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This book immediately becomes the reference on how to create exhibitions in modern museums and how to work through the complexities of the exhibition development process, and it does so with humour, flair, and great understanding of the hard work involved.” – Russell Briggs, Director Engagement, Exhibitions & Cultural Connection, Australian Museum

This method is an indispensable tool for all museum professionals: from director and curator to project manager and marketeer.” – Wim van der Weiden Founder of EMA

Developing Exhibitions describes an extensive in-depth methodology and practical framework on the development and production of exhibitions. It is a manual, with schemes and systems and a focus on the processes, and on the practice of developing content and storylines. As there is no other such clear-cut manual at present, it is already clear it will be used by several courses and programmes. 

“I’m incredibly lucky to have an environment where I feel comfortable being myself” – Harry Styles. 

Stepping bravely into the cyclone of 21st-century fashions, Harry Styles is more than weathering the storm. Whether he’s breaking the internet with his $7.99 frog-eyed yellow bucket hat or a pair of black fishnets, or fronting cult magazine The Beauty Papers, as he did in March 2021, Hazza’s sparkle knows no boundaries.  

Gucci met Styles in 2014, and there was instant chemistry. According to designer Alessandro Michele, Harry is ‘a young Greek God with the attitude of James Dean and a little bit of Mick Jagger’ – and that effortless superstardom certainly radiates from the photos in this collection, which document the heart of Harry’s wardrobe, both on-stage and off. 

Part fashion history lesson, pulling references from the rock and roll greats of the past, and part innovation, Harry’s style pays homage to Kurt Cobain and Marc Bolan, Prince and Little Richard, while developing into something authentic and entirely his own. This chic book fizzles with facts about Harry’s styling choices, presenting the star’s most revered looks alongside pictures that trace the roots of each design. With quotes from key designers, this is the perfect gift for any fan. 

The automobile opened up the whole wide world to mankind. It shaped our culture from the very beginning, developing into a phenomenon that is eagerly embraced by the arts. Engineers and advertisers also use their own visual language, making a journey through the history of the forms of automobile representations a wild ride through the last century, a dazzling display of symbolism and aesthetics, from the beginnings of mobility to contemporary pop culture and visionary renderings. The very intersection of media and automobiles unveils an extremely exciting world that reveals a lot about ourselves.

Whether it’s Beyoncé’s wild blue jacket, Rihanna in a Donald Duck dress, or outfit queen Lady Gaga in a jacket with sewn-on Kermit the Frog puppets, they have all worn his creations and made them famous. Jean-Charles de Castelbajac is a designer who knows how to dress women with courage and creativity. And for his somewhat unorthodox tastes, he has been nicknamed “King of the Unconventional.” After developing a collection for his mother’s fashion house in 1968, he started his own label in 1978. Since then, he has launched countless successful collections and struck up partnerships with the most unlikely people. Whether it’s robes for the Pope, costumes for the Woody Allen film Annie Hall, or clothes for TV series such as Charlie’s Angels and Sex and the City—for decades, de Castelbajac has been a style and fashion pioneer. Even better, he has always managed to fuse fashion with art, as evidenced by his partnerships with Keith Haring and Jean-Michel Basquiat. Take a look behind the scenes at this fashion legend and learn about how this artist got his start and his ongoing history of success.

The concept of clean eating is becoming increasingly popular among adults, however it is children who are the most vulnerable to additives and nasty toxins such as sugar, found in unhealthy, processed, and fast food. Because children are still growing and developing, it’s important they consume adequate vitamins and nutrients through their diets. Children are, after all, our future. The concept is simple: using fresh ingredients in their most natural state. We say goodbye to gluten, wheat germ, refined sugar, and genetically modified oils, as these can be addictive, acidic, deplete energy, and can cause sluggishness, mood swings, and hyperactive behaviour in children. Feeding the Future is a glossy lifestyle/cookbook filled with inspiring recipes that all children — from those aged two to grown-up “kidults” — will love. These recipes are clean, nutritious, and delicious, as well as being easy to make. The book is the perfect tool for health-conscious and time-poor parents.

