“This book immediately becomes the reference on how to create exhibitions in modern museums and how to work through the complexities of the exhibition development process, and it does so with humour, flair, and great understanding of the hard work involved.” – Russell Briggs, Director Engagement, Exhibitions & Cultural Connection, Australian Museum
“This method is an indispensable tool for all museum professionals: from director and curator to project manager and marketeer.” – Wim van der Weiden Founder of EMA
Developing Exhibitions describes an extensive in-depth methodology and practical framework on the development and production of exhibitions. It is a manual, with schemes and systems and a focus on the processes, and on the practice of developing content and storylines. As there is no other such clear-cut manual at present, it is already clear it will be used by several courses and programmes.
In the publication TSATSAS. past, present, future, Esther and Dimitrios Tsatsas present an exciting and informative glimpse into their artistic oeuvre to mark the 10th anniversary of their business. The designer couple have been developing high-end handcrafted leather bags and accessories since 2012, eschewing established parameters of design and interweaving and developing the traditional Offenbach am Main (Germany) bag-makers’ craft with their own cutting-edge design vernacular. The publication illustrates the varied work processes that go into creating their accessories, from the concept and the transformation of this traditional craft to their sources of inspiration in art, design, and architecture.
Text in English and German.
Some people still experience personal branding as a show of ego. Which it can be.
Most people see personal branding as a tool for business growth and wealth, which it is.
But there are more fulfilling reasons to engage in the process of personal branding like building intellectual legacy and becoming a brave new human. If you want to engage in building a legacy, but not want to be blindsided by aspects like fame and hunt for money, then this is the book on personal branding you need. It offers you the complete range of what it can mean to you, not only the social media aspect.
“With this book, ianka succeeds in describing personal branding on a strategic level. ianka’s broad professional background makes this book particularly strong and valuable. She has experienced nearly everything a personal brand can go through in her career. A look behind the scenes and the sharing of that experience adds immense value. I highly recommend this book to everyone!” — Steven Van Belleghem, entrepreneur and author
“In a world of information overload and AI, developing your own authentic voice is more important than ever. How do you build unique visibility in a world of the Never Normal? ianka has written a wonderful book that makes you reflect on your own journey, your own development, and how you can find and strengthen that unique voice.” — Peter Hinssen, entrepreneur and author
“ianka has not only dared to breathe new life into an existing concept, but she has also ventured to create a book tailored to each individual reader. I sincerely wish I had been able to read this book much earlier because it helps me as a person, but also because it helps me make companies and their leaders better.” — Rik Vera, business philosopher and author
Some people still experience personal branding as a show of ego. Which it can be.
Most people see personal branding as a tool for business growth and wealth, which it is.
But there are more fulfilling reasons to engage in the process of personal branding like building intellectual legacy and becoming a brave new human. If you want to engage in building a legacy, but not want to be blindsided by aspects like fame and hunt for money, then this is the book on personal branding you need. It offers you the complete range of what it can mean to you, not only the social media aspect.
“With this book, ianka succeeds in describing personal branding on a strategic level. ianka’s broad professional background makes this book particularly strong and valuable. She has experienced nearly everything a personal brand can go through in her career. A look behind the scenes and the sharing of that experience adds immense value. I highly recommend this book to everyone!” — Steven Van Belleghem, entrepreneur and author
“In a world of information overload and AI, developing your own authentic voice is more important than ever. How do you build unique visibility in a world of the Never Normal? ianka has written a wonderful book that makes you reflect on your own journey, your own development, and how you can find and strengthen that unique voice.” — Peter Hinssen, entrepreneur and author
“ianka has not only dared to breathe new life into an existing concept, but she has also ventured to create a book tailored to each individual reader. I sincerely wish I had been able to read this book much earlier because it helps me as a person, but also because it helps me make companies and their leaders better.” — Rik Vera, business philosopher and author
We move from crisis to crisis, our climate is changing, and growing civil unrest could lead to violence or even civil war(s). We need a longer-term vision to bring hope and embed sustainable, real solutions in the way we live and do business. This book is a roadmap to help companies achieve a more positive impact, creating an ‘impact economy’ that considers the impact of our actions, and balances the needs of people and companies with the health of the planet. It presents practical guidance and insights on how to transform a business according to ESG principles, for long-term sustainability.
