“This book immediately becomes the reference on how to create exhibitions in modern museums and how to work through the complexities of the exhibition development process, and it does so with humour, flair, and great understanding of the hard work involved.” – Russell Briggs, Director Engagement, Exhibitions & Cultural Connection, Australian Museum

“This method is an indispensable tool for all museum professionals: from director and curator to project manager and marketeer.” – Wim van der Weiden Founder of EMA

Developing Exhibitions describes an extensive in-depth methodology and practical framework on the development and production of exhibitions. It is a manual, with schemes and systems and a focus on the processes, and on the practice of developing content and storylines. As there is no other such clear-cut manual at present, it is already clear it will be used by several courses and programmes. 

“One of the world’s most complete, resonant art mediums (which) submits to spectacular skill and structural concepts” – Roberta Smith, New York Times These are exciting times for Japanese bamboo art. May 2017 saw the opening of Japan House São Paulo, whose inaugural exhibition ‘Bamboo: The Material That Built Japan’ drew over 300,000 visitors. From June 2017 to February 2018 the Metropolitan Museum of Art in New York mounted another bamboo show that was seen by about 400,000. From 27 November, the Musée du quai Branly in Paris will present the largest-ever exhibition on the subject. This authoritative catalog of 323 works from the Naej Collection thus appears at a moment when a new global audience has emerged. The Naej Collection is especially strong in works by leading artists from 1850 to 1950, when great craft dynasties were established and first Osaka and then Tokyo emerged as major centers of artistic basketry. The catalog breaks new ground by combining dramatic photography with precious documentary information drawn from signatures and inscriptions, making it not merely the visual record of a great collection but the essential reference work for a developing field of connoisseurship.

Text in English, Japanese and simplified Chinese.

In the publication TSATSAS. past, present, future, Esther and Dimitrios Tsatsas present an exciting and informative glimpse into their artistic oeuvre to mark the 10th anniversary of their business. The designer couple have been developing high-end handcrafted leather bags and accessories since 2012, eschewing established parameters of design and interweaving and developing the traditional Offenbach am Main (Germany) bag-makers’ craft with their own cutting-edge design vernacular. The publication illustrates the varied work processes that go into creating their accessories, from the concept and the transformation of this traditional craft to their sources of inspiration in art, design, and architecture.

Text in English and German.

Some people still experience personal branding as a show of ego. Which it can be.

Most people see personal branding as a tool for business growth and wealth, which it is.

But there are more fulfilling reasons to engage in the process of personal branding like building intellectual legacy and becoming a brave new human. If you want to engage in building a legacy, but not want to be blindsided by aspects like fame and hunt for money, then this is the book on personal branding you need. It offers you the complete range of what it can mean to you, not only the social media aspect.

“With this book, ianka succeeds in describing personal branding on a strategic level. ianka’s broad professional background makes this book particularly strong and valuable. She has experienced nearly everything a personal brand can go through in her career. A look behind the scenes and the sharing of that experience adds immense value. I highly recommend this book to everyone!” — Steven Van Belleghem, entrepreneur and author

“In a world of information overload and AI, developing your own authentic voice is more important than ever. How do you build unique visibility in a world of the Never Normal? ianka has written a wonderful book that makes you reflect on your own journey, your own development, and how you can find and strengthen that unique voice.” — Peter Hinssen, entrepreneur and author

“ianka has not only dared to breathe new life into an existing concept, but she has also ventured to create a book tailored to each individual reader. I sincerely wish I had been able to read this book much earlier because it helps me as a person, but also because it helps me make companies and their leaders better.” — Rik Vera, business philosopher and author

Some people still experience personal branding as a show of ego. Which it can be.

Most people see personal branding as a tool for business growth and wealth, which it is.

But there are more fulfilling reasons to engage in the process of personal branding like building intellectual legacy and becoming a brave new human. If you want to engage in building a legacy, but not want to be blindsided by aspects like fame and hunt for money, then this is the book on personal branding you need. It offers you the complete range of what it can mean to you, not only the social media aspect.