Home Doctor, as the name suggests, is your very own health-care book – an indispensable companion you can turn to at all times. The culmination of an allopath doctor’s long-term involvement with alternative and complementary therapies, it contains over 200 simple and time-tested remedies for every conceivable ailment under the sun: from the nuisance value and discomfort of a common cold, cough and fever, to the severely debilitating effect of diarrhoea or heatstroke. Systematically formatted, the text moves from the causes and symptoms of health problems to directions on how to prepare remedies at home. These remedies, which are non-invasive and totally harmless, can help stem a problem in its nascent form, and often prevent it from developing into a full blown disease. Utilize your kitchen or garden to heal yourself with this lucidly written ready-reckoner interspersed with vibrant illustrations.

The two Biel architects Silvia Kistler and Rudolf Vogt have been developing their impressive oeuvre for 30 years. Their projects are only conceived after intensive and passionate investigation of the urban-planning context and existing structures. Examples of such tasks include precisely integrated additions to the Schnyder Areal in Biel and numerous housing developments as powerful figures inserted into the urban fabric.
Text in English and German.

Following the most important themes that regularly occur in the artist’s work, Elementsexplains the developing process and the track leading from inspiration towards the final realisation of a project. Essence contains breathtaking pictures of Wolterinck’s most recent projects around the world. Both books combined illustrate Wolterinck’s timeless yet innovating view on lifestyle and design. “Wolterinck is the amalgam of old and new, hard and soft, light and dark, round and edgy. He’s also a man of keep it simple , symmetry and clarity. Wolterinck is a child of modern times, but one that never disregards or denies the original. Work and mankind are a two-unity and can never been seen separately. This publication shows us Wolterinck as a man and as a designer, and draws the attention to his inspiration, motives and applications.” Alexander Haje

In the framework of the recent global economic recession, Michele Borzoni presents Italy as a case study that illustrates not only the effects of the economic crisis on the labor system, but also the impact of longer processes, such as the technological revolution, globalization and migration. These include increasing job insecurity, the deterioration of the old manufacturing sector, the rise of logistics services, automation, the first winning local productions, and the impact of intense migratory flows from developing countries. Text in English, French and Italian.

Jewellery in Context
is the doctoral dissertation, edited by Theo Smeets in its first English translation, by the Dutch art historian and design critic Marjan Unger (1946-2018). In this work she initially endeavours to formulate a general definition of jewelery. Yet above all she also analyzes to what extent jewelery is associated, across the globe, with different, sometimes contrary issues: all human fears, but also desires, have, in a sense, materialized as objects of adornment, she postulates. This comprehensive approach aimed not least at developing a solid theoretical framework to aid the study of jewelery. Thus the text can already be seen as an outright standard reference work, indispensable for all students of jewelery. However, experts, too, will discover new perspectives on the phenomenon of jewelery.

Contents:
Foreword – Theorems; 1. Introduction; 2. Definitions and classifications; 3. Art history as foundation for the study of jewellery; 4. Man as measure; 5. Angles from other disciplines; 6. Symbolism in jewellery; 7. Evaluation; 8. Conclusion.

Documents on Contemporary Crafts
is a book series published by Norwegian Crafts in collaboration with Arnoldsche Art Publishers. The series provides a critical reflection of contemporary crafts in a wider context and in doing so asks questions about the ties between contemporary craft, fine art and design, thus helping to redefine the concept of crafts as such. The five volumes discuss such topics as skills, materiality, curating, collecting, perception and New Materialism. The more than thirty contributors range from leading craft theorists, such as Jorunn Veiteberg, Glenn Adamson and Liesbeth den Besten, via academics outside the craft tradition, such as Roger L. Kneebone, professor of surgical education, Trevor Marchand, professor of social anthropology, and Margaret Wasz, consultant psychological therapist, to emerging voices like Sarah R. Gilbert, Marianne Zamecznik and Stephen Knott.

