The German silversmith Paula Straus (1894–1943) was a pivotal figure in shaping the “Golden Twenties” and the creative decades of the Bauhaus. Even early on, her jewelry objects and handmade items of silverware were reviewed with praise in the specialist press, and national and international exhibitions followed. In joining the design studio of the silverware factory Peter Bruckmann & Söhne, Heilbronn, in 1925, an unparalleled career began as Germany’s first woman industrial designer. The silverware she designed — coffee and tea services — for handcrafted as well as machine production stands as an example of her own original style, which is defined by a purist idiom.
Her professional success and her renown as a craftswoman and designer have been completely forgotten due to the national-socialist persecution of the Jews from 1933 and her murder in Auschwitz. The time has now come to rediscover her work.
With contributions by Edith Neumann, Monika and Reinhard Sänger, Joachim W. Storck, Michal S. Friedlander, Christoph Engel, and a foreword by Winfried Kretschmann.
Text in German.
The book will coincide with the first Ashmolean NOW exhibition in Gallery 8, opening in July 2023. The Ashmolean NOW Program features exciting works by prominent early to mid-career artists based in the UK, seeking to attract new audiences interested in contemporary art. Artists who have established international reputations and emerging artists whose international status is anticipated with a strong degree of confidence are approached pro-actively. In addition to exhibiting their existing works, all artists are invited to create at least one new work as a response to the museum and/or its collections. This first exhibition presents two linked solo shows: paintings/drawings by Flora Yukhnovich, and paintings/drawings by Daniel Crews-Chubb. The double-sided style of the book will mirror the exhibition concept, while presenting itself as a unique, well designed object that has a life beyond the exhibition.
Billie Eilish is a fashion phenomenon. Her goth-skate-anime wardrobe resonates loud and clear with her generation and anyone who doesn’t want to be defined. Courted by the world’s biggest fashion houses, Billie has a way of spotlighting inclusivity, body image, environmental issues and more, while always looking awesome. In the latest addition to this popular series, fashion writer Terry Newman casts her eye over a young megastar with oversized clothes and an even bigger attitude.
When Billie Eilish burst onto the music scene aged just 14, her outfits told everyone who she was before they’d downloaded a track. She was savage and brooding. Her clothes were large and matched her attitude. Her wardrobe was made up of labels that speak the language of Gen Z and everyone who doesn’t want to be defined by others. Growing up hasn’t changed a thing – though she now has the command of fashion houses the world over. As such, Billie often mixes and matches Chanel, Balenciaga, Rick Owens, Yohji Yamamoto, Raf Simons and Prada with finds from Slumpy Kev, Skoot, The Incorporated and Freak City, and the result is beyond the realms of meta-modernism. It’s a look that might very well bite the hand that feeds it, but Eilish doesn’t care. She wears what she likes when she likes. And we’re here for it.
“Even the book’s cover sparkles with gold, a brilliant visual cue — at least for those of us of a certain age — of what’s in store: A traipse through that time in our lives when the sparkly flash of pop-cultural figures served as guides to millions of youngsters desperate to connect to a dim constellation we knew to be out there but couldn’t see alone.” — East Hampton Star
“A collection of fabled 20th-century musicians’ style from Diana Ross & The Supremes’ sequins to The Ramones’ leather jackets.” — Wall Street Journal
What The Band Wore by Alice Harris is an unprecedented collection of photographs that illustrates four decades of pop, rock, soul, disco, funk, punk, reggae, heavy metal, and hip hop fashion. Sparkling sequins, safety pins, and even suits from outer space are spotlighted in more than 80 images by acclaimed music photographers, including Terry O’Neill, Henry Diltz, Matthew Rolston, Bob Gruen, and Lynn Goldsmith.
Featuring exclusive comments from legendary artists, What The Band Wore traces the evolution of stage wear from the 1960s through the 1990s, from the self-made counterculture style of Jefferson Airplane, Janis Joplin, and Sly & The Family Stone to the custom designs that Bob Mackie, Bill Whitten, Larry LeGaspi, Vivienne Westwood, and Issey Miyake created for the most renowned names in music. Whether it’s Elvis Presley or Janet Jackson posing in tight leather, Freddie Mercury masquerading as a harlequin, or Run-DMC sporting their iconic footwear, these pages thread together a fabulous celebration of fashion and music.
