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“With his legendary swag, Norman Anderson, aka Normski, hip-hop ambassador in the United Kingdom since its emergence in the 1980s, is the great archivist of these glory days he captured London to Detroit.” — Rolling Stone France
“The difference between Normski’s photograph of me and any other is that it captures my soul.” — Goldie

“He was a larger-than-life character, full of energy and totally motivating. He really was the hip hop photographer of the day in the UK.” — Stereo MC’s
“This book contains a striking catalogue of images, many of which have been exhibited by establishments such as Tate Britain, the V&A, Somerset House and the Smithsonian National Museum of African American History and Culture.” — Marcus Barnes

“On the heels of Hip-Hop’s 50th anniversary, Man with the Golden Shutter is a celebratory record of hip-hop as much as it is a definitive collection of Normski’s incredible photographs.” — GQ Middle East

Normski was a vital witness to the period known as the Golden Age of Rap, when big US artists like Run DMC, LL Cool J and Public Enemy started to play in the UK. At the same time, a British music scene born of Black music and myriad multicultural influence was developing, giving birth to Jungle, Garage and Techno.

The author, who describes himself as having been a “young Black British homeboy photographer”, was in the right place at the right time to document the emergent music, community and social movements of hip hop and rap in the UK. Normski: Man with the Golden Shutter presents Normski’s personal journey through that world from the mid-1980s to early 1990s.

The book includes Normski’s often previously unseen photographs of Public Enemy, N.W.A., Cypress Hill, De La Soul, Goldie, Ice-T, Run DMC, Wu-Tang Clan and many others, alongside the photographer’s stories and anecdotes from the center of what would become a hugely influential cultural movement.

Long awaited by collectors, scholars, and enthusiasts, this book illustrates the bronze pieces, most of which have never before been published, collected by Syrop during more than 40 years of passionate, attentive, and untiring research.

An architect by profession and a collector by instinct, Arnold Syrop was a pioneer for his interest in this particular area of African material culture, developing what Susan Kloman in her introduction calls “one of the best eyes” in the field of African bronze artefacts.

As remarked by the author/collector in his preface, these bronzes are for the most part “spiritual in nature,” their function being to protect and give strength to their owner.

Text in English and French.

Taking those steps that will lead to your ultimate victory and achieving top performances, everyone dreams of it. In The Ultimate Victory, top sports psychologist Ellen Schouppe teaches you how developing attitudes such as leadership, energy management and mental resilience can leverage your talents. Take your personal development into your own hands, be inspired by top performers and achieve your own goals as a professional in your field, as an athlete, as an entrepreneur, but above all, as a person.

Antoine Leperlier (b. 1953) is a trained visual artist and painter. He has been working as a freelance glass artist since the 1980s, developing his own glass technique based on casting and the lost-wax technique to create large-format translucent and painterly blocks.

In this survey of work spanning more than 40 years, skulls float, snakes are frozen alive, and what looks like abstract watercolors are preserved forever. Time stands still, the universe speaks. His works explore transience and memory, past and future; he stops time, makes moments eternal. Enamel and ceramic inclusions, bubbles, colors, and engravings create colorful, expressive worlds reminiscent of organic forms floating in outer space. This endeavor to capture dynamic images in material form is an approach unique in contemporary glass art.

Text in English and French.

Born in 1935 in France, Jean-Louis Avril studied architecture at École nationale supérieure des Beaux-Arts. Technique is central to his building process. He is passionate about jazz and is interested in American minimal art, particularly the work of Donald Judd. This monograph traces his career and focuses on his furniture, which represents the taste and aspirations of a generation of baby boomers. The choice of Celloderm, a derivative of cardboard, allows for a simple and accurate design language. The solutions display strong ideas: a beautiful shape, a practical function, an accessible price. His creations are very successful. With the creation of the company Marty-Lac (Carton Applications) in 1967 associated with his father-in-law, he achieved commercial success by developing numerous models of furniture, seats, tables, bed, shelves and lighting. They offer a strategy, a catalog, sales outlet and export to England with Hull traders. Faithful to his commitment as an architect, he also imagines interior spaces with great spatial efficiency.

Text in French.

Using works donated by contemporary Indian artists, this book encourages the development of cognitive skills among babies, whose early vision is limited to discerning only bold images in black and white. Infant learning therapies focused on developing the aural senses long in practice, are now balanced by this innovative publication by Rudritara Shroff.