To feature house designs through the decades, The Japanese House: Architecture and Life after 1945 includes 75 houses by over 50 architects. The projects are divided into 13 themes such as Earthy Concrete, Play, and Unmarketable and presented using models, drawings, and photographs. The Japanese have experienced drastic social and environmental changes related to the WW II recovery period leading to rapid economic growth, pollution, the bubble economy and collapse, and natural disasters. Commissioned by individual homeowners, Japanese architects have responded to these changes by developing ideas for new ways of living, expressed through the architecture of the house. A distinguishing feature of Japan is the large proportion of young people owning land and engaging architects. These clients have generally studied residential designs closely before approaching the architect, therefore the resulting new homes tend to be on the experimental side. Text in English and Japanese.
The baking industry has seen a developing momentum in recent years. The competition is stiff; it’s not just the quality of the food that attracts customers, so it’s often necessary to ensure the design of the bakery itself is both creative and eye catching, while still being functional. A well-designed store can not only increase sales, but also help develop a brand identity. This book includes fifty bakery designs from all over the world, including Spain, Greece, Canada, Italy, Poland, Portugal, Singapore, Israel, the USA, Germany, Vietnam, Indonesia, Turkey, China, Japan, Brazil, Romania, Thailand, Austria, Lebanon, and France. The designers responsible exhaustively examine their projects in order to illustrate the design process.
This highly anticipated monograph focuses on the architectural output of Enrique Browne, a talented and prolific Chilean architect and co-founder of Browne & Swett Arquitectos, based in Santiago. Over the last 40 years, this South American architect has been trying to reconcile natural and artificial worlds through architecture. They are one indissoluble unity. This book showcases in rich photographic detail how his innovative projects incorporate multiple environmental aspects that result in a complex, layered response to the challenges of place, form and identity in Chile.
Browne’s practice has developed architectural designs in a diverse range of scales, with emphasis on sustainability and energy efficiency. This volume delves into Browne’s processes, such as developing variations of the “grapevinestructure typology” to create a “double green skin” as a green wall (or roof), to protect dwellings from the region’s strong westerly sun; or combining vegetation and its oxygenation benefits with building to counter pollution; or using both artificial and natural light as a material for illuminating spaces or volume. This book also includes commentary on the new zeitgeist surrounding modernity and the impacts of the digital and globalized world on architecture today. Highly regarded, and a prolific writer and designer, Enrique Browne has a unique way of looking at the world. Showcasing the wide range of his design, this title is sure to impress.
Documentary photographer William E. Crawford spent three decades documenting Vietnam, and in particular Hanoi, its people and the surrounding countryside. As one of the very first Western photographers to work in post-war North Vietnam, Crawford was drawn back to the country numerous times at regular intervals between 1985 and 2015 to record this fascinating country’s culture, people, and society with beautiful, compelling and intimate photographs, concentrating on colonial and indigenous architecture, urban details, portraits, and landscapes. In 1986, the Vietnam’s Communist leadership began to shift from a Soviet-style central planning model toward free-market economic reforms. As a result, Hanoi has been transformed over the last three decades, becoming an example of how traditional Asian and developing cities have often been torn down or allowed to crumble – only to re-emerge in a ‘modernized’ form. Unlike photo-journalism, which is interested in the theatre of the moment, Crawford’s evocative and powerful photography chronicles life throughout Hanoi and its surroundings over the course of the last three decades. Filled with full-color photographs and informative essays on his experiences and the people he encountered, Crawford’s work – showcased in this beautifully presented volume – provides a unique visual catalogue of the evolution of a city and its inhabitants, and particularly the complex historical area known as The 36 Streets.
To understand the development of private gardens, one must accept that there is no classroom that can explain how approaching such a project is accomplished. It is a long journey that is ignited in those who begin to pursue a passion for garden design. Beginning with, first, the study of plants and the wonder of all their characteristics, this knowledge then needs to be combined with a solid understanding of the mathematics of geometry and the use of scale and the relationship of proportions. Landscape designers must progress on to developing a style that fits a designer’s personality while, at the same time, expanding the vision for each landscape. Garden design seems simple, but actually it is very complicated work.