“Travelling from your couch, it is possible with the book. You will get an overview of different types of cottage accommodations, from small weekend houses to lavishly decorated summer villas and modern cottages.” — Elle Decoration Belgium
The Design of Retreat explores different types of outdoor retreats designed by and owned by leading names in the interior design world. From contemporary cabins, modern cottages and minimal vacation homes to sumptuously decorated summer villas with a flair for drama. In The Design of Retreat, they stand side by side with seaside Italian palazzos and tropical hideaways in the Mexican jungle. The wonderfully colorful homes, playful weekend cottages, innovative farmhouses and historic mansions will take you around the world. Relax and get away.
“The magnificent photos invite you to enjoy the luxurious ambience, the views and the very special flair and to let the constant rattling of the train wheels carry you to distant lands.” — Lovely Books
“Hopefully history’s extravagant chariots serve as inspiration for the trains of the future. Newly published book Luxury Trains is full of elegant examples of how to travel in real style.” — Hoom Magazine
“Transports you back ot the golden age of travel, with pictures of 25 of the most elegant trains in the world.” — Good Housekeeping UK
Luxury trains have always fascinated and excited our imaginations. A great source of style, romance and exoticism, they have long held starring roles in literature and in Hollywood movies. This wonderful book evokes long-lost days of travel, where trains marked international railway history, from the Orient Express to the Train Bleu. Today, train companies around the world are creating new palaces on rails and these pages offer a journey into that extravagant and luxurious world.
Whether comfortably seated in the restaurant car of the Venice Simplon – Orient-Express as you glide past the Venetian Lagoon, traveling through the Highlands of Scotland on the famed Royal Scotsman, or admiring the ancient splendors of Machu Picchu at the Hiram Bingham bar aboard the Andean Explorer, this book traverses the globe in celebration of these wonderful locomotives. A superb gift for the travel enthusiast and anyone interested in the decadent features of these trains.
Sophie Toulouse transports Drago’s 36 Chambers series to the Nation of Angela, a fictitious society brought to life through the French artist’s fascinating writing and unique iconography. The Nation of Angela is a fantastic, seductive utopia where the values of beauty, purity and innocence prevail. But it is not as innocuous as it seems: its propaganda messages reveal a totalitarian ideology based on the promise of a better world, individual redemption and the denial of earthly happiness. The apologia of beauty and perfection retraces the advertising strategies of today’s consumer society.
The work of Polhemus Savery DaSilva (PSD) synthesizes ideas from modernism, Shingle Style, and New England vernacular architecture into special homes that are carefully crafted for each different site and client. PSD’s poetic architecture reflects on the joy of living by the New England coast, and this major new monograph, The Art of Creating Houses: Polhemus Savery DaSilva, beautifully presents that work and the ideas embodied within it. This lavishly illustrated and clearly written coverage of PSD’s most recent work features 27 select homes designed and built by the firm. This stunning volume also contains a foreword by Brian Vanden Brink; an introduction by Victor Deupi, PhD; and text by John R. DaSilva, FAIA, the firm’s Design Principal. This new volume is a brilliant companion to the firm’s earlier monographs, namely Living Where Land Meets the Sea, Shingled Houses in the Summer Sun, and Architecture of the Cape Cod Summer.
The textiles here have been organized by several broad categories, beginning with type, and then by area of origin, dating and style. First are ikats and prints from India: the ikats woven in silk as “double ikats” and known as patola, and two prints that are cotton chintz. Though made in India, these textiles were all found in Sumatra, with the patola being highly-prized heirlooms used ceremonially, and the prints being used widely in trade across Indonesia from Sumatra to the Eastern Islands.
Next are ikats and other woven textiles organized by origin, moving West to East, from Sumatra to Borneo, Sulawesi, Bali, and Timor. For all of these pieces, the material was hand spun or commercial cotton, silk, or sometimes a mixture of the two.
Lastly are batiks, mostly from Java. The first three are the oldest batiks in this collection, each of which has been analyzed by radiocarbon dating and found to originate in the 17th and 18th centuries, respectively. These batiks are made on hand spun cotton.