No. 1: Museum for Skills. Skills are essential to the crafts discourse. Yet in an art world that for the last 50 years has become increasingly focused on conceptual strategies, we have seen the tendencies of deskilling and outsourcing. In Museum for Skills, the contributors analyze the current situation for skills by drawing on experience from the fields of brain research, surgery and anthropology.

No. 2: Materiality Matters. If materiality is a quality-related concept in both contemporary crafts and contemporary art, are we talking about the same notion? Or is there a fundamental difference between, on one hand, a maker’s confidence in his or her materials, and on the other, a contemporary artist’s use and adaption of a given material?

No. 3: Crafting Exhibitions. Curatorial discourse has been an increasingly important aspect of contemporary art. The curator took on a new role as the ‘author’ of the exhibition. Crafting Exhibitions introduces some of the processes that go into making an exhibition, from developing concepts to the physical realization. The contributors offer different approaches to exhibitions.

No. 4: On Collecting. Collections make up an important part of the contemporary arts and crafts infrastructure. Collectors and museums help improve the financial situation of artists. Additionally, to be included in the ‘right’ collection or museum can give an artist a high level of recognition and preserves the art works for the future. On Collecting offers insights into collecting from different perspectives and sheds light on some of the structures that determine the ‘collectability’ of works of art.

No. 5: Material Perceptions. Contemporary craft objects can be perceived for instance, as works of art in ceramics, glass, textile, metal and wood, or as functional, handmade and everyday objects. Material Perceptions investigates contemporary crafts as representations of reality that do not rely on the concept of autonomy, unravelling the dualism between aesthetic objects and everyday things.

Norwegian Crafts is a non-profit organisation founded by the Norwegian Association for Arts and Crafts in 2012. Norwegian Crafts initiates and produces exhibitions in collaboration with Norwegian and international institutions, curators and artists. The aim is to strengthen the position of contemporary craft from Norway internationally, contribute to the development of the artists’ careers and stimulate further exchange across national borders in the field of crafts.

ACC Art Books is one of the world’s leading publishers and distributors of books on the arts and visual culture. We sell and market beautiful books to retailers and wholesalers worldwide, making sure that they are available to the widest possible audiences.

Our own publications represent more than 50 years of innovation, including collaborations with some of the world’s foremost artists, fashion designers, architects and photographers. We began in 1966 by developing essential reference works on the decorative arts, many of which remain in print as the standard texts in their field. That included the first price guides to antique silver and furniture, along with definitive volumes on jewellery, British art and British architecture. Today we continue those traditions by working with many leaders in the fields of culture and bespoke luxury. Click here to see the latest catalogue of ACC publications.

Just as importantly, we represent nearly 100 fine publishers from the UK, Europe, USA, China, India, and Thailand. Our range includes important monographs and exhibition catalogues from galleries and museums such as the Royal Academy, Ashmolean, and National Galleries of Scotland; beautiful art, design, gift and lifestyle books from 5 Continents, Abbeville Press, Arnoldsche, Beta Plus, E/P/A, Gallimard, Glitterati, Hoxton Mini Press, Images, Lannoo, Pointed Leaf Press, Scala and Scheidegger & Spiess; and superb guides to world travel from Emons and Luster.

The range is very wide, and it continues to grow. We hope you enjoy browsing everything we have to offer on this website. Please join our mailing list or contact us direct to find out more.