Contributing artists include Dhruvi Acharya, Jyoti Bhatt, Jyotsna Bhatt, Jogen Chowdhury, Atul Dodiya, Anju Dodiya, Shilpa Gupta, N. S. Harsha, Bijoy Jain, Reena Saini Kallat, Shakuntala Kulkarni, Manish Nai, Amol K Patil, Gigi Scaria, Sudarshan Shetty.

“Beauty is the quality or qualities that give pleasure to the senses or mind. These qualities are both tangible and intangible, creating a visual and perceptual experience that stirs an emotional response. This collection of work showcases beauty in architecture and design. We are on a continual exploration of how to make beautiful buildings, spaces, and objects, always developing our knowledge and experience of what is beautiful, as it is manifested and perceived in different ways.

While some architects work in one style, continuously refining and perfecting it, I love to explore different styles and to learn, discover, and evolve. I grew up in America and have traveled, lived, and studied around the world. Now in Indonesia for more than thirty years, I bring this broad understanding and perspective to our work, while always being inspired by and embracing Indonesian culture, tradition, and the sharing of ideas. It’s this fusion and approach that sets my work apart.

The words you’ve encountered in this book are some of the ways in which we manifest beauty in our work. These words reflect both the physical and sensorial qualities in a design. Sometimes you see them, such as the materiality, palette, and light. Sometimes you feel them, such as anticipation and transitions. These qualities are all highly considered and carefully layered to create residential, commercial, and hospitality spaces that we characterize as “comfort luxury” and that have a positive emotional affect. They are spaces for people to feel at home; oases to enjoy after a long day.

Crafting the spaces comes from thoughtful consideration of the journey through a house, and what people will see and feel as they transition from space to space—from public to private, from collective spaces to sanctuaries.” – Thomas Elliott (from the Afterword)

Originating from Montreal but with a global perspective, ACDF, the subject of this monograph, perfectly embodies the dynamic interplay of dichotomies. Balancing the contrasts of black and white, glossy and matte, French and English, ACDF’s projects are a masterclass in navigating these polarities. They infuse new vitality into the contrasts of colour, texture, form, and functional design. ACDF is the perfect blend of North American pragmatism and European flair. The studio is a rich mix of logical thinkers and hopeless romantics; its approach is methodical and exploratory, balancing efficiency and creativity.

FRAME provides an unfiltered view of ACDF within these pages, tracing its evolution from a nascent idea to a fully realized architectural studio. The texts also delve into establishing the firm’s core values, its workspace design, and Montreal’s influence on its growth. Anecdotes from Maxime Frappier, the firm’s principal interviewed throughout this book, offer a vivid depiction of the exhilarating chaos and thrill of creating something new.

ACDF’s projects move away from ego-driven architecture and towards a more context-sensitive, user-centered approach. This prompts us to re-evaluate our understanding of good architecture and encourages us to explore new methods of developing captivating and resilient built environments.

The stomach is not only the way to the heart. In a humorous way, the cookbook by Gabriele Edlbauer and Julia S. Goodman, two artists living and working in Vienna, addresses complex feelings and hard truths through chicken recipes. Similar to Engagement Chicken, published by US cookbook author Ina Garten, the 18 recipes in If You Can’t Say It with Words, Say It with Chicken are designed to help readers communicate emotionally difficult announcements.

In developing the book, the authors were inspired by their very different cultural backgrounds. Julia Goodman’s ancestors were mostly Eastern European Jews who emigrated to the USA at the beginning of the 20th century. Gabriele Edlbauer on the other hand grew up on an organic farm in the predominantly Catholic Mühlviertel region of Upper Austria. The artists worked together to create not only the recipes, but also the props, sculptures, and tableware. In order to highlight the emotions associated with these dishes, the meals were staged in various culinary locations, some of them very unconventional: for example, in a sterile doctor’s surgery in Vienna or in a friend’s dimly lit bathroom.

The result is a book filled with emotional recipes. Accompanied by creative serving suggestions, it invites you to express yourself through chicken!

Interactive installation art is an important medium of artistic expression, generated alongside the development of technology and art throughout the 21st century. This book includes a number of interactive installation projects, dedicating particular attention to how designers convey their message.

Instead of accepting information passively, in an interactive installation the audience is encouraged to communicate directly with the art. This book is divided into three parts: immersive installation (environment), experimental installation (technology), and feedback installation (engagement). Featuring examples drawn from 3D-rendered images, photographs and video projects, this book will explain the relationship between art and technology, and explore some of the ways these fields can be combined. It is a high-quality and practical guidebook, to accompany any interactive installation art exhibition.

This book includes a cross-section of projects from outstanding global design agencies such as teamLab, Dem, and Random International. When placed in conjunction with testaments from practising designers, these examples provide a comprehensive introduction to interactive installation art.

