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Milan is one of fashion’s supercities. The home of Dolce & Gabbana, Versace, Moschino, Armani and Prada, as well as one of the world’s most lauded fashion weeks, the Italian city has become a byword for class, style and sophistication.

Milan. In Fashion is a sumptuous exploration of everything the city has to offer, from the fashion shows to trattorias, basilicas, boutiques and more. Immerse yourself in the historical artistry, fairytale glamor and modern chic of a cultural epicenter that never disappoints.

From Paris and New York to more surprising hotbeds of style, the In Fashion series invites you to discover the most fashionable locations in the world. Covering high fashion, classic street style and trendsetting people, as well as interiors, streets, shops and more, each beautifully presented volume offers a unique glimpse into the clothes and fashion culture of a distinct and remarkable destination.

Perfect for fans of fashion and travel.

Chanel – Little Black Dress: The definition of elegance from the Icons of Style series tells the story of the world-famous little black dress.

In 1926, with a gesture as simple as it was radical, Coco Chanel created a black dress, sleek and devoid of unnecessary ornamentation. That dress would change womenswear forever. Featuring celebrated wearers like Audrey Hepburn, Kate Moss, Josephine Baker, Monica Bellucci, Jackie Kennedy, Elizabeth Taylor, Coco Chanel herself and many others, these pages prove that the little black dress has become timeless – the simple answer that is so often the right answer.

Icons of Style is a new series celebrating the objects that changed the way we live, dream and desire. Each compact, elegant volume tells the story of a timeless icon through engaging texts and more than 100 evocative images. From the revolutionary allure of Chanel N°5, the perfume that defined modern femininity, to the legendary Hermès Birkin Bag, the world’s ultimate symbol of luxury and status, these books reveal the origins, secrets and cultural impact of fashion’s most coveted creations. Perfect for collectors, fashion lovers and design enthusiasts.

Louis Vuitton Bags: The symbol of luxury from the Icons of Style series is the definitive homage to Louis Vuitton’s most legendary product.

Emblazoned with the French brand’s famous monogram, the Louis Vuitton bag is unmistakable yet ever evolving. Lavishly illustrated throughout, this compelling volume features the most famous advertising campaigns and celebrity wearers, the rich history of the product, design collaborations, reinterpretations and more.

Nantucket: Classic American style 30 miles out to sea explores how the island’s classic New England nautical style is shaped by its rugged landscape, as well as the sport, art, and its inhabitants. The island’s tight-knit community of achievers and dreamers has created an enviable aesthetic that’s affected in equal measure by the people, its historic grey-shingle homes and the 14-mile-long island itself, its wind, sea, and wild landscape. This stunningly photographed book features portraits and environmental shots of summer residents and islanders in their homes and leisure pursuits across the island, and elements that shape their Nantucket style.

Chanel N°5: More than a Perfume from the Icons of Style series is a suitably elegant homage to the world’s most famous fragrance. Coco Chanel’s N°5 is more than a perfume. At its inception, it was a silent revolution. Throughout its history, it has been revered, celebrated in art and pop-culture, hotly desired, loved, obsessed over and, most of all, worn by women everywhere. This compelling volume features such celebrity wearers as Nicole Kidman, Lily-Rose Depp and Marilyn Monroe, as well as artworks by Andy Warhol and Salvador Dalí.

In Italy there has always been a tradition of making jewelry from semi-precious metal, as copies or prototypes of fine jewelry. Fashion Jewellery: Made in Italy moves chronologically through the last 100 years, with pieces from the beginning of the 20th century, through to the years spent under fascist rule, when jewelry had to be strictly made with local material such as wood, cork, straw, venetian glass and coral. The 50s and 60s allowed for the very first big names in fashion jewellery to arise: Giuliano Fratti, Emma Caimi Pellini, Ugo Correani, Sharra Pagano, Coppola e Toppo, Luciana de Reutern, Canesi, Ornella… The book reserves a special place for an important phenomenon that took place in Milan at the end of the 1970s – “Made in Italy” – when Italian fashion entered (and dominated) the international scene, and Italian designers such as Armani, Versace, Ferré, and later on Moschino and Prada found incredible success all over the world.

