Rio de Janeiro is one of the world’s most instantly recognizable cities. From Christ the Redeemer to the Copacabana, Sugarloaf Mountain to the heart of the carnival, Rio is a paragon of South American style in its own right and a beloved destination for travelers. Rio. In Fashion is an unmissable opportunity to deep dive the Brazilian city’s stylish side, including the history and resurgence of Rio Fashion Week, the flare of local dress codes, the high-end boutiques of Ipanema and Leblon, the sprawl of the favellas, the monumental post-colonial architecture and more. All from the comfort of your own home.

From Paris and New York to more surprising hotbeds of style, the In Fashion series invites you to discover the most fashionable locations in the world. Covering high fashion, classic street style and trendsetting people, as well as interiors, streets, shops and more, each beautifully presented volume offers a unique glimpse into the clothes and fashion culture of a distinct and remarkable destination. Perfect for fans of fashion and travel.

A portrait of an eminent jewelry artist and her unique creations!

Inspired by the Arte Povera movement, the Italian jewelry artist Annamaria Zanella (b. 1966) uses base materials, which only gain meaning through their context. Corroded metal or found objects convey statements that can be both political and personal in nature. Zanella wants to bring the soul of the material to light through the work of her own hands.

The color used is intended to evoke feelings and reactions. To this end Zanella studied the history of colors and their production, especially that of her unmistakable blue. She produced a blue pigment according to a recipe from the fourteenth century, invoking in its modern use pioneering artists such as Giotto, Wassily Kandinsky and Yves Klein.

Annamaria Zanella is represented in numerous museums, including Musée des Arts Décoratifs, Paris (FR); Kunstgewerbemuseum Berlin (DE); Die Neue Sammlung The Design Museum, Munich (DE); Museum of Arts and Design, New York (US); Schmuckmuseum Pforzheim (DE); Museo degli Argenti, Florence (IT); Victoria and Albert Museum, London (GB); Palazzo Fortuny, Venice (IT); Cooper Hewitt, Smithsonian Design Museum, New York (US); Swiss National Museum, Zurich (CH).

Text in English and Italian.

The extraordinary life of Barbara Cartlidge (b. 1922 in Berlin) – influential gallerist, curator, jewelry artist and author – together with the history of her legendary Electrum Gallery, which she founded in 1971 with Ralph Turner in London, are documented for the first time in a single publication. Pioneers and colleagues as well as around seventy internationally renowned artists of the gallery all have their say and, in anecdotes and recollections, countless illustrations and hitherto unpublished images, tell of a strong and resolute woman and the significance of her gallery as a promoter and platform for the understanding of contemporary art jewelry. Particular attention is paid to the life of Barbara Cartlidge, who fled from Germany in 1938. For over fifty years she was a driving force in what she described as the ‘the brotherhood of jewelers who make modern and thought-provoking jewelry all over the world’.

It doesn t take a passport to visit Brooklyn, as some Manhattanites might lead you to believe. Still, Brooklyn can feel a world away. And that’s precisely what locals love about it. It’s independent. Fiercely headstrong about maintaining its individuality. Tolerant of the different, the foreign, the weird. But what outsiders might be surprised to learn is that Brooklyn is less an undifferentiated mass than a collection of neighbourhoods, each with its own distinctive character and history. From Bay Ridge, Bed-Stuy and Bergen Beach to Weeksville, Williamsburg and Windsor Terrace, Brooklyn is a patchwork quilt of communities stitched together with mismatched threads from nearly everywhere in the world. Celebrating its in-your-face diversity, but continually churning those differences into something fresh and unique, Brooklyn embodies a hip and cool version of the American experiment. E pluribus unum – from many comes one. Here are 111 places to start your explorations.

The Villa Farnesina is one of the most complete examples of Renaissance civil architecture. The idea of harmony and proportion finds its full realization in this building and in the decorations which enrich it. Text in Italian. Mirabilia Italiæ is a unique series. It owes its existence to an innovative and ambitious project: an atlas of the great monuments of Italy that will display them in all their details, from the best known to the least. This series represents a completely new way of documenting art. Mirabilia Italiæ provides a guided tour of each monument, fully and accurately explained. Each atlas contains hundreds of color photographs, arranged in a precise topographical sequence and accompanied by diagrams showing the exact location of each detail. The atlas is complemented by a volume of texts edited by the premier scholars in the field, consisting of critical essays and descriptive notes. Essays examine the monument from the art-historical point of view, and record the alterations it has undergone over time. Descriptive notes analyze the content and significance of the images. Extensive cross-references link the essays and notes to the images, facilitating consultation of the work. The General Editor of Mirabilia Italiæ is Salvatore Settis, Director of the Scuola Normale Superiore in Pisa.