Religion has always been a fundamental force for constructing identity, from antiquity to the contemporary world. The transformation of ancient cults into faith systems, which we recognize now as major world religions, took place in the first millennium AD, in the period we call ‘Late Antiquity’. Our argument is that the creative impetus for both the emergence, and much of the visual distinctiveness of the world religions came in contexts of cultural encounter. Bridging the traditional divide between classical, Asian, Islamic and Western history, this exhibition and its accompanying catalog highlights religious and artistic creativity at points of contact and cultural borders between late antique civilizations.

This catalog features the creation of specific visual languages that belong to five major world religions: Christianity, Judaism, Buddhism, Hinduism and Islam. The imagery still used by these belief systems today is evidence for the development of distinct religious identities in Late Antiquity. Emblematic visual forms like the figure of Buddha and Christ, or Islamic aniconism, only evolved in dialogue with a variety of coexisting visualizations of the sacred. As late antique believers appropriated some competing models and rejected others, they created compelling and long-lived representations of faith, but also revealed their indebtedness to a multitude of contemporaneous religious ideas and images.

Whether you want to convince your co-workers of your ideas in important meetings, or would do anything to have your presentations remembered forever, or want to stand out as a coach and have your ideas last forever in a company, you need to be able to visualize your ideas. Start to Draw is a hands-on guide discussing the positive aspects of drawing and visualizing your ideas in your work environment. It is an accessible, richly illustrated and bite-size book providing insight into why drawing works, how you can have a great impact on your own (and others’) professional work, and how you can end up with a more creative approach to your job.

Made in Cuba features 30 creative professionals, makers and entrepreneurs on the island. Writers and photographers Molly Mandell and James Burke dive into the remarkable DIY (do-it-yourself) culture that permeates every corner of the country. Fueled by limited trade with other parts of the world, this is not just pastimes or craft projects. It is simply an element of day-to-day existence and a testament to the self-reliance, resilience and creativity that is synonymous with Cuban people. The book offers deeply personal accounts of everyone from farmers living almost entirely from their land to artists restoring once-luminous neon signs and designers circulating an independent magazine with a USB distribution network. It also includes guest essays from the likes of singer and composer Daymé Arocena and writer Leonardo Padura. More than a tome on DIY solutions, Made in Cuba is an inside look into everyday life in the capital city of Havana and beyond.

As the first ever organized collection of Delhi’s maps, containing a chronology of magnificent ancient and modern hand-drawings as well as digital maps of the city, this book is as visually stunning as it is informative. Dr Guerrieri describes each map as an individual entity. She gives the maps unique and detailed focus, elaborating on their idiosyncrasies, aesthetic details, and rich historical relevance. The evolution of planning and architecture, which elegantly unfolds through the maps, mirrors the political, social, and historical progression of the capital. Maps of Delhi is both beautiful and stimulating, while also offering deeply insightful commentary that will be appreciated by the most discerning of scholars. It is an indisputable milestone for those wanting to research the capital. The book reveals, as A.G. Krishna Menon notes in the foreword, the charm of printed maps and the many pleasures and insights they offer when they are physically handled. It is a remarkable tribute to a remarkable city.

Jewel Changi Airport documents the creation of a remarkable addition to one of the world’s premier airports. The sinuous, faceted glass Jewel serves as Singapore’s new gateway to the world, and redefines what an airport can be. Brimming with terraced plantings, lush valleys, floating bridges, art installations, shops, restaurants, and a central waterfall, Jewel is a new type of destination: part public garden and part shopping and entertainment complex. Through photos, drawings, ephemera, essays, and interviews, the book provides detailed insights on how the project came to be – from its bold vision and concept to the innovative engineering, environmental, and construction strategies employed to make it a reality.

Moshe Safdie explains that probably more than half of his lifetime design work is unbuilt, and he considers his unbuilt work to be some of his most significant work. In this richly illustrated book, replete with detailed diagrams, sketches, models and studies, Moshe Safdie explains that for those who design in order to build, not succeeding in building is never a failure (there are many reasons why a project might not be built) because these designs are part of the evolution of an architect’s work. This volume is a fascinating journey through Safdie’s thoughts and career, and also a historical reference of the social and political forces at play at the time. Not only a treatise on Safdie’s unrealized concepts, this book is also a wonderful affirmation that there is valuable heritage in the unbuilt.