Throughout the 80s and 90s, and well into the year 2000 further names in fashion jewellery were pushed to the fore: Carlo Zini, Angela Caputi, Maria Calderara, Giorgio Vigna, Fabio Cammarata, Emilio Cressoni, Robert Tomas, Irene Moret, Silvia Beccaria, among others. The final section of the book is devoted to new talents, selecting ten designers whose jewels are particularly interesting and innovative.

Famous houses that the jewellery was made for include: Bijoux Bozart, Biki, Carlo Zini, Chanel, Chloe, Coppla E Toppo, Edoardo Saronni, Emilio Pucci, Etro, Fiorucci, Flos Ad Florem, Gianfranco Ferre, Giorgio Armani, Giuliano Fratti, Irene Galitzine, Karl Lagerfeld, Luciana De Reutern, Marni, Missoni, Misterfox, Moschino, Prada, Roberto Capucci, Schiaparelli, Sharra Pagano, Ugo Correani, Unger, Valentino, Versace.

Sicilian cuisine is known as curtigghiu – of the courtyard – with recipes passed from door to door and from generation to generation by word of mouth. Influenced by the endless crossing of cultures that is Sicily’s history, its food is as rich in tradition as it is in taste. Here this mingling of Europe, Italy, the Middle East and North Africa is celebrated in 30 recipes chosen by Maite and Marie and photographed – both landscapes and finished dishes – by Mau.

Tuscany is home to Florence, the Renaissance, stunning landscapes, great wines – and food. Simple, slow cooked, made with the finest ingredients, locally sourced. Maite and Marie collect 30 traditional recipes, combined with 40 of Mau’s delicious photographs, and published at an affordable price. Now the best of Tuscan food is within easy reach of any home cook.

This beautiful book in the “500” series celebrates the extraordinary talent of Michelangelo di Lodovico Buonarroti Simoni, arguably the most renowned artist of the Italian Renaissance. 500 years ago, he was 46 years old. He had already completed the Statue of David, the Doni Tondo, the Vatican Pietà, and the Ceiling of the Sistine Chapel. He would later paint the Last Judgement, the frescoes of the Pauline Chapel, and complete the Tomb of Julius II.

This book celebrates his magisterial accomplishments throughout his lifetime, and includes his less celebrated works, architectural projects, lost works, and attributions.

Text in English and Italian.

This book, designed and edited by the Italian-Swiss artist Vivianne van Singer, is an ode to Italian sculptor Luciano Fabro (1936-2007), a well-known Informalist artist and one of the founders of the Arte Povera movement. Having been long acquainted with his work and then having met the artist in person, Van Singer reflects upon his untimely death and pays homage to his career in a collection of texts, images, and works. The starting point of the project is a letter Van Singer sent artists, critics, and prominent figures of the art world in which she invited them to submit a work of art or a text exemplifying what Luciano Fabro had represented for them. Among the contributors to this collection: Giovanni Anselmo, Izzo Arcangelo, Gianni Caravaggio, Rudi Fuchs, Von Fürstenberg, Giovanni Lista, Alessandra Lukinovic, Massimo Minini, Giulio Paolini, Margit Rowell, Sarkis, and Ettore Spalletti.

Text in English, German, French, and Italian.

Antonio Canova (1757-1822), is considered the greatest Neoclassical sculptor of the late 18th and early 19th centuries. This book, the third in the series Canova: Four Tempos, features a collection of sublime black and white photographs of Canova’s plaster models taken by photographer Luigi Spina. The full-size plaster models that preceded the production of his marble sculptures played an important part in Canova’s creative process. Included here are his masterpieces The Three Graces and Sleeping Nymph, and the only work Canova made for an overseas patron, George Washington depicted as a Roman potentate. The text is by the well-known Italian art historian Vittorio Sgarbi.