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Melle Smets and Joost van Onna took only twelve weeks to assemble Turtle 1, a car built entirely from recycled parts. Made in Africa, Turtle 1 is entirely suited to the local context, sufficiently sturdy to resist the climate and the road conditions, and easy to operate.This book is part of an extensive documentation of the project; this documentation spans several years and has used exhibitions, films and apps to tell the story of this great idea. The automobile industry is monopolised by multinational companies who care only for profit, and constantly seek to outbid each other by developing ever more sophisticated technology. The majority of people outside of the Western world have little access to this market. However, Turtle 1: Building a Car in Africa proves how people’s ingenuity can tackle any challenge. Dutch artist Melle Smets and sociologist Joost van Onna went to Suame Magazine in Ghana, one of the largest industrial areas in sub-Saharan Africa where some 200,000 people dismantle and repair cars and sell used spare parts. Their aim was not only to develop a totally new type of car but, more importantly, to boost autonomy and self-reliance in an attempt to be free from global economic interests. Within two years, the vehicle attracted much attention from the public and the media both in Africa and the Netherlands, prompting Smets and van Onna to create the conditions for producing the car on a small, local scale. The production, however, never took off as their Ghanaian partners had other intentions in spite of all success. While Smets and van Onna promoted their recycling model, the Africans had tragically begun to work on a luxury version of the car. A homage to a project that was never fully realised, this book is a succinct demonstration of humanity’s ability to overcome odds. Exhibition runs until 28 August 2016, Project Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.

Bio-inspired design is both simple and complex.

Simple because it provides an easy reference to discuss ideas through a means we all can relate to and become inspired by – the natural world. The topic engages a spectrum of professionals, from environmental enthusiasts to design professionals and scientists.

The complexity arises when we need to understand beyond what we see and understand how nature works. At many levels, we are still exploring how systems are inter-related and to decipher these relationships we have to look beyond the idealized inspiration.

Throughout the world, research and development that focuses on bio-inspiration has been steadily increasing and is expected to continue to do so for the next two decades. Currently, China is one of the leaders in scholarly articles focusing on bio-inspiration.

Although this topic is developing at an impressive rate, much of the public awareness of bio-inspiration and similar areas of research such as biomimetics and biomimicry is relatively unknown. Therefore, to provide insight into this process, this collection of work shines light on the methods currently being explored in China’s top institutions.

In 2009, the College of Design and Innovation, Tongji University was established. The transition from a former Art and Design Department – steeped in the Bauhaus tradition – to an independent school named ‘Design and Innovation’ attests to the university’s vision to move design education and research beyond an artefact-centred crafts tradition and toward a design discipline that drives innovation at the intersection of business, technology, and the humanities.

Every autumn since 2012, the Tongji Unversity College of Design and Innovation has organized a small design research and education conference titled ‘Emerging Practices’. The Emerging Practices Conference (EPC) witnesses the developing trajectory of design as a discipline in a Chinese design school that is grounded in thinking and practice addressing local issues and is in the meanwhile actively connected globally.

A small group of design scholars and educators, who gathered at the EPC in 2014, announced their intention to explore how design can address the complex issues the world faces today. They called their agenda ‘DesignX’ using ‘X’ to refer to the turbulent, unknown future of design. The initial DesignX Manifesto has triggered a deeper interest in asking how designers could play a role in designing for complex sociotechnical systems. This anthology selected viewpoint essays and cases, presented at the EPC 2016, as a preliminary endeavour to understand the challenges and opportunities of designing in such complex systems as healthcare, education, public sector innovation, food and culture, and so on.

It is inspiring to see that our drive to reform design education and research – and situate design within a shifting social, economic, and technological context – has attracted the attention and participation of a wider community. Our common challenges arise out of a need to reform design education, bridge design research and practice, design for social well-being, and target sustainability on a planet with limited resources.

Contents: Introduction; Viewpoints; Globalization, and the Effective Supply of Design Education; Design and the Economy of Choice; The Expanding Scope and Paradigm Shift of Design; Making Things Happen; The Ethics of Ignoring Rashomon; Chicken Run; Information Visualization; Design, Work, and Intelligence Cases; Embedding Designers in Government Innovation Teams; Policy Design to Improve the Delivery of Old Age Security in Canada for Vulnerable Seniors; Design Research and Practice for the Public Good; Movable Feasts; Design for Human-Robot Acceptability; DREAM Complexity.