The batiks here are from Sumatra and Java (the great mother-temple of batik artistry), ranging in age, after the proto-batiks described above, from the early 19th century to mid-20th century. They vary in style from the most traditional, including those distinctive in color and pattern from the kratons (palaces) of the sultans, Indian influences from chintz and other Indian imports, to Chinese-inspired depictions of animals, insects, plants and flowers, to French-inspired Art Nouveau mostly via Batik Belanda.
This collection of Indonesian textiles and some related Indian textiles that were popular and influential in Indonesian usage and design came together in a series of collecting periods spanning nearly 40 years.
Creator and architect of the emblematic Maison de verre in Paris, Pierre Chareau left behind a rich and coherent body of work, a “Chareau style” that places him as much in the modernist movement as in avant-garde thinking that embraces a world of new forms and materials.
This first volume looks back at his biography, his decisive encounters with artistic movements such as cubism and primitive arts, and with leading figures such as Nicolas de Staël, Jeanne Bucher, Jacques Lipchitz, Pablo Picasso, Rose Adler, Max Jacob, Jean Lurçat and Rob Mallet-Stevens, who remained loyal to him throughout his short life.
It traces his career, from his beginnings as a draughtsman at Waring & Gillow to his emergence as an independent designer; it details his participation in the Salons d’automne, the Salons des artistes décorateurs, the Groupe des 5 and the UAM, which set the tone for the modernity that thrilled the rest of the world; his work on Marcel L’Herbier’s film sets; and his departure for the United States in 1940. It also introduces us to the collector and gallery owner, surrounded by artists such as Braque, Ernst, Gris, Léger, Lurçat, Masson, Modigliani, Motherwell and de Staël. The boutique he set up with his wife Dollie, on rue du Cherche-Midi, exhibits not only his own works but also the creations they produced: fabrics by Hélène Henry, rugs by Jean Burkhalter and Charchoune…
Richly illustrated with almost 500 visuals, this first volume offers a complete overview of Dollie’s furniture and lighting production, drawing on several iconographic collections (Musée des arts décoratifs, Paris, Moma, New York).
Text in French.
Often overlooked in Chinese poetic history are a number of accomplished late-Song poets, among the most important of whom were four men from Wenzhou known as the “Four Lings” because, apparently by common consent, they all had noms-de-plume containing the character ling, meaning “numinous” or “magical.” The four were: Weng Juan (d. after 1214), Xu Zhao (d. 1211), Xu Ji (1162–1214), and Zhao Shixiu (1170–1219). As other late-Song poets, they leaned toward understated, straightforward diction that incurred the enmity of those who preferred the more flowery, allusive style of the high Tang.
As they navigated the uncertain career paths of would-be minor officials, the Four Lings wrote movingly about their joys and disappointments, the hardships of poverty and old age, and the solace to be found in nature and friendship. Seeming to share a single poetic sensibility, they wrote in a naturalistic and accessible style that won widespread admiration; it is fitting that they now be presented together, as friends and fellow poets of consequence.
“Wow! Just wow! … It’s a really stunning thing. A love letter that is itself a work of art about a work of art that is Grayson. Both playful and deadly serious … these photos are not simply about ‘serving looks’ but about restlessness and identity and transience. That world is full of possibilities because Grayson has given himself the freedom to be whoever he wants to be, to look how he wants. His gift is that he passes that freedom to us. Ansett’s work is mind-blowing … not cosy at all. Just brilliant photography.” – Suzanne Moore
Grayson Perry is an award-winning artist best known in the art world for his ceramic works. To the wider public, he is perhaps equally famous for his cross-dressing alter ego. This book reveals a unique relationship between Perry and renowned portrait photographer Richard Ansett through a previously unseen archive from photoshoots spanning over 10 years.
Ansett astutely captures the wit, style and irreverence of Perry’s many complex personas. Beyond the snazzy outfits and cheeky poses, these thematic portrait collections offer wry social commentaries on current and popular phenomena, including the EU referendum, American pop culture and the existential questions of life and death.
At once glossy, fabulous and cutting-edge, Muse: A Portrait of Grayson Perry offers a complex, fascinating and ultimately affectionate insight into our recently knighted national treasure with anecdotes and narration from Ansett himself, this is a masterpiece of rhetorical observations and quick-thinking camerawork. Perfect for art geeks, style freaks and Perry’s long-devoted following.