This book covers nearly 40 beautiful private gardens from all over the world, including traditional European gardens, American gardens, Japanese gardens and a number of gardens from Southeast Asia, with a wealth of high-res photos, floor plans, sketches and plant details to show the beautiful view of gardens. This will undoubtedly provide design tips for designers who want to stand out in the field of private garden design.
Melle Smets and Joost van Onna took only twelve weeks to assemble Turtle 1, a car built entirely from recycled parts. Made in Africa, Turtle 1 is entirely suited to the local context, sufficiently sturdy to resist the climate and the road conditions, and easy to operate.This book is part of an extensive documentation of the project; this documentation spans several years and has used exhibitions, films and apps to tell the story of this great idea. The automobile industry is monopolised by multinational companies who care only for profit, and constantly seek to outbid each other by developing ever more sophisticated technology. The majority of people outside of the Western world have little access to this market. However, Turtle 1: Building a Car in Africa proves how people’s ingenuity can tackle any challenge. Dutch artist Melle Smets and sociologist Joost van Onna went to Suame Magazine in Ghana, one of the largest industrial areas in sub-Saharan Africa where some 200,000 people dismantle and repair cars and sell used spare parts. Their aim was not only to develop a totally new type of car but, more importantly, to boost autonomy and self-reliance in an attempt to be free from global economic interests. Within two years, the vehicle attracted much attention from the public and the media both in Africa and the Netherlands, prompting Smets and van Onna to create the conditions for producing the car on a small, local scale. The production, however, never took off as their Ghanaian partners had other intentions in spite of all success. While Smets and van Onna promoted their recycling model, the Africans had tragically begun to work on a luxury version of the car. A homage to a project that was never fully realised, this book is a succinct demonstration of humanity’s ability to overcome odds. Exhibition runs until 28 August 2016, Project Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.
Documents on Contemporary Crafts
is a book series published by Norwegian Crafts in collaboration with Arnoldsche Art Publishers. The series provides a critical reflection of contemporary crafts in a wider context and in doing so asks questions about the ties between contemporary craft, fine art and design, thus helping to redefine the concept of crafts as such. The five volumes discuss such topics as skills, materiality, curating, collecting, perception and New Materialism. The more than thirty contributors range from leading craft theorists, such as Jorunn Veiteberg, Glenn Adamson and Liesbeth den Besten, via academics outside the craft tradition, such as Roger L. Kneebone, professor of surgical education, Trevor Marchand, professor of social anthropology, and Margaret Wasz, consultant psychological therapist, to emerging voices like Sarah R. Gilbert, Marianne Zamecznik and Stephen Knott.
No. 1: Museum for Skills. Skills are essential to the crafts discourse. Yet in an art world that for the last 50 years has become increasingly focused on conceptual strategies, we have seen the tendencies of deskilling and outsourcing. In Museum for Skills, the contributors analyze the current situation for skills by drawing on experience from the fields of brain research, surgery and anthropology.
No. 2: Materiality Matters. If materiality is a quality-related concept in both contemporary crafts and contemporary art, are we talking about the same notion? Or is there a fundamental difference between, on one hand, a maker’s confidence in his or her materials, and on the other, a contemporary artist’s use and adaption of a given material?
No. 3: Crafting Exhibitions. Curatorial discourse has been an increasingly important aspect of contemporary art. The curator took on a new role as the ‘author’ of the exhibition. Crafting Exhibitions introduces some of the processes that go into making an exhibition, from developing concepts to the physical realization. The contributors offer different approaches to exhibitions.
No. 4: On Collecting. Collections make up an important part of the contemporary arts and crafts infrastructure. Collectors and museums help improve the financial situation of artists. Additionally, to be included in the ‘right’ collection or museum can give an artist a high level of recognition and preserves the art works for the future. On Collecting offers insights into collecting from different perspectives and sheds light on some of the structures that determine the ‘collectability’ of works of art.
No. 5: Material Perceptions. Contemporary craft objects can be perceived for instance, as works of art in ceramics, glass, textile, metal and wood, or as functional, handmade and everyday objects. Material Perceptions investigates contemporary crafts as representations of reality that do not rely on the concept of autonomy, unravelling the dualism between aesthetic objects and everyday things.