The Scrovegni Chapel, a masterpiece in the history of painting in Italy and Europe in the 14th century, is considered to be the most complete series of frescoes executed by Giotto in his mature age. Mirabilia Italiæ is a unique series. It owes its existence to an innovative and ambitious project: an atlas of the great monuments of Italy that will display them in all their details, from the best known to the least. This series represents a completely new way of documenting art. Mirabilia Italiæ provides a guided tour of each monument, fully and accurately explained. Each atlas contains hundreds of color photographs, arranged in a precise topographical sequence and accompanied by diagrams showing the exact location of each detail. The atlas is complemented by a volume of texts edited by the premier scholars in the field, consisting of critical essays and descriptive notes. Essays examine the monument from the art-historical point of view, and record the alterations it has undergone over time. Descriptive notes analyze the content and significance of the images. Extensive cross-references link the essays and notes to the images, facilitating consultation of the work. The General Editor of Mirabilia Italiæ is Salvatore Settis, Director of the Scuola Normale Superiore in Pisa.

Text in Italian.

In Italy, Christmas is a thrilling time for young and old. It is celebrated for weeks, bringing families and friends together for spur of the moment gatherings, decorating the tree, or the traditional Christmas Day dinner. And with a pantry full of specially prepared foods, homemade gifts are always at the ready. Christmas at Last! shares these traditions and the holiday recipes that have passed from family-to-family for generations. Sixty-five recipes include the great Italian classics, as well as some with a Nordic influence (because we all know that Father Christmas lives among reindeer). Christmas will be better than ever with St. Lucy’s Sweet Buns, Chocolate and Chili Pepper Truffles, Extra Simple Coffee Parfait and many more. Also included are instructions for traditional Italian holiday decorations such as string lanterns, garlands made from orange peel, and dried apple pot-pourri. Contents: Introduction; Recipes; Stories.

Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls, The Bernard and Mary Berenson Collection of European Paintings at I Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons’ intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons’ friends, family, and colleagues at I Tatti as well as the couple’s diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons’ collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and René Piot’s murals at I Tatti, as well as a listing of 94 pictures that were once at I Tatti including donations made to museums in Europe and America.

Contents:
Preface Lino Pertile; Acknowledgments – Carl Brandon Strehlke and Machtelt Israëls; Note to the Use of the Catalogue; Abbreviations; Glossary of People in the Berenson Circle Mentioned in the Text; Section I: Introductory Essays and Entries 0 to 111; Essay I: “Bernard and Mary Collect: Pictures Come to I Tatti” – Carl Brandon Strehlke; Essay II: “The Berensons and Siena” (working title) – Machtelt Israëls; Essay III: “Passions Intertwined: Art and Photography at I Tatti” – Giovanni Pagliarulo; Entries: Paintings from the 14th to 18th century – Plates 0 to 111; Section II: Fakes; Essay IV: The Berensons and the Sienese Forger Federico Ioni – Gianni Mazzoni; Entries: Fakes – Plates 112 to 116; Section III: Roger Fry; Essay V: “Roger Fry and Bernard Berenson” – Caroline Elam; Entry: Fry – Plate 117; Section IV: René Piot; Essay VI: “A Failure: René Piot and the Berensons” – Claudio Pizzorusso; Entries: Piot – Plates 118 to 131; Section V: The Berensons, Family and Friends; Entries: Portraits – Plates 132 to 138; Entries: Miscellanea – Plates 139 to 148; Appendix: Paintings Formerly Owned by the Berensons – Carl Brandon Strehlke and Machtelt Israëls; Bibliography; Photo Credits; Index.

The Vatican Museums is one of the most important museum complexes in the world, housing incredible masterpieces from the Egyptian Age to the late Renaissance.

The Vatican Museums hold a treasure trove of art and history, as well as an inestimable patrimony of our culture and our civilisation. This volume focuses on the paintings to be found in the collection – including The Sistine Chapel.

Text in English and Italian.

From the Palazzo Vecchio to the Forte Belvedere, through the Uffizi, the Vasari Corridor, the Pitti Palace, and the Boboli Gardens, Florence is honeycombed with a series of public art collections that is unparalleled in Europe for its size and for the variety and value of its holdings. Taken all together, the museums of Florence are one of the wonders of the world, for the spiritual values that they embody as much as for the works they contain.