Also available: Canova: Four Tempos, Vol. 1, ISBN 9788874399215, and Canova: Four Tempos Vol. 2 9788874399598

Italian artist Enzo Cucchi (b. 1949), is one of the pioneers of the 20th century trans avant-garde art movement, and was part of a wider international movement of Neo-Expressionist painters. Today he is considered one of Italy’s most productive and innovative artists, and has become a model for the younger generation. His work is notable for its vibrant color, figuration, and symbolism, with signs, symbols, mixed media, and words which meld into a powerful new aesthetic. His work is presented here in thematic chapters, and includes his ceramics, small bronze figurines, drawings, paintings, and artist books. This volume accompanies the exhibition Enzo Cucchi: The Poet and the Magician that will be held between May and November 2023 at MAXXI in Rome.

Text in English and Italian.

The Italian painter Ugo Celada (1895-1995) has enigmatically and at length remained outside of the circle of renowned artistic names. Faithful to the atelier practices common among the old masters and yet fully aware of everything happening in his own time, he chose not to compete, in an era (the two decades of Fascist rule) when not taking a militant position meant being relegated to the sidelines. This book offers a rediscovery of his art, and through essays by two art historians who places his work in a context that goes beyond the merely contingent, he establishes himself in the setting of a Tradition.
It is with the great Italian masters of centuries past that Celada establishes a fertile and enduring dialogue, albeit ideal. What emerges, thanks to a selection of images of his creations, is the profile of a painter at once venerable and modern.

Text in English and Italian.

Between the second half of the 15th century and the 20th century, many painters added a fly to both their sacred and profane compositions. It was painted so convincingly that it seemed real. André Chastel, art historian, reconstructed in this book the history of the fly in painting, here reviewed and updated by Sylvia Ferino-Pagden. At least at the beginning, the fly was introduced as an odd masterpiece, an affirmation of the artist’s skill and convictions. A joke for illusionists, which however contains more complex meanings. The fly in painting then evolved. The insect, as we know it, is not well-loved and goes from simply being a nuisance to being the sign of death itself. And over time, la burla di Giotto, Giotto’s joke, generated a series of symbols where the artist wanted to represent the transience and precariousness of life, of earthly joys. The book chases the flies in picture after picture and recounts how the pictures are strewn with even minuscule signals, plots, and traps which, from time to time, take the form of a flower, an insect, a gem. It is a question of knowing how to interpret them to delve into a story that is also an adventure of the human spirit.

Text in English and Italian.

Michelangelo Buonarroti (1475-1564) remains the most compelling artist in the Western canon. Painter, sculptor, poet, architect, he redefined both the possibilities of the imagination and the image of the artist. In 1550, he became the first artist to be the subject of a biography within their own lifetime, presented by Giorgio Vasari as the divinely inspired culmination of the history of art. Dissatisfied with Vasari’s treatment, Michelangelo encouraged his close friend and fellow-painter Ascanio Condivi to publish a rival biography. Condivi’s Life is an impassioned, intimate portrait, giving an unparalleled picture of the master’s life, work and personality. This compelling narrative of genius and its struggles in the treacherous world of Papal politics and Italian wars remains one of the most fascinating and influential texts in art history. This edition reproduces the long unavailable translation by Charles Holroyd and has 66 pages of illustrations covering the span of Michelangelo’s achievement.

This pocket sized picture book is an artwork to itself telling the story of the famous trio and their art over the last 12 years. From the most human moments to their wacky adventures to the gigantic murals they have birthed – the Sool Boomb Book will transport you into the colorful world of this prolific Italian art crew.