To understand the development of private gardens, one must accept that there is no classroom that can explain how approaching such a project is accomplished. It is a long journey that is ignited in those who begin to pursue a passion for garden design. Beginning with, first, the study of plants and the wonder of all their characteristics, this knowledge then needs to be combined with a solid understanding of the mathematics of geometry and the use of scale and the relationship of proportions. Landscape designers must progress on to developing a style that fits a designer’s personality while, at the same time, expanding the vision for each landscape. Garden design seems simple, but actually it is very complicated work.

This book covers nearly 40 beautiful private gardens from all over the world, including traditional European gardens, American gardens, Japanese gardens and a number of gardens from Southeast Asia, with a wealth of high-res photos, floor plans, sketches and plant details to show the beautiful view of gardens. This will undoubtedly provide design tips for designers who want to stand out in the field of private garden design.

Documentary photographer William E. Crawford spent three decades documenting Vietnam, and in particular Hanoi, its people and the surrounding countryside. As one of the very first Western photographers to work in post-war North Vietnam, Crawford was drawn back to the country numerous times at regular intervals between 1985 and 2015 to record this fascinating country’s culture, people, and society with beautiful, compelling and intimate photographs, concentrating on colonial and indigenous architecture, urban details, portraits, and landscapes. In 1986, the Vietnam’s Communist leadership began to shift from a Soviet-style central planning model toward free-market economic reforms. As a result, Hanoi has been transformed over the last three decades, becoming an example of how traditional Asian and developing cities have often been torn down or allowed to crumble – only to re-emerge in a ‘modernized’ form. Unlike photo-journalism, which is interested in the theatre of the moment, Crawford’s evocative and powerful photography chronicles life throughout Hanoi and its surroundings over the course of the last three decades. Filled with full-color photographs and informative essays on his experiences and the people he encountered, Crawford’s work – showcased in this beautifully presented volume – provides a unique visual catalogue of the evolution of a city and its inhabitants, and particularly the complex historical area known as The 36 Streets.

This highly anticipated monograph focuses on the architectural output of Enrique Browne, a talented and prolific Chilean architect and co-founder of Browne & Swett Arquitectos, based in Santiago. Over the last 40 years, this South American architect has been trying to reconcile natural and artificial worlds through architecture. They are one indissoluble unity. This book showcases in rich photographic detail how his innovative projects incorporate multiple environmental aspects that result in a complex, layered response to the challenges of place, form and identity in Chile.

Browne’s practice has developed architectural designs in a diverse range of scales, with emphasis on sustainability and energy efficiency. This volume delves into Browne’s processes, such as developing variations of the “grapevinestructure typology” to create a “double green skin” as a green wall (or roof), to protect dwellings from the region’s strong westerly sun; or combining vegetation and its oxygenation benefits with building to counter pollution; or using both artificial and natural light as a material for illuminating spaces or volume. This book also includes commentary on the new zeitgeist surrounding modernity and the impacts of the digital and globalized world on architecture today. Highly regarded, and a prolific writer and designer, Enrique Browne has a unique way of looking at the world. Showcasing the wide range of his design, this title is sure to impress.

The baking industry has seen a developing momentum in recent years. The competition is stiff; it’s not just the quality of the food that attracts customers, so it’s often necessary to ensure the design of the bakery itself is both creative and eye catching, while still being functional. A well-designed store can not only increase sales, but also help develop a brand identity. This book includes fifty bakery designs from all over the world, including Spain, Greece, Canada, Italy, Poland, Portugal, Singapore, Israel, the USA, Germany, Vietnam, Indonesia, Turkey, China, Japan, Brazil, Romania, Thailand, Austria, Lebanon, and France. The designers responsible exhaustively examine their projects in order to illustrate the design process.