Tectonism is the most advanced and most sophisticated contemporary architectural style. There are, to date, only relatively a few fully satisfactory built examples, and most of them are still of a relatively modest scale. It is the thesis of this book that tectonism, as defined and illustrated here, represents the future of 21st century architecture. This thesis is optimistic with respect to the long-term rationality of the discipline of architecture, i.e. with respect to its capacity to discern and ascertain, via its internal discourse, the superiority of tectonism, and to spread its influence and impact as global best practice accordingly. This optimism also extends to the rationality of the wider society, as represented through private clients, public clients, and through end-user acceptance, to be susceptible to the guidance it will receive from its architectural expert discourse. This optimism is based on a critical analysis and appraisal of architectural history. The avant-garde intuitions of the early modernists in the 1920s, backed up by sound theoretical arguments, did win over the discipline in the 1930s and 1940s, and spread its real impact on the global built environment throughout the 1950s, 1960s and 1970s. The current avant-garde intuitions within the movement of tectonism, although very different from modernism, are equally well thought through as the arguments in this book will attempt to demonstrate. — From the Introduction, by Patrik Schumacher
“The London Youth Portraits (ACC Art Books), a sumptuous collection of never-before-seen photographs of punks, skinheads, New Romantics, goths, ravers, and fetishists.” — Huck Magazine
“A new edit of a beloved classic.” — Marc Jacobs Instagram
“Across 176 pages, the oversized volume documents Ridgers’ vision of England’s seminal youth culture from the height of punk to the birth of acid house, each image a tribute to the trials and triumphs of youth.” — 10 Magazine
‘As time passes, this kind of observational photography attains a new importance’ – Sean O’Hagan, The Observer
‘Ridgers’ portraits of young boys and girls are weighted with a raw poetry and beauty’ – Cory Reynolds, artbook.com
Between 1978 and 1987, renowned British photographer Derek Ridgers captured London youth culture in all its glory. With skinheads, punks and new romantics, in clubs and on the street, his images have come to define a seminal decade of British subculture.
Broadly based on the now out of print book 78/87 London Youth, this showcases a completely fresh selection of images from the depths of Ridgers’ exceptional archive – including many previously unseen – beautifully printed and bound in an oversized volume.
Each picture is a tribute to the trials and triumphs of youth, and a precious document of style and culture in 1980s England, from the height of punk to the birth of acid house. Several have been exhibited internationally in cities as far-ranging as Moscow, Adelaide and Beverly Hills, in the National Portrait Gallery, Tate Britain and Somerset House. Ridgers has also collaborated with a number of major fashion houses, including Saint Laurent and Gucci, and his images continue to inspire photographers, artists and fashion designers around the world.
Shikumen Lilong residencies were prevalent from the end of the 19th century until 1930. Combining the traits of southern Chinese dwellings and western row houses, it is the most representative of modern Shanghai residential architecture.
The book shows a unique residential kind of building in Shanghai called Shikumen and records its architectural style and the use of space. A travel guide to 40 of Shanghai’s most representative Shikumen lanes is also provided and is compared with the Shanghai block map in the 1940s of the 20th century. The book also collects 120 pictures of the architecture and life of Shikumen Lilong, and the author has compiled 400 Shikumen Lilong directories based on his accumulation of years of visiting Shikumen, which can become a guide for readers to stroll through Shikumen Lilong houses and experience Shikumen City Life.
From 2004 to 2012, using casual photography to specific documentation, the authors have observed over 500 Shikumen Lilong, and will continue to record the heritage of this style of architecture.
Text in English and Chinese.
This book contains two classic series, Chi Yi and Er Gong, which document the creative process of artist Chen Duxi over the past 13 years. Chi Yi is a way to merge the observer as a subject into the object of observation by means of movement, and to observe fluid changes as a way to study ontological painting from a subject-object perspective. The artist has long had a strong interest in and sensitivity to the texture and state of movement of subtle things. The works unify line and texture by reprocessing texture details in a highly distinctive personal style. Under the artist’s brush, the water patterns take different forms, and the flowing, coiling and settling movement states form a harmonious, subtle and introverted line aesthetic, and constitute the artist’s unique visual language and its visual spectrum. The Er Gong series is an interpretation of the microscopic world of plants and animals from a de-anthropocentric perspective, exploring the relationship between individual creatures and paintings.
Text in English and Chinese.