Norwegian Crafts is a non-profit organisation founded by the Norwegian Association for Arts and Crafts in 2012. Norwegian Crafts initiates and produces exhibitions in collaboration with Norwegian and international institutions, curators and artists. The aim is to strengthen the position of contemporary craft from Norway internationally, contribute to the development of the artists’ careers and stimulate further exchange across national borders in the field of crafts.
Jewellery in Context
is the doctoral dissertation, edited by Theo Smeets in its first English translation, by the Dutch art historian and design critic Marjan Unger (1946-2018). In this work she initially endeavours to formulate a general definition of jewelery. Yet above all she also analyzes to what extent jewelery is associated, across the globe, with different, sometimes contrary issues: all human fears, but also desires, have, in a sense, materialized as objects of adornment, she postulates. This comprehensive approach aimed not least at developing a solid theoretical framework to aid the study of jewelery. Thus the text can already be seen as an outright standard reference work, indispensable for all students of jewelery. However, experts, too, will discover new perspectives on the phenomenon of jewelery.
Contents:
Foreword – Theorems; 1. Introduction; 2. Definitions and classifications; 3. Art history as foundation for the study of jewellery; 4. Man as measure; 5. Angles from other disciplines; 6. Symbolism in jewellery; 7. Evaluation; 8. Conclusion.
“A true collector’s item…” — Tim Chan, Rolling Stone
“Filled to the brim with everything from Harry’s colour palettes to his inspiration, this pick combines high-fashion with all the quirkiness we love about HS and it’s just perfect.” — Glamour UK
“Have the best-dressed coffee table by adorning it with this book filled with photos of THE best-dressed man.” — Seventeen Magazine
“It’s a wonderful book… if you’re a Harry Styles fan or not…just have a look at how he wears clothes, look at his influences, and if you are a Harry Styles fan, it’s a double whammy.” — BBC’s Jo Good Show
“This deep dive into some of his most iconic fits is a dream gift for the person who basically spent 2021-2023 living, breathing, and eating Love On Tour.” — Buzzfeed
“I’m incredibly lucky to have an environment where I feel comfortable being myself” – Harry Styles.
Stepping bravely into the cyclone of 21st-century fashions, Harry Styles is more than weathering the storm. Whether he’s breaking the internet with his $7.99 frog-eyed yellow bucket hat or a pair of black fishnets, or fronting cult magazine The Beauty Papers, as he did in March 2021, Hazza’s sparkle knows no boundaries.
Gucci met Styles in 2014, and there was instant chemistry. According to designer Alessandro Michele, Harry is ‘a young Greek God with the attitude of James Dean and a little bit of Mick Jagger’ – and that effortless superstardom certainly radiates from the photos in this collection, which document the heart of Harry’s wardrobe, both on-stage and off.
Part fashion history lesson, pulling references from the rock and roll greats of the past, and part innovation, Harry’s style pays homage to Kurt Cobain and Marc Bolan, Prince and Little Richard, while developing into something authentic and entirely his own. This chic book fizzles with facts about Harry’s styling choices, presenting the star’s most revered looks alongside pictures that trace the roots of each design. With quotes from key designers, this is the perfect gift for any fan.
Crafting a Future is a heartfelt celebration of artisans and their vocational skills. Each region in India has its own distinctive raw materials, craft techniques, textiles, motifs and color palettes, and through her well-researched narrative enriched with numerous stories, Archana Shah demonstrates the diversity and true value of handcrafted textile processes. She believes that handspun, handwoven fabrics made using indigenous fibers and natural materials for dyeing will help create a unique identity for handcrafted textiles, and suggests ways to repurpose the abundant artisanal talent available across the country to rejuvenate this sector. These tenets are woven throughout the book, which is broadly divided into three sections based on natural fibres: cotton from plants, silk from insects and wool from animals. This resonates with Gandhiji’s concept of developing khadi and village industries to rejuvenate the rural economy, and stimulate development through a bottom-up approach.