The Ashmolean Museum catalog Italian Maiolica and Europe (2017) included a range of works from Spain, France, the Netherlands, Germany, England, and Mexico, as well as Italy, to illustrate the rich history of European tin-glazed pottery. Since then, the Ashmolean has expanded its holdings of tin-glazed and related earthenwares to consolidate its position as one of the world’s most important and wide-ranging collections. Among the acquisitions described here is the only known piece of Italian maiolica made for a Tudor Englishman, a plate made for Humphrey Dethick, who caused a nationwide stir in 1602 by an apparent attempt to assassinate King James VI of Scotland. The bequest from Sidney Knafel of New York has transformed the Museum’s holdings of French faience; while important 16th-century maiolica comes from the collection of the late Airlie Holden-Hindley. Among the lustrewares included are fin-de-siècle pieces by Clément Massier and work by some of the world’s supreme contemporary masters of the technique.

Rising near the baths of Diocletian, where Imperial Rome once proclaimed its power, the Teatro dell’Opera in Rome stands as a different but no less enduring monument to Italian genius. Inaugurated in 1880 as the Teatro Costanzi, it was born at a pivotal hour – when a newly unified Italy sought not only political coherence but a shared cultural soul. Within its crimson and golden interiors, that soul found one of its most resounding expressions. Here Puccini’s Tosca premiered in 1900, at a time when the theater became both witness and protagonist of modernity – surviving war, regime, and reinvention – while safeguarding a repertoire that binds Italy to the wider world. To enter its auditorium is to step into a continuum: ancient stone outside, velvet and light within, and above all the breath of singers transforming silence into shared memory. This is a stunning volume, enriched by glorious photography, that honors and uplifts one of the most important opera houses in the world.

Text in English and Italian.

“I tasted a wine with respect, I was moved… and almost without realizing it, I was already writing this book. Throughout my career as an Italian Master Sommelier, I have found great satisfaction, but this experience is a gift I keep in my heart.

From that spark, an unexpected journey was born. It led me to Fabio Cordella’s project, The Wine of the Champions, and allowed me to meet legendary figures such as Ronaldinho, Seba Frey, Júlio César, Amauri, Iván Zamorano, Ciro Ferrara, Vincent Candela, Samuel Eto’o, Marek Jankulovski, and Giorgio Petrosyan. As well as many new friends.

Between shared glasses and authentic bonds, I tell a story defined by passion and sacrifice. This book is dedicated to those who dream without excuses; starting from the bottom and climbing to the top has been a true privilege. After all, careers eventually end—but wine, friendships, and stories linger.”

Text in English and Italian

Du Paquier, an independently operating Viennese porcelain factory, was established in 1718, only eight years after Meissen. Although its heyday was brief, lasting only twenty-five years, Du Paquier produced porcelain of great beauty, notable for an enchantingly graceful style and consummate sophistication of execution. In three sumptuously illustrated volumes, scholars of international standing present the distinctive style and the exciting history of Du Paquier porcelain in the context of Baroque Vienna. The first comprehensive publication on this important porcelain factory, this work has been made possible through a five-year research programme conducted by the Melinda and Paul Sullivan Foundation for the Decorative Arts. The objects shown, many of them for the first time here, are in major public and private collections. The first volume deals with the historical and stylistic background of Du Paquier porcelain: art and architecture in early eighteenth-century Baroque Vienna; furthermore, the history of the porcelain factory, its style and its manifold sources of inspiration as well as Du Paquier’s relationship to Meissen and the role played at Du Paquier by independent porcelain painters and decorators. The second volume places this Viennese porcelain in its cultural context, providing broad-ranging information on court banquet ceremony as well as private pleasures such as drinking and festive dining. Objects used in aristocratic circles are shown along with choice presents of state made to the Ottoman and Russian courts. In addition, this volume contains a new study on the Dubsky Room, the only room still in existence devoted to Du Paquier porcelain. The contents of the third volume include an annotated catalogue comprising approximately 500 objects, scholarly analysis and a chapter on the history of collecting Du Paquier porcelain, an inventory of the Dubsky Room, a bilingual glossary of terms and a complete bibliography. An enclosed CD-ROM contains transcriptions of original documents that have played an important role in the history of the Du Paquier porcelain factory. “This definitive work provides a fascinating survey of Viennese baroque court culture.”
The Art Newspaper