Laura Dowling is an expert floral designer artist who combines French-inspired designs with the wildness of nature to create romantic floral arrangements. In her book, she shares her process for creating a beautiful Christmas at home, drawing inspiration from Paris, her experience as White House floral designer, and nature. She provides practical tips on how to incorporate holiday decor in phases using 10 favorite elements and showcasing 10 different design schemes, including a vintage Parisian theme and an Italian-style motif. Whether you want to add subtle touches or go all out for the holidays, Laura’s book offers inspiration tips and tricks, and step-by-step instructions for making your home festive and beautiful.
Peter Ivens is a buzzing and respected name in interior design. The Belgian interior architect is praised for his talent, his timeless style and impeccable realizations. His designs often come about in close collaboration with his partner in crime Bea Mombaers. The two of them have been working together intensively for over a decade, without really dividing their roles in the classic way, blurring the lines between architecture and decoration. For Ivens each house tells its own personal story. ‘Custom-made’ is a core value in his oeuvre: he tailors each home to the specific needs and personality of its residents. No bells and whistles, no loud, showy signature, but silent luxury stemming from a special, sophisticated choice of materials and a unique sense of space. Ivens’ portfolio is prestigious and diverse, yet his style is recognizable. This beautiful coffee-table book, in which each chapter is dedicated to a different house, is the perfect proof. Except for a brief introduction by design journalist Sisse Bro, the photos by Eefje De Coninck and Senne Van der Ven do all the talking, showcasing Ivens’ universe in the most classy and inspiring way.
Between 1978 and 1987, renowned British photographer Derek Ridgers captured London youth culture in all its glory. With skinheads, punks and new romantics, in clubs and on the street, his images have come to define a seminal decade of British subculture.
This completely reimagined edition of 78/87 London Youth showcases a fresh selection of those images from the depths of Ridgers’ exceptional archive – including several previously unseen – beautifully printed and bound in an oversized volume.
Each picture is a tribute to the trials and triumphs of youth, and a precious document of style and culture in 1980s England, from the height of punk to the birth of acid house. Several have been exhibited internationally in cities as far-ranging as Moscow, Adelaide and Beverly Hills, in the National Portrait Gallery, Tate Britain and Somerset House. Ridgers has also collaborated with a number of major fashion houses, including Saint Laurent and Gucci, and his images continue to inspire photographers, artists and fashion designers around the world.
‘As time passes, this kind of observational photography attains a new importance’ – Sean O’Hagan, The Observer
‘Ridgers’ portraits of young boys and girls are weighted with a raw poetry and beauty’ – Cory Reynolds, artbook.com
You’ve heard of the “Starchitects.” Now meet the “Marketects.” This monograph spans all twenty-five years of Powers Brown Architecture and evinces why all clients deserve good design.
“Marketecture,” a term coined by Powers Brown Architecture as an antithesis to the “Starchitecture,” is a market-driven strategy for striving for the best design solutions for all clients. Through this bottom-up approach, Powers Brown seeks cutting-edge solutions that elevate a seemingly mundane building type beyond client expectations. Its dedication to working with clients to develop cost-effective, market-driven buildings without sacrificing good design has resulted in a broad range of commercial projects that respond to everyday pragmatics while still exhibiting strong architectural ideas and developing new technologies along the way.
In Powers Brown Architecture: Commodity and Virtue in Architecture, the firm presents a curated collection of work that spans its entire twenty-five years in practice and includes projects not covered in earlier publications. The body of work evinces the disciplined structure of the practice itself over a predominant style or form.
Projects such as Hillel Student Center in Washington, D.C. and the Transit Terminal in Galveston, Texas showcase the firm’s approach to public work. Frank’s International and Seismic Exchange explore the possibilities of corporate architecture to create place as much as to make a statement. Arabella showcases the potential for variety, rather than repetition, in a condominium building, and the Thompson Hotel & Arts Residences in San Antonio navigates pedestrian scale in a twenty-storey tower. POST covers the commitment to resiliency and the future of the planet, while MEDDNet™ transforms urban design tactics into a national-scale disaster relief strategy.
The introduction is by journalist Stephen Sharpe, who has covered Powers Brown’s work for nearly twenty years. An extended essay by principal Jeffrey Brown, FAIA, situates the firm’s position at the conversational threshold of scepticism about “Starchitecure” and the reality of everyday architecture, or “Marketecture.” Architecture professor and author Donna Kacmar, FAIA, interviews Brown to reveal the details behind the firm and its work.