Beyond its beauty and heritage value, artisanal production is eco-friendly, has a negligible carbon footprint and fulfils most of the United Nations Sustainable Development Goals (SDGs). It has the potential for creating dignified employment opportunities for millions of people in their own regional location, so that they are not compelled by economic constraints to abandon their ancestral professions and migrate to urban slums to earn a meagre livelihood as unskilled laborers. In essence, the book focuses on artisans, their aspirations and fulfilment in their work. It also draws upon their traditional wisdom to address two of the most serious challenges that we face today: growing unemployment and climate change.
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue discusses the topic of globalization and locality through four essays and eleven projects. The essays attempt to observe the tension between the different forces of globalization, which is being widely debated as a distinguishing trend, and also highlight globalization’s impact on local architecture, as well as the various efforts being taken to ensure local identity and distinctive locality in architecture design. The projects, accompanied with full-color photos and text descriptions, demonstrate the many successful attempts in developing design concepts and methods to cope with the globalization trend while maintaining locality. These essays and projects are carefully selected to represent diversity in project locations, and includes locations such as Thailand, India, Japan, and China.
Since 1987, Eileen Joy Liebman and Fernando Villavecchia Obregón have focused on developing housing and measures to existing buildings. Over the years, they have gradually developed an oeuvre with the special qualities of reserve and “silence”. Projects include the careful renovation of the Casa Coderch Milá in Cadaqués (2017) and the Casa in Sant Llorenç (2014), inherently engaging with the rural architecture.
Text in English and German.
The Book of Norman: Norman Sunshine / A Life in Art, brings together more than seven decades of the American artist Norman Sunshine’s painting, sculpture, pencil, charcoal, and digital work, all deftly interwoven into his remarkable life story. Born and raised in Los Angeles, Sunshine began as an illustrator for the entertainment industry and the New York Times, eventually moving into advertising, where he authored some of the most recognizable campaigns of the 1970s. He quickly drew acclaim as a painter of southern California’s soft geometry and quiet loneliness. After moving back to the East Coast, his practice expanded: sometimes through distinctively experimental, Cezanne-like still-lifes, sometimes capturing the austerity of the New England winter, but always developing a visual language equally attuned to the psychological and physical spaces he inhabited.
The Book of Norman is both a memoir of the social and artistic worlds of post-war America and a deep reflection on a life devoted to making art. The art critic Donald Kuspit said of Sunshine’s work that it is, “a classical example of dynamic equilibrium.” That statement is also true of the artist himself.
“With his legendary swag, Norman Anderson, aka Normski, hip-hop ambassador in the United Kingdom since its emergence in the 1980s, is the great archivist of these glory days he captured London to Detroit.” — Rolling Stone France
“The difference between Normski’s photograph of me and any other is that it captures my soul.” — Goldie
“He was a larger-than-life character, full of energy and totally motivating. He really was the hip hop photographer of the day in the UK.” — Stereo MC’s
“This book contains a striking catalogue of images, many of which have been exhibited by establishments such as Tate Britain, the V&A, Somerset House and the Smithsonian National Museum of African American History and Culture.” — Marcus Barnes
“On the heels of Hip-Hop’s 50th anniversary, Man with the Golden Shutter is a celebratory record of hip-hop as much as it is a definitive collection of Normski’s incredible photographs.” — GQ Middle East
Normski was a vital witness to the period known as the Golden Age of Rap, when big US artists like Run DMC, LL Cool J and Public Enemy started to play in the UK. At the same time, a British music scene born of Black music and myriad multicultural influence was developing, giving birth to Jungle, Garage and Techno.
The author, who describes himself as having been a “young Black British homeboy photographer”, was in the right place at the right time to document the emergent music, community and social movements of hip hop and rap in the UK. Normski: Man with the Golden Shutter presents Normski’s personal journey through that world from the mid-1980s to early 1990s.
The book includes Normski’s often previously unseen photographs of Public Enemy, N.W.A., Cypress Hill, De La Soul, Goldie, Ice-T, Run DMC, Wu-Tang Clan and many others, alongside the photographer’s stories and anecdotes from the center of what would become a hugely influential cultural movement.
Long awaited by collectors, scholars, and enthusiasts, this book illustrates the bronze pieces, most of which have never before been published, collected by Syrop during more than 40 years of passionate, attentive, and untiring research.
