Guía Domingo: Tacos Monterrey is the fourth volume of a project born to celebrate one of Mexico’s most powerful shared rituals: tacos. In a city shaped by fire, work, and character, taco culture takes on a distinct identity—direct, generous, and deeply rooted in tradition.

This volume explores Monterrey through its taquerías: places defined by mastery of the grill, respect for the tortilla, and a relentless pursuit of flavor. Each selection reflects not trends, but substance—legacy spots, new voices, and tacos that speak clearly of where they come from.

Built through careful research and close collaboration with the city’s taco community, this book lives at the intersection of food, photography, design, and culture. More than a guide, Guía Domingo: Tacos Monterrey is a record of how Monterrey eats, gathers, and expresses itself—one taco at a time.

With exhibitions around the world and extensive media attention, the centenary of Monet’s passing in 2026 will be celebrated with due fanfare; and this luxurious book is a fitting and timely accompaniment, covering all of Monet’s key works in a beautifully presented, large-format monograph.

Claude Monet, who remains one of the world’s best-known and beloved artists, spent 70 of his 86 years with paintbrush in hand, drawing strength from constant renewal from reinvention. He embodied the beginnings of Impressionism, then defined it. Few artists have enjoyed such longevity or demonstrated such inventiveness. Monet traces this career, drawing on a rich iconography that includes the ‘must haves’ as well as lesser-known and sometimes surprising works. Author Marianne Mathieu allows us to (re)discover the painter and the man in his simplicity and his daily routine. She immerses the reader in the light and the color that characterized and shaped Monet’s work.

In her vibrant paintings, Shirley Villavicencio Pizango (1988, Peru) uses memories, family stories, and personal encounters to create poetic portraits of friends, family, and strangers. Her figures appear in settings steeped in symbolism: lush Amazonian flora, ceramic motifs, and geometric patterns reminiscent of Inca culture. At the same time, she draws inspiration from the European painting tradition, in which colour and form acquire emotional power. Villavicencio Pizango doesn’t shy away from broader social themes either, such as gender, diversity and identity in a Western context. Publication in collaboration with Gallery Sofie Van de Velde.