“With this book, ianka succeeds in describing personal branding on a strategic level. ianka’s broad professional background makes this book particularly strong and valuable. She has experienced nearly everything a personal brand can go through in her career. A look behind the scenes and the sharing of that experience adds immense value. I highly recommend this book to everyone!” — Steven Van Belleghem, entrepreneur and author

“In a world of information overload and AI, developing your own authentic voice is more important than ever. How do you build unique visibility in a world of the Never Normal? ianka has written a wonderful book that makes you reflect on your own journey, your own development, and how you can find and strengthen that unique voice.” — Peter Hinssen, entrepreneur and author

“ianka has not only dared to breathe new life into an existing concept, but she has also ventured to create a book tailored to each individual reader. I sincerely wish I had been able to read this book much earlier because it helps me as a person, but also because it helps me make companies and their leaders better.” — Rik Vera, business philosopher and author

Artisans of Israel is a very special book on crafts. Author Lynn Holstein is in search of a national identity in the artisanry of the still young country – and she finds it in the unifying pursuit for innovation. Forty artists, including Jews, Muslims and Christians, tell their stories and show in five different trades how emancipation can be promoted through creativity. Working with one’s hands stands unfailingly at the centre of this reflection. From the hybrid of cultural and religious backgrounds emerges a unique compilation that brings together the fields of metalwork and jewellery, ceramics, textiles, paper and wood. This compilation portrays a sensitive and inspiring portrait of Israel and its inhabitants. This book accompanies an exhibition at The Open Museum, Tefen (IL), in January 2018.

Text in English, Hebrew and Arabic.

Kashmir is a distinct region that has yet to be fully explored. The authors ‘tell’ human stories visually, against an awe inspiring natural backdrop. Their compelling and magical pictorial journey ushers the reader through the Valley, celebrating the ethereal beauty and the cultural diversity of this exotic land, as well as marking the shades of change and transition. It is a book painted with the lesser known colors, embracing the layers and textures which lie beyond the known dimensions of Kashmir. Breathtaking photographs in varying shades and angles, supported by well-researched relevant text, are the tools to communicate to the reader the sense of a classical Kashmir. This is a land with an inherent rich culture, and Alluring Kashmir sets its exotic landscapes against unfamiliar facts and fables, and the intimate aspects of daily life. The reader becomes part of a thriving society, which is waiting to match steps with the rest of the world despite huge challenges.

We move from crisis to crisis, our climate is changing, and growing civil unrest could lead to violence or even civil war(s). We need a longer-term vision to bring hope and embed sustainable, real solutions in the way we live and do business. This book is a roadmap to help companies achieve a more positive impact, creating an ‘impact economy’ that considers the impact of our actions, and balances the needs of people and companies with the health of the planet. It presents practical guidance and insights on how to transform a business according to ESG principles, for long-term sustainability.

“For Iris Fishof, a piece of jewelry is not merely an ornament but it can be a reflection of societal history. Her extensive, beautifully illustrated history, “Jewellery in Israel Multicultural Diversity 1948 to the Present” is the first book of its kind. Fishof, an Israeli art historian and curator, begins with folk artists who worked in pre-state Israel and covers the establishment of the Bezalel School of Arts and Crafts in 1906 and the role of immigrants, like the Germans who brought the modernist Bauhaus tradition with them in the 1930s and Yemenites who brought their own intricate silversmith traditions in the 1950s. She describes contemporary internationally recognized artists working in various materials and styles, still with a ‘distinctly local flavor’.” – The Jewish Week

In Israel East meets West. Their jewelry traditions blend, resulting in creative innovations. In the 1930s, European immigrants introduced the spirit of the Bauhaus, while oriental craftsmanship was invigorated in the 1950s and 1960s by immigration from Islamic countries. State jewelry companies preserved traditional crafts, while at the same time developing a new and elegant style, designed to express the national identity of the still young state of Israel. There are important links between native jewelry makers and European and American jewelry artists, who were guest lecturers at the Bezalel Academy of Art and Design in the 1970s and had a lasting influence on Israeli artists. The transition to art jewelry was finally completed in the 1980s, paving the way for artists who are now internationally renowned. A further chapter is dedicated to contemporary works by some outstanding young artists. Although their works are part of the global jewelry scene, they are also dedicated to their homeland, for example through unequivocal references to local political tensions.