An architect by profession and a collector by instinct, Arnold Syrop was a pioneer for his interest in this particular area of African material culture, developing what Susan Kloman in her introduction calls “one of the best eyes” in the field of African bronze artefacts.
As remarked by the author/collector in his preface, these bronzes are for the most part “spiritual in nature,” their function being to protect and give strength to their owner.
Text in English and French.
Taking those steps that will lead to your ultimate victory and achieving top performances, everyone dreams of it. In The Ultimate Victory, top sports psychologist Ellen Schouppe teaches you how developing attitudes such as leadership, energy management and mental resilience can leverage your talents. Take your personal development into your own hands, be inspired by top performers and achieve your own goals as a professional in your field, as an athlete, as an entrepreneur, but above all, as a person.
Antoine Leperlier (b. 1953) is a trained visual artist and painter. He has been working as a freelance glass artist since the 1980s, developing his own glass technique based on casting and the lost-wax technique to create large-format translucent and painterly blocks.
In this survey of work spanning more than 40 years, skulls float, snakes are frozen alive, and what looks like abstract watercolors are preserved forever. Time stands still, the universe speaks. His works explore transience and memory, past and future; he stops time, makes moments eternal. Enamel and ceramic inclusions, bubbles, colors, and engravings create colorful, expressive worlds reminiscent of organic forms floating in outer space. This endeavor to capture dynamic images in material form is an approach unique in contemporary glass art.
Text in English and French.
Born in 1935 in France, Jean-Louis Avril studied architecture at École nationale supérieure des Beaux-Arts. Technique is central to his building process. He is passionate about jazz and is interested in American minimal art, particularly the work of Donald Judd. This monograph traces his career and focuses on his furniture, which represents the taste and aspirations of a generation of baby boomers. The choice of Celloderm, a derivative of cardboard, allows for a simple and accurate design language. The solutions display strong ideas: a beautiful shape, a practical function, an accessible price. His creations are very successful. With the creation of the company Marty-Lac (Carton Applications) in 1967 associated with his father-in-law, he achieved commercial success by developing numerous models of furniture, seats, tables, bed, shelves and lighting. They offer a strategy, a catalog, sales outlet and export to England with Hull traders. Faithful to his commitment as an architect, he also imagines interior spaces with great spatial efficiency.
Text in French.
You’ve heard of the “Starchitects.” Now meet the “Marketects.” This monograph spans all twenty-five years of Powers Brown Architecture and evinces why all clients deserve good design.
“Marketecture,” a term coined by Powers Brown Architecture as an antithesis to the “Starchitecture,” is a market-driven strategy for striving for the best design solutions for all clients. Through this bottom-up approach, Powers Brown seeks cutting-edge solutions that elevate a seemingly mundane building type beyond client expectations. Its dedication to working with clients to develop cost-effective, market-driven buildings without sacrificing good design has resulted in a broad range of commercial projects that respond to everyday pragmatics while still exhibiting strong architectural ideas and developing new technologies along the way.
In Powers Brown Architecture: Commodity and Virtue in Architecture, the firm presents a curated collection of work that spans its entire twenty-five years in practice and includes projects not covered in earlier publications. The body of work evinces the disciplined structure of the practice itself over a predominant style or form.
Projects such as Hillel Student Center in Washington, D.C. and the Transit Terminal in Galveston, Texas showcase the firm’s approach to public work. Frank’s International and Seismic Exchange explore the possibilities of corporate architecture to create place as much as to make a statement. Arabella showcases the potential for variety, rather than repetition, in a condominium building, and the Thompson Hotel & Arts Residences in San Antonio navigates pedestrian scale in a twenty-storey tower. POST covers the commitment to resiliency and the future of the planet, while MEDDNet™ transforms urban design tactics into a national-scale disaster relief strategy.
The introduction is by journalist Stephen Sharpe, who has covered Powers Brown’s work for nearly twenty years. An extended essay by principal Jeffrey Brown, FAIA, situates the firm’s position at the conversational threshold of scepticism about “Starchitecure” and the reality of everyday architecture, or “Marketecture.” Architecture professor and author Donna Kacmar, FAIA, interviews Brown to reveal the details behind the firm and its work.