The KingsHaven Design team is skilled at transforming timeworn interiors and exteriors into breathtaking spaces for inspired living by sharing with their clients the spectacular work of artisans and artworks from around the world, and by developing strong fair-trade relationships with artists that benefit them, their families, and their communities. Be it working with a stonemason to salvage the granite façade of a historic estate, collaborating with blacksmiths on a lighting fixture or custom piece of furniture, meeting with artisans who create gorgeous handcrafted baskets in the designs of their tribal ancestors, or searching hidden markets in Europe and South America for art pottery, antique mirrors, prints, and textiles, Lauren Wylonis and the studio’s objective is to reclaim, restore, and revitalize their client’s residential interiors and exteriors. In many senses of clever design, they create spaces that reflect a sharp and sophisticated twenty-first-century aesthetic for today’s energetic lifestyles, yet never lose sight of the past. Rejuvenation of character, charm and architectural significance combined with the creation of cutting-edge luxury and style are the hallmarks of the design studio’s ethos, which also can be seen in the handcrafted light fixtures, furnishings, and accessories found at Wylonis’s irresistible retail showroom in Paoli, PA, just outside Philadelphia. The pages of this book are resplendent with luscious photography and insightful texts that together showcase Wylonis’s unique practice and meticulous attention to detail in designing lighting, furniture, and home décor that takes each space to a higher level in art, architecture, beauty, and function. The useful tips for use in a new home or renovation are diverse and range from mindful design to achieving authenticity in an older home renovation. A must-have book for a connoisseur of interiors and design, or anyone looking to build or renovate a home or space.

This book, the first in a series called Africalia Editions [photo] aims to fill a void in the history of photography, by unveiling the oeuvre of contemporary photographers from Africa. For Grassroots Upgraded, twenty members of the collective ‘Slum-TV’ have chosen the LOMO camera as a medium of self-representation. The project is not a development project but rather takes an ironic perspective on the developing world, a position which is reflected in the title of the book and the politically incorrect name of the collective. The approach is conceptual and political, the choice of medium an aesthetic one. The LOMO camera is taken as anarchic medium, based on chance, involving imperfection and often producing a blurred aesthetic. With these images Slum-TV goes beyond the stereotypes which have been shaping our imagination of Africa.

To feature house designs through the decades, The Japanese House: Architecture and Life after 1945 includes 75 houses by over 50 architects. The projects are divided into 13 themes such as Earthy Concrete, Play, and Unmarketable and presented using models, drawings, and photographs. The Japanese have experienced drastic social and environmental changes related to the WW II recovery period leading to rapid economic growth, pollution, the bubble economy and collapse, and natural disasters. Commissioned by individual homeowners, Japanese architects have responded to these changes by developing ideas for new ways of living, expressed through the architecture of the house. A distinguishing feature of Japan is the large proportion of young people owning land and engaging architects. These clients have generally studied residential designs closely before approaching the architect, therefore the resulting new homes tend to be on the experimental side. Text in English and Japanese.

Modern architecture in China has until recently been dominated by Western influences. This is backed up by many major projects being awarded to international architects and that most Chinese practitioners have studied or worked abroad. Architects in China, a+u 16:03 depicts a new era where personal experiences and local context are incorporated into recent works. Private architectural practice is still a relatively new concept in China. Architects are still in the process of developing a design language that responds to the speed and size of the country’s growth while respecting the local site. This issue features 20 projects that combine global and local into a new design form particular to China. Text in English and Japanese.
• Features 20 projects that combine global and local into a new design form unique to China

Modern architecture in China has until recently been dominated by Western influences. This is backed up by many major projects being awarded to international architects and that most Chinese practitioners have studied or worked abroad. Architects in China, a+u 16:03 depicts a new era where personal experiences and local context are incorporated into recent works.

Private architectural practice is still a relatively new concept in China. Architects are still in the process of developing a design language that responds to the speed and size of the country’s growth while respecting the local site. This issue features 20 projects that combine global and local into a new design form particular to China.

Text in English and Japanese.