Artists (a selection): Bianca Eshel Gershuni, Esther Knobel, Deganit Stern Schocken, Vered Kaminski, Attai Chen.

Vessel | Sculpture refers to the direction studio pottery has taken since the mid-20th century, developing from primarily functional vessels to artistically designed vessels, ceramic sculpture, installation and conceptual art. The aim is to trace the history of how ceramics has evolved and developed into an autonomous art medium, which is continually self-renewing. Focused on the GRASSI Museum’s collection of contemporary ceramic work since 1946 when Germany was divided into East and West after the World War II, this book provides a fascinating and instructive overview of developments and trends in the two Germanys. Moreover, a broad-ranging selection of works by ceramicists now active in both the new and the old Federal German states is supplemented by contemporary pieces from all over the world. The publication is devoted to one-off pieces and limited editions from the past six decades. Reproductions in large formats of approximately four hundred selected objects are accompanied by biographies of as many artists and their signatures. Text in English & German. Artists include: Gordon Baldwin, Richard Bampi, Hedwig Bollhagen, Jan Bontjes van Beek, Hans Cooper, Dieter Crumbiegel, Anne Currier, Ruth Duckworth, Karl Fulle, Walter Gebauer, Ewen Henderson, Gerd Knäpper, Maria Teresa Kuczynska, Beate Kuhn, Bernard Leach, Heidi Manthey, Sonngard Marcks, Gertraud Möhwald, Colin Pearson, Walter Popp, Gilbert Portanier, Renée Reichenbach, Lucie Rie, Antje Scharfe, Karl Scheid, Ursula Scheid, Tatsuzo Shimaoka, Alev Siesbye, Bärbel Thoelke, Jindra Viková, and many more.

In 2008 and 2013 the GRASSI Museum of Applied Arts in Leipzig presented two representative inventory publications under the title Vessel / Sculpture. German and International Ceramics since 1946, which attracted great interest from across the globe and were regarded as standard reference works. This third volume continues the series, against a backdrop of a renewed and extensive increase of modern studio ceramics in the museum’s collection. As in the previous publications, the objects in the book enter into aesthetic dialogues, thus facilitating interesting perspectives in the development of artistic ceramics up to the present day. In doing so it becomes clear how ceramic objects are developing from a servient-functional gesture into ever consistent autonomous artworks yet without necessarily losing the vessel theme. Its multitude of current artists’ biographies and illustrations of makers’ marks make this a highly recommendable reference work.

Contents: Contributions from selected artists: Felicity Aylieff, Thomas Bohle, Werner Bünck, Carmen Dionyse, Allesandro Gallo, Louise Hindsgavl, Beate Kuhn, Sonngard Marcks, Ken Mihara, Sarah Pschorn, Elke Sada, Carolein Smit, Julian Stair, Robert Sturm and Henk Wolvers.

Published to accompany an exhibition at GRASSI Museum of Applied Arts Leipzig (DE), 10 November 2018 – 13 October 2019.

Text in English and German

Although China is the colossus of our times economically, its equally prodigious output of contemporary poetry is relatively unknown. In this anthology, work of the so-called Fourth Generation of poets is selected and introduced by a scholar and former dissident, and translated by a distinguished international team of poets and writers. It offers for the first time in bilingual format the outstanding poetry emerging from a vibrant and rapidly developing cultural scene, and also introduces some of China’s hottest visual artists and their work. An introduction provides an historical and critical framework, while textual commentary and notes, biographical sketches, bibliography, and notes make this a necessary addition to any library of Chinese literature.