The painting collections in the state museums of Florence are unequalled for their quality, historical significance, and for the sheer number of works; never before have they been presented in a publication of such splendid technical quality. Thus the reader can trace the various phases and great moments of Florentine painting, including lesser known works of the seventeenth century; can appreciate the presence of masterpieces from other, perhaps unknown, schools; and can examine details different from the standard ones consecrated by tradition.

Text in English and Italian.

Design on the High Seas is an autobiographical account of the architectural design work of Joseph Farcus, which charts his career as an architect who eventually found his way into the cruise-ship industry, in the early days of what is now a truly global business in more ways than one. His works reflects a hard-earned disciplined practice that has helped to foster sophisticated designs for the billion-dollar cruise-ship industry. Many of the projects featured in the pages of this book reflect the beautiful ships of Carnival Cruise Lines, the world’s leading cruise-ship company, as well as those of the celebrated Costa Cruises.

The volume combines spectacular full-color photography, original sketches, and a compelling, first-person narrative to showcase Farcus’s spectacular journey. The author shares anecdotes from his childhood, his university days and his early career, giving an insight into what inspired the architect he was to become – and explaining how the astronomical success of the Carnival Cruise Lines is due in no small way to his product-defining designs. Indeed, millions of passengers have enjoyed memorable and meaningful experiences aboard his works. This is a fascinating and unique account of an architectural designer’s journey, and it will appeal to a broad readership: those who love to sail, those with a passion for boat design, as well as businesspeople of all backgrounds who wish to learn the story behind a leisure industry powerhouse.

Every aspect of a strong food store design and overall branding strategy should be about how to best enhance the shopping experience and build on the customer’s notions of visual and sensory delights. Optimal interior layouts and sharp, clever branding are some of the most effective ways to stimulate a positive customer experience, and which evidence has shown will tend to improve sales. Richly illustrated throughout, this book covers a wide range of food and drink retail design solutions and branding strategies of more than fifty projects from around the globe, including purveyors of fine foods, and a variety of evocative patisseries, an artisanal Hungarian chocolate bar / café, a Mexican ice cream shop, an international selection of bakeries, a Japanese tea shop, a luxurious but eclectic American food store concept, plus so much more.

There are several interviews with renowned designers who provide vital detail on how to best connect a store’s branding identity and graphics with the interior design and layout fittings, including brand promotions and store operations. This is a must-have book for those looking to stand out in a ever-increasing and competitive business field.

Narcissus Quagliata is considered one of the most significant contemporary artists in glass. He has defined a new pathway in this field by combining painting with light, and he is best known for his spectacular artworks in public spaces, which have drawn world-wide attention. These include The Dome of Light: Wind, Fire, and Time in Kaohsiung, Taiwan, the largest illuminated glass dome in the world. Contrasted with this, MUTANT is perhaps his quietest, most personal and most intimate book, in which, for the first time, readers will come to know the person behind the artist through his thoughts, poems, sketches and his latest artworks – an impressive exploration on the relationship between dreams, words and images.

Text in English, Italian and Spanish.

The beautifully illustrated volume is an editorial tribute to the history of the Comunale Theatre in Bologna, a city institution of international fame. With previously unpublished and richly detailed images and complementary texts by Professor Piero Mioli, this publication celebrates the theatre’s great and unique story. Also included is a rich photographic array from the theatre’s historical archives featuring posters, stage photos, sketches, drawings and figurine plates, which have been hidden from public view, until now.

Text in English and Italian.

This monograph is the first title in a new series titled Opera Maestra, specifically focused on the work and itinerary of the artists who made history, from an unprecedented perspective. The series begins with Leonardo da Vinci, captured by the expert Marco Versiero.

At the core the analysis is the specific soul, among the thousands of Leonardo’s, that Marco Versiero wants to underline: his mirror-soul; namely, Leonardo’s eye between Human and Nature. In other words, the eye that allowed the artist to mediate between his favourite dimensions (the human and the natural one), and allowed them to communicate with each other without cancelling themselves, but rather managing to reflect one in the other’s light, like in front of a mirror.

An essential biographical note introduces the reader to Marco Versiero’s pages, enriched with 61 detailed pictures. The pictures, proposing not only a selection of Leonardo’s paintings but also of his drawings, enhanced with comprehensive captions, tell the itinerary of the genius from the years of his apprenticeship in Verrocchio’s workshop till the days of his maturity.

