the pub carpets and stage make-up” — HuckMag
“Go on tour with David Bowie in an all-new photographic memoir” — Yahoo! Entertainment
David Bowie: Rock ‘n’ Roll with Me is Geoff MacCormack’s remarkable photographic memoir, charting his lifelong friendship with David Bowie. Images bring MacCormack’s stories to life, showing the places he and Bowie inhabited, the people they met and the adventures they shared. Beginning at Burnt Ash Primary school in the mid-1950s, the years go by in a whirlwind of discovering and making music. The book contains nearly 150 photos taken by MacCormack throughout the years, some never seen before: from touring the Ziggy Stardust and Aladdin Sane shows and sailing to New York on a world tour, to Bowie’s first major film The Man Who Fell to Earth and the recording of Station to Station and his Thin White Duke persona.
David Bowie: Rock ‘n’ Roll with Me is an incredible story, told with wit and candour. A must for all Bowie fans, it sheds a rare insight into a friendship where two men shared their love for music from the moment they met to their final goodbyes.
“Capturing the spirit of every Glastonbury since 1992, this coffee table book from award-winning photographer Liam Bailey brings together three decades of revelry and wonder among festivalgoers on Somerset’s most famous dairy farm.” — Redonline.co.uk
“…Iconic Photos That Capture the Messy Essence of Glastonbury.” — VICE
“The book’s images capture the rugged anarchy that spreads through Somerset each year around the solstice.” — MSN
“There are many books about the music scene but few that show punters in all their beautiful variety. Liam Bailey’s long-term documentation has really paid off – this book about the craziness of Glastonbury Festival is terrific.” – Martin Parr
Glastonbury is the striking distillation of over 30 years’ unprecedented photographic access to the world’s largest green-field music and performing arts festival. In over 120 memorable images, Liam Bailey invites us to share his experiences of being among its diverse tribes.
Although Glastonbury has evolved into a sprawling fixture of the British summer calendar, this famously vibrant event is still powered by the belief in alternative communal culture. It is this special energy that has kept Bailey returning every year since 1992. Above all, this ‘access all areas’ visual diary makes a case for the positive human potential of over 200,000 people being able to get together in the open air – to enjoy music, performance and each other.
Bailey’s work has been exhibited in the UK and abroad, and appeared in magazines and newspapers including The Independent, The Guardian and Condé Nast Traveller.
From ‘Cowtown’ to the biggest town in Ohio, Columbus has always been an incubator for new ideas and products. There’s always something to do and something for everyone, whether attending one of the many professional and amateur sporting events; experiencing fine dining or experimenting with exotic cuisine; or participating in the city’s vivid, nonstop arts and cultural scene. A hidden gem that stands on its own, Columbus keeps people coming back for more.
Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love – impossible to manufacture or hide. They were also recognized by body language – evidence as subtle as one hand barely grazing another – and by inscriptions, often coded.
Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots – over 100 years of social history and the development of photography.
Loving will be produced to the highest standards in illustrated book publishing, The photographs – many fragile from age or handling – have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world’s elite printers. Loving, the book, will be up to the measure of its message in every way.
In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope – indeed human connectivity – are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.
Austin is most definitely weird If by “weird”, you mean quirky, offbeat, intriguing, and utterly lovable. The city shares that uniquely Texan pride of place, and yet it has an independent spirit and character all its own. Locals and visitors alike should look no further than these pages to explore some of the weirdest corners of Austin. Try out the latest innovations in a technology petting zoo. Get your car washed among giant dinosaurs. If you dare, spend some time in a garden inspired by Alice Cooper. Soak up the sun on the only official nude beach in Texas. And, of course, in the city of music and food, catch a live show at the spot where Janis Joplin got her start, or enjoy soul food and soul music in someone’s big backyard. Savor some of the best tacos and tamales in a city known for amazing Mexican food.
In this guidebook, you’ll find out where all the secrets are hidden and learn the unknown stories behind them too. Whether you’ve lived here all your life, you’re just passing through, or something in between, you’ll become even more enamored with the capital of Texas in all its inventive, unabashed – and weird – glory.
“Rare and Striking photos…” — Vanity Fair France
“…the book does not just focus on Prince’s best known looks, but creates a sense of the man himself, and all the elements that afford him ‘icon’ status during his decades-long career..” — Digital Camera Magazine
“A New Prince Photography Book Cements His Status as an ‘Icon’— And It’s Already a Bestseller” — Billboard
“…Prince: Icon is a sumptuous and luxuriously produced volume gathering together portraits, album covers, photographs of performances and rehearsals, rarely seen private moments, and candid snapshots of Prince.” — Arts & Collections Magazine
This sumptuous and luxuriously produced volume gathers portraits, album covers, photographs of performances and rehearsals, rarely seen private moments, and candid snapshots of Prince, one of the greatest singer-songwriters of his generation. This collection from ACC Art Books & Iconic Images – publishers of the bestselling book Bowie: Icon – was curated in consultation with Steve Parke, and its impact is both powerful, and inspiring. With images by renowned and little-known photographers from around the world, close friends, and colleagues, the result is the most opulent visual anthology of Prince that has ever been published. Accompanying personal essays and reflections offer unprecedented insight into what he was like: from memories of the earliest days in Minneapolis to touring the world, each contributor shares their memories and experiences of working with – and knowing – this legendary artist.