Green is the new black according to Belgium-based garden architects Bart Haverkamp and Pieter Croes. It’s been more than 30 years now since they turned their love for nature into a business. During this time, they’ve completed countless and diverse garden projects, built up an enormous amount of experience and expanded their knowledge. Their method and philosophy evolved accordingly, resulting into their sought-after signature style. Their gardens – many of them on small plots, terraces or rooftops in the city – are anything but clean and fixed: rough outlines and plant selections are made beforehand, but they trust their intuition to make spontaneous decisions on the spot.
In this carefully curated and thoughtfully designed photo book, Bart and Pieter reflect on their work. Their aim is to share their vision and experience and to inspire all gardeners by showing how much is possible when you’re willing to let nature take its course. In this book, Bart and Pieter put their philosophy into words, as an introduction to 20 extensive and inspiring photo reports of their favorite or most important garden projects so far. The third part of the book holds short descriptions of these projects and useful advice on, for example, how to make your garden heat-resistant.
From Paris and New York to more surprising hotbeds of style, the In Fashion series invites you to discover the most fashionable locations in the world. Covering high fashion, classic street style and trendsetting people, as well as interiors, streets, shops and more, each beautifully presented volume offers a unique glimpse into the clothes and fashion culture of a distinct and remarkable destination.
Paris is perhaps the most widely recognized fashion capital of all, with Haute Couture setting the standards for all others to follow. The Parisian shows are some of the hottest dates in the fashion calendar and the locals have a penchant for being as chic as they are streetwise. PARIS. In Fashion is your opportunity to visit the grand fashion houses, take inspiration from timeless Parisian outfits, sit front row at the catwalk shows and walk among the beautiful buildings without leaving your own home.
An unmissable treat for fans of both fashion and travel.
This title looks back upon and celebrates 40 years of Kiki’s business, her life, and her remarkable story. From the delicate shimmer of amethysts to the radiant sparkle of citrines and peridots, Kiki’s signature pieces have graced the ears and necks of style icons across generations – including HRH Catherine, Princess of Wales, Queen Camilla, and Princess Diana.
“The eternal challenge for a designer is to make pieces which are relevant and modern as well as timeless … The fact that Kiki McDonough has achieved this in countless collections over forty years is nothing short of a triumph” – Carol Woolton, jewelry historian and British Vogue Jewelry Editor
On the eve of her jewelry business’s 40th anniversary, Kiki McDonough opens the vault to share the remarkable journey behind one of Britain’s most beloved jewelry designers. What began in 1985 with a single concession in a friend’s store has since blossomed into a globally celebrated brand, known for its vibrant use of colored gemstones, timeless elegance, and deep connection with the women who wear it.
With over 200 stunning photographs, this beautifully curated book is both a visual feast and an inspiring portrait of a female-founded and female-led company that changed the face of modern jewelry.
Through rich imagery and candid storytelling, Kiki reflects on four decades of creativity, determination, and evolution. She takes us behind the scenes of her design process, shares memories from the early, chaotic days of balancing motherhood and entrepreneurship, and explores how her work continues to resonate with modern women around the world. Her mission has always been simple yet revolutionary: jewelry should be bought by women, for women, pieces that speak to their style, their confidence, their joy. More than a retrospective, it’s a celebration of a legacy still in the making – a story as colorful and joyful as Kiki’s exquisite jewelry.
Things Made Over Time is a comprehensive survey of South African artist-potter Hylton Nel’s work, spanning his career from the 1960s to 2024. From his early days in Antwerp to his studio in Calitzdorp, Nel’s ceramics—plates, bowls, vases, and sculptures—embody a unique voice in contemporary ceramics. Featuring a foreword by Dior Men’s creative director Kim Jones and a photographic series by Pieter Hugo, this book explores Nel’s vast inspirations, from Staffordshire pottery to Tang Dynasty China, as well as his home filled with objects and books. With insights from Nel’s own words and an essay by art historian Tamar Garb, who highlights his whimsical cats as symbolic witnesses, Things Made Over Time captures Nel’s blend of humor, critique, and timeless tradition. A must-have for collectors and lovers of contemporary ceramics.