Following on from the success of An Opinionated Guide to East London, Hoxton Mini Press are developing a series of ‘opinionated guides’ to aspects of London, each offering concise, highly-curated, insider selections alongside stunning, original photography. Two expert writers, Sujata Burman and Rosa Bertoli of Wallpaper Magazine, have joined forces with architectural photographer Taran Wilkhu to create an unashamedly confident guide to the must-see buildings in London, spanning all the architectural styles: from Art Deco to postmodern, brutalist to futuristic. Over 50 buildings are included alongside four maps with guided city walks. Why buy a guidebook when all information is online? Because people want opinion to cut through the clutter. Contents: Foreword; Introduction; Maps / Walks; Features.

A lot of people sleep on mattresses that are of poor quality. A good night’s rest and a correct sleeping posture can however prevent the onset of a number of common back problems. Roughly 8 out of 10 people suffer from severe back pain at some point during their lives. Of those, almost 10% go on to develop chronic back problems. Sleep Without Back Pain helps you to minimize the risk of developing back pain. What should you look for when buying a mattress? Should you be thinking in terms of sleeping on an orthopedic or memory foam mattress? And which is the best position for sleeping? After reading this book you will be as informed as your physiotherapist or general practitioner (or even more so) about the benefits of a healthy spine.

Welcome to the vibrant world of Maria Gabriela Brito, the New York-based interior designer, tastemaker, and authority on mixing contemporary art with home decoration. Venezuelan-born and Harvard-educated, Brito has demystified the art of art collecting, with the objective of creating stunning, unique, and personal spaces, through her company Lifestyling® by Maria Gabriela Brito. A fascinating look into Brito’s personal experiences, and an insider’s guide to designing interiors and developing an art collection, Out There: Design, Art, Travel, Shopping presents with insight, humor, and flair the inspirations behind Brito’s work and interests. Featuring highlights of her favorite contemporary artists, photographs of eight New York City apartments that she designed, and an extensive Address Book of Brito’s favorite galleries, shops, and hotels worldwide, Out There is a fresh and exclusive look behind the scenes of a passionate and exciting new design authority.

Peggy Liechti, Andreas Graf and Lukas Zumsteg have been working in Brugg since 1992, developing an architectural oeuvre with individual buildings that have been conceived with great care and precision. They are all atmospheric buildings that have a great coherence with their surroundings, despite their highly contrasting building programmes.

Text in English and German.

To feature house designs through the decades, The Japanese House: Architecture and Life after 1945 includes 75 houses by over 50 architects. The projects are divided into 13 themes such as Earthy Concrete, Play, and Unmarketable and presented using models, drawings, and photographs. The Japanese have experienced drastic social and environmental changes related to the WW II recovery period leading to rapid economic growth, pollution, the bubble economy and collapse, and natural disasters. Commissioned by individual homeowners, Japanese architects have responded to these changes by developing ideas for new ways of living, expressed through the architecture of the house. A distinguishing feature of Japan is the large proportion of young people owning land and engaging architects. These clients have generally studied residential designs closely before approaching the architect, therefore the resulting new homes tend to be on the experimental side. Text in English and Japanese.

The baking industry has seen a developing momentum in recent years. The competition is stiff; it’s not just the quality of the food that attracts customers, so it’s often necessary to ensure the design of the bakery itself is both creative and eye catching, while still being functional. A well-designed store can not only increase sales, but also help develop a brand identity. This book includes fifty bakery designs from all over the world, including Spain, Greece, Canada, Italy, Poland, Portugal, Singapore, Israel, the USA, Germany, Vietnam, Indonesia, Turkey, China, Japan, Brazil, Romania, Thailand, Austria, Lebanon, and France. The designers responsible exhaustively examine their projects in order to illustrate the design process.

This highly anticipated monograph focuses on the architectural output of Enrique Browne, a talented and prolific Chilean architect and co-founder of Browne & Swett Arquitectos, based in Santiago. Over the last 40 years, this South American architect has been trying to reconcile natural and artificial worlds through architecture. They are one indissoluble unity. This book showcases in rich photographic detail how his innovative projects incorporate multiple environmental aspects that result in a complex, layered response to the challenges of place, form and identity in Chile.