Everett Fahy’s writings are of fundamental importance to the study of Tuscan Renaissance painting from the late 14th to the 16th century. An endeavor that lasted 50 years, starting with his 1965 essay on Piero di Cosimo and ending with his contributions for the 2015 Florentine exhibition on the same artist. In between Fahy wrote on some of the most acclaimed and loved artists (from Beato Angelico to Botticelli, from Ghirlandaio to the young Michelangelo), but also on lesser known masters such as Lorenzo di Nicolò, Spinello Aretino, the Master of the Campana panels, the Master of the Fiesole Adoration of the Magi, etc., and through his pioneering studies rediscovered minor artistic schools, such as the Lucca school. Fahy reconstruction of Fra Bartolomeo’s early career is considered a classic of art historiography.

With texts in English (36), French (1), and Italian (10).

Cooking is as much a visual art as fashion, graphic design or interior design.

Now, in collaboration with Italy’s premiere cookbook publisher, Pantone brings its expertise on eye-appeal into the kitchen. Fifty-six step-by-step recipes are gathered around eight colors and their variations, including: Yellow (Tarte Citron); Magenta (Sea Bream Tartar with Rose Petals); Green (Savory Asparagus Tart); Blue (Salad with Borage Flowers); Purple (Fox Grape Pudding); Orange (Tandoori Chicken with Basmati Rice); Red (Round Meringue with Wild Strawberries); and Brown (Coffee Semifreddo). Each recipe collection is introduced with an essay by a Pantone color expert, and each is styled to perfection and photographed in Pantone’s full-color glory.

Added features include 40 suggested menus combining colors for occasions (brunch, a children’s party, happy hour, a dessert buffet); cuisines (Italian, Mediterranean, Japanese, French); meals for every season; and many other themes. Also included is an extensive guide to necessary equipment, utensils and ingredients. Fifty hand-drawn color how-to sketches demonstrate styling and presentation techniques for creating delicious feasts for the eyes

With a sleek modern layout and design, Pantone Foodmood is perfect for gift-giving. It will be coveted by cooks, food-lovers, Pantone devotees, and all those who love books beautifully made.

Seventy-five years of the legendary Italian-made Ferrari motor and racing car, captured in photographs by Günther Raupp, who during the course of his career has taken pictures of almost every Ferrari ever built.

The results of his eye-catching style and perfect technique are more than just plain photos. They reveal the car’s soul. In this book, he chooses the images that he considers among his best, photographs that make the brand’s history come alive. Writer Jürgen Lewandowski gives an expert presentation of the history of Ferrari, from the founding by Enzo Ferrari until today.

For world-class drivers like Alberto Ascari, Juan Manuel Fangio, Alain Prost, Niki Lauda, Michael Schumacher and Sebastian Vettel, winning in a Ferrari was an outstanding experience. For many it was the crowning moment of their career. But even off the race track the sports cars from Maranello are impressive: not just the sporting qualities, but also the bodies, drawn by Italy’s best designers, including Bertone and especially Pininfarina. Günther Raupp photographs racing cars as well as road cars and makes 75 years of history of the Italian brand come alive.

Text in English and German.

A cookbook of 52 recipes from the Franchi Food Academy, an offshoot of the Franchi Company, noted Italian producers of shotguns and hunting rifles. With a focus on game meats, the authors explore the nutritional profile of game, outline the correct way to handle it in order to enhance its unmistakable flavor, and present recipes that have been contributed by chefs and enthusiasts from around the world. The book promotes game meat as a healthy raw material with major nutritional properties through original and innovative recipes, and aims to support a culinary culture of game meat and its preparation.

The Medici family ruled unofficially and later as dukes the city of Florence and Tuscany, from the end of 14th to the end of the 18th century. Under their patronage the Renaissance was born.
The members of this powerful family were able to build their public image in a sophisticated cultural environment where famous artists such as Raphael, Pontormo, Bronzino, Vasari, as well as poets, men of letters, scientists, humanists, were active. Portraits played an important role in this public relations strategy. The portrait types were quite different: from State portraits to family portraits, from those depicting the young heirs of the family name to those of the women that either ruled or played important roles in the dynastic allegiances.
In this guide the marvellous works, held in Florence’s Uffizi Gallery and Palazzo Pitti, are presented in chronological order making possible to trace the main stages in the history and genealogy of the Medici family.