Changes of materials and concepts used in modern furniture design are closely related to ancient Chinese furniture design. This book expounds the content that has to do with “Chinoiserie” in the history of furniture. “Chinoiserie” here refers to the form, function and design principle of traditional Chinese furniture. By sorting out the part of modern furniture design related to Chinoiserie, it is concluded that the Chinese furniture system is one of the two major systems in the development of the global furniture system, and the emergence and maturity of the Chinese furniture system was almost independent, and completely dominated by social functionalism.

This book systematically discusses the decorative feature, beauty in form and development of traditional Chinese furniture, and elaborates on the modern design theory contained in traditional Chinese furniture, its influence on Western design and the development of furniture in the world.

This exhibition, being held at the musée du Louvre in Paris, and its catalog follow those dedicated to Florentine sculpture in the early Renaissance, 1400-1460, that took place in 2013-14 (Le Printemps de la Renaissance). The period scrutinized is 1460-1520 but the geographical coordinates are widened to include Northern Italy (Venice, Milan, Pavia, Padua, Bologna) and Rome as the artistic landscape of Italy becomes more complex. Some of the great sculptors, in fact, travelled and their style and their ideas influenced pre-existing local tradition.

These new artistic languages share a common characteristic: the relationship to Greco-Roman Antiquity, especially in the representation of grace and passion: the expression of pathos and the theatrical quality of religious works, the symbolic richness of profane works and finally the development of a new and refined style which will find its highest expression in Roman classicism and in the work of Michelangelo.

The catalog includes the works of, among others, Donatello, Antonio Pollaiolo, Bertoldo di Giovanni, Giovanfrancesco Rustici, Francesco di Giorgio Martini, Guido Mazzoni, Bartolomeo Bellano, Cristoforo Solari, Tullio Lombardo, Andrea Riccio, and Bambaia, Sansovino, and Michelangelo.

Text in Italian.

In the eleventh century the architect Buscheto built the most important Romanesque cathedral in Europe, the Cathedral of Pisa: an extraordinarily beautiful building that was an expression of the immense economic power of the maritime republic. Completely sheathed in white marble, much of which was recovered from Roman buildings, The Cathedral of Pisa reveals the splendor of a thousand years of artistic history: the mosaics by Cimabue, the tomb of the emperor Henry VII by Tino di Camaino, the pulpit by Giovanni Pisano. Over two thousand photographs as well as essays and copious critical notes document the richness and complexity of a unique monument in Italian art. Texts by A. Ambrosini, C. Baracchini, C. Casini, R. Coroneo, A. Milone, C. Nenci, R. P. Novello, A. Peroni, S. Settis, G. Tedeschi Grisanti. Photographs by A. Angeli, A. Corsini, G. Martellucci, A. Mela. Text in English and Italian. Mirabilia Italiæ is a unique series. It owes its existence to an innovative and ambitious project: an atlas of the great monuments of Italy that will display them in all their details, from the best known to the least. This series represents a completely new way of documenting art. Mirabilia Italiæ provides a guided tour of each monument, fully and accurately explained. Each atlas contains hundreds of color photographs, arranged in a precise topographical sequence and accompanied by diagrams showing the exact location of each detail. The atlas is complemented by a volume of texts edited by the premier scholars in the field, consisting of critical essays and descriptive notes. Essays examine the monument from the art-historical point of view, and record the alterations it has undergone over time. Descriptive notes analyze the content and significance of the images. Extensive cross-references link the essays and notes to the images, facilitating consultation of the work. The General Editor of Mirabilia Italiæ is Salvatore Settis, Director of the Scuola Normale Superiore in Pisa.