Browne’s practice has developed architectural designs in a diverse range of scales, with emphasis on sustainability and energy efficiency. This volume delves into Browne’s processes, such as developing variations of the “grapevinestructure typology” to create a “double green skin” as a green wall (or roof), to protect dwellings from the region’s strong westerly sun; or combining vegetation and its oxygenation benefits with building to counter pollution; or using both artificial and natural light as a material for illuminating spaces or volume. This book also includes commentary on the new zeitgeist surrounding modernity and the impacts of the digital and globalized world on architecture today. Highly regarded, and a prolific writer and designer, Enrique Browne has a unique way of looking at the world. Showcasing the wide range of his design, this title is sure to impress.

Documentary photographer William E. Crawford spent three decades documenting Vietnam, and in particular Hanoi, its people and the surrounding countryside. As one of the very first Western photographers to work in post-war North Vietnam, Crawford was drawn back to the country numerous times at regular intervals between 1985 and 2015 to record this fascinating country’s culture, people, and society with beautiful, compelling and intimate photographs, concentrating on colonial and indigenous architecture, urban details, portraits, and landscapes. In 1986, the Vietnam’s Communist leadership began to shift from a Soviet-style central planning model toward free-market economic reforms. As a result, Hanoi has been transformed over the last three decades, becoming an example of how traditional Asian and developing cities have often been torn down or allowed to crumble – only to re-emerge in a ‘modernized’ form. Unlike photo-journalism, which is interested in the theatre of the moment, Crawford’s evocative and powerful photography chronicles life throughout Hanoi and its surroundings over the course of the last three decades. Filled with full-color photographs and informative essays on his experiences and the people he encountered, Crawford’s work – showcased in this beautifully presented volume – provides a unique visual catalogue of the evolution of a city and its inhabitants, and particularly the complex historical area known as The 36 Streets.

To understand the development of private gardens, one must accept that there is no classroom that can explain how approaching such a project is accomplished. It is a long journey that is ignited in those who begin to pursue a passion for garden design. Beginning with, first, the study of plants and the wonder of all their characteristics, this knowledge then needs to be combined with a solid understanding of the mathematics of geometry and the use of scale and the relationship of proportions. Landscape designers must progress on to developing a style that fits a designer’s personality while, at the same time, expanding the vision for each landscape. Garden design seems simple, but actually it is very complicated work.

This book covers nearly 40 beautiful private gardens from all over the world, including traditional European gardens, American gardens, Japanese gardens and a number of gardens from Southeast Asia, with a wealth of high-res photos, floor plans, sketches and plant details to show the beautiful view of gardens. This will undoubtedly provide design tips for designers who want to stand out in the field of private garden design.

Melle Smets and Joost van Onna took only twelve weeks to assemble Turtle 1, a car built entirely from recycled parts. Made in Africa, Turtle 1 is entirely suited to the local context, sufficiently sturdy to resist the climate and the road conditions, and easy to operate.This book is part of an extensive documentation of the project; this documentation spans several years and has used exhibitions, films and apps to tell the story of this great idea. The automobile industry is monopolised by multinational companies who care only for profit, and constantly seek to outbid each other by developing ever more sophisticated technology. The majority of people outside of the Western world have little access to this market. However, Turtle 1: Building a Car in Africa proves how people’s ingenuity can tackle any challenge. Dutch artist Melle Smets and sociologist Joost van Onna went to Suame Magazine in Ghana, one of the largest industrial areas in sub-Saharan Africa where some 200,000 people dismantle and repair cars and sell used spare parts. Their aim was not only to develop a totally new type of car but, more importantly, to boost autonomy and self-reliance in an attempt to be free from global economic interests. Within two years, the vehicle attracted much attention from the public and the media both in Africa and the Netherlands, prompting Smets and van Onna to create the conditions for producing the car on a small, local scale. The production, however, never took off as their Ghanaian partners had other intentions in spite of all success. While Smets and van Onna promoted their recycling model, the Africans had tragically begun to work on a luxury version of the car. A homage to a project that was never fully realised, this book is a succinct demonstration of humanity’s ability to overcome odds. Exhibition runs until 28 August 2016, Project Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.