Includes a number of significant projects from around the globe, including the following:
Habitat Original Proposal, Montreal, Québec, Canada 1964; Habitat New York II, New York, New York, United States 1967; San Francisco State, College Student Union, San Francisco, California, United States 1967; Pompidou Centre, Paris, France 1971; Western Wall Precinct, Jerusalem, Israel 1972; Supreme Court of Israel, Jerusalem, Israel 1985; Columbus Center, New York, New York, United States 1985; Ballet Opera House, Toronto, Ontario, Canada 1987; Museum of Contemporary Art, Stuttgart, Germany 1990; Superconducting Super Collider Laboratory, Waxahachie, Texas, United States 1993; Incheon Airport, Incheon, Korea 2011; Jumeirah Gateway Mosque, Dubai, UAE 2007; National Art Museum of China, Beijing, China 2012.

Tectonism is the most advanced and most sophisticated contemporary architectural style. There are, to date, only relatively a few fully satisfactory built examples, and most of them are still of a relatively modest scale. It is the thesis of this book that tectonism, as defined and illustrated here, represents the future of 21st century architecture. This thesis is optimistic with respect to the long-term rationality of the discipline of architecture, i.e. with respect to its capacity to discern and ascertain, via its internal discourse, the superiority of tectonism, and to spread its influence and impact as global best practice accordingly. This optimism also extends to the rationality of the wider society, as represented through private clients, public clients, and through end-user acceptance, to be susceptible to the guidance it will receive from its architectural expert discourse. This optimism is based on a critical analysis and appraisal of architectural history. The avant-garde intuitions of the early modernists in the 1920s, backed up by sound theoretical arguments, did win over the discipline in the 1930s and 1940s, and spread its real impact on the global built environment throughout the 1950s, 1960s and 1970s. The current avant-garde intuitions within the movement of tectonism, although very different from modernism, are equally well thought through as the arguments in this book will attempt to demonstrate. — From the Introduction, by Patrik Schumacher

Companies face increasingly turbulent times. To what extent are the traditional strategy models still relevant to deal with this new environment? This new book presents how to analyze turbulent environments, how to build new strategies, and how to implement them. Through many case studies managers of large and smaller companies can learn how to successfully react to fundamental change. It covers these topics: 1. What is turbulence: disruption vs. disturbance. 2. Corporate foresight/sensing turbulence (incl. scenario analysis) 3. Choosing the right turbulence strategy 4. Implementing turbulence strategies

We the Forest aims to ‘rewild the imagination’ by opening children’s eyes afresh to the wonder of forests through a meld of science and contemporary artwork. New scientific discoveries show that the interconnectedness of the forest runs deeper than we ever imagined. This title explores how all life in the forest is linked and our own human connection to and dependence on the forest.

Engaging text evokes the magic of forests – from how trees communicate to their superpowers of regeneration and protection of the planet – accompanied by commissioned illustrations. Interspersed throughout are arresting artworks inspired by forests from a wide variety of contemporary artists: learn to speak in ‘tree’ with Katie Holten’s tree alphabet, peer through Levon Biss’s lens to see what a giant beetle would look like, or witness the terrible beauty of forest fires in Jeff Frost’s photos. Interactive elements encourage the reader in their own creative projects.

When a city is pursuing high-speed development and putting massive infrastructure into construction and operation to enable rapid economic growth and efficient urban operation, it will see, quite possibly, increasingly scarce land and resources. And much of its space for people and life lost to economic development, and worse still, the degradation of the environment and the loss of nature… This disequilibrium has set us thinking: what is exactly the purpose of development? Or is it a choice that’s simply not worth making?

This book includes the research and design project “Shenzhen 2030: Balance is More” by Doreen Heng Liu with NODE Architecture & Urbanism at an invitation to Audi Urban Future Award 2012, as well as interviews and articles by experts and scholars in the field of architecture and urbanism. This project, which takes transportation infrastructures as the object of research and design, attempts to reinterpret, deconstruct and reconstruct Shenzhen’s highly efficient urban roads through an interdisciplinary approach. By establishing new supporting systems and reorganizing urban mobility, it tries to leave more possibilities of “leisure” for people and life within limited space and redefine a new balance between economy, society, and environment – a balance that sustains and brings more.

Text in English and Chinese.

A visual exploration between the work of acclaimed photographer Dirk Braeckman (1985) and symbolist painter Léon Spilliaert (1881-1946). The omnipresence of the color black, in its myriad shades and nuances, defines their works and adds a nuanced layer to their shared artistic expression. Braeckman’s black-and-white photographs convey a sense of stillness, and combine intimacy and distance to create a private, secluded world whose meaning remains undefined.

Text in English and Dutch.